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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;strong&gt;Interviewer: &lt;/strong&gt;David McCarthy</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>Cork: Ireland: 1920s-2010s:</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>Cork Folklore Project </text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Pat speaks about The Quakers who have their meeting house across the road from his family home. Pat says he went to a few meetings there. He mentions a man who used to go there, Declan Gould. Pat used to go there out of curiosity and to read their literature. He says he didn’t consider becoming a fully-fledged member. He got to know a congregation member called Larry who says does dance lessons. Pat says they were good employers and mentions Brooke Haughton of whom Mr Haughton was a Quaker. He said they did not discrimate and employed many Catholics. Pat mentions a neighbour who lived across the road from him, Patsy Frayne who was a Catholic and was employed as a caretaker in The Meeting House. Pat says they had an average meeting congregation of about 30 and sometimes it could go up to 50. &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                <text>Pat Sexton: The Loft; Cork Shakespearean Company, Dr Lucas, Quaker Meeting House,  Pearse Gunn of the Loft.</text>
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                <text>Life in The Douglas Street area in the 60s 70s and 80s. Theatre in Cork and The Cork Shakespearean company. “The Loft”.&lt;br /&gt;&lt;br /&gt;This is the first of two interviews with Pat for The Cork Shakespearean Company (The Loft) collection. The second is &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017&lt;/a&gt;</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/205" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Pat talks about the composer Aloys Fleischmann and goes into his general story including his connections with the Cork Ballet Company which is how Pats wife got to know him. Pat met him a few times usually when he would call to the house to drop music off. He says he was a very unassuming man. He had an old broken down car with the door nearly falling off and he would have no mass on things like that. He also used to drive an old motor bike. He brought a friend of Pats wife up to Clonmel on the bike and took a corner quickly and they ended up in the ditch but they walked away from it. He says he was like Fr O Flynn in some respects in that he’d inspire people. He collaborated with Joan Denise Moriarty with The Cork Ballet Company. The Cork Ballet Company became The Irish Ballet Company so they set up a professional company out of Cork which the Cork Symphony Orchestra would play in collaboration with. Pat says they travelled to Europe and America but the Dublin based Arts Council said it could survive if it was based in Dublin, their funding was taken from them. Up to end of Fleischmann’s and Joan Denise Moriarty’s lives they were both heavily involved in ballet and music. The ballet and Cork Symphony Orchestra are still around but not in the same capacity as they used to be says Pat.</text>
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                <text>Pat speaks about his family’s involvement in The Railways. Of hurling with St Patricks .Of seeing the Innishfallen coming and going from his house. Playing hurling with St Patrick’s. His work in Dunlop and Ford and his involvement in acting with The Loft Cork Shakespearean Company under Fr O Flynn. He speaks of when the BBC came to the Loft to film a documentary on Fr O Flynn. He also speaks of his memories of Aloys Fleischmann. On John B Keane and the Southern Theatre Group. Dan Donovan. The Everyman Palace. The Montforts. Joan Denise Moriarty. Gus Healy. Chris Curran. Jim Stack.</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;b&gt;DMC.&lt;/b&gt;  After the death of Fr. O’Flynn, as we know, the loft continued on….&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;strong&gt;PG. &lt;/strong&gt;   Well it did too because, at that time we still had the original founders like Gus Healy and Eileen Curran and, and others: Tom Vesey, Teddy Healy, Norry O’Brian, Norry,…..Norry Healy, sorry as and. Quite a number of others that, that,…..Jonny Gallaher, she was another woman that, who came into that as well and, and they, they were there with us as well. So they brought us along another step of the way, and Gus Healy was absolutely wonderful that he was able to bridge that gap because he knew Fr. O’Flynn from the time that the loft was founded in 1924, right up until he died and then came in and then took over the role of, of chairman. And was chairman up till the time he died in 1986. So we were lucky, and of course, Eileen Curran was Fr. O’Flynn's disciple and she had his interpretation. She knew the plays backwards. She could quote from any of the plays without ever looking at a book, you know. And we were lucky. And then, like, we were maturing ourselves. Pierce, of course, my brother, was that much ahead of me and he, he was well into it as well. And you had Pat Lehane and other stalwarts of that particular time. Now I would have to say then a lot of the others had drifted away, like the Michael Twomey’s and Marie Twomey’s weren’t as and…. those that were around at the time when I mentioned like the: Kevin Sheehan’s, the Michael Mcauliffe and all of these. They, Monn Murphy’s, they had moved on a bit. Now one or two of them, like Monn, came back and did a few parts with us at later stages, you know. I know Monn did a reprise of &lt;i&gt;Hamlet&lt;/i&gt; in, I think the mid, the mid 60's, 1964. She came back and reprised her role as ‘Ophelia’, you know. And Tom Vesey, of course, a very old great old stalwart of the original cast. He, he was there up until he died I think 1966. So they, we were lucky, you know. But then we had matured enough to more or less bring it on ourselves and Pierce immersed himself, my brother that is, immersed himself in the work of Fr. O’Flynn and Eileen Curran. When Eileen Curran passed on in 1977. And we also had a, a, a, an outsider who's contributed hugely to the loft of the period and he was a man by the name of John Morley. And he came into the loft in the early 70's and he, he, he was quite an outstanding character. He was English, old English, retired actor living in Cork for a period and he, he was, he was a great man of theatre, you know. And he taught us a lot of things apart from…. the plays and producing and all that, you know. He taught us a lot about creating properties and you know, and settings and all that as well. And he was an extremely talented man and wonderful guy and he understood Fr. O’Flynn and where Fr. O’Flynn was coming, from the word go. He had in fact in Dublin been a friend of Fr. O’Flynn’s nephew, John O’Flynn. And when he came to Cork he, he, he, he was involved briefly I think with The Everyman Theatre. But then he came along to us. And he, he was with us for many happy years really up until….. 1977. He was producing at the time that Eileen died rather suddenly on us in the middle of the last few rehearsals for, for &lt;i&gt;The Winter’s Tale&lt;/i&gt; in 1977. And she was; Susan Cummins was a very good girl at the time who, who filled in, in between, between the Saturday and the following Wednesday she, she filled in for him …and she took over the role that was vacated by Eileen Curran, which was quite a substantial role actually in that play. And she, she was to give a very credible performance but John Morley, he directed that. And I learnt a great deal from him because I played ‘Leontes’, the king, in that I had a major role for the first half of, of the play and he was great. But he eventually; he was a member of the high religion and he was asked to go over to Bermuda with his wife, Valery, who was a lovely lady as well. That was about the end of the period where we had come out of The Opera House. We went back into the opera house in the 70s and then did quite a number of plays in The Opera House. But eventually, the burden of, of, of mounting pro plays in the opera house became a bit heavy for us all because we were all young and married and working and that sort of thing. So we tended to go back into The Theatre of the South, a little theatre in Castle Street and then after that then, when they built the The Cork Arts Club then in Knapp’s square we gravitated to there. We kinda, generally speaking, do most of our plays there now at the, at the moment anyway, but. So, that was, we were helped an awful lot to be able to do that, you know. Now, and I'm glad to say that there’s a new generation coming on after us headed up by Ciaran O’Leary and others, and Ray Brothers and Mike O’Neill and hopefully they'll carry the organisation on further into, into the next number of years.&lt;/p&gt;</text>
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                <text>Pat Gunn: Cork Shakespeare Company, Fr O Flynn, War Of Independence,  Black And Tans, Tom Barry. </text>
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                <text>Pat Gunn grew up on Barrack Street. He talks of early life there plus his involvement with The Cork Shakespearean Company and of his knowing FR O Flynn in his final years plus the 1961 BBC film on The Loft. Also about his Fathers involvement in The Old IRA in War Of Independence and Civil War. Topics covered include his father's memories of the burning of Cork and Barrack Street ambush. His father's thoughts on the Civil War. Also his ancestor in The RIC. He also speaks of meeting Tom Barry in the 1960s. He speaks of witnessing the ceremony at Cork City Hall to celebrate Ireland becoming a republic in 1949. &lt;br /&gt;&lt;br /&gt;This is the first of two interviews with Pat for The Cork Shakespearean Company (The Loft) collection. The second is &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/208"&gt;CFP_SR00627_Gunn_2017&lt;/a&gt;</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;p&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;b&gt;CD.&lt;/b&gt;    My mother had been one of the original children who Fr O’Flynn taught poetry, and… She was there at the very beginning as actually, as a very small child. She used to attend classes in the presbytery when she was aged only about 6 I think, and Fr. O’Flynn taught her poetry. Not Shakespeare, but Robert Louis Stevenson's &lt;i&gt;Child's Garden of Verses&lt;/i&gt;. He had her saying poetry. And, and these classes in the presbytery, they were the very beginnings of The Loft. Fr. O’Flynn then found an old loft near Shandon and the classes moved into this premises, which ….my mother loved .And, she was in the week, the great week where they did eight different Shakespearean plays. She took part in that. And she also took part in a very famous production of &lt;i&gt;The Midsummer’s Night Dream&lt;/i&gt;, which was held on the roof of The North Infirmary. And ….it was held for a private audience: the medical staff, and the nuns, and some clerics went and I think the bishop of Cork went. And my father…. attended it as a young boy, because his father was on the staff of The North Infirmary. So he was in the audience and he saw my mother play the part of ‘Puck’ in &lt;i&gt;The Midsummer’s Night Dream&lt;/i&gt; and that was how my parent’s actually met. Was through Shakespeare, on the roof of The North Infirmary. So that’s quite a way to meet, it really is.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DMC.   &lt;/strong&gt;And, and what year, what period was this?&lt;/p&gt;
&lt;p style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;b&gt;CD.&lt;/b&gt;   My mother did ‘Puck’ when she was very young, so, she was born 1916 so…. I think she did Puck when she was about 12. Yes, she was very young, Puck. But, she always remembered that day, she said t'was one of the great days of her life, actually, playing ‘Puck’ on the roof of The North Infirmary. And, therefore when we were children she brought us up to meet Fr. O’Flynn because she adored Fr. O’Flynn and very much wanted us to, to be in the tradition of the loft, you know?&lt;/p&gt;
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                <text>Carol talks about life growing up St Patricks Place in Cork in a historic 18th century house where her father had his doctor’s practise. She speaks about how her father was one of only six people in the city issued with a pass during the curfew at the time of the burning of Cork during the War Of Independence.  She speaks about some of the local residents of the time such as Seamus Murphy the sculptor, tilly and Aloys Fleischmann and Joan Denise Moriarty. She speaks about her family’s long association with the medical profession and her own training and work as a surgeon. She also speaks about her involvement with The Cork Shakespearean Company aka The Loft and her memories of Fr O Flynn.</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;&lt;strong&gt;DM:&lt;/strong&gt; He wasn’t very impressed with Hollywood or with cinema was he?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;PG:&lt;/strong&gt; Not particularly. I don’t know if he ever went out to see a film. I presume he did but that didn’t sort of light his fire at all really he had no particular, any interest in film, no particular interest in the theatre as such. Always remember that Fr O Flynn was exercising his ministry as a priest in the Loft and he was very subtly getting across the story of the gospels through the teaching of Christ through the plays of Shakespeare you know? That was his main thrust really so, yeah he certainly was in the 1930s well before I arrived they brought out a pamphlet for one of their shows about the evils of Jazz. They were very, very much opposed to jazz. He was anyway. I think he had convinced a lot of the guys up there at the time, and girls, that jazz, they kind of in a way that they were a little bit superior to that you know? That was, they regarded jazz as a little bit low class and I used to get that from Gus Healy you know who was very deeply involved from the inception of the Loft in 1924 up until he died in 1986 as Chairman of the Loft itself. He’d been Chairman actually since the time Fr O Flynn died in 1962 until he died himself in 86 so in all those years like he guided the Loft on a very steady course of development you know? And like the Loft in those days became a very popular place for aspiring actors, certainly during Fr O Flynn’s time of course and after the War, you know? A lot of young guys and girls that were interested in getting involved in theatre and it was kind of a thing to do at the time if you really wanted to put the stamp on your acting career it was nice to be able to say that you had spent some time in the Loft you know? And even for those who subsequently went on to become professional actors they would often refer to that like, that was where they learned their craft. Of Course, the whole thrust of Fr O Flynn and the Loft was to as he used to say himself constantly to educate the heart and the emotions that went with it. So he had no great interest in, you know, in new attitudes or anything like that that didn’t take that of acting, that didn’t take that into account. No interest in the technicalities of acting you know? That didn’t interest him. But what interested him was getting inside the emotional elements of the characters you played. And he was right because unless you do that your characters are going to come across rather stilted and wooden you know? But by really adopting the characters, kind of a method system really in a way with, I’m sure himself and Stanislavski would have had a great deal in common in that sense you know? But he wasn’t you know, open to any immorality or anything like that although open-minded in his own way. That so often say to them, the older guys when they were coming back on busses from performing and things like that you know, he used to say to them down the back of the bus, he’d be up in the front of the bus and he’d say “no keyhole romancing down there” you know? So like if you were, he didn’t mind you, you know having a bit of a romantic session with your girlfriend but provided you weren’t hiding it so in that sense he was a bit ahead of his time.&lt;/p&gt;
&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;
&lt;p style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;/p&gt;</text>
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                <text>Pat Gunn: The Emergency, Cork Harbour, John F. Kennedy </text>
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                <text>Pat speaks of his memories of The Emergency as the Second World War was officially known in Ireland, of witnessing the exploding of mines by the Navy in Cork Harbour after WW2. He speaks of the harsh Winter’s and big snow of 1946/47 and 1947/48. He speaks of witnessing torchlight processions by De Valera supporters as a boy and seeing De Valera's procession through Blackpool and also anecdotes of a chance meeting with De Valera in later life and of witnessing the John F Kennedy visit to Cork.&lt;br /&gt;&lt;br /&gt;This is the second of two interviews with Pat for The Cork Shakespearean Company (The Loft) collection. The first is &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/205" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017&lt;/a&gt;</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>Cork Folklore Project </text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Pat says Bishop Lucey confirmed him in Turners Cross. Pat says also that he was serving as an altar boy at an ordination of a priest and he remembers on the way out seeing Bishop Lucey sitting down and he thought he didn’t look that severe a man. He also says that he had a voluptuous breakfast in front of him and Pat remembers thinking how he’d like to have some of that breakfast. Pat says there was a story told that during Lent Bishop Lucey said you couldn’t eat cakes during lent but you could eat a biscuit. Pat says a Cork firm brought out a cake that looked like a biscuit to get around this and they were nicknamed “Connie Dodgers”. Pat says he didn’t want to be moving out to another church to do the ordination mass and that he wanted to do it in the Cathedral. Pats father said how Bishop Lucey stood up to the Protestants on the Board Of Management Of The Savings Bank. Pat speaks of how a professor of moral theology in UCC at the time of Humanae Vitae made a statement that if anyone had any problems they could come to him and he would give them advice. Pat says when Bishop Lucey heard this he saw red and summoned him to the Bishops Palace. Pat says soon after Fr Paul went out to Africa. He says a time later Bishop Lucey went out to meet him. He says that Fr Good is still alive and living out in Douglas. He is supposed have said that the bishop that he knew here and the bishop out in Africa were two different people. Pat says according to Ger Cassidy (an older former neighbour) there was a sin of company keeping which would involve courting couples. When asked Pat does not recall any controversy about Bishop Lucey and the Film Festival.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</text>
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                <text>Pat talks about memories of the Douglas Street area. Local characters and the market and mart which would be held locally in times past. He speaks about his time in London in the 80s and his childhood and teenage years. He expands further on the story he told in the first interview about his father winning a junior All Ireland medal with Dublin. He also speaks of customs around Halloween, Christmas and Stephens Day where he speaks of seeing Wren Boys in his mothers native Ballinhassig.&lt;br /&gt;&lt;br /&gt;This is the second of two interviews with Pat for The Cork Shakespearean Company (The Loft) collection. The first is &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017&lt;/a&gt;</text>
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                <text>Interviewee: Pat Sexton</text>
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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;strong&gt;Interviewer: &lt;/strong&gt;David McCarthy</text>
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                  <text>Cork: Ireland: 1920s-2010s:</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
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All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;/strong&gt;&lt;br /&gt;
&lt;div style="text-align:left;"&gt;&lt;strong&gt;&lt;br /&gt;FMcG.&lt;/strong&gt;   Well, of course as most people who knew him, knew him as a Fianna Fail TD, senator and councillor, obviously. But also, then as lord mayor in 64, 65, and again in 1975, which was the occasion for The Loft members presenting this particular photograph to him. It's a photograph of the city hall as it was in 1896, I think. But that's, that's the background to him. He was…. married to my sister, Rita, and they lived in, in Montenotte area for many years before moving to Blackrock, shortly before he died. A character, there's no question about it. He was small of stature…… had some little bit of a, a disability, I suppose it would be referred to as today. But it was no disability to Gus. He was, as I said, a great character, great sense of humour and, and obviously was very connected to, to The Loft.&lt;/div&gt;</text>
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                <text>Finbar McGrath: Fianna Fail, Christian Brothers, Jack Lynch</text>
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                <text>Finbar talks about his late brother in law Gus Healy and his involvement in the Cork Shakespearean Company AKA The Loft and also talks about Gus’s political career in Fianna Fail and his career as a TD and senator plus his two terms as Lord Mayor Of Cork. He speaks of a framed photo of Cork City Hall in 1896 which was presented to Gus by members of the Loft in 1975 upon beginning his second run as Lord Mayor and the fact that the back of the frame was signed by Loft Members</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>Cork: Ireland: 1920s-2010s:</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>Cork Folklore Project </text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;He mentions the Tenebrae ceremony. He speaks about fasting from midnight if you were going to communion the following day which he says was a very wrong thing to ask people to do. He says nearly every time you were at mass someone would faint especially if there was a large congregation. People would have to be led out of mass because they would get a weakness. He says the big fasting day would be Ash Wednesday. He tells by example a story of when he was teaching in Loughrea in Co Galway and he was staying in his digs in a hotel. He says a priest came down to speak to Humphrey and the other lay teachers staying there. He said to them that they didn’t have to fast for Lent but he couldn’t say that from the pulpit. Humphrey says the girls working in the hotel and kitchen would be looking for dispensation but they would not be given it. He speaks of the unfairness of this and the fact that teachers were regarded as scholars and therefore part of the Church but girls working in menial jobs were expected to fast.</text>
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                <text>Humphrey Twomey: Collins Barracks, World War 2, Cork Shakespearean Company</text>
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                <text>Humphery shares Further memories of moving with his family to Dillon’s Cross area aged 7. Memories of Collins Barracks and seeing the army on manoeuvres. The Emergency or World War 2. Army manoeuvres in Gouldings Glen in an area known as the Black Patch. Seeing searchlights late at night. How the Black Patch was also used by children for playing. The LDF and ARP. He speaks about talk of Rudolf Hess parachuting into Scotland and people wondering if Ireland would be bombed plus the Blitz. He speaks of air raid shelters on Patricks St. Memories of rationing and how hard it was to get tea.&lt;br /&gt;&lt;br /&gt;This is the first of two interviews with Humphery for The Cork Shakespearean Company (The Loft) collection. The second is &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019&lt;/a&gt;</text>
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                <text>Interviewee: Humphrey Twomey</text>
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                <text>Interviewer: David McCarthy</text>
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                <text>Cork, 1920s, 1930s, 1940s, 1950s, 1970s</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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              <name>Title</name>
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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Kieran speaks about the Cork actor Cillian Murphy whom he went to primary school with in St Anthonys. Says it is nice to see him doing well. Hasn’t met in a long time he says. Speaks about plays he’s seen him in such as Ballyturk in the Opera House and Brief Is The Thing With Feathers in Town Hall Theatre Galway (both plays by Enda Walsh). Says he was a nice guy and one of the class clowns in primary school. Speaks about being in his family home in Blackrock on his birthday as children. Speaks of Cillians love of music. Speaks of how he got his acting break in Enda Walsh’s Disco Pigs. Speaks about Cillian Murphys band the Sons Of Mr Green Genes which included CM’s brother Padraig Murphy. Kierans band at the time Pure New Wool. How they shared the bill with Sons Of Mr Green Genes at a concert in Sacred Heart secondary school South Douglas Road. Speaks more about Kierans band. How they are back in recent months recording. Re-recording old songs.</text>
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                <text>Kieran speaks about growing up in Ballinlough, the shops and businesses that he remembers. How he developed his interest in theatre and getting involved with the Loft and other theatre groups. He talks about going to primary school with actor Cillian Murphy, about sharing a stage with his band the Sons Of Mr Green Genes. Cork music scene in the 1990’s and bars/ music venues from this period. Memories of music stores, Queens Old Castle and socialising.</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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        <name>Cillain Murphy</name>
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        <name>Pat Buckley' sBar</name>
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        <name>Rory Gallagher</name>
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        <name>The Loft</name>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;He speaks about memories of Spangle Hill. He recalls whenever a boat would come in to Cork the women from Spangle Hill would go down the hill with prams to meet their husbands or male relatives who were coming over from England and use the prams to transport their luggage back up the hill. On a big day you would see a lot of them pushing prams up the hill. He says they would also use the prams for bringing shopping home. He says speaks of how some local men would be over in Dagenham Ford plant during the War.  &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                <text>Humphrey Twomey: Aloys Fleischmann, Murphys Brewery, Cork polio outbreak</text>
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                <text>Humphrey talks about the Cork classical pianist Charles Lynch. Blackpool tenor William Dunlea. Ballet teacher Joan Denise Moriarty. He talks about Cork composer Aloys Fleischmann and his home on a lake in the Glen. Also speaks about Fleischmann's parents.&lt;br /&gt;&lt;br /&gt;This is the second of two interviews with Humphrey for The Cork Shakespearean Company (The Loft) collection. The first is &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019&lt;/a&gt;</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>Cork: Ireland: 1920s-2010s:</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
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All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;/strong&gt;&lt;br /&gt;</text>
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                <text>Musetta Joyce: Cork Arts Theatre, The Emergency, The Magdalene Laundries</text>
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                <text>Musetta studied at the Crawford School Of Art and worked in textiles in Galway and Cork. She became a professional actress and worked with among other groups, the Radio Eireann Players. She spent twenty years teaching English in Sicily. She now spends the year between Cork and Sicily.</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/205" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/div&gt;</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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        <name>Cork Shakespearean Company</name>
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        <name>Crawford  Art College</name>
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        <name>Fr O'Flynn</name>
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        <name>Italy</name>
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        <name>Magdalene Laundries</name>
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        <name>RTE</name>
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        <name>RTE Players</name>
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        <name>Sicily</name>
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        <name>The Loft</name>
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      <tag tagId="139">
        <name>Theatre</name>
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      <tag tagId="253">
        <name>Youghal</name>
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