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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>2017-2019</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;strong&gt;Interviewer: &lt;/strong&gt;David McCarthy</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>Cork: Ireland: 1920s-2010s:</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>56 minutes  55 seconds.</text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Pat talks about the composer Aloys Fleischmann and goes into his general story including his connections with the Cork Ballet Company which is how Pats wife got to know him. Pat met him a few times usually when he would call to the house to drop music off. He says he was a very unassuming man. He had an old broken down car with the door nearly falling off and he would have no mass on things like that. He also used to drive an old motor bike. He brought a friend of Pats wife up to Clonmel on the bike and took a corner quickly and they ended up in the ditch but they walked away from it. He says he was like Fr O Flynn in some respects in that he’d inspire people. He collaborated with Joan Denise Moriarty with The Cork Ballet Company. The Cork Ballet Company became The Irish Ballet Company so they set up a professional company out of Cork which the Cork Symphony Orchestra would play in collaboration with. Pat says they travelled to Europe and America but the Dublin based Arts Council said it could survive if it was based in Dublin, their funding was taken from them. Up to end of Fleischmann’s and Joan Denise Moriarty’s lives they were both heavily involved in ballet and music. The ballet and Cork Symphony Orchestra are still around but not in the same capacity as they used to be says Pat.</text>
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                <text>Pat Horgan: The Loft Cork Shakespearean Company, The Everyman Palace, Aloys Fleischmann </text>
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                <text>Pat speaks about his family’s involvement in The Railways. Of hurling with St Patricks .Of seeing the Innishfallen coming and going from his house. Playing hurling with St Patrick’s. His work in Dunlop and Ford and his involvement in acting with The Loft Cork Shakespearean Company under Fr O Flynn. He speaks of when the BBC came to the Loft to film a documentary on Fr O Flynn. He also speaks of his memories of Aloys Fleischmann. On John B Keane and the Southern Theatre Group. Dan Donovan. The Everyman Palace. The Montforts. Joan Denise Moriarty. Gus Healy. Chris Curran. Jim Stack.</text>
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                <text>16 January 2017</text>
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                <text>Interviewee: Pat Horgan</text>
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                <text>Cork, Ireland, 1920s, 50s, 70s, 80s, 90s </text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2034">
                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="2036">
                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="2040">
                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Breda Sheehan </text>
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              <text>Pat Saville</text>
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              <text>65min 33sec</text>
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              <text>Mayfield, Cork.</text>
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          </elementTextContainer>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>. wav</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;BS: Would there be any stories now, connected, say with any part of Blackpool, that you&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d know of? Say for example now, you know - - scary stories or ghost stories or any - - &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;font-weight:normal;line-height:150%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;border-top:none;border-bottom:1px solid #000000;border-left:none;border-right:none;line-height:150%;padding:0cm 0cm .07cm 0cm;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;PS: Oh yeah. Long ago we used go to the October Devotions in the convent. We used be afraid of our life going down there. There was a narrow bank - - the river and then the bank and there was a big, big wall and nobody wanted to walk in front &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;‘&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;cause there was kind of - - dark corners and there was kind of nooks and crannies on the way down and then they&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d be always saying &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;‘&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;Oh there&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s someone standing there. We&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;re not going down there at all.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt; And then there was another one of the houses in Welsh&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Avenue, there was an old, old lady lived in there and we used to be afraid to pass her house. I&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d go around Bird&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Quay, I could go up Bird&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Quay and come back into my place &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;‘&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;cause Bird&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Quay goes into the quarry also, where the Harrier Club was. So instead of going up my lane, if I thought that she was around, I&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d go up Bird&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Quay and come back down the other end. But eh, going to the October Devotions we used to have good laughs, but we also had scary moments, like a fella would jump out in front of ya - - he might have moved away before you, and he&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d hear you coming and he&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d stand in the nook and he&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d - - just as you&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d come up to him, he&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d jump out in front of you. There was many a young fella fell into the river over it. Our parents would [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;i&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;be with us&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;] sometimes. But there was many a young fella fell into the water over it. He got such a fright he&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;d fall off the bank into the water. But that - - this old lady that was - - she was a lovely old lady in the end, once I got older and we kinda - - we weren&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;t afraid of her any more. She was a lovely old lady and she wouldn&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;t do no harm to anybody, you know? It was just that we had - - someone would come up with a story, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;‘&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;oh, the house is haunted&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt; or something like that, you know.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Pat Saville: Blackpool, Working Life, Sport,</text>
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                <text>Life History:</text>
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                <text>Pat Saville was born in 1946. He had a twin brother, Charlie, and an older brother, Ray. He moved from England with his family when he was 4 years old. He grew up in Welsh’s Lane, Blackpool. His father died when he was 10.&#13;
He describes the shops and businesses on Thomas Davis Street. He talks about the CIE [Córas Iompair Éireann/Irish Transport System] train station at Dublin Hill, and the freight that used to be carried. He recalls how waste food for pigs was collected and sorted;  flooding in Blackpool. He remembers his first job as a cinema projectionist, after which he worked with Youghal Carpets.&#13;
Pat also recalls his early involvement in sport, especially soccer; Bonfire Night on Welsh’s Avenue.</text>
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            <name>Date</name>
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              <elementText elementTextId="2489">
                <text>25 August 2010</text>
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            <name>Contributor</name>
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                <text>interviewee: Pat Saville</text>
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                <text>Interviewer: Breda Sheehan</text>
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                <text>CFP_SR00399_saville_2010</text>
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                <text>Cork, Ireland, 1940s-2000s</text>
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              <elementText elementTextId="2494">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>2010 - 2013</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Tom Doig</text>
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          <name>Interviewee</name>
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              <text>Pat O'Rrien</text>
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          <name>Duration</name>
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              <text>70min 48sec</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Fairhill, Cork.</text>
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          </elementTextContainer>
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          <name>Original Format</name>
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              <text>.wav</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Pat O'Brien: Northside, Pubs, Childhood,</text>
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                <text>Life History:</text>
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            <name>Description</name>
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                <text>Pat O’Brien, talks of various locations on the Northside. Pat describes what activities he would have taken part in as a child in these locations. &#13;
He talks briefly about the pub trade. The Holy Hour was observed within the city limits (a break between 2.30 and 3.30).&#13;
&#13;
Pat also talks about the dockland area.&#13;
&#13;
[Limited Content]</text>
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            <name>Date</name>
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                <text>6 August 2010</text>
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                <text>Interviewee: Pat O'Brien</text>
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                <text>Interviewer: Tom Doig</text>
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            <name>Identifier</name>
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                <text>CFP_SR00397_obrien_2010</text>
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                <text>Cork, Ireland, 1950s-2000s</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="2450">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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          <name>Interviewee</name>
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              <text>Patricia McCarthy</text>
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              <text>Cliona O'Carroll</text>
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              <text>40min 07sec</text>
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              <text>Civic Trust House</text>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;P McC: And of course, we had the fishermen there then on the quay. I mean they used put their boats there and their nets. You know we had.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;CO’C: And how many around would there have been?&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;PmcC; Well, they mostly the fishermen with families, they would go back the generations again, you know. The Flynns, they were mostly families even to this day now they fished down outside Blackrock. The Quilligans, they fish on Blackrock area, that’s their fishing rights now that’s going back generations.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;CO’C: And the men that you remember being out here, where would they have lived?&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;PmcC: Oh they’d lived on Witherington’s Hill or Cobbidge’s Lane. They’d have lived on the lanes around and they actually used have their little boats there and the nets then would be thrown over the quay wall.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;CO’C: Okay.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;PmcC: You know even in my time. But they were families then again. You know like the butchers were families. ‘Twas all kept within families, the trade, well the fishermen wouldn’t be trades but the trades were and you couldn’t get into them. So if you were, if you had nothing you couldn’t kind of get a trade because ‘twas closed shop. You know.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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            <name>Title</name>
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                <text>Patricia McCarthy: Shandon Street, War of Independence, Trades</text>
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                <text>Life History: </text>
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                <text>Pat McCarthy (née Byrnes) is from Shandon Street. She grew up in Mahony’s Terrace, overlooking Pope’s Quay which she knew as the Sand Quay. Her father worked as a lorry driver. She remembers Shandon Street having bakeries and butchers. There were lanes off it, and she also recalls a house she calls “the Dolls’ House”, Batchelor’s Quay, which was later knocked down. She recalls Dillons’ milk and cake shop, and Nosey Keefe’s which sold chocolates and cigars.&#13;
She remembers her grandmother, who lost three brothers in the First World War, and who she describes as a strong, intelligent woman.&#13;
Pat describes the shawls women wore, one black, one cream. She tells a funny story about her sister being christened Valera, after Éamon de Valera. She talks about the power of the church and the issue of contraception. &#13;
Men fought in the war because they looked on it as a job; it was not for the British Empire; how they were frowned upon later by Republicans.&#13;
Houses were occupied by neighbours in the event that a family died out; there were no property deeds to houses.&#13;
There was an RIC barracks at the end of Shandon Street. A Black and Tan soldier called Charlie Chase ruled the area during the War of Independence.&#13;
She talks about the lives and status of women and girls.&#13;
Trades and skills were kept within families, such as fishing or butchering.&#13;
People kept chickens and pigs. She often saw sheep being herded down Shandon Street. A slaughterhouse might only be a field where animals were killed. A pig’s head was a traditional dish on St Patrick’s Day.&#13;
She remembers Cork character The Rancher and his getting married.&#13;
Skiddy’s Almshouse was a home for Protestants. She lived in the shadow of Shandon Church but never went into it until recently.</text>
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              <elementText elementTextId="3298">
                <text>24 August 2011</text>
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                <text>Interviewee: Patricia McCarthy&#13;
&#13;
</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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                <text>CFP_SR00440_mccarthy_2011</text>
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                <text>Cork, Ireland, 1950s-2000s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/17"&gt;here&lt;/a&gt; to access Patricia's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                <text>Cork Folklore Project</text>
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                  <text>Interview collection exploring the ‘showband era’ (late 1950s to early 1970s) in Ireland from the perspective of Cork-based musicians and family members. Six audio interviews with eight people totalling 251 minutes.</text>
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                  <text>In 1996-1997, researcher Stephen Hunter interviewed a range of musicians, family members and one author on their memories of the ‘showband era’ in Ireland. In the first interview, Seán Lucy (clarinet and saxophone player with Cork band the Dixies from 1954) and Terry McCarthy (singer with the Dixies from 1985) speak briefly about their backgrounds and childhoods in Cork before tracing their musical careers and discussing their experiences as members of the Dixies. Tommy Rooney from Crosshaven recounts playing with army and civilian bands (Trumpet player) before founding the Second City Jazz Band, and talks about the showband era and his experiences of playing in Cork and in Protestant halls in Northern Ireland. Pat Nolan, a saxophone and clarinet player who grew up on Cork City’s Northside, traces the rise and fall of the showbands on the Island of Ireland, and describes playing in dancehalls in Northern Ireland. Vincent Power, author of the book Send ‘Em Home Sweatin’, reflects on the showband phenomenon in his interview. Liam Foley from Blackpool, Cork, a drummer and guitarist, recalls his experiences as a musician in that era. Frances McCarthy and Betty O’Mahony, wife and daughter of the late Christy O’Mahony who played bass with the Dixies from 1958-1985, talks about Christy’s involvement with the band.</text>
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                  <text>Interviewees: Seán Lucy; Terry McCarthy; Tommy Rooney; Pat Nolan; Vincent Power; Frances McCarthy; Betty O’Mahony.</text>
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                  <text>Accession number for collection [CFP Acc. No. 1997-004]; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/56" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00051_dixies_1996;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/57"&gt;CFP_SR00052_rooney_1997&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/58" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00053_nolan_1997&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/59" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00054_power_1997&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/60" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00055_foley_1997&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/61" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00056_various_1997&lt;/a&gt;:</text>
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                  <text>Cork Folklore Project. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
S.H: Can you tell me something about your introduction to the show bands era and the people you played with at that time and some of your experiences?&#13;
&#13;
P.N: Well, a lot of my early experiences were basically in and around Cork and Country Cork.  My very first band was a little dance band in New Town, Mount Seandrum, and the name of that band was the Viceroy Show Band.  At that stage they had just switched from being a céili band to the new idea of having a show band.  The leader of that band was a man by the name of Michael O’ Mahony and I played with them for a good number of years, we worked for maybe three or four nights a week.  I then went on to play with bands like the Michael O’ Callaghan Show Band, who was all from County Cork.  As I went on I moved around as a freelance musician and played with a lot of what were at that time the semi-professionals bands, show bands in Cork.  I worked in, from there I went on, played with the Victor Show Band, we worked a lot here in this country and in England, Germany, the American bases in Germany, mm…and broadly speaking these were roughly the bands that I did play with, but my very first band was the Viceroy Show Band, from County Cork.&#13;
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                <text>Pat Nolan: Northside, Cork Academy School of Music</text>
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                <text>Interview exploring the ‘showband era’ (late 1950s to early 1970s) in Ireland from the perspective of Cork-based musicians and family members.</text>
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                <text>Pat is from John Street on the Northside. He was educated at the North Monastery, which was good for general studies but did not teach music. The school environment was harsh. He left school early. His father bought him a second-hand saxophone, and he later learned to play the clarinet. He joined a dance band after he left school, and played around County Cork. &#13;
&#13;
   He talks about the beginning of the showband era; and traces the course of its decline, which he says began towards the end of the 1960s. He recalls Rory Gallagher and his connection with the showband scene, and he praises Gallagher’s rhythmic sense.&#13;
   He later went to University College Cork to get a degree in music. He joined the army band: it was composed of musicians rather than soldiers.&#13;
   He played at the Boom Boom Room in Belfast, but bands became nervous after the violence began there in 1969. [He misattributes the 1975 Miami Showband Massacre to 1969]. He talks about the atmosphere in Northern dancehalls.&#13;
   He discusses the extent of the Northside area; he values teaching music with the Cork Academy School of Music in Sunbeam industrial estate.&#13;
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                <text>8 January 1997</text>
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                <text>Cork City; Ireland; 1950s-1990s </text>
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                <text>1.wav File</text>
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                <text>&lt;strong&gt;Showbands Collection Catalogue Numbers: &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Accession number for collection [CFP Acc. No. 1997-004]; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/56" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00051_dixies_1996;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/57"&gt;CFP_SR00052_rooney_1997&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/59" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00054_power_1997&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/60" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00055_foley_1997&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/61" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00056_various_1997&lt;/a&gt;:</text>
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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;strong&gt;Interviewer: &lt;/strong&gt;David McCarthy</text>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;</text>
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                  <text>Cork: Ireland: 1920s-2010s:</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>Cork Folklore Project </text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;b&gt;DMC.&lt;/b&gt;  After the death of Fr. O’Flynn, as we know, the loft continued on….&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;strong&gt;PG. &lt;/strong&gt;   Well it did too because, at that time we still had the original founders like Gus Healy and Eileen Curran and, and others: Tom Vesey, Teddy Healy, Norry O’Brian, Norry,…..Norry Healy, sorry as and. Quite a number of others that, that,…..Jonny Gallaher, she was another woman that, who came into that as well and, and they, they were there with us as well. So they brought us along another step of the way, and Gus Healy was absolutely wonderful that he was able to bridge that gap because he knew Fr. O’Flynn from the time that the loft was founded in 1924, right up until he died and then came in and then took over the role of, of chairman. And was chairman up till the time he died in 1986. So we were lucky, and of course, Eileen Curran was Fr. O’Flynn's disciple and she had his interpretation. She knew the plays backwards. She could quote from any of the plays without ever looking at a book, you know. And we were lucky. And then, like, we were maturing ourselves. Pierce, of course, my brother, was that much ahead of me and he, he was well into it as well. And you had Pat Lehane and other stalwarts of that particular time. Now I would have to say then a lot of the others had drifted away, like the Michael Twomey’s and Marie Twomey’s weren’t as and…. those that were around at the time when I mentioned like the: Kevin Sheehan’s, the Michael Mcauliffe and all of these. They, Monn Murphy’s, they had moved on a bit. Now one or two of them, like Monn, came back and did a few parts with us at later stages, you know. I know Monn did a reprise of &lt;i&gt;Hamlet&lt;/i&gt; in, I think the mid, the mid 60's, 1964. She came back and reprised her role as ‘Ophelia’, you know. And Tom Vesey, of course, a very old great old stalwart of the original cast. He, he was there up until he died I think 1966. So they, we were lucky, you know. But then we had matured enough to more or less bring it on ourselves and Pierce immersed himself, my brother that is, immersed himself in the work of Fr. O’Flynn and Eileen Curran. When Eileen Curran passed on in 1977. And we also had a, a, a, an outsider who's contributed hugely to the loft of the period and he was a man by the name of John Morley. And he came into the loft in the early 70's and he, he, he was quite an outstanding character. He was English, old English, retired actor living in Cork for a period and he, he was, he was a great man of theatre, you know. And he taught us a lot of things apart from…. the plays and producing and all that, you know. He taught us a lot about creating properties and you know, and settings and all that as well. And he was an extremely talented man and wonderful guy and he understood Fr. O’Flynn and where Fr. O’Flynn was coming, from the word go. He had in fact in Dublin been a friend of Fr. O’Flynn’s nephew, John O’Flynn. And when he came to Cork he, he, he, he was involved briefly I think with The Everyman Theatre. But then he came along to us. And he, he was with us for many happy years really up until….. 1977. He was producing at the time that Eileen died rather suddenly on us in the middle of the last few rehearsals for, for &lt;i&gt;The Winter’s Tale&lt;/i&gt; in 1977. And she was; Susan Cummins was a very good girl at the time who, who filled in, in between, between the Saturday and the following Wednesday she, she filled in for him …and she took over the role that was vacated by Eileen Curran, which was quite a substantial role actually in that play. And she, she was to give a very credible performance but John Morley, he directed that. And I learnt a great deal from him because I played ‘Leontes’, the king, in that I had a major role for the first half of, of the play and he was great. But he eventually; he was a member of the high religion and he was asked to go over to Bermuda with his wife, Valery, who was a lovely lady as well. That was about the end of the period where we had come out of The Opera House. We went back into the opera house in the 70s and then did quite a number of plays in The Opera House. But eventually, the burden of, of, of mounting pro plays in the opera house became a bit heavy for us all because we were all young and married and working and that sort of thing. So we tended to go back into The Theatre of the South, a little theatre in Castle Street and then after that then, when they built the The Cork Arts Club then in Knapp’s square we gravitated to there. We kinda, generally speaking, do most of our plays there now at the, at the moment anyway, but. So, that was, we were helped an awful lot to be able to do that, you know. Now, and I'm glad to say that there’s a new generation coming on after us headed up by Ciaran O’Leary and others, and Ray Brothers and Mike O’Neill and hopefully they'll carry the organisation on further into, into the next number of years.&lt;/p&gt;</text>
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                <text>Pat Gunn grew up on Barrack Street. He talks of early life there plus his involvement with The Cork Shakespearean Company and of his knowing FR O Flynn in his final years plus the 1961 BBC film on The Loft. Also about his Fathers involvement in The Old IRA in War Of Independence and Civil War. Topics covered include his father's memories of the burning of Cork and Barrack Street ambush. His father's thoughts on the Civil War. Also his ancestor in The RIC. He also speaks of meeting Tom Barry in the 1960s. He speaks of witnessing the ceremony at Cork City Hall to celebrate Ireland becoming a republic in 1949. &lt;br /&gt;&lt;br /&gt;This is the first of two interviews with Pat for The Cork Shakespearean Company (The Loft) collection. The second is &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/208"&gt;CFP_SR00627_Gunn_2017&lt;/a&gt;</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00733_Joyce_2019:&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The LGBT (lesbian, gay, bisexual, transgender) collection was launched and created in August 2014 by Stephen Dee and Dermot Casey, researchers at the Cork Folklore Project. The Project was established to record and preserve stories and memories of LGBT life in Cork City and County, with a focus prior to decriminalization in 1993 but also to document the important achievements and struggles that contributed to a society that today is far more accepting of LGBT people. This is proven today with the legalisation of same sex marriage through popular vote and the increased visibility of LGBT people in all areas of public life. The collection’s aims are to explore three main aspects: ‘Personal Recollections’ including but not limited to identity, coming out and experiences of homophobia; ‘Community Stories’ based on certain areas, streets, and forms of social interaction within the LGBT community; and ‘Political Movements’, chronicling political events, motivations and outcomes such as the creation of the Cork-based Irish Gay Rights Movement in 1976, Cork Gay Collective in 1980, and UCC Gay Soc in 1980. Each interview we conducted was unique with each interviewee covering some or all of these topics and with some areas being explored in depth. We hope the material can complement LGBT research in Ireland and also stimulate further interest amongst the public in LGBT history. To date we have distributed some of this material to the public with an audio visual presentation on YouTube and in 2016 in conjunction with Cork City Partnership for LGBT Awareness week we produced a public exhibition of our sound excerpts at Cork City Library. Special thanks to all our interviewees and also to Alvina Cassidy whose research also features in this collection. &#13;
&#13;
This LGBT collection of interviews is stored within the Cork Folklore Project permanent oral history archive run in conjunction with UCC’s Folklore and Ethnology Department and Northside Community Enterprises, with both a physical and digital presence. As with all our material, access to full interviews is supervised through a variety of permissions and forms.</text>
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                  <text>Interviewees: Derrick Gerrety; Eddie Kay; Christine Browne; Stephen Dee; Dermot Casey; Padraig McCarthy; Clive Davis; Finbarr Kiely; Ken Curtin; Paul McAllister; Jonathan Neville; Tara Whelan; Edmund Lynch; Tony Doherty; Cathal Kerrigan; Barra O’Donnabhain</text>
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                  <text>&lt;p&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/85"&gt;CFP_SR00502_kay_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/86"&gt;CFP_SR00516_browne_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/87"&gt;CFP_SR00518_dee_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/88"&gt;CFP_SR00519_casey_2014&lt;/a&gt;; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/89"&gt;CFP_SR00521_mccarthy_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/90"&gt;CFP_SR00532_davis_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/91"&gt;CFP_SR00534_kiely_2014&lt;/a&gt;; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/92"&gt;CFP_SR00547_curtin_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/93"&gt;CFP_SR00548_mcallister_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/94"&gt;CFP_SR00549_neville_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/96"&gt;CFP_SR00555_whelan_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/97"&gt;CFP_SR00556_lynch_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/98"&gt;CFP_SR00558_doherty_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/99"&gt;CFP_SR00561_kerrigan_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/100"&gt;CFP_SR00576_odonnabhain_2016;&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Ethnographic interviews carried out with members of the LGBT community in Cork city and county</text>
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&#13;
&#13;
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                  <text>Youtube video showcasing interviews from our LGBT Archive Collection. Ten voices, eight topics, ranging from First Discovery, Coming Out, The Scene, Marriage and more. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=enopWLdeOAw&amp;amp;t=2s"&gt;https://www.youtube.com/watch?v=enopWLdeOAw&amp;amp;t=2s&lt;/a&gt;</text>
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                  <text>&lt;br /&gt;&lt;strong&gt;Other CFP Material Realting to LGBT Life in Cork:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/130"&gt;CFP_SR00418_gerrety_2012&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;strong&gt;&lt;b&gt;SD&lt;/b&gt;&lt;/strong&gt; Okay and when did you first discover the gay scene, or was there a gay scene, or how did you meet other homosexuals?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;b&gt;PMc&lt;/b&gt;&lt;/strong&gt; Well in the 1960s, 1970s in Cork, there was no scene, I don’t even know, I never remember hearing the word scene, I discovered that people who felt like me, met in public toilets and the Nell MacCafferty thing obviously reinforced that, and the Nell MacCafferty court cases never put me off going into public toilets and meeting people and when I think about it now, it all sounds terribly sordid and I know it has become a kind of a subculture within the gay community, the whole cottaging the scene, and though it isn’t kind of necessary anymore I think there are still people who like to do that, almost for old times sake I suppose, that was my, that was all I was aware off in Cork. In the late 60’s early 70’s and, you know because of the nature of the situation like you went into a toilet and you met somebody and it was usually for sex and nothing else. Because you were meeting other people, who were every bit as isolated and lonely and maybe repressed, and maybe terrified that somebody would see them, as I was, and that was it. And in a way I mean I was relatively young, and I suppose anybody that I went off with, could actually have been in very serious trouble because essentially I was underage and they weren’t so it was quite an abusive situation but I didn’t see it like that you know, and it is something that I look back on now, with sadness and [pause] and I don’t think it is the most healthy way for anybody to develop their sexual identity. But that was all that was there, that was all we knew, those of us who frequented public toilets as I said, we weren’t aware of any scene, I am not sure if there was a scene, I certainly wasn’t aware of it. And one of like there is nothing you can do now. It is a, it is been, it is a huge source of regret to be now, that my formative sexual years, were carried out in that kind of environment that kind of situation, it is when, when I look now at people, growing up in their teens and, and, coming to terms with there identity and seeing all the support that is there for them, the fact that it is talked about in the schools, that is on in the school curricula and there are books TV programme etc all sorts of things around the place. And most importantly of all, places where they can go and meet other gay people and relate in a normal natural healthy way that I didn’t have growing up that and it is not just me, nobody in Cork had, as far as I know, at that time.&lt;/p&gt;</text>
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                <text>Padraig McCarthy: Homosexuality, Catholicism, Quay Co-Op, </text>
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                <text>Padraig talks about his experiences as a gay man.&#13;
He regrets that his early homosexual encounters were within the cottaging scene. He mentions places and pubs where gay men met. He mentions the Cork word ‘steamer’ used by the general public to describe a gay man or a promiscuous man. He talks about the harsh position of the Catholic Church towards sex, but he speaks gratefully of a Catholic priest who advised him to accept his nature. &#13;
He remembers the emergence of a gay scene in Cork associated with the Quay Co-op and with Loafers bar. He talks of coming out as a gradual process and tells a story about his fellow teachers taking him to a gay club. He comments on whether or not there is such a thing as the gay community. He criticises the Gay Pride events as not representing ordinary gay people and giving the general public a misleading impression.</text>
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                <text>Interviewee: Padraig McCarthy&#13;
Interviewers: Dermot Casey &amp; Stephen Dee.</text>
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                <text>&lt;p&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/85"&gt;CFP_SR00502_kay_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/86"&gt;CFP_SR00516_browne_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/87"&gt;CFP_SR00518_dee_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/88"&gt;CFP_SR00519_casey_2014&lt;/a&gt;; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/89"&gt;CFP_SR00521_mccarthy_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/90"&gt;CFP_SR00532_davis_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/91"&gt;CFP_SR00534_kiely_2014&lt;/a&gt;; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/92"&gt;CFP_SR00547_curtin_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/93"&gt;CFP_SR00548_mcallister_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/94"&gt;CFP_SR00549_neville_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/96"&gt;CFP_SR00555_whelan_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/97"&gt;CFP_SR00556_lynch_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/98"&gt;CFP_SR00558_doherty_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/99"&gt;CFP_SR00561_kerrigan_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/100"&gt;CFP_SR00576_odonnabhain_2016;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element-text"&gt;Youtube video showcasing interviews from our LGBT Archive Collection. Ten voices, eight topics, ranging from First Discovery, Coming Out, The Scene, Marriage and more. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=enopWLdeOAw&amp;amp;t=2s"&gt;https://www.youtube.com/watch?v=enopWLdeOAw&amp;amp;t=2s&lt;/a&gt;&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Other CFP Material Realting to LGBT Life in Cork:&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/130"&gt;CFP_SR00418_gerrety_2012&lt;/a&gt;&lt;/div&gt;
&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/100"&gt;&lt;/a&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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          <name>Interviewee</name>
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              <text>Padraig O’Horgain</text>
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              <text>Helen Kelly</text>
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              <text>52min 29sec</text>
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              <text>Tralee, Co Kerry</text>
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              <text>.wav</text>
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              <text>24bit / 48kHz</text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="color:#222222;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:#000000;"&gt;&lt;b&gt;&lt;span style="background:transparent;"&gt;P.H:   &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="color:#222222;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="background:transparent;"&gt; &lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-weight:normal;"&gt;My mother, she was a very gentle woman. She never hit us. My father never hit us. She provided very well for us. We always had good dinners even then in the, say in the early sixties. I think she fancied herself as a cook, you know, and like we’d have cabbage of a Sunday, we’ll say with corned beef or something like that and then she’d make soup from the corned beef from what was left of the corned beef so you’d have that for eh before dinner during the week because when I was at the North Mon, we’d go home at half twelve, I think it was and you didn’t go back ‘till two so we had our dinner in the day time and then father would have at night when he came home, you know, so that’s the way we used to be, all the boys would have their dinners at one o’clock. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="color:#222222;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;And em so, you know, there was, there was sort of set dinners for the week, you know, you’d have the meat, the mutton or the corned beef mainly, there was a very very little steak that time, on the Northside of Cork city, you know, people didn’t have money to buy it. And so you’d have mutton or corned beef and on Sunday and Monday, then we used to have bodice which you probably know, I think they call it spare ribs nowadays, you know, so of course they would be boiled and then you’d have tripe and drisheen, I think we used to have that on a Thursday and then of course Friday was fish. You know for the Catholic observance.  So we had fish on a Friday, and then I forget Saturday you had chops, or something like that you know, so that’s the way it was  and it didn’t vary an awful lot, there were no pizzas and no pastas, no nothing like that.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="color:#222222;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="background:transparent;"&gt;    &lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="font-weight:normal;"&gt;And then on Shandon Street, you, you see all the shopping was local so you have a, you’d the pork butcher, the beef butcher and Billy O’Callaghan, I think was the beef butcher, ah the mutton and the beef chops and then you had em Jerry Nolan; he’s still there.  I used to go around with him.  They had a shop there; a butcher shop and then you had a man further up about three doors from Gerry; I can’t think of his name and I think he used to sell pig meat, you know heads, crubeens things like that, tripe and drisheen and of course you had bakeries there.  You had Creedon’s bakery; you had Donnelly’s  which I saw this morning is still there and you had Ormonde and Aherne’s and em so all the shopping was done in Shandon Street. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Title</name>
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                <text>Padraig O’Horgain: Church Street, Funeral Customs, Republicanism, </text>
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                <text>Life History:</text>
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                <text>Padraig O’Horgain (Pat Horgan) was born in Church Street in 1951. His father was a Republican and was interned in Britain between 1939 and 1946. His father later worked at Cork Harbour.&#13;
O’Gorman’s hat factory and other businesses were cited in the street. Women in the area still wore shawls up to the mid-1960s. He remembers a travellers’ encampment at Bontys, off Knocknaheeny.&#13;
Padraig played handball. People played hurling; Gaelic football was not popular.&#13;
He recalls Cork characters The Rancher and Baby Joe.&#13;
Men walked behind hearses; women went instead to the church.&#13;
At Corpus Christi he was a flower boy; he kissed flowers and threw them at people.&#13;
In secondary school, they had a long lunch break so they could go home to be fed. The kinds of meals that were eaten during the week; how shopping was done.&#13;
His father kept cage birds. He talks about members of his extended family.</text>
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                <text>14 September 2011</text>
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                <text>Interviewee: Padraig O’Horgain</text>
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                <text>Interviewer: Helen Kelly</text>
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                <text>CFP_SR00414_ohorgain_2011</text>
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                <text>Cork, Ireland, 1950s-2000s</text>
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              <elementText elementTextId="2802">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>In 2017 CFP Project Manager Tomás Mac Conmara secured funding to undertake a collaborative oral history project with the University of Massachusetts Lowell and CFP, relating to the sustainability of rivers, specifically the Merrimack River in Lowell and the River Lee in Cork. The aim of the CFP part of the project was to capture stories, experiences, impressions and opinions from a variety of people relating to the River Lee. Many of the interviews focused on how individuals used and interacted with the river, particularly for leisure. There was also discussion of the industry, fishing, wildlife, history, place names, pastimes, slang, childhood memories as well as hopes and aspirations for the future of the Lee.&#13;
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              <text>74m 23s</text>
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              <text>Farrenferris</text>
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              <text>.wav</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
KM: What are your hopes for the Lee then, for the futre and what would you like to see happen?&#13;
&#13;
POD: I think it really is worth focussing on. It can be like what Kevin Corcoran has done and it continues in Europe and that's all gaining a bit of traction. And you have to be quite full on really to shift a whole mindset around, like even for myself from a civil engineering point of view I can understand the difficulty of having to just accept something like the environment or having to do substantial enough engineering works to alter something that was built and was built in good faith I suppose or in ignorance probably is a better way of putting it. But from any point of view it's understandable why it happened in a country starved of electricity and minimum need for it in a way. It also has a function protecting the city so there's a lot of things. Anything that can be done to allow the fish to go up and down and to mitigate the effect of the dam will alter the whole river. I think the growth of use of the river, it's blueways and all of that stuff is gaining traction and that will continue to develop. And there's more of the wildlife on the river. There's projects that are documenting the wildlife, there are artists involved in the wildlife, there are people making films about wildlife in the city. That's all making all of that valuable. And it's cleaner than what it was. It needs more cleaning, people on the water, experiencing that. That's the wish.&#13;
&#13;
KM: What are the Blueways?&#13;
&#13;
POD: Well, it's like blueways aren't necessarily on the water. Often they're just pathways that run along the banks of a river or along. So they're being developed all over the place now. It's usually on land. It's like greenspace, town planning and all of that, greenspaces would have been the big thing. And now the whole process has come around to realising the bluespace is also a resource.</text>
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              <text>&lt;table&gt;  
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.00.00 - 0.09.00&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Background and early life&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="background:#ffffff;"&gt;Pádraig says he grew up in Coolcower, Macroom on a peninsula between the rivers lee and Sullane. He says it had a formative influence on his life. His father was a bus driver and his mother was a housewife. They were both from Irish speaking families. He went to school in Macroom. School didn’t agree with him at times. He says he’s been in and out of education since then. He trained for a while as a craft potter, he also worked as a labourer. He says he has a diploma in civil engineering and worked in civil engineering for 12 years and then started building Currach’s from about 18 or 19 years. He recalls getting toys his father made for Christmas. He says he lived in Marion terrace in Coolcower until he was 8 and then he moved to a cottage on an acre where they had a small farm. The bottom of their field bordered onto the lee and the Sullane was very close as well. A neighbour used to let him and his brother borrow a boat and the used to explore the rivers and lakes &lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;b&gt;&lt;span style="background:#ffffff;"&gt;(phone rings at 4.14).&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="background:#ffffff;"&gt; He says he used to swim in the Sullane by the new bridge near the town. He says he didn’t do much fishing but his brother did a lot of course fishing. He recalls spying on German tourists the used to come and fish illegally with lights at night. He says that his brother and he used to go out in storms. They used to take two boats for the excitement to be out in a storm. He says his brother Tadgh has a big interest in the water he dives and swims and lifesaves. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.09.00 - 0.21.40&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Experience of being on the water and recollections of Cork City&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="background:#ffffff;"&gt;Pádraig says when you’re on the water you are in a totally different place even if you are in the middle of the city. You are completely independent and in your own space. He says you have command of that space and you’re not part of the madding crowd, you are an independent entity on the water and that is very important and you are seeing the city from a different perspective as well it’s just a completely different relationship with the city. In Cork on both channels of the Lee you move between cityscape with big buildings and people and cars to woodland and natural greens surroundings. Pádraig says even with other people on the water with you, you’re part of a unique group and you’re separate from everything that is going on and that is a pleasant feeling. He says not that long ago there was a tremendous amount of activity on the river. The fishermen on Crosse’s Green and French’s Quay used to bring the local children for a row down the river. Pádraig said he came to Cork city in 1975 and then there used to be loads of boats on the south channel of the Lee. The Flynn’s on French quay were still fishing and there were drift fishing down the Marinas and Blackrock. Paddy Flynn and his brother William used to fish from French’s quay. He recalls there was a rowing club on the cold Quay called riverside. He says each club used to have its own regatta and they would draw huge crowds. One in Tivoli, Blackrock, St Finbarr’s rowing club was in French’s quay. It faded away gradually. . He says the wildlife penetrate the city through the waterways with otters and kingfishers. He says a a friend f his say an otter on a flooded road near Douglas St. when asked about the boats the Flynn’s used Pádraig says the were called yawls, they were carvel built smooth hull wooden boats. He remembers Paddy Flynn’s boats were blue or green. He recalls pleasure boat racing was big in the 50’s and before. He recalls one story of a race in Cobh and they were very competitive and one boat was too long so the people in the boat basically made the boat smaller themselves by moving the transom and sawing off the excess planks to make the boat within the race rules. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;span style="background:#ffffff;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;b&gt;CFP NOTE: a transom is the surface that forms the stern of a vessel&lt;/b&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.21.40 - 0.36.20&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Reflections on the Lee&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="background:#ffffff;"&gt;Pádraig says the building of the dams had a huge effect on the Lee especially the Inniscarra dam and the pattern of the way the water is released and it had a huge effect on diminishing the salmon in the river. He says the dam affected the river from the city to Gougane on the ecology, the salmon, and on pearl mussels. He says the Lee was huge salmon river. The lack of flow had an effect on the ecology he believes. He also says rivers with dams smell different because the water is impounded. He says that the decapitated tree remind him of a Christy Moore more song about the destruction of Hiroshima and Nagasaki. Pádraig is asked if he knows any folklore about the Lee and he says because it’s a delta and a network of rivers that it reminds him of the everglades. The stories about it were that it was a place where you could live undetected and people couldn’t get at you and for also making Poitín recalls a story from the 1700 to 1800 about a man who came over the hill into Macroom, he was a crack shot who shot out the candle in Lord Massey’s house. His name had Gearagh init. He grabbed an old woman and put her on his back so they couldn’t shoot him and he ran into the Gearagh and he got away. There is also another story of the guards raiding the Gearagh looking for Poitín. They hired a boat man to take them around. Pádraig says if you approach a place in the Gearagh and then approach it from a different point you would not know it was the same place. So the boatman led the guards on a merry dance, the boatman was actually the Poitín maker. He says there was a long history of sport fishing on the Lee for salmon. He says he has more interest in fishermen who fished for a living because they have a deeper connection to the river. Paddy Flynn could see fish going up the river when Pádraig couldn’t see anything. Pádraig says Paddy Flynn used to wander the city going from one place along the river to another on both channels and he thinks he used to follow what were actually formerly waterways around the city. The fishermen had their own culture, they hated the corporation, the never took dole. They also fished bodies out of the river. He recalls a story he heard off Paddy he thinks, a sea captain was pulled from the river dead and sat in the stern of the boat and the misjudged the bridge and the bridge hit him and knocked him back into the river and they fished them out again. The captain had a lot of money on him and it was handed back. They were honest except when it came to bailiffs. They could also know where a body would end up if they knew the time the person fell in because they knew the tides. Pádraig recalls an incident on Lough Mahon in the 50’s maybe, the changed the relationship to the sea a number of people drowned fishing and a lot of people said I don’t want my children doing this and it changed a lot of people’s connection to the water. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;b&gt;&lt;span style="background:#ffffff;"&gt;CFP NOTE: Gougane refers to Gougane Barra where the river Lee rises&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.36.20 - 0.53.00&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Further connections to the water and &lt;/b&gt;&lt;b&gt;Meitheal Mara&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p style="margin-top:.49cm;margin-bottom:.49cm;background:#ffffff;"&gt;When asked by the interviewer is there still people today who have the connection to the water Pádraig says there are. He talks about a youngster who had a speed boat when he was 13 or 14 and hung out on the water he was different to people his age and Pádraig says he was a throwback. Also some of the fishermen who had savings got sailing boats “they wouldn’t be Yachties as such” but they are people who find a new way to be on the water. They still retain their culture he says. Pádraig is reminded in a previous interview that he said he would like to recreate the Marsh. He says he had completely forgotten it. He says he has an idea of a location. A little microcosm of nature and human interaction like the Marsh Arabs in Iraq and other locations around the world. When asked where the river finishes in his opinion he replies at Blackrock castle even there is seaweed before then. Pádraig is asked about founding Meitheal Mara he says he discovered boat building when he was nearly 40 and he’s been involved with Currach’s for ten years before that. Pádraig say’s French appreciate the boating culture and once people are on the water they are all the same. He also built one in the US and was told it had no context there and he should be building it in Ireland by Brion, the grandson of James Connolly. He says he had missions presented to him and he said it was easier to deal with the sate through organisations like FAS and individuals like Eammon Young who liked the idea and minimised the bureaucracy. As they were developing it they used people from west Kerry so the people from the city could encounter the Language and the songs and all that. That vision didn’t materialise as much as he hoped. He says the most marginal should get a chance to experience it. But there was always a mix of people which was important, people from a prison background mixing with people from a high professional level. When asked what make everybody the same on water he says it the culture of it. When you are at sea you are always being watched by other people who know the sae and the get angry if you don’t do the right ting and don’t respect the sea and put yourself in danger you are calling on other people to rescue you. He says there is a connection between people who know the sae and they are always looking out for each other. If a fisherman drowns, other fishermen from all over the country will come and search and search. Pádraig says he was involved with a member of a crew he rowed with recently drowned in Portugal and they were looked after in every way by everybody. Pádraig goes on to say the rules of the sea how power has to yield to sail or oar but he wouldn’t be putting himself in danger or putting loads of people in danger so they have to learn to in the harbour to respect the ships and not do foolish things. When they are rowing they sometimes get invited onto fancy yachts for gin and tonic because they are all people of the sea&lt;/p&gt;
&lt;p style="margin-top:.49cm;background:#ffffff;"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.53.00 - 1.14.23&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Inspiration for &lt;b&gt;Meitheal Mara&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Pádraig. says there developed in New England a project helping marginalised kids build boats and it spread throughout the US. He also says you have to be impressed in the Basque country and Brittany in particular with how they value it. There is no real maritime history in Ireland the British took control of the seas very quickly. In Brittany every town had a boat building project going on building local community pride.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;(55.45- 1.01.30 Discussions in Irish language)&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Spent his holidays in his youth in the Gearagh, Inchigeelagh and another place [possibly sounds like Muncháin? Or Moncán?]. His family didn’t have anything to do with fishing or the sea so he wasn’t handed down any knowledge about that. Thinks that places names probably have some link with the river, but wasn’t able to think of any specific ones.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;“An Capaillín Bán” was first song he was taught and it mentions the Gearagh but does not have much of a description of or references to the river. He quotes the lines:&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;“In Uíbh Laoghaire na nGaortha 'sea a chaith sise a saol, /&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Níor fhás sí puinn riamh mar ba dhual di ó gach taobh dá gaol”&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;In Cúil Aodha/ Coolea there’s a strong connection connection with the River Sullane/ Abha an tSuláin [a tributary of the River Lee]. There’s an old idea that the River Sullane/ Abha an tSuláin takes a life (ie. kills someone/ someone drowns there) once every seven years and that it is the only male river in Ireland, the gender of the word in Irish is masculine.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Mentions that salmon is connected with poaching in the those areas around Cúil Aodha/ Coolea and Ballyvourney/ Baile Bhúirne.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Mentions a song which references the river. The song title is something like “Con Cronin's Boat” which was made out of the bonnet of a Beatle car. Say that they would write a song about anything at all like.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;1.01.30&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;When asked what his hope for the Lee fro the future and what would he like to see happen he says if something could be done to let the fish go up and down the river to minimise the affect of the dam. The growth of blueways and the river is cleaner now and the return of wildlife is all good improvements. He explains that blue way are not always on water but are usually paths alongside the river and waterways. Pádraig recalls when a new bridge was being built at Lancaster Quay he says they say the plans for it and it was very flat and a barrier to navigation. There was a letter written to those in charge and a hump was put in it. Meitheal Mara has developed Corkum navigation and there is a map that tells you when the tides are right to circumnavigate the island of Cork &lt;b&gt;(interruption for a phone call 1.06.46 - 1.07.25)&lt;/b&gt;. Pádraig then goes talking about the lowest bridges in the city. He says Brian Boru and Clontarf bridges are the lowest, they used to be lifting bridges and on the south channel the bridge by the School of Comm [College of Commerce]. The older bridges with the arches are easier to navigate. He talks about Kevin Corcoran, he says a student of his won a young scientist award for a project on the &lt;span style="color:#000000;"&gt;&lt;span style="background:#ffffff;"&gt;Gearagh which is one of only 4 inland deltas in the world. Pádraig says Kevin Corcoran has been engaged with protection it both on a personal and scientific level for over 30 years. There has been a film made called River Run. He is also engaged with the EU in regards to protection of the Gearagh. He has a connection with it because his grandparents were moved from there to facilitate the flooding of the area. One of the things he regrets seeing is the shipping moving out of the city. He recalls that the south channel of the Lee was known as An Sabhrann Beag. Cían Ó Sé who cofounded Meitheal Mara thought that Bun an Tábhairne, the Irish for Crosshaven meant the end of the Sabhrann river, so so Crosshaven in Irish comes from something like Bun an tSabhrainne. And that this was related it to the River Severn and River Bride and other similar river names across Europe.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Pádraig says&lt;span style="color:#000000;"&gt;&lt;span style="background:#ffffff;"&gt; that the Sovereign Rocks off Cork’s coast are not related to the river but instead refer to the king and queen of Britain when Ireland was under their control. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;b&gt;&lt;span style="color:#000000;"&gt;&lt;span style="background:#ffffff;"&gt;INTERVIEW ENDS&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</text>
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                <text>Pádraig Ó Duinnín: River Lee</text>
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                <text>Life History: Macroom, Childhood, Meitheal Mara</text>
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                <text>Pádraig is one of the founders of Meitheal Mara and the Ocean to City race&#13;
&#13;
Pádraig says he grew up in Coolcower, Macroom on a peninsula between the rivers lee and Sullane. He says it had a formative influence on his life. His father was a bus driver and his mother was a housewife. They were both from Irish speaking families. He went to school in Macroom. School didn’t agree with him at times. He says he’s been in and out of education since then. He trained for a while as a craft potter, he also worked as a labourer. He says he has a diploma in civil engineering and worked in civil engineering for 12 years and then started building Currach.&#13;
&#13;
Spending his holidays in his youth in the Gearagh and Inchigeelagh and other places. How his family didn’t have anything to do with fishing or the sea so he wasn’t handed down any knowledge about that.&#13;
&#13;
Was inspired to set up Meitheal Mara by a New England project helping marginalised kids build boats.&#13;
&#13;
Pádraig talks about his experiences with the River Lee and the wildlife who live on it. He discusses some of the placenames associated with the river. He compares the maritime culture in Ireland to that of other European countries.</text>
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                <text>27 September 2017</text>
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                <text>Interviewer: Kieran Murphy</text>
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                <text>Interviewee: Pádraig Ó Duinnín</text>
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                <text>Cork; Ireland; Macroom; 1950s - 2000s</text>
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                <text>&lt;strong&gt;Other Interviews with Padraig in the Archive&lt;/strong&gt;&lt;br /&gt;CFP_SR00017_ODuinin&amp;amp;Moore_1996</text>
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                <text>&lt;strong&gt;Other Interviews in the Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/75" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00630_ohuigin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/81" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00636_spalding_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/83" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00641_tanner_2017&lt;/a&gt;.</text>
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                <text>Cork Folklore Project  </text>
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                <text>Cork Folklore Project</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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              <text>Breda Sheehan</text>
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              <text>Paddy Marshall</text>
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              <text>60min 39sec</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Gardiner's Hill, Cork</text>
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              <text>. wav</text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;font-weight:normal;line-height:200%;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="background:transparent;"&gt;B.S: Would ye as children have played any pranks on neighbours or anything?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;font-weight:normal;line-height:200%;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="background:transparent;"&gt;P.M: Yeah. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;font-weight:normal;line-height:200%;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="background:transparent;"&gt;B.S: Could you tell me a little about that? &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;P.M: &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;[Laughs]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt; I could. I told you we used to play ball on the terrace, Seminary Terrace up in Water Lane and there were two unmarried ladies for want of a better word, living there, Father Harte used stay with one of them and they made our life a misery because they’d be taking the ball and they’d be cribbing about us and we used have em so one day anyway we found a bit of a rope and the two doors they had brass knobs in the centre of the door and the two unmarried ladies, living next door to one another and we would -  got the bit of rope&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt; we tied both knobs and we left a small bit of slack and we knocked at one door first and we left a small pause before we knocked on the other, then we knocked on the other and then we knocked on the other, the first one we knocked on first, the lady in the house would have tried to open her door and she could only open it so far because the rope wouldn’t let it open any further and then the other one came out slightly after her and she tried to open her door so she closed the first one woman’s door. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;[laughs]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt; We did make their lives a bit of a misery alright. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Paddy Marshall: Blackpool, Pidgeon Racing, Cinema,</text>
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                <text>Life History:</text>
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          <element elementId="41">
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              <elementText elementTextId="2554">
                <text>Paddy was born in 1941 in Great William O’Brien Street, and grew up in Narrow Lane, nearby; he describes the area around it which constituted his neighbourhood. He came from a family of 10. His mother was from Watercourse Road, his father from Narrow Lane. In 1954 they left the lane for Churchfield.&#13;
He tells a funny story about pigeon racing. He describes the housing around Quarry Lane.&#13;
His grandfather served in the Royal Munster Fusiliers from 1914 until 1917. He fought at Gallipoli, where he was mistakenly reported killed.&#13;
He describes some of the pranks that used to be played on people. &#13;
He recalls being told that people took furniture from Collins’ Barracks as it was being burned in the 1920s.&#13;
He remembers seeing cinema serials like Flash Gordon in the Lido cinema. He describes the condition of the cinema, and sneaking people inside. He describes playing hoops. He lists the pubs in and around Great William O’Brien Street. How pigeon racing was done.  He recalls some of his experiences with the GAA, and talking to Christy Ring.&#13;
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            <name>Date</name>
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                <text>1 September 2010</text>
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                <text>Interviewee: Paddy Marshall</text>
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                <text>Interviewer: Beda Sheehan</text>
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                <text>CFP_SR00402_marshall_2010</text>
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                <text>Cork, Ireland, 1940s-1970s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/14"&gt;here&lt;/a&gt; to access entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Lee Cassidy</text>
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              <text>68m 24s</text>
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              <text>Cork City, Ireland.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
O: Yeah exact, do you know what I mean? Do you know? Unlike, these people are way too greedy do you know?&#13;
&#13;
L.C: But that’s part of Ireland I think now isn’t it – the greed!&#13;
&#13;
O: Yeah, it’s taken over, I mean like all they want to know now is forty inch screen tv’s, with remote control sound systems, and remote control this or remote control that, like do you know like it’s like they’re forgetting all the basics like - how to say hello like, how you doing, are you alright like, they’ve forgotten all about that like. The amount of times these people walk past me in the street, and every now and then an old lady will fall over, yeah and I’ll bet you nine times out of ten, I’m the only one who picks her up; and like they look at me like I’m the bum, do you know, and to me no, they’re the bum, they’re walking past man. How can you walk past when someone’s in trouble do you know? I can’t do it, I can’t do that bit, that’s not in me, do you know? Someone’s in trouble, someone needs help and I’ll stay and I’ll be there for them do you know? I mean I had a girl last week - she was not from the city, she was a young girl she was about eighteen – she was a bit nervous about being here do you know what I mean, and she had to wait like almost two hours for her mate to come out of college, and I said don’t worry like, chill out there like, I said if you can handle it like, I said just get yourself a cup of tea like and just chill out, and I said no one will touch you while I’m here like, you know, you’re alright like, I said don’t worry about nothing like, and she was like well you know the lads like you know like, and I said well the lads, you’ll just have to forget about the lads, I says do you know, you’ll meet the right person when it comes along isn’t, you’ll know when it happens then and it takes time, and you go through a process, and she was just trying to get, you know she couldn’t handle being wolf whistled at and stuff like that and being are you alright darling? Do you know what I mean, do you know what I’m saying, you know, arrogant blokes.&#13;
&#13;
L.C: I hear you using Cork kind of expressions there like, the lads are like, all right there like, can you think of any like Cork expressions or phrases that come to mind like?&#13;
&#13;
O: Langer, em will we? As in will I? do you know – I’ll go to the shop will I? I mean well you’ve already just said that you’re going to the shop, what are you saying will I? Are you questioning yourself whether you’re going to the shop or what like? (Laughs). Do you know what I mean like? There’s been a few other ones I’m trying to think like, em ah I hate it, I hate it, just blocked, I can’t think at the moment, it will come back do you know, that was just one, have some more soup by all means do you know.</text>
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                <text>Owen: Buskers, Homelessness, The Worlds Ills,</text>
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                <text>Owen was homeless at the time of this recording. He talks on how he spends his days on the streets, with his dog. He plays the tin whistle. He talks about people’s attitudes towards him and describes the course of his days.&#13;
The interview suggests that Owen is Welsh. He describes the highs and lows of his day and comments on people’s attitudes to him and about life in general. He describes his relationships with the police and with people he meets.&#13;
&#13;
Note: surname of interviewee not supplied&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>24 February 2005</text>
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                <text>Interviewee: Owen (No Surname Given)&#13;
</text>
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                <text>&#13;
Interviewer: Lee Cassidy</text>
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                <text>CFP_SR00362_owen_2005</text>
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                <text>Cork; Ireland; Wales; 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>1.wav File</text>
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                <text>Cork Folklore Project  </text>
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                  <text>&lt;p class="western" style="margin-bottom:0cm;line-height:100%;"&gt;Cork’s Main Streets Collection&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                  <text>Cork city's North and South main Streets.</text>
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                  <text>2014</text>
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                  <text>Interviewees: Erin O'Brien; Rosarii Comber; John O'Leary; Liam Ohiugin; Tom Spalding; Noreen Hanover; Michael Creedon; Patrick Leader;&#13;
&#13;
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                  <text>Interviewers: Aisling Byron; Tara Arpaia; Dermot Casey; Stephen Dee; Margaret Steele; Mark Wilkins;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00536_oleary_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00537_hanover_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/66" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00538_spalding_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00539_hUigin_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00543_obrien_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/69"&gt;CFP_SR00544_comber_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/70"&gt;CFP_SR00545_leader_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00546_creedon_2015&lt;/a&gt;;</text>
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                  <text>Cork City's North and South Main Streets.</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project&#13;
&#13;
&#13;
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. </text>
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                  <text>This collection of eight interviews concentrates on Cork City’s historic spine, North and South Main Streets. These streets link the island of the city centre with the North and South Sides of the city. They form a shopping and business area, which has also served a residential purpose down through the years. Although our broader collection contains much description of and stories from the area, these interviews (carried out between January and March 2015 and totalling 4 hours 28 minutes in duration) focus specifically on the streets, their past and their future. Interviewees include residents of the streets and their environs and those who work and have worked there, and the interviews encompass memories of the area from the 1940s onwards, descriptions of change in the area, and reflection on the area’s future. Interviews were carried out with local residents, one of whom is a local historian, representatives of three multi-generational family businesses (Leader’s clothing, the North Gate Pharmacy and Bradley’s Off-licence), a South Main Street resident and city planner, a cityscape historian, and a promoter who was particularly active in organising events in the nightclub Sir Henry’s in the late 1980s and early 1990s. Take a stroll down these streets using the interactive website developed by Penny Johnston: &lt;a href="http://corksmainstreets.corkfolklore.org/cms/" target="_blank" rel="noreferrer noopener"&gt;corksmainstreets.corkfolklore.org&lt;/a&gt;</text>
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                  <text>Cork Civic Trust supported this interviewing project. </text>
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                  <text>Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: &lt;a href="http://corksmainstreets.corkfolklore.org/cms/"&gt;http://corksmainstreets.corkfolklore.org/cms/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Penny’s PhD dissertation can be accessed at: &lt;a href="https://cora.ucc.ie/handle/10468/5469"&gt;https://cora.ucc.ie/handle/10468/5469&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;&lt;br /&gt;Other Material Realating to Cork's Main Streets:&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/62"&gt;CFP_SR00448_hinchy_2012&lt;/a&gt;: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/90"&gt;CFP_SR00532_davis_2014&lt;/a&gt;: Interview with former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection &lt;br /&gt;&lt;br /&gt;CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty.</text>
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              <text>Margaret Steele</text>
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              <text>Noreen Hannover</text>
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              <text>31 mins 38 secs</text>
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              <text>Ballyvolane, Cork</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com      &#13;
&#13;
MS:	     It might sound like kind of a stupid question now, but people actually give different answers.  For you, where would the South Main Street start?&#13;
&#13;
NH :     Yeah, the South Main Street for me funnily enough now, myself and my sister now were talking about that the other day and to me the South Main Street started at Washington Street.  You know the junction of Washington Street? And from that back up to the top of Barrack Street was the South and as you crossed the lights, I can’t even remember if there were lights there at the time, the junction there and from that down then was the North Main Street.  I don’t know if I’m right or wrong like but that’s, that’s what I would have thought of like, ‘cause you went down as far there.  You know, you might kind of, that there’d be shops down ‘long there now, the way you’d kind of would have advanced and you kinda got maybe some lino, or some wallpaper like that, there’d be a newer shop down there and we’d say go down to the end of the South Main Street.   You know where, the locality would be where we were living.  I was living around by am, Nicholas Church Place , where the, the old Nicholas Church Church is and so like there in the locality there  was loads of shops for when you needed to do something bigger, she could have advanced a bit more.  We would go to the North Main Street and that’d be a grand day to us there like to kind of go up to the North ‘cause we’ve cousins in the Northside we could meet them, you know that kinda thing like so.</text>
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                <text>Noreen Hannover: South Main Street</text>
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                <text>Noreen Hanover was born in 1950 and grew up in the South Main Street area until 1975. Her family would have done most of their shopping on South Main Street and she relates the character of the shops there, their different purposes, as well as what hasn’t changed in the time since she lived there.&#13;
&#13;
&#13;
Noreen Hanover was born in 1950 and lived around Nicholas Church Place on the Southside of Cork until 1975. In this interview, she discusses the character and use of South Main Street, focusing a great deal on the types of shops that would have been present during her time there. She states that she would have been sent, as a child, to buy ‘loose’ ingredients for her mother – sugar, milk, a few eggs, etc. – and relates that she might have picked up an apple or an orange while shopping as well. She relates that she and a friend of hers used to go and look in the windows of the toy shops, near Christmas time, but that they would never have asked for anything in particular. Shops she lists as being largely the same or still in their old locations are The Enterprise (which was a pub and is now also a restaurant), the Brown Derby, and Twomey’s (on Barrack Street). When prompted, she describes what she defines as the beginning of South Main Street (beginning with the Washington Street junction) and where North Main Street would have started. She relates that going by bus to the Northside was a special treat as they would only rarely have been able to afford bus fare. Noreen also describes various shops that would have been on South Main Street: large department stores for men, bargain stores where they would have gotten free shoes as part of social welfare, spinsters running newspaper and comic shops, and Kilgrew’s toy shop. She mentions specifically that Patrick Street would have been an area for richer people to shop. Lastly, she discusses that before TV, which would have been introduced when she was approximately 11 or 12, her mother used to tell stories, many of which related to the local character and shops of South Main Street and the South Side of Cork.</text>
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                <text>Cork; Ireland; 1950s - 2000s;</text>
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                <text>&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00536_oleary_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00537_hanover_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/66" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00538_spalding_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00539_hUigin_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00543_obrien_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/69"&gt;CFP_SR00544_comber_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/70"&gt;CFP_SR00545_leader_2015&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00546_creedon_2015&lt;/a&gt;;</text>
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                <text>&lt;br /&gt;
&lt;div class="element-text"&gt;Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: &lt;a href="http://corksmainstreets.corkfolklore.org/cms/"&gt;http://corksmainstreets.corkfolklore.org/cms/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Penny’s PhD dissertation can be accessed at: &lt;a href="https://cora.ucc.ie/handle/10468/5469"&gt;https://cora.ucc.ie/handle/10468/5469&lt;/a&gt;&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Other Material Relating to Cork's Main Streets:&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;CFP_SR00448_hinchy_2012: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/90"&gt;CFP_SR00532_davis_2014&lt;/a&gt;: Interview with the former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection &lt;br /&gt;&lt;br /&gt;CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains an in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty.&lt;/div&gt;</text>
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        <name>Sean Jennings</name>
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        <name>Shandon</name>
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        <name>Social Class</name>
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        <name>South Main Street</name>
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        <name>The Brown Derby</name>
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        <name>The Flying Enterpris</name>
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        <name>Triskel Arts Centre</name>
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              <name>Title</name>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
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                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <description>A related resource</description>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Audio; Video</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;NC: Mr Ray, that’s right. Mr Ray. He cleaned. He fixed our shoes for us and then the Firkin Crane. The Firkin Crane was part of the Butter Factory, I’d say because that was the Butter Factory and I remember they’d come then with a big lorry and a thing coming out, like a pipe coming out of it and they’d put in all the stock what we used call the butter and there’d be murder then because if they spilt any of it, we’d skite, you know, we’d skite so em the Butter Factory was there years and years like we had O’Gormans which I worked in.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;GH: Could you tell me a little bit about that?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;NC: Sewing the peeks of the caps in O’Gormans and Mr O’Gorman himself was the boss. Then all the men were down and what fascinated me more when I was in there first. They were all drinking out of jam jars and water or they made tea or anything, they’d be the lot out of jam jars. I used be fascinated. You see I was very young going to O’Gormans.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;GH: What age were you at that time?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;NC: Fifteen only I’d say. My sister worked there as well on a machine. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;GH: It was all hats were made there?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;NC: All hats and caps because the cap came in, you’d have peek caps where it had to be stitched. They usen’t be stitched but then they got a new thing stitching so I was one of the stitchers that’s how I came a very good stitcher I think, stitching all the caps in O’Gormans and one little mistake and t’would be brought back to you.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;GH: Did it burn down in the end?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:2.12cm;text-indent:-2.12cm;margin-bottom:.42cm;border-top:none;border-bottom:1px solid #000000;border-left:none;border-right:none;font-weight:normal;line-height:200%;padding:0cm 0cm .07cm 0cm;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="background:transparent;"&gt;NC: It burned down there only a few years ago and I don’t think it ever re-opened anymore. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Noreen Cronin: Shandon, The North Infirmary, Childhood</text>
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                <text>Noreen grew up in a tenement in Dominick Street next to Shandon in the early 1950s.  She went to the North Pres School and worked at the North Infirmary. Her mother used to deliver babies in the area and helped to wash and lay out the dead. Her father worked in the Asphalt Company and had an extra job at the Opera House.  &#13;
&#13;
Noreen remembers American tourists giving her money in Shandon because she looked ‘real’ Irish with her red hair and freckles. &#13;
&#13;
She talks about the Firkin Crane and the Butter Factory.&#13;
&#13;
Noreen also mentions working sewing caps and hats in O'Gorman's factory and how the men all drank tea out of jam jars.  &#13;
She recalls shops in Shandon Street; Spithere’s where they used to get salted butter and they’d bring a jug to get milk direct from the churn; Paddy Twomeys for offal and bodice and tails, Ormonde and Aherns where you got bread for 50c, JJ Welch’s sold perfume and face cream and operated a book system and Buckleys which sold dresses and uniforms  &#13;
&#13;
Noreen goes on to describes the milk and cake shops they went to. Mentions An Stád on Leitrim Street and Nosey O’Keefe’s where they bought sweets.&#13;
&#13;
Recalls Jerry Healy's pawn shops and the return of the Sunday suits on a Monday.&#13;
&#13;
Noreen describes how her grandmother, sister, herself worked at The North Infirmary. &#13;
&#13;
She remembers the childhood games they played, skippy, picky, rounders, release, marbles, spin the bottle, Bob and Joan’s and the songs they used to sing whilst playing.  Swimming at the Mardyke and the Lee.  At that time children could be arrested for playing football on the street. &#13;
&#13;
Delivering babies and the washing and laying out of the dead and wakes. &#13;
&#13;
Describes the household chores: washing the ware and old washing boards.&#13;
&#13;
She also talks about her aunts going for half pints in the snug.  Mentions Jack Brown’s pub in Dominick Street and Nellie Naughton and Paddy Donoghue who sang there. &#13;
&#13;
Recalls the food they ate; tripe, Drisheen, offal, hack bone and stews. They drank beef tea when sick. Rasa and currant cake at Christmas. &#13;
&#13;
Talks about the night the Opera House burned down.&#13;
&#13;
Ceilis and old-time waltzing, and watching The Dixielanders  (The Dixies) at St Francis Hall. Watching other Big bands at The Arcadia.&#13;
&#13;
Bonfire Night and drinking Rasa and orange juice. &#13;
&#13;
Travelling on the Inisfallen and emigration.&#13;
&#13;
Cork prisons and a man being arrested for stealing a loaf of bread. </text>
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                <text>9 August 2012</text>
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                <text>Interviewee: Noreen Cronin</text>
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                <text>Interviewer: Geraldine Healy</text>
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                <text>CFP_SR00421_cronin_2012</text>
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                <text>Cork, Ireland, 1920s-2000s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Cork Folklore Project </text>
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                <text>Cork Folklore Project </text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
F.Q:	Would they be boys and girls playing?&#13;
&#13;
N.H:	Boys and girls, yeah, but you'd be all embarrassed then if your mother  saw you being caught by a boy, you know, he'd bring you back to the den, and your mother would be at the door, and you'd be given out to, you'd be caught by the elbow in case you'd run away, and you'd be all embarrassed with the boys  being around, em, that  would be that game.  And getting back to games of the house now, sure like our bedrooms then you'd get cardboard box for the dolls, we nearly all had a doll, and we'd get a toy for Christmas, so like during the Summer the doll would be broken, we'd make a paper doll, with newspaper, I often made a doll, a foot long with newspaper, and if you got brown paper it was a great novelty, because you could draw a face with the brown paper, whereas with the newspaper you could not make a face, you draw a face on the doll, and then there was a  woman living near us who was a dress maker, and we’d knock at her, and we used to have her scourged, for old rags and bits of trimmings off off the things that she’d have, and you’d make clothes for the doll, then: scarves for the dolls, and we’d dress her up, and cardboard box then, and if you got enough stuff then you could make a little pillow and  a little cover for it, and you’d be there for all hours of the morning, playing away, for all the kids in the area like, that was some of the games, and then you had the usual games I suppose, you’d have the game of picky, where you’d be, someone would get chalk then, and we used to get ropes and the street poles in the street, and you’d put them up the pole, you’d tie it, but like someone would like say there’s a man here along, and you’d say hey sir, lift up the rope for me please (the usual old slang) and the man would kind of sling it up, and he’d get up real high like and he’d pull it high tight in a noose, and then you’d have for hours, then like one would be on one side of the street, and the other side, you might have to stop maybe every hour and a half because a car would pass, that’s how little cars were on the road like, and eh, that would be kind of summery games, then and winter games then I suppose skipping, or release, jumping the steps, where we were living there were steps like; once I jumped the whole ten steps. . .&#13;
&#13;
F.Q:	Gee!&#13;
&#13;
N.H:	The whole ten together where I was living now there was, you’d go down the lane, there was one step and then there was a gap and then there was our house and there was four steps, (everybody could jump down the four steps and up the four steps, run and jump the whole four steps together) but meself and another fella in the area we jumped the whole ten steps together, from one top to the bottom, only two of us was able to do it!&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Noreen Hanover: Christmas, Childhood Games, Cinema, Ghost stories, Milk and Cake Shops, Pawnbrokers, St Fin Barre’s Cathedral, Working life, </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Life History: Cork:</text>
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                <text>Noreen grew up during the 1950s in Nicholas Church Place, off Cove Street. She says the house was a tenement house shared with a family who lived upstairs. She went to the South Presentation Convent School. Her father died when she was 10. She left school at 14 and worked for 11 years at the Cork Shoe Company until she got married.&#13;
She remembers some of the shops in the area of Nicholas Street and Barrack Street. In one of them, a short-sighted old lady kept her money on the counter and used to have money stolen. There were a milk and cake shop, Ciste Milis. She talks in detail about the games she played as a child, including playing house. Girls could make dolls out of the newspaper; they would get remnants of material to clothe them. They also tied ropes high on street poles and swung on them. Indoors, they collected cuttings from newspapers and books and made scrapbooks. An outside ball game had a simple chant, which she quotes. Christmas presents were often modest, but the excitement was high.&#13;
Her mother used to tell ghost stories to the local children, and Noreen remembers a story about a dead girl’s golden leg and a telling of the Babes in the Wood story. &#13;
She and her siblings were washed in a big tub in front of the fire, while her mother cooked bacon and pigs’ feet (crubeens).&#13;
She recalls the use of the pawn shops and her being afraid to be seen coming out of a pawnshop by her schoolmates.&#13;
She talks about local character Andy Gaw.&#13;
She remembers using the outside and indoor public baths, with swimming wear that was just regular underclothes, and running home by St Fin Barre’s cathedral, afraid of two stone angels whose trumpeting was said to herald the end of the world.&#13;
She recalls the Polo [Polar] Ice Cream Company, and the huge ice cream wafers she could buy. &#13;
In the Summer the family would go to Crosshaven or Youghal for inexpensive holidays. Personal entertainment could be had to pick blackberries, going picnicking with jam sandwiches, or going to the cinema. She tells how the pennies to go to the cinema were found by sweeping the floor or looking under a rock.&#13;
After her father died, her mother went to work for a Jewish family, the Rosses. She describes her mother’s working life and way of raising the family. She lists the different meals eaten during the week.&#13;
She remembers her grandmother visiting and singing Hey Diddle Diddle. At family gatherings, people would sing Alice Benbow [Sweet Alice Benbow, a.k.a Alice Benbolt] and other songs, of which she remembers the odd line.&#13;
Her older sister would go to the cinema and then tell the other children in the family the stories of the films she had seen.&#13;
She talks about moving to Ballyvolane after she got married, the community there and how Cork city has changed. She mentions going on holidays to Galway; sending the baggage up by train and hitching lifts up there. She used to go to dances in Cork and walk home safely early in the morning.&#13;
&#13;
&#13;
                                                                                                                   Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1 July 2004</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Interviewee: Noreen Hanover</text>
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                <text>Interviewer: Francis Quirke</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CFP_SR00332_hanover_2004</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Cork; Ireland; 1950s - 1960s;</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="405">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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              <elementText elementTextId="3842">
                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Cork Folklore Project</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 .wav File</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3837">
                <text>Cork Folklore Project</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3838">
                <text>Cork Folklore Project Audio Archive</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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        <name>1950s</name>
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        <name>1960s</name>
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        <name>Celebration</name>
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      <tag tagId="4">
        <name>Childhood Games</name>
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      <tag tagId="150">
        <name>Christmas</name>
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        <name>Cinema</name>
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        <name>Cork 2005</name>
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        <name>Jews</name>
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        <name>Noreen Hanover</name>
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      <tag tagId="239">
        <name>Pawn Shops</name>
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        <name>St Fin Barre’s Cathedral</name>
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        <name>Working life</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The Cork Memory Map Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2034">
                  <text>2010 - 2013</text>
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              </elementTextContainer>
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            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <description>A related resource</description>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project</text>
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              <description>A language of the resource</description>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
                </elementText>
                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Tom Doig</text>
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              <text>Noel Magnier</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>61min 10sec</text>
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          <name>Location</name>
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              <text>Mayfield, Cork.</text>
            </elementText>
          </elementTextContainer>
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              <text>.wav</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
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          <description>Any written text transcribed from a sound</description>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p style="margin-bottom:0cm;font-weight:normal;line-height:200%;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="background:transparent;"&gt;T.D: You mentioned Peacock Lane there. Is that lane still there?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;border-top:none;border-bottom:1px solid #000000;border-left:none;border-right:none;line-height:200%;padding:0cm 0cm .07cm 0cm;"&gt;&lt;span style="font-family:Calibri, sans-serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;N.M: It is indeed and as a matter of fact, it&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s amazing how many of the old lanes are still there right in this part of the city that I&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;m speaking about which is the Northside and specifically alright in Gerald Griffin Street which as I said commences above in, by the North Cathedral junction and goes down to the junction at O&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;Connell Street. But there is a myriad of lanes there as a matter of fact when they, the film Angela&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Ashes was being made alright, I mean like the filmmakers came up there to Peacock Lane and to surrounding lanes there, Patrick&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Arch and so forth to film because Limerick had been modernised if you like and where the writer of Angela&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Ashes was grown up sort of no longer existed so they came up here to Gerald Griffin Street and Peacock Lane and Patrick&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;'&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s Arch in particular. So I guess there&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-weight:normal;"&gt;&lt;span style="background:transparent;"&gt;s a lot of those lanes still left.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2508">
                <text>Noel Magnier: Gerald Griffin Street, Shops, Box Cars,</text>
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                <text>Life History:</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Noel has written a book about growing up in Cork in the 1940s and 1950s, called Is That You, Boy? He was born (1939) and reared in Gerald Griffin Street.  He has 4 siblings. He recalls the shops and businesses on the street.&#13;
Denny’s cellar was a piggery that gave much local employment.&#13;
He recalls sports such as bowl playing.&#13;
He remembers the various shops and businesses of Shandon Street. Every house had a ‘box car’, a wheeled cart for carrying provisions home.&#13;
Shops sold kindling wood in bundles, and coal was sold by the peck, and carried home on one’s back. Families put medals into gas meters instead of coins; people also made sawdust fires using old barrels.&#13;
Noel talks a little about some of the characters he knew. Men who returned from working in England were called Dagenham Yanks.&#13;
He talks about the Lido cinema and the serial films shown there.&#13;
He recalls the milk and cake shops of Cork; and the food they used to eat every day, including sheep’s head soup.&#13;
Noel recalls Wren festivities on St Stephen’s Day and later, and sings a verse from a song they sang. He recalls some of the popular songs of his youth, such as “Saint Teresa of the Roses”. They used to eat Pickle: pigs’ blood and water.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2511">
                <text>26  August 2010</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="2512">
                <text>Interviewee: Noel Magnier</text>
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              <elementText elementTextId="2513">
                <text>Interviewer: Tom Doig</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>CFP_SR00400_magnier_2010</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="2515">
                <text>Cork, Ireland, 1940s-2000s</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/26"&gt;here&lt;/a&gt; to access Noel's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>2010 - 2013</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2040">
                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Nicola Meacle</text>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Mark Wilkins</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>49min 04sec</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Cork</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
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            <name>Title</name>
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                <text>Nicola Meacle: Tullamore, UCC, Independant Living</text>
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            <name>Subject</name>
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                <text>Life History:</text>
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                <text>Nicola (b. 1970) grew up in the countryside near Tullamore, County Offaly. She had two siblings, and her grandparents also lived with the family. She went to college in Dublin, and a year later she was injured in an accident.&#13;
She moved to Cork where she returned to college as a person with a disability. She talks about the difficulties posed by her situation. She got a job with the Centre for Independent Living, Cork branch.&#13;
She talks at length about disability issues and advocacy</text>
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            <name>Date</name>
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                <text>20 September 2012</text>
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                <text>Interviewee: Nicola Meacle</text>
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                <text>Interviewer: Mark Wilkins</text>
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                <text>CFP_SR00423_meacle_2012</text>
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                <text>Tullamore, Dublin, Cork, Ireland, 1970s-2000s</text>
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            <description>A related resource</description>
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              <elementText elementTextId="2994">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. </text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne:&lt;br /&gt;</text>
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                  <text>&lt;strong&gt;Interviewers: &lt;/strong&gt;Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1):</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. &lt;br /&gt;</text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript relating to the audio extract above. Copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;/strong&gt;</text>
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              <text>&lt;br /&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Yeah, can you mm tell me something about the games you played as a child?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: Well when we moved to Listowel in 1967 I think it was mm we were notorious we were the wild Hennessey bunch that blew into town one day and caused a storm until the day we left, what we used to get up to was ah there was a castle in the square in Listowel, and we used to climb that, get up to the top of it, and there was a gooseberry tree on the top of it and used to eat the gooseberries off it you know. We used to ride horses, we used to ah play games with this goat we had. You’d put down your head forward, and the goat would put down its head forward and run at you, you know, and you’d grab it by the horns and push and it would push you know? We’d ah … we used to… cowboys and Indians and all those things you know that children did back in those days you know.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Can you remember any older sort of traditional childhood sort of games like ah .. variants of ‘four square’ or skipping ‘hopscotch’ boys don’t usually skip but ‘hopscotch’ or marbles or?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: Yeah, marbles conkers, ah the spinning top a piece of wood shaped sort of like a cone, and you have a piece of stick with its ring off it and you whip it and it spins, spinning top you know. And yoyos’ we had, but one of my earliest memories would have been in mm in Longford or Laisebrooke?? in the square in Laisebrooke playing conkers during the school break you know.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Yeah.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: There was a lot of conker trees around the area you know, but ah .. yeah we had a lot of creatures as pets when we were growing up you know, we’d tortoises we’d hedgehogs, we’d foxes, we’d a hawk we’d ah… &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: How did you come to have a hawk?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: We found - It fell out of a nest, and we had a crow as well.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Gee, at the same time?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: Different periods.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: What sort of hawk was it do you know?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: Just an ordinary hawk.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Yeah.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: I think we &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Was it friendly or?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: We used to feed it you know. I think we let it go, let it into the wilds. But we had a crow, Jacko was its name, and mm it would squawk every time it was hungry and it would be in the garage you know, and we’d go out and feed it bread and milk you know, but ah Jacko – I mean, he used to sit on my mother’s shoulder while she was reading a book you know, and he would try and read, try and communicate with us you know. Or when we had the foxes we used to play with the foxes.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: How did you come to have foxes?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: Ah my father brought them home one day from Tarbert, when Tarbert Power Station was being built you know, and ah he brought it home, thought that we might like it and its name was Rooey it was a vixen.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: What was its name?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: Rooey.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Rooey, yeah.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: It means red one, red one and mm Rooey, we used to play with it and, it used to eat liver that is all it would do. We eventually gave it to Eamonn De Butleir who had a wild sanctuary up in Dublin somewhere – up in Wicklow. He came down from Wicklow one afternoon while we were at school, but he waited until we came home from school and then he took the fox and let it free in his reserve you know.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Obviously, he thought it was nice to tell you kids it was going, he didn’t just want to take it.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: We had got a dog then you see, we fell in love with this pup called Sancha, and ah my mother rather than put the fox down we decided to give it to Eamonn De Butleir and let him look after it you know.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Would the dog and fox not have been able to co-exist?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: Not really I wouldn’t have thought so because the fox would have been frightened of the dog you know, even though the dog would have been a pup you know.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;S.H: Yeah.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:115%;"&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;border-top:none;border-bottom:1px solid #000000;border-left:none;border-right:none;line-height:115%;padding:0cm 0cm .04cm 0cm;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:large;"&gt;N.H: They wouldn’t have really got on because the dog would have got older much quicker, and its instinct for a dog to hunt foxes anyway you know.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>The Cork Shakespearean Company (The Loft)</text>
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                  <text>&lt;strong&gt;Interviewees: &lt;/strong&gt;Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</text>
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                  <text>&lt;strong&gt;Published Material:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf"&gt;http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf&lt;/a&gt;</text>
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                  <text>English</text>
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                  <text>.wav</text>
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                  <text>Arts; Theatre; Life History</text>
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                  <text>This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft".  Founded in 1924 by Fr Christopher O'Flynn.  The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. &#13;
&#13;
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. </text>
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              <text>Musetta Joyce</text>
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              <text>David McCarthy</text>
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              <text>52 minutes 32 seconds</text>
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              <text>Montenette, Cork City</text>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="5807">
              <text>.wav</text>
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              <text>24bit / 48kHz</text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;/strong&gt;&lt;br /&gt;</text>
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                <text>Musetta Joyce: Cork Arts Theatre, The Emergency, The Magdalene Laundries</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Arts: Theatre, Life History</text>
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                <text>Musetta studied at the Crawford School Of Art and worked in textiles in Galway and Cork. She became a professional actress and worked with among other groups, the Radio Eireann Players. She spent twenty years teaching English in Sicily. She now spends the year between Cork and Sicily.</text>
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            <name>Date</name>
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                <text>25 September 2019</text>
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            <name>Contributor</name>
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                <text>Interviewee: Musetta Joyce</text>
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                <text>Interviewer: David McCarthy</text>
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            <name>Identifier</name>
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                <text>CFP_SR00733_Joyce_2019</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="5796">
                <text>Cork; Dublin; Ireland; 1940s, 1950s, 1960s, 2000s</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Cork Folklore Project</text>
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            <description>A language of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>2.wav File</text>
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                <text>&lt;div class="element-text"&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/205" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00596_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00597_Horgan_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00598_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00600_Dundon_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00627_Gunn_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00638_Sexton_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00639_Walsh_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00687_McGrath_2018;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00711_Twomey_2019;&lt;/a&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00719_OLeary _2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00723_Twomey_2019;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/div&gt;</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="6450">
                <text>Sound</text>
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        <name>Cinemas</name>
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      <tag tagId="1400">
        <name>Cork Shakespearean Company</name>
      </tag>
      <tag tagId="1149">
        <name>Crawford  Art College</name>
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      <tag tagId="1402">
        <name>Fr O'Flynn</name>
      </tag>
      <tag tagId="1419">
        <name>Italy</name>
      </tag>
      <tag tagId="1418">
        <name>Magdalene Laundries</name>
      </tag>
      <tag tagId="824">
        <name>RTE</name>
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      <tag tagId="1417">
        <name>RTE Players</name>
      </tag>
      <tag tagId="1420">
        <name>Sicily</name>
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      <tag tagId="1401">
        <name>The Loft</name>
      </tag>
      <tag tagId="139">
        <name>Theatre</name>
      </tag>
      <tag tagId="253">
        <name>Youghal</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="178" public="1" featured="0">
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        <src>https://corkfolklore.org/archivecatalolgue/files/original/c8fecad99915a42e88c726166143f465.jpg</src>
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        <src>https://corkfolklore.org/archivecatalolgue/files/original/965584398a3efbd10a70502daa939044.mp3</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="4373">
                  <text>Stonemason Oral History Project</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6082">
                  <text>Life History; Occupational Lore; Trades;</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="6083">
                  <text>&lt;p&gt;This collection consists of 14 interviews with 12 people (11 male stonemasons and one female family member). It was carried out between November 2015 and April 2017 and documents the experiences of stonemasons based in Cork throughout the twentieth century.  The interviews were carried out by CFP Researcher Michael Moore, himself a qualified stonemason. The collection explores the occupational and social context of stonemasonry; work practices, the social context, occupational lore, the secret language &lt;em&gt;Bearlager na Saor&lt;/em&gt; and family ties.  &lt;/p&gt;
&lt;p&gt;Most of the interviews are focused on the mid to late twentieth century with some stories and histories dating back to the eighteenth century&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This project’s second interviewee, Jim Fahy of the Cork Mason’s Historical Society, was inspired to include an oral history element to his ongoing research and documentation of stonemasonry, and this material is being accessioned to the CFP. &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Michael Moore characterized the project as an attempt to capture a snapshot of the lives and voices of stonemasons and ‘to record their insular world for posterity’, pointing out that ‘There is a need to document the living tradition of stonemasonry by recording people who work or have worked in masonry, particularly those born into it as part of familial ties.’ (Moore, 2016: 8). &lt;/p&gt;</text>
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              <name>Date</name>
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                  <text>2015-2017</text>
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              <name>Contributor</name>
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                <elementText elementTextId="6085">
                  <text>&lt;strong&gt;Interviewer:&lt;/strong&gt; Michael Moore</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Murty O'Sullivan; Jim Fahy; Joe Fahy; John Steele; Dan Jones; Joseph Fahy; Mary O'Sullivan; Jack Johnson; Mary O'Sullivan; Thomas Lysaght; Patrick Varian; Patrick Cooney; Tom McCarthy; Edward Buckley.</text>
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              <name>Identifier</name>
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                  <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00565_osullivan_2015;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/179" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00566_fahy_2015;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00569_fahy_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00570_steele_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00574_jones_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00577_fahy_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00581_osullivan_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/185" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00583_johnson_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00589_lysaght_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00590_varian_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00595_Jones_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00609_Cooney_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00610_McCarthy_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00611_Buckley_2017:&lt;/a&gt;</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
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                  <text>Ireland; Cork; 1700s; 1800s; 1900s; 2000s</text>
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            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
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                  <text>&lt;p&gt;&lt;strong&gt;Published material related to the collection: &lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener"&gt;Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10. &lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="6091">
                  <text>Cork Folklore Project Audio Archive</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project  </text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6093">
                  <text>Cork Folklore Project </text>
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              <description>A language of the resource</description>
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                  <text>English; Bearlager na Saor (Stonemasons Language)</text>
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              <text>Michael Moore</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Killeens, Cork</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;MOS&lt;/strong&gt; Oh yeah, there was yeah, there was, everyone was a character and there’d be fair rivalry between the different trades as well on the site you’d have plasterers, you’d obviously had carpenters, you’d have the plumbers and ah electricians, like obviously you’d have all the trades but like electricians and plumbers wouldn’t be there, wouldn’t be as labour intensified as our trades now and the plasterers and the roofers and that kind of thing but there’d be fair banter between the whole lot, big soccer matches actually were a feature of the lunch time, we’d a lot of very good soccer players from around Cork who played at a very high standard actually and some of the current managers of, former managers of Cork City played with us on site and they weren’t treated any better, well like I mean in fairness some of the tackles were a bit on the tough side to say the least</text>
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                <text>Murty O’Sullivan: Masonry, building Trade, Celtic Tiger</text>
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                <text>Stonemasons: Occupational Lore:</text>
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                <text>Murty O’Sullivan, who grew up in Blackpool, is the third generation in the building trade as a stonemason, with the fourth generation just starting. He describes the tradition of families passing on trades through the generations and the difficulties facing anyone seeking to enter the trades without a family lineage. He describes his four-year apprenticeship and the building trade in the late 1970s. He gives a detailed account of his years working in America in the mid to late 1980s. He talks about the camaraderie in the trades and the relationships he built with his fellow tradesmen over the years. &lt;br /&gt;&lt;br /&gt;Murty's mother was interviewed interviewed by the Cork Folklore Project: &lt;a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00581_osullivan_2016;&lt;/a&gt;</text>
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                <text>Interviewer: Michael Moore</text>
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                <text>Cork, Ireland 1960s -2010s</text>
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                <text>Cork Folklore Project Audio Archive</text>
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                <text>Cork Folklore Project  </text>
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                <text>&lt;strong&gt;&lt;strong&gt;From Stonemason Collection:&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;div class="element-text five columns omega"&gt;
&lt;p&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/179" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00566_fahy_2015;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00569_fahy_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00570_steele_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00574_jones_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00577_fahy_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00581_osullivan_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/185" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00583_johnson_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00589_lysaght_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00590_varian_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00595_Jones_2016;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00609_Cooney_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00610_McCarthy_2017;&lt;/a&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00611_Buckley_2017:&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Published material related to the collection: &lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener"&gt;Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10. &lt;/a&gt;&lt;/p&gt;</text>
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        <name>Murty O’Sullivan</name>
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        <name>Trades</name>
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                  <text>If the Walls Could Talk: Stories of Cork's Built Heritage (2013)</text>
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                  <text>In 2013, the Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss the Trinity Presbyterian Church, the National Sculpture Factory, the Custom House/Port of Cork, the Pavilion, the Masonic Hall, Triskel/Christchurch, Cork Vision Centre, South Presentation Convent, Elizabeth Fort, St. Fin Barre's Cathedral, UCC Crawford Observatory and Blackrock Castle Observatory. The overall built heritage project was continued throughout 2013 and 2014 in order to create an interview collection and DVD on the other buildings featured in Cork Heritage Open Day. Interviews about UCC Boole Library and Cork City Opera House, which were not featured in the first DVD, form part of this collection. The DVD was edited by Ian Stephenson, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by Mary O’Driscoll.&#13;
The film contributed to Cork City Council’s Cork Heritage Open day, winning the Irish Heritage Council Heritage Week 2013 Award for the Best Interactive Event.&#13;
A second DVD was produced by the Cork Folklore Project in 2015, drawing on further interviews carried out by Mark Wilkins, entitled If the Stones Could Speak.&#13;
Support: this project was part-funded by Cork City Council.</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Kitty McSweeney; John X Miller; Eibhlin Gleeson; Geraldine Healy; Mary McCarthy; Carmel Hartnett/Maeve O'Sullivan; Michael Holland; David Ryan; Ria O'Sullivan; John Faris; David J Butler; Patrick Walsh; Roger "Ronnie" Herlihy; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Mark Wilkins; Ian Stephenson;</text>
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                <elementText elementTextId="9">
                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;</text>
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                  <text>If the Walls Could Talk: Stories of Cork's Built Heritage (2013) &lt;a href="http://corkfolklore.org/films/"&gt;Film&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;If the Stones Could Speak: More stories from Cork's heritage (2015)&lt;br /&gt;&lt;br /&gt;Links to:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/12" target="_blank" rel="noreferrer noopener"&gt;Catalogue Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;Film&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/6"&gt;CFP_SR00492_herlihy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/7"&gt;CFP_SR00493_walsh_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/8"&gt;CFP_SR00494_butler_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/9"&gt;CFP_SR00495_faris_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/10"&gt;CFP_SR00496_osullivan_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/11"&gt;CFP_SR00497_ryan_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/12"&gt;CFP_SR00498_holland_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/13"&gt;CFP_SR00499_hartnett&amp;amp;osullivan_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/14"&gt;CFP_SR00500_mccarthy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/15"&gt;CFP_SR00505_healy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/16"&gt;CFP_SR00506_gleeson_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/17"&gt;CFP_SR00507_miller_2013&lt;/a&gt;;</text>
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                  <text>Cork city and surrounds. The 1700s to 2000s, with some reference to 500-1700.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
M W:  That’s very good. Ok [pause], the crooked steeple, you're probably sick of telling people about the story of the crooked steeple.&#13;
&#13;
J F:  Well it’s a good story, now Chris Southgate who is a heritage architect in Cork and has done some work for us. He got a cherry picker up and got a good look at it and assured me it was just, weathering on the weather side, after it was built, you know, the prevailing wind and rain washed and watered out on one side and so it tilted in that direction but they are lots, and I am happy that it is reasonably safe, we had a bit of work done back in 2010 just before the President came and some beautiful photographs were in The Echo at that time. [Pause] Chris tells me it’s quite safe so that’s good, all sorts of stories that the workmen back in 1861 had a row with the architect, could happen so he did it on purpose or even and then they were drunk and that when the scaffolding came off and on the whole, the sign of their drunkenness was all there. The worst story maybe I shouldn’t even tell you this, but two gentlemen, I was working away in the Church grounds and the garden just dressed in ordinary clothes, and two Cork men came in just to see the church, and they said to me, I won’t try a Cork accent because I come from the North but they said you know the boy that designed this church, he hanged himself in that tower and I said don’t you tell me that. It was the first time I ever heard that and they were convinced, what it, I never heard that story before and I would deny it, what I think they were mixing up was the tragic story about Christ The King Church down at Turners Cross, where they was a over, a huge overrun apparently, and the story is that the architect, did take his own life.&#13;
&#13;
M W:  Lynch is that his name, was it?&#13;
&#13;
J F:  It may have been yeah.&#13;
&#13;
M W:  Yeah, yeah, yeah.&#13;
&#13;
J F:  So I think they mixed up the two stories but --&#13;
&#13;
M W:  Yeah.&#13;
&#13;
J F:  So we have a crooked spire but it is quite safe and there is no, as far as I know, no tragic story with it.&#13;
&#13;
M W:  Okay, I like the idea of the guys been drunk or maybe just doing it to spite the architect or something kind of, there is something very Cork about that.&#13;
&#13;
J F:  Well that is there is no documentary evidence for that.&#13;
&#13;
M W:  Yeah I know, there is always a rational explanation which is not as amusing or entertaining.&#13;
&#13;
J F:  Walter Burrell whose, who used to be a seamen’s missionary on the docks of Cork, he had these wonderful slide shows and I was there with him once in a National School showing slides about the ships and the docks and he says, quick as a fire there is the crooked spire of Trinity Presbyterian which represents, represents the crooked mans nature, he said, of human beings and I thought well Walter that’s as good an explanation as any, a good reminder [laughs] so.</text>
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                <text>John Farris: Cash’s Stores,  Presbyterians, Social Class, Trinity Presbyterian Church, Unitarian church</text>
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                <text>Cork's Built Heritage</text>
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                <text>Minister Farris talks about the history of the Trinity Presbyterian Church, York Street.&#13;
He talks about the present church building, which was established in 1861. He comments on its crooked steeple and the stories associated with it. The site of the church may once have been a drovers’ field for animals brought into the city. Some of the congregation continued to worship at an earlier church in Queen Street (Father Mathew Street), a decision informed by distinctions of social class. &#13;
The church got an organ in 1904, supplied by the Cork firm of Magahy. The church had been built in a Gothic style by English architect John Tarring. &#13;
Minister Farris talks about members of the congregation who died in the First World War.&#13;
&#13;
Note: this interview was conducted for the DVD If the Walls Could Talk.</text>
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                <text>15 October 2013</text>
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                <text>Interviewee: Minister John Farris</text>
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                <text>Interviewer: Mark Wilkins</text>
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                <text>CFP_SR00495_faris_2013</text>
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                <text>Cork City; Ireland; Built Heritage; 1770s-200Os; </text>
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                <text>&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;If the Wall Could Talk: Stories Of Cork's Heritage Catalogue Numbers: &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/6"&gt;CFP_SR00492_herlihy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/7"&gt;CFP_SR00493_walsh_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/8"&gt;CFP_SR00494_butler_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/10"&gt;CFP_SR00496_osullivan_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/11"&gt;CFP_SR00497_ryan_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/12"&gt;CFP_SR00498_holland_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/13"&gt;CFP_SR00499_hartnett&amp;amp;osullivan_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/14"&gt;CFP_SR00500_mccarthy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/15"&gt;CFP_SR00505_healy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/16"&gt;CFP_SR00506_gleeson_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/17"&gt;CFP_SR00507_miller_2013&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;If the Wall Could Talk: Stories Of Cork's Heritage (2013) DVD &lt;br /&gt;&lt;br /&gt;If the Stones Could Speak: More stories from Cork's heritage (2015) DVD</text>
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                <text>John was previously interviewed by the CFP  in 1999; CFP_SR00267_faris_1999</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project Audio Archive</text>
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                <text>Cork Folklore Project</text>
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