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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                  <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M.: Very good, Ok. So do you have any stories about misunderstandings that might have occurred because of the difference in language or because people do things differently here, when you arrived first?&#13;
&#13;
Y.V.: I used to have when I came… when I came to Ireland; you know my English was eh… quite bad (laughs), and em… I could speak English like, quite flatly, but I mean, it was expressions, that eh… expression, Irish expression that eh…I kind of didn’t know. Em… yeah, it used to be barrier of culture barriers, but eh, when I came here I was very, eh, if you like, very open, very, do you know, em…. I was very fast in many things. People didn’t like it, or people were afraid of it, em… em, I used to call to peoples’ houses and kind of, do you know, where in Israel people have to call to peoples’ houses. Eh, there is a lot of things where, em, like if we had a packet of cigarettes here on the table, you know, I’ll take a cigarette because knowing that you are my friend and eh, there is no problem. Do you know, a lot of things like in the bars, for instance, where in Israel, bars open all night until the last customers leave really. Eh, and there is things, eh… like they are in the bar like the cigarettes, tapas, tapas which is peanuts and stuff like that to put in bar and eh… for people just to pick up. People do that without questioning or anything, em… Lot of specially we talking about the bar, eh, we ordering our drinks and we pay as we leave. You know in Ireland I found it very em, do you know pay now you know. And eh…you know, most of things like that em… do you know, I find it quite, you know, eh… it used to make me angry, but eh, do you know like the Irish people kind of advanced me that’s the way we live, and you know ‘there is nothing we can do about that now’ (laughs).</text>
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                <text>Yossi Valdman: Israel, Jaffa, Jews, Customs,</text>
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                <text>Life History; Israel; Jaffa; Cork;</text>
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                <text>Yossi talks about Israel and his Jewish heritage, and describes coming to Cork and how he experienced life in the city.&#13;
Yossi’s father lived in Israel and then moved to Jaffa where he opened a shop. Yossi lived in Jaffa and Israel and then travelled and met his wife, Margaret, who is an Irish woman. He came to Ireland in 1991, and to Cork in 2001. He talks about his impressions of Cork and Ireland. He recounts cultural differences he encountered, and comments on drink culture. He talks about the historic nature of the city’s Jewish community.&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Yossi Valdman&#13;
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Interviewer: John Mehegan</text>
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                <text>Cork; Ireland; Israel; Jaffa; 1960s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>John Megehan</text>
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              <text>Vitaly Mahknanon</text>
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          <name>Duration</name>
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              <text>55m 28s</text>
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              <text>Ballincollig, Cork, Ireland</text>
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              <text>16bit / 44.1kHz</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M.: Very good, okay. That’s a nice touch. Okay, so Vitaliy, do you have any stories about misunderstandings that might have occurred because of the difference in language or because people do things differently here?&#13;
&#13;
V.M.: Oh yes… it’s eh… I would say, eh… not only from my experience but from experience of other people because I’m involved as a part of eh, integrating support centre in Cork organisation name… named NASC. So, f… I’m come across lots of situation and not all of them quite funny, some of them s… would be much dramatic… dramatic situation, but I want to come back about my own experience. Eh, first thing eh which I found for myself was eh, difference in culture, when you greeting each other. In Ireland you say, “Hello, how are you?” and that’s it and people turn up and go away and you later on stayin’ and watching what’s wrong with me? Am I ugly? Am I smelly? And just feeling your self frustrated. But I mean when I grew up in the eh… environment where every single word has a meaning and now I try to explain you; we have one proverb eh… eh… word… eh… the word is like a bird, if it flew away, you won’t be able to catch it and bring it back, even if you say sorry. And I mean by this, in… in our culture, when you say to somebody “Hello,” and later ask, “How are you?”, you really expect an answer, and person might say you, “Oh, I’m good today”, and person become to telling you most eh deeply the story, for example, today I met new girlfriend, and she so nice, so on… and you tell him, “Okay, let’s take a drink and you tell me more about this thing,” and person, “no bother, let’s go.” You take sit… eh you take in the pub with him, we don’t have pubs, café, take tea or beer and person just sharing his mood and experience what he done today and you feel yourself eh… happy and you learn from that person what he done in life, you get some, eh, how do you say, benefit to yourself. Or opposite thing happen, person might tell you “Oh, awful thing happen today, I was sack from job”, or something like that, “I lost my friend”, or what ever, you say “No worries, come with me, I buy you drink”, I call all my friends, we sit together maybe you tell us your story, and maybe you’ll bring some solution. Maybe somebody come across similar situation, or somebody was in your shoes, maybe people can tell their own experience and you can learn something from those. Another story you became eh feel yourself more eh needed person, then somebody need you. Eh, but compare here to Ireland, “Hello, how are you?”, and, “Bye, bye”, and you just okay, what’s wrong. Later on my friends, Zara and Fran, just explain me this only formal greeting, don’t pay too much attention about those things, I said “fine”. Another thing which can came across again, eh in Slavic language we use words eh, thank you, please, eh but the same in a… I mean ordinary way, we use an intonation to say something. I mean if you say something like, “Ahh”, it mean eh request or please. If you say the same sentence with eh plain into… intonation like, “Ahh”, it mean like statement or you bored. If you say maybe more eh high tone like, “Arh”, would be mean like you’re angry, just leave me alone. And by intonation it can just show what you mean. Eh but here in English language you have to put everywhere this small word, ‘please’, unless you don’t do this people treat you different way. I mean if you go to the shop and say, “Can I have this?”, and forget to say “Please,” people watching you very strangely, throw you on table, take it, and so on. But later on you presume what’s wrong with me, what I did wrong? Try to rewind your sentence back a sec… ah, sorry, I forgotten to say the word, ‘Please’. And, next time when you start to learn from this thing, okay, please, please, and you start to say it in beginning, “Please can you tell me, or give me something?” Rather in our language because we do everything by intonation. I mean, m… mostly in th… situations. Or another thing about detonation eh of word, friend. Here in Ireland you call friend everybody, but in our country it’s more sacramental, more… eh more… it’s… it’s word has a more eh deep meaning. We don’t call friend everybody, in our country we have different condition, maybe I tell you my own gradation of relation between people, you can have the top of hierarchy would be the friend, eh… below the friend would be mate, or eh, colleague. After them would be person you know, eh, some fella who maybe neighbourhood living near by, or your class eh mate from long time ago, forever, forever. And this hierarchy building up by relations with people. If you just try to come eh see from perspective of philosophy, Aristotle, if I’m not mistaken, he said, “Who’s a friend is second me,” like mirror reflections. Only one or two people could be eh… thinking the same way, to treat the same way in situation like you are and his word was eh… eh proved by another eh… Iranian eh poet, about twelfth century… century, twas’ Saadi, he said, “If you had eh… if you have one friend you are happy person, if you have a two friend, everybody jealous you, if you have three or more friends you the sad person.” An explanation would be of this like that, human being has only two arms, if somebody going by the bridge, somebody eh… eh your friend suddenly be… become eh sink, you can save only two and give two of your hands, and lift them up. If there are more than two friends, you have a make a choice, who can you have save. That’s a big eh… eh, decision to have to be done. But… and that’s why I mean in our culture, the word friend has more eh, deep meaning, and we don’t call everybody friends, compare in Ireland if it’s a friend you say, “Okay, I’m friend”, but later on you become stuck in situation, and hold on why somebody call me friend, if I maybe quite opposite perspective of eh understanding reality. Maybe I’m quite different person somebody telling me friend and you become to be more, feel yourself uncomfortable because it’s big responsibility to be a friend in perspective of my understanding. You have to be eh, everywhere when your friend needs you. And not always friend have to call you and tell you, “okay, I need your help”. Sometime you have to offer this thing. Somebody telling you oh, call friend, you presume then you have to be wakey, wakey and just to expect something happen, have to be eh, give some hand to help the… the… the people. And a lot of eh, different stories like that, which would be, show in a difference eh… eh… cultures, aspects.</text>
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            <name>Title</name>
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                <text>Vitaly Mahknanon: Immigration, Ukraine, Language, Friendship,</text>
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            <description>The topic of the resource</description>
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                <text>Life History; Ukraine; Ireland;</text>
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                <text>Vitaly is from the Ukraine. He compares his home culture to that of Ireland, and he talks about his experiences as an immigrant in Cork.&#13;
Vitaly was born in the city of Lviv, Ukraine. Although he was heavily involved in boxing, he opted to become a journalist.&#13;
He came to Cork in 2002, and felt isolated until he met friends who taught him some English. He worked with immigrant support centre NASC. He describes some cultural differences between Ukrainians and Irish people, such as how they use language, and their concepts of friendship.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
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                <text>3 December 2004</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Interviewee: Vitaly Mahknanon&#13;
</text>
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                <text>&#13;
Interviewer: John Megehan</text>
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                <text>CFP_SR00353_mahknanov_2004</text>
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                <text>Cork; Ireland; Ukraine; 2000s;</text>
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            <description>A related resource</description>
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              <elementText elementTextId="823">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
T.H: It’s improved enormously, yeah the whole Celtic tiger thing, there is a whole generation who’ve grown up who expect to work hard, and expect to do well as a consequence of it because I mean that was always my thinking at the time is that em there was no particular incentive for people to you know keep their nose to the grindstone, or to be disciplined or driven or any of those things because you’d work hard and do no better than anybody else, I mean any sensible person would see that, so em I’ve never felt that the Irish were intrinsically this that or the other thing more than any other culture or group of people, I think these are entirely down to circumstances you know there are cultural influences but em people, why would people work hard for no particular gain, and conversely I suppose why would they not work hard if they can see that they can get a lot of stuff that they actually want, eh whatever that stuff is, whether it’s material stuff or whether it’s freedom, you know, or the possibility to go to Spain four times a year or the possibility of moving to Spain, or whatever you know I mean the stuff that money buys, em so anyway I mean that, all of that stuff wasn’t a mystery to me but it was, you did ask what was galling to me, what bothered me and that was certainly one of the worst.</text>
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                <text>Tony grew up in Canada. He came to Cork during the 1990s, and he talks about his impressions of the city.&#13;
His father was Irish, his mother English. He talks about growing up in Canada, where he learned the guitar and played in a band. He came to Ireland to play music with another musician. He talks about his impressions of Ireland and of Cork. &#13;
He has carpentry skills, which he picked up because he often had time on his hands, and he has made some acoustic guitars.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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Interviewer: Sean Claffery</text>
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                <text>Cork; Ireland; Canada; England; 1970s - 2000s;</text>
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            <description>A related resource</description>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>1.wav File</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project Audio Archive</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Francis Quirke</text>
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              <text>Tim O'Brien</text>
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              <text>51m 59s</text>
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              <text>Cork City Fire Station, Anglesea St, Cork City, Ireland</text>
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          <name>Original Format</name>
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            <elementText elementTextId="1087">
              <text>MiniDisc</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q: Picking the blackberries. Em is there anywhere else you can think of now that you used to play around as a kid?&#13;
&#13;
T.O'B Eh well obviously Eglington Street swimming pool right – we used to go to the baths. And that was a bit of an event because we were going into town, and there was concern if you were going into town, but then on the other side it was a lot safer because any adult would give you a kick in the arse if you did anything out of the way right, it didn’t have to be your parent or know you or anything. You were afraid of them anyway to start off so that wasn’t a bad idea. We used to come down as I say to Eglington Street baths eh from Blackpool to the baths it was probably about for young fellas maybe twenty minutes, twenty five minutes walk eh and however long it took us to come down it would take us twice as long to go back because we would go to the Cork Cold Storage for the ice creams and eh like I mean to say the ice cream would take you flippin half an hour to eat it – it was so big! And you would go home and you’d think that you were the flippin Prince of the world, and the whole thing for I don’t know maybe three pence to get into the Eglington Street baths, and another three pence going home, that’s six pence and transfer that to modern money and you probably have something like two p. right, you wouldn’t get a lot for two p. these days.&#13;
&#13;
F.Q: Two cent, yeah you wouldn’t get a lot em Tim would you have went to the cinema?&#13;
&#13;
T.O'B Yeah eh obviously that was a kind of a thing. You had the Palace, you had the Lee, eh you had the Pavilion, you had the Capitol, and you had the one out in Washington Street (the Ritz) and you had the one above in Collins Barracks.&#13;
&#13;
F.Q: The Cameo.&#13;
&#13;
T.O'B Cameo, so you had all of them and eh you get to go to the pictures once a fortnight, and I remember actually there was a very funny ritual at home; eh it was the father who would give us the money to go to the pictures, but you would have to kind of grovel for a long time first, and one of his tricks was that he would put his hand in his pocket, and you’d think you were getting the money and the hankie would come out, right, so then we developed this knack: we’d get our friends to come to the door to try to put him under pressure, so he wouldn’t relent for that either. He used to go through his ritual – he’d always give us the money in the end, but like I mean to say you would have an awful lot of getting there before you actually got it you know. Eh but then as I say we used to go out and go to the cinema, gangs of us. Em there used to be kind of I remember about five or six of us seemed to go everywhere, eh together the whole time you know, em into the cinema in the afternoon, and come out and be dazzled by the light outside because it was so dark inside, one of the things I always remember; em the films I saw then were probably as good as any film I saw since like.</text>
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            <name>Title</name>
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                <text>Tim O’Brien: Cork Fire Brigade, Murphy’s Brewery, Murphy’s Rock,</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="1069">
                <text>Life History; Fire Brigade; Youth;</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="1070">
                <text>Tim talks about working for Cork’s Fire Brigade, and about changes to the job over the years. He has been a fire-fighter since 1975 and loves the job.&#13;
Tim was born in Watercourse Road. His father worked in Murphy’s Brewery. His mother came from West Cork, and he had some contact with the countryside and country people. He is a speaker of the Irish language and tries to use it where possible.&#13;
His father worked in Murphy’s for 42 years, and the job was one handed down by previous generations of his family. You were expected to drink the product if you worked there. He recalls shire horses pulling the beer barrels around Cork to tied pubs, and women collecting horse manure when they passed.&#13;
He talks about Murphy’s Rock and how that area has changed. Children used to go to Eglington Street baths and get an ice-cream from the Cold Storage. He muses about how children’s lives have become more constrained.&#13;
He has mixed feelings about modern life and about changes to Cork’s streetscape.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
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              <elementText elementTextId="1071">
                <text>22 March 2005</text>
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                <text>Interviewee: Tim O'Brien&#13;
</text>
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                <text>Interviewer: Francis Quirke</text>
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                <text>CFP_SR00365_obrien_2005</text>
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                <text>Cork; Ireland; 1960s-2000s;</text>
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            <description>A related resource</description>
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              <elementText elementTextId="1075">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project</text>
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                <text>1.wav File</text>
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              <elementText elementTextId="3967">
                <text>Cork Folklore Project  </text>
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              <elementText elementTextId="3968">
                <text>Cork Folklore Project Audio Archive</text>
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            <name>Type</name>
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        <name>1960s</name>
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      <tag tagId="35">
        <name>1970s</name>
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      <tag tagId="158">
        <name>1990s</name>
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      <tag tagId="159">
        <name>2000s</name>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M: Very good ok. So we’ll move nearer the present. Could you tell me how you happened to arrive in Cork?&#13;
&#13;
S.W: This is kind of a long story (Laughs). Em before I came over to Cork I was actually working in Orkney, which is an island off the North of Scotland, like way way off the North of Scotland. Em and I was still seeing my friends from Yorkshire. Now one of my friends he works in the IT industry, and he got free flights over to Cork one weekend to do a job, so I came over with him, em and when we were over (this must have been not too long ago, three, four years ago now) we decided to do the Midleton Distillery Tour so we went up to Midleton, and did the tour, sampled the whiskey, and we thought this is quite a nice, small town, so we stayed around and we went into a place called McDaid’s for a drink, and one drink led to another and we were having a great time in there and I was chatting to some of the local, local ladies, one of whom is now my wife (she took my eye, I took her eye) so I went back over to Scotland, to Orkney, and we were corresponding and maybe two or three times a year we would meet up em Edinburgh, London, wherever was kind of halfway between us. One thing led to another, it got kind of serious, and it got kind of expensive as well seeing each other, so we were discussing would Aine come over to Orkney, and would I go to Cork, and Orkney is such a small place – there’d be more opportunities in Cork – so I ended up coming over in January 2003 em we became engaged and we were actually married in August 2003. So that’s how I’m here, I think I’m getting my dates a bit confused!&#13;
&#13;
J.M: Yeah, yeah I’m sure that’s no problem!&#13;
&#13;
S.W: It was January 2002 which I came over, and we got married August 2003, so that’s why I’m here!</text>
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                <text>Stephen grew up in Yorkshire, and talks about football and coming to Cork.&#13;
Stephen visited Midleton in 2002 and settled in Cork in 2003, having met a woman who later became his wife. &#13;
He compares people in Yorkshire and Cork. He talks about supporting Leeds United football club and describes in detail what he would do on the day of a home match. &#13;
He says the origins of rivalry between Leeds and Manchester United stems from the Wars of the Roses [in the 1400s].&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Stephen Wimpenny&#13;
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Interviewer: John Mehegan</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Lee Cassidy</text>
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              <text>Karina Abdulbaneeva</text>
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              <text>21m 54s</text>
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              <text>Model Farm Road, Cork City, Ireland</text>
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          <name>Original Format</name>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
K.A : I had a very good impression of Cork people, and I think I made good friends straight away when I came here, so it was really great time, and I love Cork people.&#13;
&#13;
L.C: Did you have any difficulties with the accent?&#13;
&#13;
K.A: With the accent, with my accent?&#13;
&#13;
L.C: The Cork accent.&#13;
&#13;
K.A: Oh the Cork accent. Well somebody, well I met one Australian boy recently in Russia, actually so you see Russia is changing, and he said ok my friend is living in Ireland, and I said oh she’s living in Cork, and I hear Cork accent when I speak to you, so I probably have Cork accent myself already. It’s the only accent I heard really in this country, because I didn’t live in other places. So I accept it, it’s like my own language now, my own accent.&#13;
&#13;
L.C: Can you think of a common phrase.&#13;
&#13;
K.A: Common phrase.&#13;
&#13;
L.C: A common Cork phrase.&#13;
&#13;
K.A: Good luck, it’s not good luck, it’s good luck. And what else, em I don’t know are there are Cork phrase, I really should think about it, I can’t remember straight away.&#13;
&#13;
L.C: We can come back to that later. Are there any places in Cork that give you a similar feeling to places maybe at home in Russia?&#13;
&#13;
K.A: Similar feeling, actually I’m living in Bishopstown in Model Farm Road, and other side of the Model Farm Road is a forest if you know. So I go for a walk nearly every weekend, sometimes I walk to my college in the morning through this forest, I just go to Leeside, and that’s real beautiful place, I just love it, and it really remind me of the place where I was growing when I was child, yeah, it just really remind me.</text>
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            <name>Title</name>
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                <text>Karina Abdulbaneeva: Art, Russia, London, Spirituality, Nature, Nationality, New Year’s Day, Religion,</text>
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                <text>Life History: Cork; Ireland; London; Russia</text>
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                <text>Russian born Karina Abdulbaneeva, talks about coming to Cork from London in 2001 and her impressions of the smallness and accessibility of the city. She describes the helpfulness of Cork people and the spirituality of the country in which she feels she has been welcomed into and helped. &#13;
Karina was born in Moscow, Russia and came to Cork in 2001. She has two children and lives in Bishopstown. She is an art teacher. &#13;
Karina grew up in an apartment in a nine story building, with around five hundred other families, which was a common living situation in Russia. She describes a strong sense of community.&#13;
They children played games in the local forest. Karina loved ‘the secret’ which involved collecting beautiful items like coloured paper or flowers and burying them in the earth. They would only be shown to special friends. &#13;
Karina started school at seven. It was the custom there that children as young as four could be left alone at home. Karina spent hours drawing, which nurtured her passion for art and led to her eventually becoming an art teacher.&#13;
New Year’s Day was the day to celebrate. They didn’t recognise Christmas. Another holiday was the eight of March, International Women’s Day. They had no religious education in schools so there was no abeyance to religious holidays or rites. Karina describes Russia as being closed when she was growing up. They didn’t meet any foreigners until she spent time abroad with her parents. &#13;
Karina came to Ireland, via London, she says through ‘fate’. She was first struck by the smallness of the buildings and streets and how spiritual Ireland is. &#13;
Blarney Castle and St Finbarre’s cathedral are her favourite places in Cork. In comparison to Moscow. Cork is small and convenient for meeting your living needs. Karina mentions how cork people are changing and are more open to other nationalities.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>19 November 2004</text>
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                <text>Interviewee: Karina Abdulbaneeva&#13;
</text>
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              <elementText elementTextId="3892">
                <text>&#13;
Interviewer: Lee Cassidy</text>
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                <text>CFP_SR00346_abdoulbaneeva_2004</text>
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                <text>Cork; Ireland; Russia; 1990s - 2000s;</text>
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            <description>A related resource</description>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>1 .wav File</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project Audio Archive </text>
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        <name>1990s</name>
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        <name>2000s</name>
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        <name>Art</name>
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        <name>Blarney Castle</name>
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        <name>Community</name>
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        <name>London</name>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
R.F ...em and so that was kind of how I got to be a lecturer in Speech and Hearing Sciences at UCC.&#13;
&#13;
D.H: So Robert going back what was your first impression of Cork?&#13;
&#13;
R.F: My first impression of Cork, I remember driving in, I had a friend drive me from Dublin – she lives in Dublin – and she drove me into Cork. And em I don’t know, I didn’t know what to expect, I didn’t know what Cork would be like, I mean I know there was a match on when I arrived and the place was very dirty (there was litter everywhere) and we came up MacCurtain Street, because my B &amp; B was at MacCurtain Street, and there was a huge amount of litter there, and I remember my friend complaining about the amount of litter, and then I just got a sense, I just thought that Cork looked very interesting: it was very kind of hodge podge, you know, different colours, different textures, different types of buildings, a lot of the buildings I thought were not looked after like you’d think, like monument type buildings very neglected. And em but I was interested in all the different, it was an interesting town, it was very em stimulating because of the different colours, different types of things to see. I noticed that there was only one type of person: it was just Irish people kind of thing: I’m used to much more, lots of different races and colours and people and that, it was just one type of person, it was, white European kind of people, and very few Africans or darker coloured people, but that has changed in the last five years of course, em but I do remember thinking it was very monocultural, and that kind of thing; I also came to Cork in kind of Summer so it was very bright, and I thought, I liked the city, I felt it was interesting. One of the things that really struck me as well about the houses was that they all looked so like on top of each other, and tiny and small, and being used to houses in South Africa where there is planning (the cities are really planned) they are all modern cities – they are not like medieval towns or cities like Cork. So everything is planned and there are long distances, you know and the houses are widely placed, and everybody has got a little plot of land, and all the houses are separate. I’m talking about middle class kind of European people, white people in South Africa. A lot of Africans now that’s also the case – they live like that in South Africa too, but there is that differentiation: African people are often poorer, but not all, of course, but I noticed that when I came to Cork I thought Gosh, the houses are so squashed up nearly like a township, really I think in South Africa, and I’d always be surprised going into a house or a shop: it looked so small on the outside, and when you went in it was much bigger on the like an oblong shaped house, a square house, and most houses in South Africa wouldn’t have a double story, most houses are single storey, and they spread out on the ground rather than going up, so I noticed houses having three or four storeys, and that was very unusual for me, and I was struck by just how everything was squashed up, so em houses are very different, just the way people build, and the way people live as well, and very small spaces for people to bring up very large families in, one just wonders how people with twelve children or even six children would manage on such a squashed up house, and then I said why isn’t there enough space to build, and it’s not like that, it’s just that there is a different culture of building houses and a different way of building and a different way of conceiving of houses. Em later on I mean I started noticing when I spoke to people, local people, em one of the big topics of conversation in Ireland is property, and that everybody wants to have property, everyone wants to have a house, whereas where I come from no one really talks about that, it’s just taken for granted: you might get a house or you might not; you might rent or you might buy, but there is no focus on ownership of property, em although everyone you know a lot of people have, buy houses over in South Africa. Here young people, young people between the ages of twenty and thirty, are you know they’re all talking about they want a house, they want property, they want to own houses, and then you look at the prices of the houses, and like that was one thing that would just astound me at the price of a house: to me 100,000 pounds or punt at the time was just, for a house so small, and so cramped, how could you ever pay that amount of money for a house, and so I never, I still to this day don’t understand this property obsession, and everybody focussing on ownership of houses, and why don’t people just spread the building out more into the country and open it up and have more houses, and you know it’s just very difficult for me to understand. But I suppose there is a history and there is a history of British occupation, and ownership, and people wanting ownership of their land because they were you know disenfranchised and their land taken away from them, so one can understand it from that perspective,</text>
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                <text>Robert Fourie: Hiberno-English, Holy Communion, Language, South Africa, </text>
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                <text>Robert talks in detail about growing up in South Africa, and makes some observations about Cork places and people.&#13;
Robert (b. 1969) is from a gold-mining town in South Africa. He talks about mining conditions there. He comments that South Africa has many different cultures and languages. He remembers Holy Communion as being a very religious event without the element of being given money. He talks about the kind of food and meals that are eaten by white South Africans.&#13;
After gaining a qualification in Speech and Language Therapy, he wanted to travel and he settled in Cork. After returning home he missed Cork and returned. He describes his impression of the city when he first arrived. He observes that Irish people are quite indirect in their conversation and avoid sounding confrontational, and he returns to the topic of how language is employed. He relates a couple of funny Cork conversations which he overheard.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Robert Fourie&#13;
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Interviewer: Dolores Horgan</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Sean Claffery</text>
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              <text>Rob Stafford</text>
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              <text>31m 53s</text>
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              <text>Cork City, Cork Ireland.</text>
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              <text>MiniDisc</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
S.C: A bit like myself really, ok tell me about how did you end up coming to Ireland and to Cork, how did you decide on Cork?&#13;
&#13;
R.S: Well I came to Ireland first when I was seventeen, basically because Sean Doherty put the idea in my head that I should go over for a summer and go to the Willy Clancy Week, and go round a few of the festivals so I did that and I ended up staying a year and a half, and then I went back to Australia for two years, and I've been back ever since, so I've lived in Kerry, Macroom Co Cork, and I've been in Galway for three years and I, the reason I moved to Cork city is for years now I've wanted to study violin making, that's kind of what I've wanted to do, and a year ago I moved to Cork to study with a French man in Cork called Bertrand Gallen, study violin making so that's what I'm doing.&#13;
&#13;
S.C: You're actually making violins now at the moment!&#13;
&#13;
R.S: I am yeah.&#13;
&#13;
S.C: Em what are your memories of coming to Ireland, of arriving in Cork, what were your first impressions of the city and its people?&#13;
&#13;
R.S: I thought Cork was quite relaxed, a bit more like a village than a city, and em I much prefer it to Dublin, because it's a small town, I don't think of it as a city, and I find that it is very friendly because of that. (I much prefer it to Galway because Galway is so touristy and here that doesn't, it's not like that). &#13;
&#13;
S.C: It's kind of like a gateway to west Cork really, people only come to Cork, except for Shandon and other places in Cork or Blarney, they tend to go west of the county really and head for Bantry, places like Bantry and Glengariff, and . . .&#13;
&#13;
R.S: Exactly, you've got the whole of West Cork right there for you, you know it's beautiful, and down into Kerry, and it's not too far up to Clare, so you might be, you know if they moved Cork up the West coast a bit it would be better, it's a good spot yeah.</text>
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                <text>Rob Stafford: Aboriginals, Australia, Fiddle, Racial Prejudice, Traditional music, Willy Clancy </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="524">
                <text>Life History: Cork; Ireland; Austrailia;</text>
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                <text>Rob grew up in Carrigullen, Perth, in Western Australia in a Eucalyptus forested area. He is the second eldest of five children. He has one brother and three sisters. &#13;
Describes his neighbourhood as forested where the main source of income was growing apples and pears in the valleys. Sometimes temperatures could reach 45 degrees in the summer. &#13;
Talks about how he grew up in a mainly Irish community in Perth. They were like a family to him and introduced him to Irish music. He was taught to play the fiddle by Sean Doherty from Charlestown, Co Mayo. &#13;
Remembers fishing and going horse riding through the bush when he was a child. &#13;
Relates a vivid memory from childhood; how the early pioneers ring barked Eucalyptus trees to kill them and how his father felled one of these skeleton trees.&#13;
Describes in detail how he was taught to play the fiddle. Music was as much about the people as the music.&#13;
He speaks of the enjoyment of camping in the bush and recalls the treat of spending two weeks with the Aboriginal community in North West Australia. &#13;
Rob first came to Ireland when he was seventeen, to go to the Willy Clancy Week. He lived in Kerry, Macroom and Galway. He moved to Cork to study violin making with a French man called Bertrand Gallen. &#13;
He loves the mixture of brilliant classical music as well as traditional music in Cork.&#13;
&#13;
He talks through the stages of making a violin. &#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
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              <elementText elementTextId="526">
                <text>21 October 2004</text>
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                <text>Interviewee: Rob Stafford&#13;
</text>
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                <text>Interviewer: Sean Claffery</text>
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                <text>CFP_SR00338_stafford_2004</text>
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                <text>Cork; Ireland; Austrailia; 1990s - 2000s;</text>
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            <description>A related resource</description>
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              <elementText elementTextId="530">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project</text>
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                <text>1 .wav File</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project Audio Archive</text>
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            <name>Type</name>
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        <name>1990s</name>
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      <tag tagId="159">
        <name>2000s</name>
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        <name>Aboriginals</name>
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        <name>Australia</name>
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        <name>Cork 2005</name>
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        <name>Fiddle</name>
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        <name>Music</name>
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        <name>Racial Prejudice</name>
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        <name>Rob Stafford</name>
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        <name>Violin</name>
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        <name>Willy Clancy</name>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
L.C: Em can you remember any Irish being spoken in your house?&#13;
&#13;
P.M: Yeah, not in my house now, but when we used to travel every day over, not every day . . .every year over to Ireland, and em the first phrase I learned in Irish was na bi dana buachaill beag. Em my cousins were brought up in Irish and they were very naughty when they were small and em – very hyperactive – so I just wasn’t able to control them at all, and the only I could was by saying this sentence which I didn’t even know what it meant at the time. And em I used to say when they were just uncontrollable, I used to say na bi dana buachaill beag, but I just didn’t know what it meant. And until years later where somehow I just said it again and finally it was translated to me. But that was the first thing I learned in Irish; and then my mother probably would travel over to Ireland by car – it took us two days on the road, and then another day on the boat – so she’d be kind of naming all the counties in Ireland and saying different words in Irish as well, and then when I came over to Ireland I would start pointing out things, and then she would tell me the equivalent word in Irish. So yeah I did know a few words a long time ago.</text>
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                <text>Patricia Manresa : Catalonia, Immigration, Irish Language, Spain,</text>
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                <text>Patricia grew up in Catalonia and describes coming to Cork to live and her experiences in the city.&#13;
Patricia describes her childhood. Her mother was Irish, her father Spanish. She visited Cork and decided to stay, getting a job. She compares how Cork people and Spanish people behave in daily life. Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Patricia Manresa &#13;
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Interviewer: Lee Cassidy</text>
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                <text>Cork; Ireland; Spain; 1990s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Lee Cassidy</text>
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              <text>68m 24s</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
O: Yeah exact, do you know what I mean? Do you know? Unlike, these people are way too greedy do you know?&#13;
&#13;
L.C: But that’s part of Ireland I think now isn’t it – the greed!&#13;
&#13;
O: Yeah, it’s taken over, I mean like all they want to know now is forty inch screen tv’s, with remote control sound systems, and remote control this or remote control that, like do you know like it’s like they’re forgetting all the basics like - how to say hello like, how you doing, are you alright like, they’ve forgotten all about that like. The amount of times these people walk past me in the street, and every now and then an old lady will fall over, yeah and I’ll bet you nine times out of ten, I’m the only one who picks her up; and like they look at me like I’m the bum, do you know, and to me no, they’re the bum, they’re walking past man. How can you walk past when someone’s in trouble do you know? I can’t do it, I can’t do that bit, that’s not in me, do you know? Someone’s in trouble, someone needs help and I’ll stay and I’ll be there for them do you know? I mean I had a girl last week - she was not from the city, she was a young girl she was about eighteen – she was a bit nervous about being here do you know what I mean, and she had to wait like almost two hours for her mate to come out of college, and I said don’t worry like, chill out there like, I said if you can handle it like, I said just get yourself a cup of tea like and just chill out, and I said no one will touch you while I’m here like, you know, you’re alright like, I said don’t worry about nothing like, and she was like well you know the lads like you know like, and I said well the lads, you’ll just have to forget about the lads, I says do you know, you’ll meet the right person when it comes along isn’t, you’ll know when it happens then and it takes time, and you go through a process, and she was just trying to get, you know she couldn’t handle being wolf whistled at and stuff like that and being are you alright darling? Do you know what I mean, do you know what I’m saying, you know, arrogant blokes.&#13;
&#13;
L.C: I hear you using Cork kind of expressions there like, the lads are like, all right there like, can you think of any like Cork expressions or phrases that come to mind like?&#13;
&#13;
O: Langer, em will we? As in will I? do you know – I’ll go to the shop will I? I mean well you’ve already just said that you’re going to the shop, what are you saying will I? Are you questioning yourself whether you’re going to the shop or what like? (Laughs). Do you know what I mean like? There’s been a few other ones I’m trying to think like, em ah I hate it, I hate it, just blocked, I can’t think at the moment, it will come back do you know, that was just one, have some more soup by all means do you know.</text>
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                <text>Owen: Buskers, Homelessness, The Worlds Ills,</text>
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                <text>Owen was homeless at the time of this recording. He talks on how he spends his days on the streets, with his dog. He plays the tin whistle. He talks about people’s attitudes towards him and describes the course of his days.&#13;
The interview suggests that Owen is Welsh. He describes the highs and lows of his day and comments on people’s attitudes to him and about life in general. He describes his relationships with the police and with people he meets.&#13;
&#13;
Note: surname of interviewee not supplied&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>24 February 2005</text>
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                <text>Interviewee: Owen (No Surname Given)&#13;
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                <text>&#13;
Interviewer: Lee Cassidy</text>
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                <text>Cork; Ireland; Wales; 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                    <text>Noreen Hanover Photographed by Gráinne McGee</text>
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                    <text>Gráinne McGee for the Cork Folklore Project</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>84m 20s</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
F.Q:	Would they be boys and girls playing?&#13;
&#13;
N.H:	Boys and girls, yeah, but you'd be all embarrassed then if your mother  saw you being caught by a boy, you know, he'd bring you back to the den, and your mother would be at the door, and you'd be given out to, you'd be caught by the elbow in case you'd run away, and you'd be all embarrassed with the boys  being around, em, that  would be that game.  And getting back to games of the house now, sure like our bedrooms then you'd get cardboard box for the dolls, we nearly all had a doll, and we'd get a toy for Christmas, so like during the Summer the doll would be broken, we'd make a paper doll, with newspaper, I often made a doll, a foot long with newspaper, and if you got brown paper it was a great novelty, because you could draw a face with the brown paper, whereas with the newspaper you could not make a face, you draw a face on the doll, and then there was a  woman living near us who was a dress maker, and we’d knock at her, and we used to have her scourged, for old rags and bits of trimmings off off the things that she’d have, and you’d make clothes for the doll, then: scarves for the dolls, and we’d dress her up, and cardboard box then, and if you got enough stuff then you could make a little pillow and  a little cover for it, and you’d be there for all hours of the morning, playing away, for all the kids in the area like, that was some of the games, and then you had the usual games I suppose, you’d have the game of picky, where you’d be, someone would get chalk then, and we used to get ropes and the street poles in the street, and you’d put them up the pole, you’d tie it, but like someone would like say there’s a man here along, and you’d say hey sir, lift up the rope for me please (the usual old slang) and the man would kind of sling it up, and he’d get up real high like and he’d pull it high tight in a noose, and then you’d have for hours, then like one would be on one side of the street, and the other side, you might have to stop maybe every hour and a half because a car would pass, that’s how little cars were on the road like, and eh, that would be kind of summery games, then and winter games then I suppose skipping, or release, jumping the steps, where we were living there were steps like; once I jumped the whole ten steps. . .&#13;
&#13;
F.Q:	Gee!&#13;
&#13;
N.H:	The whole ten together where I was living now there was, you’d go down the lane, there was one step and then there was a gap and then there was our house and there was four steps, (everybody could jump down the four steps and up the four steps, run and jump the whole four steps together) but meself and another fella in the area we jumped the whole ten steps together, from one top to the bottom, only two of us was able to do it!&#13;
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                <text>Noreen Hanover: Christmas, Childhood Games, Cinema, Ghost stories, Milk and Cake Shops, Pawnbrokers, St Fin Barre’s Cathedral, Working life, </text>
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                <text>Noreen grew up during the 1950s in Nicholas Church Place, off Cove Street. She says the house was a tenement house shared with a family who lived upstairs. She went to the South Presentation Convent School. Her father died when she was 10. She left school at 14 and worked for 11 years at the Cork Shoe Company until she got married.&#13;
She remembers some of the shops in the area of Nicholas Street and Barrack Street. In one of them, a short-sighted old lady kept her money on the counter and used to have money stolen. There were a milk and cake shop, Ciste Milis. She talks in detail about the games she played as a child, including playing house. Girls could make dolls out of the newspaper; they would get remnants of material to clothe them. They also tied ropes high on street poles and swung on them. Indoors, they collected cuttings from newspapers and books and made scrapbooks. An outside ball game had a simple chant, which she quotes. Christmas presents were often modest, but the excitement was high.&#13;
Her mother used to tell ghost stories to the local children, and Noreen remembers a story about a dead girl’s golden leg and a telling of the Babes in the Wood story. &#13;
She and her siblings were washed in a big tub in front of the fire, while her mother cooked bacon and pigs’ feet (crubeens).&#13;
She recalls the use of the pawn shops and her being afraid to be seen coming out of a pawnshop by her schoolmates.&#13;
She talks about local character Andy Gaw.&#13;
She remembers using the outside and indoor public baths, with swimming wear that was just regular underclothes, and running home by St Fin Barre’s cathedral, afraid of two stone angels whose trumpeting was said to herald the end of the world.&#13;
She recalls the Polo [Polar] Ice Cream Company, and the huge ice cream wafers she could buy. &#13;
In the Summer the family would go to Crosshaven or Youghal for inexpensive holidays. Personal entertainment could be had to pick blackberries, going picnicking with jam sandwiches, or going to the cinema. She tells how the pennies to go to the cinema were found by sweeping the floor or looking under a rock.&#13;
After her father died, her mother went to work for a Jewish family, the Rosses. She describes her mother’s working life and way of raising the family. She lists the different meals eaten during the week.&#13;
She remembers her grandmother visiting and singing Hey Diddle Diddle. At family gatherings, people would sing Alice Benbow [Sweet Alice Benbow, a.k.a Alice Benbolt] and other songs, of which she remembers the odd line.&#13;
Her older sister would go to the cinema and then tell the other children in the family the stories of the films she had seen.&#13;
She talks about moving to Ballyvolane after she got married, the community there and how Cork city has changed. She mentions going on holidays to Galway; sending the baggage up by train and hitching lifts up there. She used to go to dances in Cork and walk home safely early in the morning.&#13;
&#13;
&#13;
                                                                                                                   Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>1 July 2004</text>
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                <text>Interviewee: Noreen Hanover</text>
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                <text>Interviewer: Francis Quirke</text>
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                <text>Cork; Ireland; 1950s - 1960s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Francis Quirke</text>
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              <text>Michael O'Flynn</text>
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          <name>Duration</name>
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              <text>40m 58s</text>
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              <text>Douglas, Cork City, Ireland.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q: Yeah, em what changes now Michael would you have we’ll say seen in Cork down through the years?&#13;
&#13;
M.O.F: Well down through the years, like from the time, you know I mean Patrick’s Street is Patrick Street, I suppose that is probably the focal point of Cork, but I mean Cork is spread out now, I mean all of, I suppose from a ten mile radius of Cork city now is nearly an extension of Cork city, I mean the likes of em Ballincollig, Carrigaline, we spent all our childhood in Crosshaven, Crosshaven is no longer the little village now, it was always a Summer place for us – we used to go down there in June until the end of August – but I mean it is I’d say 99% of the people now in Crosshaven are living in Crosshaven. And when you have Carrigaline, I mean my God, Carrigaline is a town in itself, you know, and eh I mean I suppose that’s probably the biggest change: the way the city has expanded, you know, I mean no matter what way you go now there’s Mallow sorry . . .&#13;
&#13;
&#13;
F.Q: Michael what would you like to see change about Cork?&#13;
&#13;
M.O.F: I suppose from my own point of view I suppose if we actually could get the traffic right, and eh if we could, I would like to see a complete walking area in the centre of the city: all cars free zones away from the thing; it would be fantastic for the city, but what they’re going to do about it I don’t know. Even the tunnel they’re taking the amount of cars that’s passing them by day they didn’t expect until 2007, 2008, and they said that by 2007, 2008, I’m going to have another twenty five per cent increase, so I think that everybody’s going to have to go back to nature, and the bikes and walking, get rid of the cars. To me that would be great, like if I could actually see a carbon free air, and the pollution improved in Cork city, and people would take care of the way they burn things, and that would make my job much easier.</text>
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                <text>Michael O’Flynn: Fire Brigade; Vandalism; Change;</text>
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                <text>Life History; Cork; Fire Brigade;</text>
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                <text>Michael has worked most of his life with Cork fire brigade, a job he loves, and he describes the nature of his job, the training required, and its dangers and rewards.&#13;
Michael grew up in Turner’s Cross. &#13;
He works as a fireman. In the 1960s there were lots of chimney fires in tenement houses because the occupants burned whatever they could find. He talks about his training, and the difficulties of the job. The fire service also has a role in recovering bodies from the River Lee, and he comments on tragic deaths he has seen.&#13;
Christmas, Halloween and Bonfire Night are busy times for the fire brigade. He comments on antisocial behaviour and describes attacks on fire crews.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>13 December 2004</text>
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                <text>Interviewee: Michael O'Flynn&#13;
</text>
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                <text>&#13;
Interviewer: Francis Quirke</text>
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                <text>CFP_SR00354_oflynn_2004</text>
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                <text>Cork; Ireland; 1960s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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              <name>Title</name>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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              <name>Date</name>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                  <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>English</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Francis Quirke</text>
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              <text>Mary O'Sullivan</text>
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              <text>58m 31s</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q.: I know yeah, em, when you em, came living here then, em had you your five children at that stage.&#13;
&#13;
M.O.: Yes…hmm… I had. Em, and they would … they would have sort of played along the same lines, &#13;
&#13;
F.Q.: Would they, yeah?&#13;
&#13;
M.O.: They would, because, like they… they… at that stage they would have… in the site they would have eh, been collected by bus to go to school, and taken out to school and brought back and what happened in… in the sort of eh in that, sort of a process was, they weren’t… they wouldn’t have been getting the level of education that I would have got, so I suppose, directly, thinking of the children em, I decided to move them, from… you see they were in a structure that was… that the department of Education set in place in the mid-seventies, thinking about traveller children that were going to be coming into the education system and it was the special classes for travellers and they were in that structure and then I wasn’t satisfied with that structure, so I decided to move them, but the… the response I got from the very people who were delivering the structure that the department put in place was shock because they really couldn’t con… conceive that like this is a traveller woman and she’s standing up and she’s sort of taking charge of her children and like, as I said to the principle at one stage, like, I’m sorry now, I said, but I delivered these children, I gave birth to them, so I am entitled to educate them whatever way I want to educate them, but em, like experiences like that now, would have…I would have sort of because of the… the background, the education, eh, the whole sort of comfort thing with school and stuff like that, it stood at times like that.&#13;
&#13;
F.Q.: It stood well to yeah, it gave ye experience, yeah.&#13;
&#13;
M.O.: Because it gave… it gave me the confidence to know that I could actually stand up and say, hello, I’m not satisfied with this. I… I know from experience that there’s more to education, like they would never do history, they wouldn’t do geography, eh, they wouldn’t do… a little bit of maths. Once they were able to sign for the dole, now, that was the whole em sort of em, the purpose and aim of that… that structure. Once you were able to sign for the dole that was fine. Once we teach ‘em to sign their name, grand.&#13;
&#13;
F.Q.: They were giving them a little but they weren’t giving the whole lot, ya.&#13;
&#13;
M.O.: That was it... that was it. But it… the shocking thing was that it actually came from the Department of Education. That structure actually was brought down from there and implemented here and the psychological damage that was done to these children, now I caught mine in time em, but still there was a whole psychological thing that went on for them because, I thrown them into the… the deep end in a sense by putting them to national school. The… national school that I would have gone to and would have negotiated with the teachers and the principle for support structures to be put in place for them, because, I remember the three teachers that actually took them, em, asked me to come in and meet them an’, went in and grand and… and they were in a very nice way trying to sort of tell me that the … that they were backward, because they were missin’… they were missin’ huge chunks of education. But when I explained to them why, they completely understood. You know, they weren’t backward it’s just that they were never taught any of the subjects, an’ that goes for an awful lot of traveller children that would have sort of, either gone from Cork to other parts of the country and eh, I remember reading a survey in college and it was done in the earl… the early seventies, and it… this was a government document now, and it was… it stated like that, structures should be set in place… structures and guidelines should be set in place for like… preparing for traveller children that were going to be coming into the education system. That structures and guidelines the same as for backward children should be set in place.&#13;
&#13;
F.Q.: God!&#13;
&#13;
M.O.: And I’m like reading’ that I was like, oh my God,</text>
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                <text>Mary O’Sullivan: Travelling Community, Education, Prejudice,</text>
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                <text>Life History; Traveling Community;</text>
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                <text>Mary is a Traveller who developed a love of education, which she has tried to instil in others. She talks in detail about her experience of being a Traveller and about the lives of older generations and the history of her community.&#13;
Mary was born in Skibbereen, and her family moved to Cork City when she was four years old. After living in a wagon in a lane, the family moved to a house in Ballyphehane. Her mother had 11 children, and this influenced the decision to settle down.&#13;
She had a very positive experience of education from Primary school onwards.&#13;
In a reverse of the usual pattern, when she got married she moved into a caravan and reared her children there. She was not happy with the education offered for her children and took them out of a scheme for Traveller children. She talks in detail about education for Travellers and describes her experience of helping adults to learn. She also helped to form the Cork Traveller Women’s Network to articulate the needs of her community.&#13;
She talks about her father’s transition to settled life in a house. He continued as a tinsmith and fixer for a while. He used to tell the children ghost stories (and she mentions two examples). He played the melodeon and his favourite song was “O’Sullivan John to the Road You’ve Gone”; he also busked with Pecker Dunne.&#13;
A treat for her as a child was Dripping Cake.&#13;
She sees herself as a Cork person as well as a Traveller, and she has a fondness for the Shandon area and the English Market. She says that her grandmother fed passing squads of Black and Tans and that Travellers were instrumental in passing on news of their arrival in Kinsale during the War of Independence.&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>21 November 2004</text>
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                <text>Interviewee: Mary O'Sullivan&#13;
</text>
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                <text>Interviewer: Francis Quirke</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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          <name>Interviewer</name>
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              <text>John Mehegan</text>
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              <text>Mary O'Driscoll</text>
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          <name>Duration</name>
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            <elementText elementTextId="373">
              <text>24m 12s</text>
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          <name>Location</name>
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              <text>Farrinferris, Cork City, Ireland</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="375">
              <text>MiniDisc</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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            <elementText elementTextId="376">
              <text>16bit / 44.1kHz</text>
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          <name>Transcription</name>
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            <elementText elementTextId="1795">
              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
J.M:	OK. Could you elaborate a little bit about your family please?&#13;
&#13;
M.O'D: Well it’s a very small family compared to the average Irish family in that it was just basically from the time I was five just myself and my mother and father; em my mother and father wanted to have more kids, but my mother had had heart damage from having rheumatic fever as a child, so she wasn’t supposed to have anymore and they said she shouldn’t even adopt, so the three of us were very close, and fairly unusual kind of relationship – I didn’t call them mother and father – I called them by their names.  And we did a lot of things together, and we were all interested in American traditional music, and went to a lot of music festivals together, and had a fairly unusual relationship, at least compared to my friends, it wasn’t the sort of parent and child kind of classic sort of separation, and my parents were very liberal and very open-minded and let me kind of pursue whatever I wanted, in an era when parents were not letting their children you know buy Mad magazine and Hollywood Movie Magazines  -  it was my little bit of money that I got  every week and I could do whatever I wanted with it.  &#13;
&#13;
J.M:	We’ll come back to the subject of traditional music later, but could you tell me what type of events did you celebrate as a family?&#13;
&#13;
M.O'D: Well em we were not a religious family, but Christmas of course is always you know is a big thing, em I think my personal favourite holiday was Halloween, the chocolate as much as the dressing up, I’d say and that was an era when everybody went trick or treating, you literally went door to door, and you were meant to have a trick, you were meant to sing a song, or tell a joke or do something, em and that you know other than sort of personal you know people’s birthdays or anniversaries – my parents wedding anniversary or something like that – that was I don’t think, because we weren’t religious, there weren’t all those kind of things, and that was before I knew much about Ireland or anything to do with Irish culture, so Paddy’s Day did not figure, so.</text>
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          <name>Interview Format</name>
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            <elementText elementTextId="1796">
              <text>Audio</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="356">
                <text>Mary O’Driscoll: America, Blackrock, Customs, Festivals, Fleadh, Fitzgerald’s Park, Immigration, Miltown Malbay, Poverty, Traditional Irish Music, Willie Clancy, </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="357">
                <text>Life History; Cork</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mary at the time of this recording was the Cork Folklore Project's manager, &#13;
She was born in Des Moines Iowa, in the United States and moved to Minneapolis, St. Paul, Minnesota when she was 8 years old.  She had one sister who died when she was 10 years old when Mary was 5. They lived in an old Irish farmstead built by the Faro family from Waterford, which was rural and isolated. Her father was a Lawyer. Mary met her Blarney born husband [Sean] in America.&#13;
&#13;
She discusses the family being impoverished because of costly medical bills for her mother and sister. Although they didn’t have much money they had land and they grew their own vegetables and fruit. &#13;
&#13;
They were an unconventional family. Her parents were liberal and she had a lot of independence and freedom and called her parents by their names rather than Mom and Dad. They spent a lot of time together going to American traditional music festivals. &#13;
&#13;
She recalls Halloween as being her favourite festival when everyone went door to door  trick or treating.  On the 4th July they went to the park for a fireworks display and had a ‘regatta’ they had on their own ‘Loch Mac’ lake at their house.&#13;
 &#13;
She and her husband moved to Cork because of the Irish music scene and Ireland’s proximity to the rest of Europe.  She talks about how creativity is much more accepted in Ireland as a valid way to live your life. &#13;
&#13;
Mary describes her first visit to Cork and how she loved the people and their humour. She comments on the size of Cork and all the old beautiful buildings, laneways and parks. &#13;
&#13;
Mary discusses her family’s interest in American traditional music, old time Appalachian and Bluegrass music and how it led to her interest in Irish music. She learned to play the fiddle and ran an Irish radio programme in the United States for 10 years. &#13;
&#13;
She describes the standard of traditional music in Ireland being so much better than the United States; comments additionally on the affect of immigration from Ireland to the US on the music scene.&#13;
&#13;
People plan their year around going to music festivals in Ireland such as Miltown Malbay, The Willie Clancy Week and the all Ireland Fleadh. Her favourite is the Murphy festival in Wexford. &#13;
&#13;
                                                                                                                   Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="359">
                <text>11 June 2004</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Interviewee: Mary O'Driscoll</text>
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                <text>Interviewer: John Mehegan</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="361">
                <text>CFP_SR00330_odriscoll_2004</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="362">
                <text>Personal Life, both in Ireland and America.</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="363">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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              <elementText elementTextId="364">
                <text>&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="365">
                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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              <elementText elementTextId="3840">
                <text>&lt;strong&gt;&lt;br /&gt;Related Content in CFP Archive.&lt;/strong&gt; &lt;br /&gt;As Interviewer: &lt;br /&gt;CFP00339_ODonoghue_2004; CFP00345Wulff_2004:</text>
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                <text>Cork Folklore Project</text>
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            <name>Language</name>
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                <text>English</text>
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                <text>1 .wav File</text>
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                <text>Cork Folklore Project</text>
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            <name>Source</name>
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                <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
M-A D  I arrived in Cork then twenty-four hours late, and Seamus was working and I was basically exploring the City and getting lost and lost and  lost because of the bridges, so I went from one bridge to another, and then I walked in the city not knowing where I was, then within that week  I decided – we were  living in the North Side at the time in St. Luke’s – and I kind of decided that I looked at the city from the South side, and I decided that’s grand, now I decided that I am going to walk from Sunday’s Well into St. Luke’s, and I didn’t realise that there was Blackpool in the middle, I thought I was going to be uphill, on a hill all the time, so I remember the steps, the famous steps of the old Fever Hospital, I remember them, because that was the only way to go back up the other side, so that would be my first memories.&#13;
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                <text>Marie-Annick Desplanques: Brittany, Breton, Coiffe, Crêperie, Foodways, France, Children's Games.</text>
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                <text>Marie-Annick Desplanques grew up in Brittany, west France. She moved about frequently as a child because her father worked on the railways. She discusses food, games, Christmas in France as well as moving to Ireland from Newfoundland and the development of Cork City between 1988 and 2004.&#13;
&#13;
&#13;
&#13;
Marie-Annick Desplanques spent her early childhood in Brittany, west France. She has three younger brothers, two of whom emigrated to England and Canada. Her father worked on the railways and she lived with her grandparents until she was five or six years old. After this, she moved around with her parents frequently: she mentions that she may have attended as many as twenty schools. Her earliest memory is of going with her grandmother to the ‘Lavoir’, in the local village to wash clothes, as well as going to the beach. She recounts various children’s games such as rolling tyres, a kind of skipping elastic game, and marbles. She remembers older women in Brittany that dressed in black and wore a ‘coiffe’, a traditional headdress that gave them difficulty getting in and out of cars. Her grandmother ran a shop that also kept wine under the table for customers who wished to stop in and chat. She recalls her grandfather telling stories as well as catching what he called ‘Japanese Chickens’ by putting glue on trees. The family diet would have been mainly fish, potatoes, and chicken. The village in which she lived would have been quite poor and Marie-Annick recalls getting an orange for Christmas as well as a wooden train made by her father.&#13;
&#13;
When asked about moving to Ireland, Marie-Annick discusses the close connection between Breton villages and Ireland. She discusses moving from Newfoundland, where she met her Irish husband, to Cork in 1988 and relates that her arrival in Cork was delayed by twenty-four hours because she was searched at Heathrow Airport due to her husband having a similar name to someone serving in Portlaoise prison. She mentions getting lost in Cork after her arrival, as well. &#13;
&#13;
Marie-Annick then observes that it was easy to make friends due to the fact that both she and her husband are musicians. She also discusses meeting with French people in Cork and makes mention of the creperie in French Church Street as well as Isabelle Sheridan’s stall in the English Market. She remarks on the growing ease of getting certain food ingredients as the city develops but relates some disappointment at the way the smaller community areas of the city are being built over in favour of bigger spaces.&#13;
&#13;
Marie-Annick Desplanques was the Research Director of the Cork Folklore Project from its inception in 1996 until 2010.</text>
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                <text>Interviewee: Marie-Annick Desplanques</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>John Mehegan</text>
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              <text>Marcus Bale</text>
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              <text>33m 35s</text>
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              <text>Meath St, Cork City, Cork Ireland.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M:	OK, so could you tell me Marcus in what ways do Argentinean people differ from Irish people?&#13;
&#13;
M.B:	OK Argentinean people are quite aggressive, em we say things when we, you know, that’s one big difference as well here when I came, everybody was polite, thank you was the word, and sorry it’s like, 	and you’d constantly hear people saying sorry, sorry, sorry, sorry, sorry, sorry, apologising many, many, many, many times, and the same with thank you, and politeness in general; in Argentina, it’s not that we are not polite we are but, it’s not so kind of constant, you know if we don’t like something, we are going to say it really, really say it loud, and you’ve got to be prepared for it, I suppose we are very direct.  Argentinean people have a reputation for being very arrogant, you know I suppose because Argentina as such is a country that from the whole lot of countries in Europe has the biggest influence of European culture in it, so they feel that they are a cousin of Europe which makes them at a higher level than the rest, or at least that’s a feeling in if you want to put it into words, I don’t know an idea of mine [I don’t think these people actually think this just like that] but I mean still the arrogance that is so characteristic is  there.  That’s something about Argentinean people, we are very open and extrovert I suppose</text>
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            <name>Title</name>
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                <text>Marcus Bale: Argentina, Alcohol, Buenos Aires, Culture,  Folklore, Hanukah, Irish Literature, Jews, Passover, Dance, Drink Culture.</text>
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                <text>Life History: Cork</text>
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                <text>Marcus describes his childhood in Belgrano, Buenos Aires, Argentina and his subsequent move to Ireland. Subjects covered include Marcus’s Jewish upbringing, how he came to live in Ireland, cultural differences between Argentina and Ireland, as well as to his involvement in acting.&#13;
&#13;
&#13;
&#13;
Marcus grew up in Belgrano, Buenos Aires, a densely populated area of Argentina. He came from an upper middle class Jewish family and had three sisters. His two grandmothers came from Lebanon and Syria. He lived in an urban area and as a child was more interested in indoor activity such as reading and playing board games. Where he lived children tended not to play in the street due to the dangers of urban traffic, smoke, and noise pollution. Marcus discusses how his family were more ‘“conservative’” Jewish, which he characterises as falling between Liberal and Orthodox Judaism. They met at his grandfather’s house for Jewish New Year, Passover and Hanukah.&#13;
&#13;
Marcus came to Ireland due to his interest in early Irish literature, Celtic stories, and Irish folklore. He met Dr Diarmuid ÓO Giolláin from the Department of Folklore and Ethnology, University College, Cork, in Argentina and came to study here on the encouragement from of lecturers of European medieval literature within the Classical Studies programme he attended in college. He highlights the difficulties of his first year in Ireland: the culture shock, the drinking culture, and not knowing anyone from his own country. He didn’t understand English as spoken by Irish people and he relates some humorous stories of misunderstandings. &#13;
&#13;
According to Marcus, the weather was a big challenge. Marcus was used to temperatures of over 40 degrees and it took two years before he got used to the rain. He talks at length about the differences in diet and meal times between Ireland and Argentina which reflect the different climates. Marcus also discusses how Argentineans are more direct than the polite Irish. Irish people repeatedly say ‘sorry’ which is not common in his country.&#13;
&#13;
Marcus talks about his involvement in Irish fringe theatre and being a member of the Snatch Comedy Group. He mentions how avant-garde Argentinean theatre styles are in comparison to the more traditional style in Ireland. He explains how the small South American community has grown: how they meet up regularly and about the growing popularity of South American dances such as tango and salsa.</text>
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                <text>6 September 2004</text>
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                <text>Interviewer: Marcus Bale.</text>
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                <text>Interviewer: John Mehegan</text>
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                <text>CFP_SR00334_bale_2004</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Cork; Ireland; Buenos Aires; Argentina; 2000s;</text>
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            <description>A related resource</description>
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              <elementText elementTextId="447">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>1 .wav File</text>
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                <text>Cork Folklore Project</text>
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    <tagContainer>
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        <name>2000s</name>
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      <tag tagId="166">
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        <name>Cork 2005</name>
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      <tag tagId="169">
        <name>Culture</name>
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        <name>Dances</name>
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      <tag tagId="147">
        <name>Festivals</name>
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        <name>Folklore</name>
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        <name>Hanukkah</name>
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      <tag tagId="173">
        <name>Irish Literature</name>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
N.O'S: That’s Ireland. So you came to Cork, and what was your first feelings about Cork when you?&#13;
&#13;
M.A: I was flying for nearly fourteen, sixteen hours, I was very, very tired, so I slept for nearly twenty hours, ok then when I woke up – it was in the middle of early October – it was nice Autumn, so I went out of the house to look around (it looked very quiet) and not so many people, but friendly people, hi hello, I went for a walk, it was very enjoyable, I saw some hills, because Bangladesh is very, very flat, so I saw some hill, you know. I stayed for a few weeks near Lough, ok so I move around the Lough, I saw the swan, it was very, very enjoyable!&#13;
&#13;
N.O'S: You noticed the people going for strolls around that area where you were - it’s a very popular area for people strolling, what we call strolling.&#13;
&#13;
M.A: Yeah, ok.&#13;
&#13;
N.O'S: Em how did you go about making contact with others when you came first?&#13;
&#13;
M.A: Yeah, eh I after I first came here, after two days, then I had my first lecture, so I came to my institute (University) and then I met the new people there, yeah I introduced myself, my name and I came here to do a Phd so yeah I found that people were very friendly – many of them they asked me to go for drinks, although I don’t drink, I like to go with them, yeah I went out.&#13;
&#13;
N.O'S: Could you tell me a little about that experience when that happened to you?&#13;
&#13;
M.A: Yeah I remember one of the guys – his name was Keith probably – he asked me to go for a drink, and I said I don’t drink, but then he said it’s ok, you may not drink, but you’re always welcome. So yeah I went with them to the pub – I think it was Costigans probably, very close to work – yeah I saw that there were more people inside the pub than in the street, that it was a bit surprising, but at this moment I’m used to this.&#13;
&#13;
N.O'S: What can you remember about the evening?&#13;
&#13;
M.A: I remember one guy he got completely drunk - we had to carry him home. (Laughs).</text>
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                <text>Mahbub talks about growing up in Bangladesh and coming to Cork to work and study.&#13;
Mahbub recalls life a child and talks briefly about a game he played called carom [Carrom]. He describes the family’s diet, consisting often of rice. He studied electrical engineering and chose to come to Cork in 1998.&#13;
He found Ireland quiet when he first arrived. He was invited out and observed the country’s pub culture. He is working while studying for a PhD. He likes Cork and talks about how he was welcomed by people.&#13;
&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Mahbub Akhter&#13;
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Interviewer: Noel O'Shaughnessy</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Francis Quirke</text>
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              <text>72m 58s</text>
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              <text>Apple, Hollyhill, Cork City, Ireland.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q: And tell me the big question, how did you end up in Cork?&#13;
&#13;
L.V: Eh that was a very nice, eh yeah it is a nice thing. What happened was I was reading a newspaper and I saw an ad and they were looking for people em for a call centre in Manchester; I thought to myself why not to be abroad for a year, and then come back again and to improve my English. But eh the job interview was in the Netherlands, was in Amsterdam, so I had the interview but what happened was, I don’t know what happened but they didn’t get me the position, but a few weeks later Apple rang me to ask if I would like to work for Apple; I thought hey I think Ireland can be larger? than England. So I said to myself ok I will go there, and we’ll see what will happen, but that was to my acosher? Apple rang me to ask me if I want to work for Apple, so that was the. . .&#13;
&#13;
F.Q: That’s how you ended up here in Cork.&#13;
&#13;
L.V: Yeah I came up here yeah. &#13;
&#13;
F.Q: Did you know anyone here Lode before you came? Did you?&#13;
&#13;
L.V: No nobody it was really like, I like to be abroad for a year and see what could happen; it is good for my development, and I know it was, another reason was yeah to improve my English, was another thing, but I really like don’t mind, I will be a stranger, but I’m going to Ireland for a year.&#13;
&#13;
F.Q: So when you saw Cork for the first time, what was your first impressions?&#13;
&#13;
L.V: If you are from a big city, yeah big city, I came over here it was really it felt like you are driving a car, and you’re driving seventy miles, and if you eh push the brake down, unexpectedly and you’re going forty miles you know. It was like woo everything was so slow, everything was so relaxed: I was always so stressed in the Netherlands, because you have to work, you have to study, you have to, you have to eh, and it’s a fast society. But in Ireland, it was so relaxed, and I never done it before, was like yeah, it was nice, it was good.&#13;
&#13;
F.Q: And what did you, what were your impressions of the, we’ll say the city centre, now the buildings and that?&#13;
&#13;
L.V: Eh the funniest thing what I like here, especially in the South of Ireland, the buildings are painted in different colours: pink, yellow, green, orange, and yeah it looks very good, because em it’s your own property, so you can do what you want. But yeah in the Netherlands it’s like, if you want to paint your house, you have to go to the government to ask for permission, but you can’t use all the colours.</text>
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                <text>Lode Vermeulen: Immigration, Netherlands, Family,</text>
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                <text>Lode is from Amsterdam and came to Cork to learn English and to experience another culture. He compares Holland and Ireland.&#13;
Lode (b. 1974) talks about growing up in Amsterdam, Holland. He compares Dutch and Irish behaviour and likes the easy-going nature of the Irish, what he sees as a caring society, and pub culture. He views migration as a positive and enriching experience.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>20 Feburary 2005</text>
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                <text>Interviewee: Lode Vermeulen&#13;
</text>
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Interviewer: Francis Quirke</text>
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                <text>Cork; Ireland; Holland; 1990s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                  <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Liz Steiner Scott</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q:	Coming back to Cork, em had you any kind of funny things em happen when you arrived first, you know misunderstandings or?&#13;
&#13;
L.S.S:	Em not, the only thing I remember was when I was in hospital having Charlotte my daughter in Finbarr’s, em the first time I was in hospital I was having a threatened miscarriage you know at twelve weeks, and I had to spend five, six days on a ward, and I do remember the whole religious thing hit me because nobody at that point you know when you go into a hospital the first thing they ask you after your name and address is your religion, and I kind of had a hard time getting my head around that, so I took a big deep breath and said I was Jewish, and the woman kind of looked at me strange.  Then when I was on the ward I was in the middle bed of one side, so they were you know six bedded ward, and I was in the middle, and on Sunday morning they came and they curtained me off, and I thought what’s going on here, and you’d be scared back then because I was afraid that I was going to have a miscarriage, and em plus I was older than most people – I was thirty when I had my daughter so I was nervous, and they come in and they put all the curtains around me, and I say to the nurse what’s going on, and then they set up an altar at the end of the ward, and they obviously were going to serve Mass on a Sunday morning.  And she said, and I said is there something wrong with me, is there a problem, is the doctor coming, is there something wrong; oh no she said, no, no, no, no, we’re just going to have Mass, and I said so why are you curtaining me off, oh we wouldn’t think it would be right for you to watch!  And I remember thinking that was strange.  And then the women on the ward, who were lovely, they were lovely women – we had such a good time together actually, except for the ones who were sad who might have had a miscarriage.  But they were all passing around Holy Cards, and of course I thought this was hilarious, and they were passing me over, you know, would you like this one, or would you like this one, and sticking them into their bras and that kind of stuff you know; and I thought you know again that was very strange and funny.  And then finally when I had Charlotte then, Thank God I didn’t have the miscarriage and I had her, but she was a very premature baby, and she was in the Special Care Unit in Finbarr’s em and a woman, so she wasn’t on the bed next to me, and a woman stopped me in the corridor one day, and I had her in August, and I was up on a farm before that so I was sitting out and I’m dark skinned anyway and I’d gone very tanned from the summer, so this woman stopped me on the ward, and she said oh you’re the one who had the miracle baby!  And I said what do you mean the miracle baby?  She was very premature, she was under four pounds, but she’s fine!  And she said, no, no, no, you’re the black woman who had the white baby.  (Laughs).  Which amused me.&#13;
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                <text>Liz Steiner Scott: America, Customs,  English market, Children's Games,  Maternity, Religion, </text>
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                <text>Life History: Cork: Ireland: America: Religion:</text>
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                <text>Liz was born into an upper middle class, liberal, Jewish family in 1948 in a suburb of New Jersey, USA. She has one brother and one sister.  Her maternal grandparents lived close and were part of their family life. Her father commuted daily to New York City for work.  Her grandparents were all immigrants into the States. Liz went to Vassar College, then a private women’s college in New York state. She and her husband came to Ireland in the 1970’s.&#13;
&#13;
She played a range of childhood games in her neighbourhood particularly a game called ‘swamp fox’ which involved playing in sewerage overflow.  &#13;
&#13;
There is a good story about her grandmother who was a ‘flapper’ and party girl in the twenties and how they were all into show music, especially George Gershwin and Cole Porter.  Divorce was unusual and difficult in the 1930s. Her grandmother had to travel to Nevada to get a ‘quickie’ divorce. She was a character. &#13;
&#13;
As a family they didn’t keep kosher, but were aware as children that their tradition and heritage was Jewish. Their diet contained some Jewish food like brisket, pickled herrings and matzos. &#13;
&#13;
Discusses how her parents started a reformed Jewish (non-Orthodox???) synagogue in a space shared by the Presbyterian church.  They went there for Jewish New Year, Rosh Hashana, Yom Kippur and Hanukkah. Ethnic grouping was very important and socialising happened within your group. Liz was the only family member who was interested in observing Jewish religious holidays. &#13;
&#13;
Originally Liz and her husband came to Dublin in 1974 through a university research fellowship. They came to Cork in 1977 when her husband got a job at Crawford Art Gallery she just says “the Crawford” so she could mean the school??. &#13;
&#13;
They loved Ireland and were happy to be outside of the US because of their anti Vietnam war views. Their first impressions of Cork were of how grim it was and that there were lots of derelict buildings. Merchant’s Quay, for example, was all boarded up.&#13;
&#13;
Liz gives a very humorous account of giving birth to her daughter Charlotte in St Finbarrs and how religious the hospital was. There were lots of holy pictures and crucifixes. How they closed off her bed with a curtain when mass was said in the ward. &#13;
&#13;
There is a lot of good description about The English market and her Saturday morning ritual of going there to shop. &#13;
&#13;
Liz discusses the dwindling of the Jewish community in Cork and the closure of the orthodox synagogue for Jewish New Year because there aren’t enough people to open it. How traditional the rules are that insist on women sitting up stairs. &#13;
&#13;
Liz discusses the role of women in the synagogue and the differences between the Cork Orthodox community and the more liberal experience of her childhood.&#13;
&#13;
&#13;
&#13;
                                                                                                                   Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>15 September 2004</text>
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                <text>Interviewee: Liz Steiner Scott</text>
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                <text>Interviewer: Francis Quirke</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;Cork Folklore Project website)</text>
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                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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        <name>Liz Steiner Scott</name>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Cliona O'Carroll</text>
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              <text>50m 00s</text>
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              <text>Gurranabraher, Cork City, Ireland</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>MiniDisc</text>
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              <text>16bit / 44.1kHz</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
C.O'C: What was Gurranebraher like in the early days?&#13;
&#13;
K.O'C Well I remember my mother now and my aunt when they were young, they used to come up Gurranebraher for their walks, you know their walks of a Sunday, maybe their walks in the evening after school, and it was only countryside, all fields. And then I remember when we were very young my mother would take us up what’s Knocknaheeny now do you know Knocknaheeny up there and I can see her she’d be in the field knitting: they were all knitters: all the mothers were great knitters, the little jumpers and the little dresses because it was cheaper to knit. And we’d be jumping over the ditches going from one field to the other so you see that was countryside to me when I was young, and it’s all built up now, and this place was countryside to people sort of in my mothers area and era, and it’s all kind of built up now. But it was lovely when we came up and no matter where we went, what’s Churchfield now is all fields, so we’d be over around Churchfield and we’d have great laugh, there’d be little ponds and you’d be gathering up the grass, and you’d be putting it into the ponds so that the water would rise you know. Even Sun Valley Drive down there now that’s how we would used to go and come to school, it was all fields, there was one big, big slope and we’d be running up the slope and running down and running up the slope and you might be an hour or two late coming from school and you would be murdered because your dinner would be burnt in the oven or in the pot, but it was lovely. Then we used to go out Fairhill – that was all countryside – and farmers, it was all kind of farming land really: you’d be looking in at the cows grazing, and we used to go . . .</text>
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            <name>Title</name>
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                <text>Kay O’Carroll: The Northside, Emigration, Childhood Games, Music, Tenements,</text>
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                <text>Life History; Cork: Ireland; </text>
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                <text>Kay O’Carroll describes her early life growing up in Gurranabraher giving engaging and colourful detail about childhood games and activities, the community spirit, women’s work, going out to the cinema and show bands as a young woman. &#13;
&#13;
Kay was born in Wolfe Tone Street and lived there until she was seven when the family moved to Gurranabraher. Her father was born in St Mary’s Road and her mothers family came from Kanturk. Kay went to St Vincent’s School.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
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                <text>15 October 2004</text>
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                <text>Interviewee: Kay O'Carroll&#13;
</text>
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              <elementText elementTextId="3876">
                <text>&#13;
Interviewer: Cliona O'Carroll</text>
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                <text>CFP_SR00341_ocarroll_2004</text>
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                <text>Cork; Ireland; 1950s - 1970s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>1 .wav File</text>
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                <text>Cork Folklore Project</text>
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        <name>Nash’s Boreen</name>
      </tag>
      <tag tagId="143">
        <name>North Main Street</name>
      </tag>
      <tag tagId="237">
        <name>Oliver Plunkett Street</name>
      </tag>
      <tag tagId="238">
        <name>Patrick’s Street</name>
      </tag>
      <tag tagId="239">
        <name>Pawn Shops</name>
      </tag>
      <tag tagId="240">
        <name>Picky</name>
      </tag>
      <tag tagId="181">
        <name>School</name>
      </tag>
      <tag tagId="241">
        <name>Scullys</name>
      </tag>
      <tag tagId="242">
        <name>Shawls</name>
      </tag>
      <tag tagId="243">
        <name>Singers</name>
      </tag>
      <tag tagId="98">
        <name>Social Class</name>
      </tag>
      <tag tagId="244">
        <name>Sun Valley Drive</name>
      </tag>
      <tag tagId="245">
        <name>Tenements</name>
      </tag>
      <tag tagId="246">
        <name>The Mardyke</name>
      </tag>
      <tag tagId="247">
        <name>The Munster Arcade</name>
      </tag>
      <tag tagId="248">
        <name>The Queen’s Old Castle</name>
      </tag>
      <tag tagId="249">
        <name>The Savoy</name>
      </tag>
      <tag tagId="250">
        <name>The Tivoli Restaurant</name>
      </tag>
      <tag tagId="251">
        <name>Weddings</name>
      </tag>
      <tag tagId="252">
        <name>Wolfe Tone Street</name>
      </tag>
      <tag tagId="253">
        <name>Youghal</name>
      </tag>
    </tagContainer>
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</itemContainer>
