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              <name>Title</name>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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              <name>Description</name>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
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                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <description>A related resource</description>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>English</text>
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                  <text>Audio; Video</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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                  <text>58 .wav Files&#13;
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          <name>Interviewee</name>
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              <text>Tom Jones</text>
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              <text>Gearoid O Donnell</text>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: My name is Tom Jones, and I’ve given a story before. It’s an incident and I just wonder how many people would actually remember this. It had to be, let’s see, somewhere between ‘50s and ’61. We were playing in what was called the field, at the bottom of Spangle Hill, and this helicopter and it really looked like it was flying low and of course just the fact that there was something in the air at that time was really dramatic. It was flying really low and it circles Spangle Hill, and every kid chased the thing. Eventually, it landed. There is an ESB power station right there between Mallow Road and Dublin Hill. It’s right there. It’s and ESB substation. It landed there, and of course every other kid rushed out to see this thing and I remember looking, when I got there, I remember looking back and there’s an indentation in the field there called Tuckers Field it’s directly opposite the main offices of Harrington’s paint factory. I remember looking across at that and seeing multitudes of kids cascading down there almost like locusts. Everyone wanted to get out there and see this helicopter. I guess years later, it just reminded me of the fact. It’s almost like the helicopter was our Moses. And all these kids were just swarming down there, as if this helicopter, this Moses was going to take them to the Promised Land. I know we talked about it a number of years later as we were kids. It’s just a simple incident and I just wonder how many people actually remember it. Cause there had to be, cause there was thousands of kids. I mean they were just flowing down from Spangle Hill, to get across to see this helicopter. That was quite an event. That’s basically it. I thought of that the other day as I left here. I wonder how many people would actually remember that incident.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: So, you’re saying it happened between ’58 and ’61.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Somewhere there. I would have had to be of course under the age of twelve. Somewhere between ’57 and ’62. I would have to have to place myself somewhere between ages eight and twelve at the time.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: And you think other people of that age, would, of course, have to remember something like that. Wouldn’t they. So maybe it’s something we should start asking for. So, where would you give the exact location. If you were saying to them. Would you remember the helicopter where it landed?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Yeah, it landed right in the substation?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: In the electricity sub station between the Old Manor Road and Dublin Hill.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Right. Actually, the road heads up to Murphy’s Rock. From the Old Manor Road, there’s a road that heads up to Murphy’s Rock where we used to play. And the Mallow Road. There’s an ESB sub station right there and that’s where the actual helicopter landed. I’ve no idea why or what. I’m sure it had some business.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: Obviously.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: To us, that would have pre the airport. Also hadn’t been opened.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: Sure, there’d have been nothing in the sky before then.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Right. And that fact that it was a helicopter alone.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: It would probably have been the first time people even saw it.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: And this would have been pre-television.&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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                <text>Tom Jones: Shandon Street, Murphy’s Rock, Television</text>
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                <text>Life History:</text>
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                <text>Tom is from Shandon Street. In this interview, he remembers a helicopter landing in a field, sometime in the late 1950s or early 1960s, which caused great excitement amongst the locals.&#13;
He mentions the arrival of televisions to Cork around 1963. Tom also describes how some children dammed some water at Murphy’s Rock to make a swimming pool.</text>
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            <name>Date</name>
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              <elementText elementTextId="3364">
                <text>27 August 2011</text>
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            <name>Contributor</name>
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              <elementText elementTextId="3365">
                <text>Interviewee: Tom Jones&#13;
&#13;
</text>
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                <text>Interviewer: Gearoid O Donnell</text>
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                <text>CFP_SR00443_jones_2011</text>
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                <text>Cork, Ireland, 1950s-1960s</text>
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                <text>&lt;strong&gt;Other Interview With Tom Jones:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148" target="_blank" rel="noreferrer noopener"&gt;CFP00438&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Cork Folklore Project</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>2010 - 2013</text>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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1 .mov File</text>
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          <name>Interviewee</name>
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              <text>Tony McGillicuddy</text>
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              <text>Stephen Dee</text>
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              <text>3min 03sec</text>
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              <text>Civic Trust House</text>
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              <text>.wav</text>
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              <text>&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Can you tell me your name and leave us your memory.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TMG: My name is Tony McGillicuddy. My memory is of Jack Lynch’s Ford Anglia. It was the first Ford Anglia that came of the line in Fords on the marina, and they presented it to Jack Lynch who was Minister for Industry and Commerce at the time. He wasn’t very fond of driving, Jack Lynch. So he arrived outside The Metropole where I worked for 42 years, one evening, parked the car and said to me ‘Get rid of the car’, he didn’t want it anymore. Because he was going on holidays, and he had a holiday home down round West Cork, don’t know exactly where, but he was on his way down there anyway I presume. He decided to drive but when he got to Cork anyway he was sick of driving so we parked the car for him anyway, he got his driver to drive him the rest of the way --- but it was an absolutely gorgeous car, everything was in it. It was a grey Ford Anglia. It’s like the photograph that’s in the, the one with John Kelleher there [referring to a photograph in the exhibition] it’s like that now but it was an absolutely gorgeous car. But that was Jack Lynch and his driving.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Do you know what happened to the car afterwards?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TMG Well, he got it taken away then, he got it taken away, and eventually after a fortnight or so someone came down and collected it, but I don’t know what happened to it after but it was an absolutely gorgeous car.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Can you tell me what about the exhibition sparked that particular memory?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TMG The one with John Kelleher now selling the papers in the middle of the street because John Kelleher used to supply The Metropole with papers for sixty years. He was in McCurtain Street and The Coliseum I would say he was nearly there for 70 years. He was yeah, but he’s an amazing character, that man.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;GoD And, Tony, are you a Cork local?&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;TMG I am. I’m born and reared on the Low Road.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD We’re asking everyone we interview certain questions, just if you have any memories of allotments in Cork&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG No I wouldn’t. No&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD What about bonfire night?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG I would have memories of Bonfire Night. You go around for a couple of weeks beforehand and start collecting stuff, and where it used to be on the Low Road was an old railway line that runs back, well The Arcadia is gone now, but it used to run along the back of The Arcadia, that’s where the bonfire on the Low Road used to be.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD And do you have any memories of the Pawn Shops in Cork City?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG I would. I would have memories of seeing them at the end of Shandon Street, and there was another around, I can’t think where it was but that would be a memory for me the one at the end of Shandon Street.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Do you remember going in there?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG No. I was never in there.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Well thank you very much Tony for the memory.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG You’re welcome.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;End of interview&lt;/p&gt;</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="3383">
                <text>Tony McGillicuddy: The Low Road, Jack Lynch, Ford's</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="3384">
                <text>Life History:</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3385">
                <text>Tony was born and reared in Low Road. He remembers a story about Jack Lynch who had been presented with a Ford Anglia car by the factory. Lynch hated driving and eventually gave it away.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3386">
                <text>27 August 2011</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3387">
                <text>Interviewee: Tony McGillicuddy&#13;
&#13;
</text>
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                <text>Interviewer: Stephen Dee</text>
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          <element elementId="43">
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                <text>CFP_SR00444_mcgillicuddy_2011</text>
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                <text>Cork, Ireland, 1960s-1980s</text>
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            <description>A related resource</description>
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              <elementText elementTextId="3391">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>2010 - 2013</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="2046">
                  <text>58 .wav Files&#13;
1 .mov File</text>
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    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Alice Delay</text>
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        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Stephen Dee</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="3416">
              <text>20min 14sec</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Civic Trust House</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="3418">
              <text>.wav</text>
            </elementText>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="3399">
                <text>Alice Delay: Togher, Country Life, Childhood</text>
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            <name>Subject</name>
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                <text>Life History: </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Alice remembers visiting her grandmother in Togher, which was the country, and eating bread and home-made butter. Her grandfather was a farm labourer. The house had an earth floor, and a ceiling made of sewn flour bags. Someone described the house as a cow shed with a door. It had a lean-to for the hens.&#13;
Her mother used to knit jumpers after being given the wool, which was weighed afterwards to see if she had stolen any. Alice comments on social relations with better off Cork families.&#13;
Rasa used to be sold for a penny.&#13;
She mentions her family's involvement in the War of Independence and the Civil War. Alice also talks about her father working in London during the Blitz. &#13;
Alice describes the Lido Cinema as a fleapit. She recalls having to have a penny for the ‘black babies’ collection. She used to go slogging apples, and her mother would make an apple tart. She talks about bonfire night in her youth and in modern times.</text>
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            <name>Date</name>
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                <text>27 August 2011</text>
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            <name>Contributor</name>
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                <text>Interviewee: Alice Delay&#13;
</text>
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                <text>Interviewer: Stephen Dee</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>CFP_SR00445_delay_2011</text>
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            <name>Coverage</name>
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              <elementText elementTextId="3406">
                <text>Cork, Ireland, 1910s-2000s</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="3407">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
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              <text>Barry Murphy </text>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Stephan Dee</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3438">
              <text>4min 35sec</text>
            </elementText>
          </elementTextContainer>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Civic Trust House</text>
            </elementText>
          </elementTextContainer>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
            </elementText>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
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          <name>Transcription</name>
          <description>Any written text transcribed from a sound</description>
          <elementTextContainer>
            <elementText elementTextId="4191">
              <text>&lt;p class="western" style="margin-bottom:0cm;line-height:100%;"&gt;&lt;strong&gt;C O C:&lt;/strong&gt; Would you like to state your name and give us your memory.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; My name is Barry Murphy I lived in this house for from the 1st of February 1959 to the 27&lt;sup&gt;th&lt;/sup&gt; of July 1970. I left here to go to the church to get married. Eh my two brothers and my first cousin also left here to go to the church to get married. Em the house was run by the Mrs Ryan’s there was Sissy, Monica, Mary and they had a brother Jack who was not well and they also had a brother Monsignor Ryan he retired to this he was in Plymouth but he retired to here. Eh his eh Ger I think his name was. I have many happy memories here like to me it was home from home it was because eh I was originally from Bantry and the home place was sold so this, this was my home.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; An we are talking about the Civic Trust House. What was the civic house trust when you lived here it was a&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; It was a boarding house. There was thirteen the maximum number that ever stayed here was thirteen, but em we very rarely that was she was trying to fit in some friends or other. But people who stayed here I only remember two people who came to stay here and left to change lodgings. We never changed.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Right&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; I suppose its location it’s near to town and em the people who ran it were generally very nice very nice people.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; An would have stayed friends with the people that you would have met?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; I did yes well like they were elderly ladies. I have a photograph of my em after, after we were married we called we passed by the house here an I have a photograph with the people of the house an our on the door step in our wedding gear and the family here as well. So em its.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; And has the house changed much now from what it was then.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Well I can’t say that much. This room has changed a lot because the fireplace is that’s a new fireplace that’s been fitted there that wasn’t like that, an there was a press there in the corner and also but I'm glad to see I was worried about the window. That stained glass window on the stairs. I was wondering what happened what happened to that. I was wondering was it removed by some engineer as a favour for a friend for some other house but thank god its still there. An I have many happy memories of this house.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Can you give me a picture of your kind of days here&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Well I was a shift worker so em we’d come down. This was our this was our communal room and we we em the students use to study in there own rooms but we came down here for meals and there was a radio there in the corner there was no television at the time and we had chairs around the place. We played forty forty five here or and em there was one man Michael O Callaghan he was a teacher above in the Cathedral school and he spent all his life here. He never married but he spent all his life here in this house and em so it’s em the room across the way that was the family room an the kitchen was in behind here and all the rest then were more or less bedrooms.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Ok and what kind of meals would have been prepared for ye.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Well ordinary meals breakfast you’d get a fry for breakfast you got your lunch and you got your tea.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; And what was dinner?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; An you got supper maybe a bit of sweet cake an if we didn’t we always went up to the Inchigeela Dairy’s or up to the Stad to get something to have with the cup of tea.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Em, em just questions we are asking em everyone that comes in. Em do you have any memories of Allotments in Cork.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; No you see I'm a native of Bantry not a native of Cork.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; O ok. Did you have any experiences of Bonfire night in the city?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Only horrible black clouds of smoke tyres no didn’t like it&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Well em Barry thank you for coming in and taking this interview.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Thank you&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3421">
                <text>Barry Murphy: Cork Civic Trust</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="3422">
                <text>Life History:</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Barry Murphy, originally from Bantry Co. Cork. From 1959 until 1970 Barry lodged in the historic building that later became the home of Cork Civic Trust. He remembers the house and its inhabitants.</text>
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                <text>CFP00446</text>
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                <text>Interviewee: Barry Murphy</text>
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                <text>Interviewer: Stephen Dee</text>
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                <text>Cork, Ireland, 1950s-1970s</text>
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              <elementText elementTextId="3429">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Cork Folklore Project </text>
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                <text>Cork Folklore Project</text>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3613">
                  <text>Audio</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3614">
                  <text>9 .wav Files</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="3633">
              <text>Noel Dempsey</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3634">
              <text>Joanne McNamara</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3635">
              <text>43min 37sec</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3636">
              <text>HSE Drug and Alcohol Building, Kinvara House. Dublin Hill, Cork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3637">
              <text>.wav</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="3638">
              <text>24bit / 48kHz</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="4182">
              <text>&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.00.00 - 0.03.07&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Connections with the Orthopaedic Hospital &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel speaks about his connection with the Orthopaedic Hospital where he was employed for a number of years. He outlines the various blocks and their uses at the hospital, including hip operations, physiotherapy, burns, the lady's ward, nursing home, men's ward etc. He explains that at the entrance to the hospital was a lodge which housed the caretaker and his family. When Noel began working at the hospital, the Twomey family lived in the lodge. He also explains that the nurses had their own quarters, as many were from Kerry and other counties.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel holds that the hospital was built in 1955 as a fever hospital (which is why the blocks were separate). After Sarsfield Court (St. Stephen's Hospital, Glanmire) took on the responsibilities for fever patients, the orthopaedic hospital was developed.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.03.07 - 0.06.54&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Early Memories &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel speaks about living close and working at the Orthopaedic Hospital. He recalls walking around the grounds of the hospital when he was a child, in an area known locally as 'the Woods'. He remembers how busy the hospital became in the 1970s and 1980s. He recalls the laundry operation at the hospital which catered for all other hospitals in Cork and affirms that there were many marriages which were based on relationships that began in the laundry.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.09.41 - 0.12.24&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Working at the Hospital &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel outlines his working life at the Orthopaedic hospital. He first worked as an attendant 'on the blocks' and outlines the nature of this work. Noel remembers being asked after a number of years if he would try working in Theatre. He outlines that the sister (Sr. Mary Agnes Buckley) who was in charge of theatre was reportedly 'very tough to get on with'. He speaks about subsequently working for many years in theatre where his wife also worked.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;He speaks about the many Sisters who were in charge of the various wards. Noel states that they seemed to have a different classification to other nuns and were always describes as 'Sisters'. Noel speaks about the various personnel that made up the hospital staff including laundry staff, physios, attendant, nurses, x-ray staff etc.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.10.45 - 0.13.45&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Patients &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel speaks about life for patients in the hospital, many of whom were long term patients. Refers to people with back problems who would be 'put on traction' which often meant six to eight weeks lying in the one position with weights hanging from their legs. He also recalls that there were a lot of bad burn victims in the hospital and recalls a bad car accident in which three Limerick men were badly burnt and ended up at the hospital. The hospital also treated patients with scoliosis and polio. Outlines the process of a 'frog plaster', which was used to treat children with hip problems.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Note:  A 'Frog Plaster' was a plaster of &lt;/b&gt;&lt;span style="color:#0000ff;"&gt;&lt;a href="http://www.encyclopedia.com/places/britain-ireland-france-and-low-countries/french-political-geography/paris"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="text-decoration:none;"&gt;&lt;b&gt;paris&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;b&gt; splint used to maintain the legs in their correct position after a congenital dislocation of the hip has been corrected by manipulation. &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.13.45- 0.17.33&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Work life &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel tells a story about his time working in the surgical theatre which reveals the process of bringing patients into the theatre while preserving the sterile environment. He recalls a humorous story about a young boy working as an attendant who had delivered a patient to the theatre door and was told by the Sister in charge to 'go for your lunch'. Noel reveals that it was 8.50am and the Sister meant for him to take his ten minute break. The young boy went home for an hour for his lunch to the confusion of his mother and the frustration of the Sister in Charge.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel outlines how young people got employment at the hospital. He explains that all you had to do was 'put your name down' for a job and after a time you could be called to cover an employee who was out sick. After a trial period Noel was kept on as an attendant and later a theatre technician.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.17.33- 0.27.06&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Theatre Technician &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;He outlines his work as a theatre technician which involved holding patients who may be having hips dislocated and removing plasters etc. Recalls the various surgeons including Fred Moore, Kevin Murphy and Senjan (sic.) O'Connor who operated on different days at the hospital.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about employment at the hospital and states that his brother Michael Dempsey who now works in Heather House, a nursing home.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Note: Heather House is situated on the north side of the city in a residential area about 2 miles from the centre of Cork city on the campus of St. Mary’s Health Camus (formerly St. Mary Orthopaedic Hospital in Gurranbraher).&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.21.06 - 0.31.07&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Night Shifts and Carrying Corpses &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about the nature of working night shifts at the hospital and the logistics around keeping the hospital heated with turf and coal etc. There was a Night Sister who was in charge of the whole hospital. At. 2.00am attendants would go through each ward (With the Night Sister) to ensure all patients were attended to and that everything was in order.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;'Everybody seemed to die in the night-time at their weakest'.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about deaths in the hospital. Speaks about carrying corpses in the hospital during the night to the mortuary. He recalls a young man who had just started working at the hospital when Noel and he were asked to bring a corpse to the mortuary. Noel explains how nervous the young man was about seeing a dead person for the first time. He recalls the various challenges of bringing the corpse to the mortuary and having to be accompanied by a nurse.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.28.50 - 0.31.42&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Variety in Work &lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;Noel outlines the varied nature of working at the hospital which ranged from making breakfast to regularly turning patients.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p style="margin-top:.49cm;background:#ffffff;"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.31.42 - 0.38.19&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Best Memories &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel reflects on his work at the hospital and affirms that leaving the job in the hospital to work as a builder was 'the biggest mistake I ever made in my life'. He recalls how fascinating it was to observe surgeons and the overall variety of work. He states that the rate of pay was very poor which led him to leave the job. Discusses briefly the wages and overall economy of his work life.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.36.15 - 0.43.37&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;New Developments &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about the development of the Orthopaedic Hospital and the new Primary Care Centre. Speaks about the local devastation when the Orthopaedic Hospital was closed. Speaks about the community nature of the hospital declaring 'everybody knew everybody'. Explains the importance of the hospital before its closure.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;'It's fabulous to see it brought back to life again'.&lt;/b&gt; Noel speaks about the positivity associated with the new development locally but he does state that a lot of people don't seem to be aware of what the current development entails. Speaks about the potential positive benefits for the areas and outlines some of his concerns regarding traffic. Joanne McNamara concludes the interview by providing an overview of what the development will be with the new Primary Care Centre.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Interview Ends&lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3616">
                <text>Noel Dempsey: Orthopaedic Hospital, Working Life, Healthcare</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3617">
                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3618">
                <text>The interview explores Noel's memories of working at the Orthopaedic Hospital, nature of work, Sisters in charge, surgeons, theatre work, night shifts, carrying corpses to the mortuary, reflections on working at the hospital, new developments.  &#13;
&#13;
Noel speaks about his connection with the Orthopaedic Hospital where he was employed for a number of years.&#13;
He recalls walking around the grounds of the hospital when he was a child, in an area known locally as 'the Woods'.&#13;
He speaks about the many Sisters who were in charge of the various wards. Noel states that they seemed to have a different classification to other nuns and were always describes as 'Sisters'.  Noel speaks about the various personnel that made up the hospital staff including laundry staff, physios, attendant, nurses, x-ray staff etc.&#13;
Speaks about the nature of working night shifts at the hospital and the logistics around keeping the hospital heated with turf and coal etc. &#13;
&#13;
Noel speaks about the development of the Orthopaedic Hospital and the new Primary Care Centre.  Speaks about the local devastation when the Orthopaedic Hospital was closed.  Speaks about the community nature of the hospital declaring 'everybody knew everybody'. Explains the importance of the hospital before its closure. </text>
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                <text>28 April 2018</text>
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                <text>Interviewee: Noel Dempsey&#13;
&#13;
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                <text>Interviewer: Joanne McNamara</text>
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                <text>CFP_SR00618_dempsey_2017</text>
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            </elementTextContainer>
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                <text>Cork, Ireland, 1950s-2010s</text>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <elementText elementTextId="3625">
                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                <text>Cork Folklore Project </text>
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                <text>Cork Folklore Project Audio Archive</text>
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                <text>Cork Folklore Project  </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="3630">
                <text>English </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 .wav File</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4289">
                <text>Cork Folklore Project</text>
              </elementText>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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      <tag tagId="17">
        <name>1950s</name>
      </tag>
      <tag tagId="34">
        <name>1960s</name>
      </tag>
      <tag tagId="35">
        <name>1970s</name>
      </tag>
      <tag tagId="157">
        <name>1980s</name>
      </tag>
      <tag tagId="158">
        <name>1990s</name>
      </tag>
      <tag tagId="159">
        <name>2000s</name>
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      <tag tagId="233">
        <name>Gurranabraher</name>
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      <tag tagId="1184">
        <name>Healthcare</name>
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      <tag tagId="1182">
        <name>Noel Dempsey</name>
      </tag>
      <tag tagId="1183">
        <name>St Mary's Orthopeadic Hospital</name>
      </tag>
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        <name>Working life</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3600">
                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3601">
                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3602">
                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>April 2017 - September 2018</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="3604">
                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                <elementText elementTextId="3605">
                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3608">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3613">
                  <text>Audio</text>
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              </elementTextContainer>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3614">
                  <text>9 .wav Files</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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      <name>Oral History</name>
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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="3657">
              <text>Breda McNamara</text>
            </elementText>
          </elementTextContainer>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Joanne McNamara</text>
            </elementText>
          </elementTextContainer>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3659">
              <text>26min 35sec</text>
            </elementText>
          </elementTextContainer>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Knocknaheeny, Cork</text>
            </elementText>
          </elementTextContainer>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
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              <text>24bit / 48kHz</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
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            <elementText elementTextId="4181">
              <text>&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.00.00 - 0.03.28&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Earliest memories&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda details her earliest memories. Her Maiden name was Hackett. She says her family moved to Templeacre when she was 1 or 2. There was not many houses around then. The houses were new and surrounded by lots of fields. The Orthopaedic Hospital was up the road in a field. They used to play by the shop up beside the Orthopaedic. It was called “Ann’s shop”. It was run by Ann and her husband john who lived upstairs with their family. She recalls moving from the Marsh about 65 years ago to a brand new house. She remembers they were never allowed near the Orthopaedic “the fear of God was put into them about the Orthopaedic”. She recalls there was a little house outside the gate and there would be a light on at night and it would be the only light you would see around the whole of the Orthopaedic. She says “she doesn’t know where they got the idea they were in there chopping legs and hands off. That’s what you went in there for, you went in there, you lost something, a hand or a leg, some part. It was very quiet hospital, you’d hardly see anyone going in or out there. Mostly people came from the country and they would come up on the bus and it would be a day out for them to see their person in there. Thank God we never had to go in there to see anybody for years and years”&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;CFP NOTE The Marsh is an area in cork also known as the middle Parish. It is located between the Coal Quay, Mercy hospital, the river and Washington St.&lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.03.28 - 0.06.25&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;More detail about the Orthopaedic&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda recalls that it was a very dark building with a few trees there. They always thought it was a haunted building, it looked like that. There was a family living in the house at the entrance to the hospital. She says it was “curiosity that drew them up towards the house and they would get up a bit of the way and you were hunted back down. A man would come out and hunt us away from the Orthopaedic. She clarifies the house at entrance was the Gate lodge of the Orthopaedic. The Interviewer ask about the walk up to the hospital from Bakers road which didn’t exist at that time Breda says she used to venture up towards the hospital when she was about 6 or 7. There was nothing except the shop up in the area. The credit union that is there now on Bakers road used to be in the basement of Gurranabraher church for years.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;CFP NOTE:  the credit union is now Baker's Rd credit union, Gurranabraher, Cork&lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.06.25 - 0.08.24&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Change of perceptions of the Orthopaedic&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;Breda recalls that her perceptions of the Orthopaedic hospital didn’t change for a “good many years” until she had children herself and the dental hospital moved into the Orthopaedic and she used to go down to the dental hospital. She does remember one occasion when a neighbour ended up in the Orthopaedic with a few broken bones. When she heard she said “O my God, He’s down that hospital” Breda says she had never been in there but she had to go down to see him because he was a neighbour and had no one belong to him. Breda recalls going into the hospital “with the fright of God in her and she couldn’t even sit down because she was so nervous, but he seemed ok and it seemed a normal hospital. It wasn’t like what they had made it out to be”. Breda’s neighbour got on fine there and the visit had gotten rid of a bit of fear. She says she went out the gate “on air”. It was her first time coming to that that “horrible place she thought it was” After that she got married and moved to Knocknaheeny and used to bring her children down to the dental hospital&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.08.25 - 0.10.26&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Different uses of the Orthopaedic hospital&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;The interviewer asks Breda what she knows about the different uses of the Hospital. It was known to be used as a fever hospital or for polio patients. Breda says she always knew that the fever hospital was in Blackpool in Leitrim St. Her mother talked about it for years. Breda says her and her brother were both in the fever hospital because they picked up scarlet fever. She says it wasn’t too dangerous when she got it but her mother’s sister died aged 21 from scarlet fever because they didn’t have any cures at the time. Breda she was in the fever hospital when she was 3 or 4 and her brother was only 11 months older than her. Breda says her mother always talked about having to go down to the fever hospital and having to walk up the long steps leading up to it. She says she never thought the Orthopaedic had anything to do with fever hospital. She thinks that people were in the orthopaedic with Polio but she is not too sure&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.10.26 - 0.13.02&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;More earlier memories&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;Breda says she got married in 1971 and moved from the family home in Templeacre to an apartment in Leitrim St for a number of years until she had her first two children. She got a new house in Harbour View Road in Knocknaheeny. It was surrounded by fields. “You would get up in the mornings and open the curtains and there would see a cow, so the kids were all excited about that” There was such a demand for houses they rushed people in. the pathways were not even finished. Breda says she didn’t mind waiting for a footpath or gate or railings. She was delighted to have the house. The new house was at the back of the Orthopaedic. The back of the house was the wall of the orthopaedic Breda says when her children were growing up “she still had the fear of the orthopaedic and brought it with her” and maybe gave it to her children as well. When she was getting them off their dummies (children’s soothers) she used to say the dummies had gone over the wall into the Orthopaedic and none of her children used to go near the wall. Breda says that was the end of the dummies and it “worked a treat”.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.13.02 – 0.16.44&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Closing of the Orthopaedic&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda remembers the closing of the hospital but can’t remember what year. She says it became a very busy and open hospital. It changed from that “Haunted place” they thought it was. People started getting jobs there, in the kitchen, the laundry. It gave employment to the Northside which was very badly needed, Breda says, because it was it was very poor up there. She says there was talk about it closing down which was terrible in her opinion. She says there was protests and people were going mad. A lot of the workers lived in Churchfield. Farranree, Templeacre and Bakers road. There would be a lot of families without wages. Breda says it was the start of a lot of things shutting down on the Northside. “It was in people’s minds that they were shutting down everything. It went from the Orthopaedic to the North Infirmary which was down the road and the dental that was across the road from the North Infirmary was all shut down. There were starting to shut down things on the Northside of the city. That was horrible” The interviewer asks Breda about the sense of loss of the after the Orthopaedic was closed down and Breda replies that it is a brilliant building and that it is being used for community purposes for doctors and an A&amp;amp;E. She says that it should be used as a hospital because they took the North Infirmary and the Orthopaedic, there should be something for the Northside even if it was only an ambulance bay. Breda says the urgent care centre that is there now is fabulous but it will take time for people to get used to it Breda is asked do people still feel that something was taken away from them with the loss of the hospital and no matter what is there people will still feel they should have a hospital. She says she does&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.16.44 - 0.20.29&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Development Of the Orthopaedic hospital&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda is asked about she knows about the redevelopment of the Orthopaedic. She says there will be community involvement. Doctors will be moving in and not much else except that the dental will be there and it will be great when it gets up and running. She says people miss the hospital. “There is a huge lot of land there, they could have had a hospital, they could have had the health care service, they could have had the dental, they could have had a lot up here. They take one thing and give another. But I think people still feel that we were robbed”. Breda thinks the new development will be fabulous but will be mainly for younger families, where the older people will think they took our Orthopaedic. The interviewer informs Breda about new services going into the site, GP practices, Dental etc. and asks her if it will change their feeling about the Orthopaedic. Breda says “they probably will when it all start happening but you can’t blame people either, all down through the years things were taken and shut down and lost jobs and all of that and people won’t see all this till it’s up and running and its happening. It’s hard to put belief into people… There will probably be great benefit for people”. Breda recalls going into the Orthopaedic after she had an operation to get her dressing changed. It saved here having to go into town. It was a good service and nice people&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.20.29 - 0.26.25&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Importance of the redevelopment &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda says a café would be important as a meeting place for locals and they should bring the local people in and show them what is there, there should also be a big opening day. Breda says access is another important factor, there should be pedestrian access from the Knocknaheeny side. Two different access roads that they were promised are now not happening. It leaves only one access road into the Orthopaedic and after putting all that money into it people probably won’t come down. Breda believes the planners are responsible and that another information session should happen and it could be advertised at mass because churches are starting to fill up again and people that hear it could go and spread it around the community. Breda says people don’t look at notice boards or buy papers anymore because of all the negative stuff on them. She also says put a leaflet into every house and give information that way. Also a credit union should put a leaflet into your deposit book. Breda feels there are positive things happening there, but she had heard “Doubting Thomas’s” (sceptical people) saying that will never finish they will run out of money. She says “you have that in the Northside because of stuff being taken from people. I now they gave a lot as well, a lot of people wouldn’t see that if they didn’t have children in schools... schools have everything, cos I worked there myself for 20 years, they have everything there great” altogether&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;End of interview&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
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                <text>Breda details her earliest memories. She says her family moved to Templeacre when she was 1 or 2. There were not many houses around then. The houses were new and surrounded by lots of fields. The Orthopaedic Hospital was up the road in a field. They used to play by the shop up beside the Orthopaedic. She recalls there was a little house outside the gate and there would be a light on at night and it would be the only light you would see around the whole of the Orthopaedic. &#13;
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                <text>Cork Folklore Project</text>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
                </elementText>
              </elementTextContainer>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
                </elementText>
              </elementTextContainer>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3608">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
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              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Audio</text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3614">
                  <text>9 .wav Files</text>
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              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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      <name>Oral History</name>
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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="3680">
              <text>Breda McShane</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3681">
              <text>Joanne McNamara</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3682">
              <text>42min 31sec</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3683">
              <text>HSE Drug and Alcohol Building, Kinvara House. Dublin Hill, Cork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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              <text>.wav</text>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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            <elementText elementTextId="3685">
              <text>24bit / 48kHz</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Breda McShane: Orthopaedic Hospital</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Breda grew up in Dungarvan Co. Waterford. She moved to Cork in 1975 after getting a job as a clerical worker for the Southern Health Board. Breda moved to Hollyhill in 1980. Six years later she got a transfer to the Orthopedic hospital payroll department.&#13;
She talks briefly about the matron Maura O'Connell and her deputies.&#13;
She mentions that the attendants being very friendly, great on a night out and brilliant singers.&#13;
Breda describes the record keeping at the hospital. She also talks about the wages and the process of paying staff&#13;
Breda also describes the layout of the hospital campus and speaks of the strange numbering system on the buildings.&#13;
While she describes the campus as a peaceful place she does tell a story of young people picking magic mushrooms and getting chased off.&#13;
She says that it wasn't greatly suited for postoperative hip replacement patients due to the steps at the entrance to all the buildings.&#13;
Breda tells of a man who told her that there is a system of tunnels under the grounds.&#13;
Breda then explains the love of horses that some of her colleagues had. &#13;
</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3667">
                <text>30th May 2017</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Interviewee: Breda McShane</text>
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              <elementText elementTextId="3669">
                <text>Interviewer: Joanne McNamara</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3670">
                <text>CFP_SR00625_mcshane_2017</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="3671">
                <text>Cork, Ireland, 1970s-2000s</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="3672">
                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <elementText elementTextId="3710">
                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3673">
                <text>Cork Folklore Project  </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3674">
                <text>Cork Folklore Project Audio Archive</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3675">
                <text>Cork Folklore Project</text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="3677">
                <text>English</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3679">
                <text>1.wav File</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4291">
                <text>Cork Folklore Project</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="6270">
                <text>Sound</text>
              </elementText>
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    <tagContainer>
      <tag tagId="35">
        <name>1970s</name>
      </tag>
      <tag tagId="157">
        <name>1980s</name>
      </tag>
      <tag tagId="158">
        <name>1990s</name>
      </tag>
      <tag tagId="159">
        <name>2000s</name>
      </tag>
      <tag tagId="1186">
        <name>Breda McShane</name>
      </tag>
      <tag tagId="233">
        <name>Gurranabraher</name>
      </tag>
      <tag tagId="1187">
        <name>Magic Mushrooms</name>
      </tag>
      <tag tagId="1183">
        <name>St Mary's Orthopeadic Hospital</name>
      </tag>
      <tag tagId="156">
        <name>Working life</name>
      </tag>
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  <item itemId="159" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3600">
                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="3601">
                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="3602">
                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>April 2017 - September 2018</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3604">
                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                <elementText elementTextId="3605">
                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1950s-2010s</text>
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                  <text>Cork Folklore Project</text>
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              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
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                  <text>English</text>
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                  <text>9 .wav Files</text>
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                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>Maura O’Connell: Orthopaedic Hospital, Working Life, Healthcare</text>
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            <description>The topic of the resource</description>
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                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                <text>Maura was matron of the Orthopaedic Hospital for 20 years until her retirement in 1997. In this interview Maura recalls the various roles she had in the hospital prior to her being appointed matron. &#13;
Maura recalls that the nurses residents on the grounds of the hospital and comment that it was very upmarket for its day. &#13;
&#13;
Maura then talks about the first hip operation that took place in the hospital, that of a young woman  who was 'delighted to be able to wear Cuban heeled shoes'.&#13;
&#13;
She then focuses on her time as matron, where she was responsible for around 200 nursing staff. Maura thinks she would hate working today due to inadequate staffing numbers. &#13;
&#13;
Maura than reminisces about past patients, like the children who were severely disabled from contracting Polio.&#13;
She also mentions the likes of Joe Mac and The Dixies coming in on Christmas day to to entertain the staff and patients. &#13;
&#13;
Maura then describes the layout of the hospital and the campus. </text>
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                <text>6 June 2017</text>
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                <text>Interviewee: Maura O’Connell</text>
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                <text>Interviewer: Joanne McNamara</text>
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                <text>Cork, Ireland, 1960s-1990s</text>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3697">
                <text>Cork Folklore Project </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3698">
                <text>Cork Folklore Project Audio Archive</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3699">
                <text>Cork Folklore Project  </text>
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            <description>A language of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 .wav File</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4292">
                <text>Cork Folklore Project</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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        <name>1960s</name>
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      <tag tagId="35">
        <name>1970s</name>
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      <tag tagId="157">
        <name>1980s</name>
      </tag>
      <tag tagId="158">
        <name>1990s</name>
      </tag>
      <tag tagId="150">
        <name>Christmas</name>
      </tag>
      <tag tagId="636">
        <name>Dunlop</name>
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      <tag tagId="1085">
        <name>Ford</name>
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        <name>Gurranabraher</name>
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        <name>Healthcare</name>
      </tag>
      <tag tagId="1191">
        <name>Joe Mac</name>
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        <name>Maura O'Connell</name>
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        <name>Nursing</name>
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        <name>Polio</name>
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      <tag tagId="1183">
        <name>St Mary's Orthopeadic Hospital</name>
      </tag>
      <tag tagId="429">
        <name>The Dixies</name>
      </tag>
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        <name>Working life</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>April 2017 - September 2018</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="3604">
                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                  <text>Cork, Ireland, 1950s-2010s</text>
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              <name>Creator</name>
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                  <text>Cork Folklore Project</text>
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              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              </elementTextContainer>
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              <name>Rights</name>
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              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="3613">
                  <text>Audio</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3614">
                  <text>9 .wav Files</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3711">
                <text>Mary O'Sullivan: Orthopaedic Hospital, Working Life, Kitchen Staff</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3712">
                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mary worked in the hospital kitchen for 35 years from 1973. &#13;
She describes the type of work that the  kitchen staff had to preform, from cooking in the kitchen to scrubbing the walls in the corridors. &#13;
Mary says there there would be 7 staff on per shift. The kitchen had separate menus for the staff and the patients.&#13;
&#13;
The kitchen staff worked from 7:30 am to 5:00 pm, this meant that every three weeks the staff would get a day off for withe extra hours worked. &#13;
&#13;
Mary explains that she would not have got the job in 1973 had she not accepted to live on the campus. Then she would go home to her parents on her days off. &#13;
&#13;
She describes her training in the College of Commerce as a cook. &#13;
&#13;
Mary has fond memories of her time in the hospital, even though tensions could boil over in the kitchen there was good comradery between the staff. &#13;
She describes how some patients might request a special meal which the kitchen would oblige.&#13;
&#13;
Mary describe the social aspect of work. They would go for drinks in the Cottonball or 'the Josh'( The Joshua Tree). The social club was very important. She also, mentions the lotto syndicate where they got five numbers and got fifty euro each.&#13;
&#13;
Mary describes Christmas time in the hospital, that in later years all the patients where brought to one building. And making sure the residence of Grove House got a nice homely cooking. &#13;
&#13;
Mary explains the communal element of the Orthopaedic Hospital compared to the other hospitals in the city.&#13;
&#13;
As a local Mary liked the hospital being in her community and used to take leisurely walks. And she is also excited about the new development of the campus. &#13;
&#13;
She then talks about Bill Twomey who was the gate keeper and lived in the gate lodge of the hospital. &#13;
&#13;
Mary then describes how students would work the summers.&#13;
&#13;
&#13;
&#13;
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3714">
                <text>9 June 2017</text>
              </elementText>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3715">
                <text>Interviewee: Mary O'Sullivan&#13;
</text>
              </elementText>
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                <text>Interviewer: Joanne McNamara</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3717">
                <text>CFP_SR00628_osullivan_2017</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="3718">
                <text>Cork, Ireland, 1970s-2000s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="3719">
                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
              </elementText>
              <elementText elementTextId="3720">
                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3721">
                <text>Cork Folklore Project </text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3722">
                <text>Cork Folklore Project Audio Archive</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3723">
                <text>Cork Folklore Project  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3725">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3727">
                <text>1 .wav File</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4293">
                <text>Cork Folklore Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6272">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="35">
        <name>1970s</name>
      </tag>
      <tag tagId="157">
        <name>1980s</name>
      </tag>
      <tag tagId="158">
        <name>1990s</name>
      </tag>
      <tag tagId="159">
        <name>2000s</name>
      </tag>
      <tag tagId="150">
        <name>Christmas</name>
      </tag>
      <tag tagId="233">
        <name>Gurranabraher</name>
      </tag>
      <tag tagId="1192">
        <name>Mary O'Sullivan</name>
      </tag>
      <tag tagId="1183">
        <name>St Mary's Orthopeadic Hospital</name>
      </tag>
      <tag tagId="156">
        <name>Working life</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="162" public="1" featured="0">
    <fileContainer>
      <file fileId="279">
        <src>https://corkfolklore.org/archivecatalolgue/files/original/3c643896602f259d10e396aa761bb165.jpg</src>
        <authentication>9e614d0569c64b5ffbacd28a9407a152</authentication>
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      <file fileId="289">
        <src>https://corkfolklore.org/archivecatalolgue/files/original/55ab760eb5ea8f9496bd4c596beacc62.mp3</src>
        <authentication>964dee76e2e2a09c7b3b3af523a5b618</authentication>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3600">
                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3601">
                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3602">
                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>April 2017 - September 2018</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3604">
                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
                </elementText>
                <elementText elementTextId="3605">
                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3608">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3613">
                  <text>Audio</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3614">
                  <text>9 .wav Files</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
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&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>Dr. John Curtin: Orthopaedic Hospital, Working Life, Healthcare</text>
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                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                <text>John, worked at St Mary's Hospital from 1972 to 2003 when he took early retirement. Initially he worked as an orthopaedic register but from 1978 he was consultant. &#13;
&#13;
He remembers thinking St. Mary’s was a very progressive hospital but the layout wasn’t suitable for the time because it was built with a small budget in 1938. He says foundations were built for 9 separate blocks for different stages on infectious diseases. John tells us how in 1949 changes began that would result in the hospital becoming an orthopaedic hospital.&#13;
&#13;
He says that the hospital brought in many polio sufferers after an outbreak in 1956. Similarly, John says, the hospital was very relevant when tuberculosis was more abundant.  &#13;
&#13;
John says that the staff were highly trained and recounts more of the history of the hospital circa 1955.&#13;
John recounts his busy weekly work routine between a number of hospitals including St. Mary’s, St. Finbars, St. Catherines Hospital (in Tralee), Edenburn (outside of Tralee). John recounts his daily routine which varied from day to day including: surgeries, ward rounds, clinics, discharges and paperwork.&#13;
&#13;
He recalls in the mid 1980s there being a major financial crisis and how their budget was cut substantially. John tells us that a senior surgeon retired and wasn’t replaced for 8 years which made things very difficult.&#13;
John remembers Grove House when it was a home for nurses who would live there during their working week and go home for their days off. John recalls that the grounds were very well maintained by a full time gardener who would come to work in his horse and cart and would leave it to the rear of the administration block.&#13;
&#13;
John remembers various orthopaedic clubs from England and Scotland who would come to visit, and similarly who they would visit over the years. He says these links were as a result of the training they would have to do in England to get fully qualified. &#13;
&#13;
John recalls major cutbacks around 1993 and says that 300 patients were sent by helicopter to Belfast for surgery. He says that this would have been very expensive. John says that at that stage they were in the process of building a new operating theatre and that 1.6million was set aside to tackle waiting lists. He remembers that tenders were sent out and that the lowest tender came from the Royal Victoria Hospital in Belfast.</text>
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                <text>5 July 2017</text>
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                <text>Interviewee: Dr John Curtin</text>
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                <text>CFP_SR00632_curtin_2017</text>
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                <text>Cork, Ireland, 1950s-2010s</text>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/165" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                <text>Cork Folklore Project  </text>
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                <text>Cork Folklore Project Audio Archive</text>
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              <elementText elementTextId="3769">
                <text>Cork Folklore Project  </text>
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            <name>Language</name>
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                <text>English</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 .wav File</text>
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              <elementText elementTextId="4294">
                <text>Cork Folklore Project</text>
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                <text>Sound</text>
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        <name>1950s</name>
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        <name>1960s</name>
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        <name>1970s</name>
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      <tag tagId="157">
        <name>1980s</name>
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        <name>1990s</name>
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        <name>2000s</name>
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        <name>Gurranabraher</name>
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        <name>John Curtin</name>
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        <name>Maura O'Connell</name>
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        <name>St Mary's Orthopeadic Hospital</name>
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        <name>Working life</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>April 2017 - September 2018</text>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
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              <name>Creator</name>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
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              <name>Type</name>
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                  <text>Audio</text>
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              <name>Format</name>
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                  <text>9 .wav Files</text>
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              <description>A related resource</description>
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                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="4015">
                <text>Peter Sargent: Orthopaedic Hospital, Working Life, Healthcare</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                <text>Peter moved to Cork in his early twenties when he had got a job as a typewriter mechanic. The job involved a lot of travel which did not suit him once he got married. &#13;
Peter left this job for a position at St Mary's Hospital as a theatre attendant.  After a few years in this role, Peter successfully applied for the role of anaesthetic technician. He didn’t administer anaesthetic but he set it up what the consultants would use. He would also set up the patient when they arrived and get them ready and then the nurses would arrive. They were all female nurses. He mentions that the sister frowned on male nurses.&#13;
Peter talks of the hierarchy in the hospital and that certain staff could not talk to senior consultants. He tells a story of being reprimanded for calling a nurse by her first name. &#13;
Peter then talks about union activity at the hospital. He mentions that Gerry O’Sullivan who was the cook at the hospital was the shop steward and that Joe O’Callaghan (later became Lord Mayor of Cork) would handle more serious cases. &#13;
He recalls the social aspect of the job and mention the bars that they would frequent. Peter kept up with a lot of his collegues after retirement.  &#13;
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                <text>Interviewee: Peter Sargent</text>
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                <text>Interviewer: Joanne McNamara</text>
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                <text>Cork, Ireland, 1960s-2010s</text>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project Audio Archive</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1.wav File</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Cork Folklore Project</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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        <name>1960s</name>
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        <name>1970s</name>
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        <name>1980s</name>
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      <tag tagId="158">
        <name>1990s</name>
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      <tag tagId="159">
        <name>2000s</name>
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        <name>Annie’s Bar</name>
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        <name>Gurranabraher</name>
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        <name>Healthcare</name>
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        <name>Joe O’Callaghan</name>
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        <name>Peter Sargent</name>
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        <name>Sister Buckley</name>
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        <name>Social life</name>
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        <name>St Mary's Orthopeadic Hospital</name>
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        <name>Unions</name>
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        <name>Workers Rights</name>
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        <name>Working life</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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              <name>Date</name>
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                  <text>April 2017 - September 2018</text>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1950s-2010s</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Audio</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
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                  <text>9 .wav Files</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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      <name>Oral History</name>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Tony Fitzgerald</text>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Kieran Murphy</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>44min 44sec</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Cork City Council, City Hall, Anglesea Street, Cork, Ireland.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>Tony Fitzgerald: Orthopaedic Hospital, Healthcare, Family</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="4037">
                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="4038">
                <text>Tony,  at the time of this interview was Lord Mayor of Cork. </text>
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            <name>Date</name>
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                <text>28 March 2018</text>
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          <element elementId="37">
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                <text>Interviewee: Tony Fitzgerald</text>
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                <text>Interviewer: Kieran Murphy</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CFP_SR00648_Fitzgerald_2018</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Cork, Ireland, 1950s-2010s</text>
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            <description>A related resource</description>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>Cork Folklore Project </text>
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                <text>Cork Folklore Project  </text>
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                <text>Cork Folklore Project </text>
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                <text>1.wav File</text>
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                <text>Cork Folklore Project</text>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                  <text>Cork, Ireland, 1950s-2010s</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>Lorraine Twomey: Orthopaedic Hospital, Family Life</text>
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                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                <text>Lorraine grew up on the grounds of the Orthopaedic Hospital. Her father was the Gate Porter. Her father moved into the gate lodge in 1955 and a year later he married and it became the family home till his retirement in 1991. &#13;
Lorraine was one of eight children, four girls and four boys. &#13;
She speaks of the role her father had in the hospital and how it was to grow up on the grounds of a hospital. </text>
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                <text>Interviewer: Joanne McNamara</text>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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        <name>Gurranabraher</name>
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                    <text>If the stones could sleep cover</text>
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                  <text>9 interviews with 8 people    &lt;br /&gt;&lt;br /&gt;This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’.  9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. &lt;br /&gt;&lt;br /&gt;The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. &lt;br /&gt;&lt;br /&gt;Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film.    &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;The film is available on the Cork Folklore website&lt;/a&gt;   &lt;br /&gt;&lt;br /&gt;The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. &lt;br /&gt;&lt;br /&gt;The project was co-ordinated by CFP Project Manager Mary O’Driscoll.    &lt;br /&gt;&lt;br /&gt;Support: This project was part-funded by Cork City Council.</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan:</text>
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                  <text>If the Walls Could Talk: Stories of Cork's Built Heritage (2013) &lt;br /&gt;&lt;br /&gt;Links to:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener"&gt;Catalogue Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;Film&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The womens prison which is in Sundays Well and to the west of the Good Sheppard Convent, em, again very, very clear childhood memories of walking there from Ballyphehane, walking as far as Jail Cross and ironically passing the old county jail which is the building at the western side of UCC campus now or the Jail Cross side of it, em, always fascinated by the fact that it was closed and while one could go up the steps to the two storey building eh in the centre of the wall at the front and been able to look in and see so far into the yard and yet been aware of so much space behind it and the building itself never really getting I don’t remember getting a clear view of the building.  But my mother had great devotion to a little girl who died very young known as little Nellie of Holy God and she would part of our visits over into that direction, our walks over would be to pray at her grave, em, I was always drawn by the high walls of the prison and wondering what was in there or how would I get in.  Years later a chance came in my teens when myself and a friend happened to be walking up that way during the summer holidays from school.  Now to the left of the steps up to the main building at the centre of the front wall eh there was an archway and two metal gates, now I had known for instance that 2RN which was the Cork Broadcasting Radio Eireann back in I think started in the late 1920s called RTE or 2RN as it was called broadcast locally from there for a couple of years and the PNT were using the front section of the yard as a depo as well, but the gates were open and this was my first time been able to see in and there was a truck entering so curiosity getting the better of us, the truck drove in, we hesitated a few seconds and then ran in to have a quick look around but thinking we had a bit of time to spare we went in around the yard and went in a good distance from the gate when the next thing we heard one of the gates closing, turning around and between the urge to get out and not be seen we froze for a moment, totally undecided on what to do but thankfully the men that were after parking the truck had to go back into an office and we legged it out of there like sprinters.  Em the building as far as I know, the design of the building is similar to I think what would have been built in the famous Dartmoor prison in England at the time, and its interesting because I was on holidays in Devon last year and there’s a big debate because I think its going to close as a prison and there is a big debate in Devon as to what, could even be a national debate really, as to what to do with the building but to the best of my knowledge there was a kind of a standard blueprint for prisons built I think, I think that was opened in 1820 around the same time as the old county jail over at Jail Cross at UCC.  Em and I’m not sure about that one because it is demolished now but I think the building in, in the Cork Prison, or the old women’s prison would be a similar design to the one at Dartmoor.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;</text>
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Note: this interview was recorded for the DVD If The Stones Could Speak.&#13;
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                  <text>9 interviews with 8 people    &lt;br /&gt;&lt;br /&gt;This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’.  9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. &lt;br /&gt;&lt;br /&gt;The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. &lt;br /&gt;&lt;br /&gt;Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film.    &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;The film is available on the Cork Folklore website&lt;/a&gt;   &lt;br /&gt;&lt;br /&gt;The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. &lt;br /&gt;&lt;br /&gt;The project was co-ordinated by CFP Project Manager Mary O’Driscoll.    &lt;br /&gt;&lt;br /&gt;Support: This project was part-funded by Cork City Council.</text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;I want to talk about Collins Barracks which is very close to the top of Patrick’s Hill and opposite the entrance to Collins Barracks is the entrance into the camp field of the, of the Barracks and the, this was a great amenity for the local people around Audley Place, Richmond Hill place, Suttons buildings and places and you know the army kindly allowed people over the decades to go in there and walk there animals and use them as a local private park nearly, and within the grounds of Collins Barracks of the camp field as it was known, there was a big green area there, I used to do three runs of it at one stage with a lovely big collie who is no longer with us now, but he was a bit, he was a wonderful dog and he, he loved his chase like sometimes he you know if anybody was moving he would love to run after them a little bit, oh he wouldn’t do anything to anybody but he was a wonderful, but it was a wonderful place to let him loose like, and the army kindly allowed all the locals and there was nearly a confraternity of people that knew one another, all bringing there animals at different times up there, and of course then there was a tennis club, club up there in earlier years and the pitch and putt club is still active and then the officers houses but it was, were within the camp field, and like all you had do was to wave over to the whoever was in duty at the front of Collins Barracks and they’ll allow you in like, there you know. So the army provided a great amenity for the local people, you know.&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>Geraldine Healy recounts her personal memories of going to the Everyman Palace Theatre in the late 60s, early 70s. She gives brief accounts of changes to the UCC campus from the mid 70s and early 80s. She mentions brief facts about Collins Barracks, Fitzgerald’s Park Museum, Murphy’s Brewery and City Hall. </text>
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                <text>As Interviewee:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/15" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00505_healy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/189" target="_blank" rel="noreferrer noopener"&gt;CFP_VR00542_healy_2015&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/174" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00523_healy_2014&lt;/a&gt;;&lt;br /&gt;CFP_SR00700_healy_2019;&lt;br /&gt;CFP_SR00701_healy_2019;&lt;br /&gt;CFP_SR00709_healy_2019;&lt;br /&gt;CFP_SR00710_healy_2019:&lt;br /&gt;&lt;br /&gt;As Interviewer:&lt;br /&gt;CFP_SR00387_Sheehan_; CFP_SR00395_Speight; CFP_SR00421_Cronin.</text>
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                    <text>If the stones could sleep cover</text>
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                  <text>9 interviews with 8 people    &lt;br /&gt;&lt;br /&gt;This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’.  9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. &lt;br /&gt;&lt;br /&gt;The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. &lt;br /&gt;&lt;br /&gt;Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film.    &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;The film is available on the Cork Folklore website&lt;/a&gt;   &lt;br /&gt;&lt;br /&gt;The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. &lt;br /&gt;&lt;br /&gt;The project was co-ordinated by CFP Project Manager Mary O’Driscoll.    &lt;br /&gt;&lt;br /&gt;Support: This project was part-funded by Cork City Council.</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan:</text>
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                  <text>If the Walls Could Talk: Stories of Cork's Built Heritage (2013) &lt;br /&gt;&lt;br /&gt;Links to:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener"&gt;Catalogue Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;Film&lt;/a&gt;</text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;Well, when I joined the college, we were told, that we could, this was a completely different system now, it was the ATHC, there are about fourteen different exams you had to do, we were told as part of our initiation, you know as students, that we could go into any class at any level, so the classes were being run on first year, second year, third year, fourth year level, and we could go into any class we wanted to go into, [pause] I went out in the first group because my name is ‘C’, and when I was out there I just said, I am not going back to my own class actually I am just going to stay out here and advance life drawing and all this sort of stuff, I said they will come and get me and give out to me [cough], you know, and I will just wait for that to happen but they actually never did. That’s the kind of place it was like, it was amazing. But my very first lesson, was antique drawing, and the college then, see the school, as it existed then, was really a 19th Century structure in all its aspects practically, in terms of the structure of teaching, well that’s not, that’s not fair on my extraordinary tutors actually, but the kind of educational structure that was there, was kind of 19th Century.</text>
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                <text>Maud explains how she came to study at Crawford School of Art in 1972. She praises her tutors but notes that many of them were fired when a new teaching regime was brought in to support a new Diploma qualification. She says the college had an air of freedom and informality, where the boundaries between art school and gallery, and between professional artists and students were blurred. She talks about rooms in the gallery that attracted her and returns to the topic of her teachers.&#13;
Note: Part of Heritage DVD ‘If the stones could speak’&#13;
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                  <text>If the Stones Could Speak: More Stories of Cork’s Built Heritage (2015)</text>
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                  <text>9 interviews with 8 people    &lt;br /&gt;&lt;br /&gt;This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’.  9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. &lt;br /&gt;&lt;br /&gt;The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. &lt;br /&gt;&lt;br /&gt;Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film.    &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;The film is available on the Cork Folklore website&lt;/a&gt;   &lt;br /&gt;&lt;br /&gt;The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. &lt;br /&gt;&lt;br /&gt;The project was co-ordinated by CFP Project Manager Mary O’Driscoll.    &lt;br /&gt;&lt;br /&gt;Support: This project was part-funded by Cork City Council.</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan:</text>
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                  <text>CFP_SR00509_walsh_2014; CFP_SR00510_healy_2014; CFP_SR00511_cotter_2014; CFP_SR00512_herlihy_2014; CFP_SR00514_spengeman_2014; CFP_SR00523_healy_2014; CFP_SR00525_moraghan_2014 ;CFP_SR00526_byron_2014 CFP_SR00527_gabuzda_2014; CFP_VR00540_herlihy_2015; CFP_VR00541_lenihan_2015; CFP_VR00542_healy_2015&#13;
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                  <text>If the Walls Could Talk: Stories of Cork's Built Heritage (2013) &lt;br /&gt;&lt;br /&gt;Links to:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener"&gt;Catalogue Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;Film&lt;/a&gt;</text>
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              <text>&lt;span&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;I mean the -- what we know as the entrance today to the Imperial Hotel on the South Mall was the Commercial Rooms, or the Commercial Building. Em actually the, the hotel itself was built at the rear of the building, the entrance was on Pembroke Street. The restaurant is there now today, the entrance -- but that would have been the entrance to the hotel and that didn’t open until maybe about five years I think after em, [clock strikes] five years after the Commerical Buildings itself so twas the eh -- twas part of the Commercial Buildings, the main entrance was on Pembroke Street but you could -- you could also go through em the South Mall entrance through the Commercial Rooms into it. And actually when you go into the [unintelligible voices in background 08:35] South Mall today you’ll see there’s a plaque, a circular plaque on the, on the floor mosaic, kind of a plaque with a Cork coat of arms and it has ‘The Commercial Buildings’ written around it you know. Em so as I said it wasn’t really then until oh -- I think twas into the 1940s by the time the Commercial Buildings actually moved out of the front so twas that long before the hotel took over actually the front part of, of the South Mall eh, that building there you know.</text>
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                <text>Roger talks about the Imperial Hotel, South Mall, formerly  the Commercial Buildings and the famous people who attended the hotel. &#13;
He explains that South Mall used to be a channel of the River Lee and that is why some buildings on the street have steps going up to their front doors. He tells a story about hotel manager Charles MacDowell. He talks about Franz Liszt’s visit to Cork in 1840, and his playing at Hallaran’s asylum. Slavery abolitionist Frederick Douglass spoke at the hotel and there is a plague there dedicated to him. Artist John Banvard demonstrated a long painted panorama known as The Three Mile Picture. &#13;
Other visitors to Cork included Charles Dickens, midget Tom Thumb, and courtesan Lola Montez. The hotel was also occupied by anti-Fenian forces, and later by pro-Treaty commander Michael Collins.&#13;
Interviewer and interviewee share two funny stories about the City Hall.&#13;
Note: this interview was conducted for the DVD If The Stones Could Speak.&#13;
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                  <text>9 interviews with 8 people    &lt;br /&gt;&lt;br /&gt;This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’.  9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. &lt;br /&gt;&lt;br /&gt;The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. &lt;br /&gt;&lt;br /&gt;Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film.    &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;The film is available on the Cork Folklore website&lt;/a&gt;   &lt;br /&gt;&lt;br /&gt;The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. &lt;br /&gt;&lt;br /&gt;The project was co-ordinated by CFP Project Manager Mary O’Driscoll.    &lt;br /&gt;&lt;br /&gt;Support: This project was part-funded by Cork City Council.</text>
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                  <text>If the Walls Could Talk: Stories of Cork's Built Heritage (2013) &lt;br /&gt;&lt;br /&gt;Links to:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener"&gt;Catalogue Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;Film&lt;/a&gt;</text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;This was Unitarianism, was illegal up until the early part of the 19&lt;sup&gt;th&lt;/sup&gt; Century in fact it was punishable by death to espouse Unitarian points of view, and understandably Unitarians would of kept their heads low and so and so this church evolved as a liberal Presbyterian church with the lifting of the prohibition on Unitarianism, Unitarian ideas, in the, I think it was 1817. Unitarianism grew as a more identifiable part of the church and this gave rise to friction, and basically there was a schism between the Unitarians who believed in the oneness of God and the Trinitarians who believed in the doctrine of the trinity and that split resulted in eventually Reverent Faris congregation going up, and they eventually built the trinity church and that is how that arose but he is quiet right, the Presbyterians and Unitarians worship here for many, many decades.&lt;/p&gt;</text>
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                  <text>9 interviews with 8 people    &lt;br /&gt;&lt;br /&gt;This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’.  9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. &lt;br /&gt;&lt;br /&gt;The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. &lt;br /&gt;&lt;br /&gt;Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film.    &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;The film is available on the Cork Folklore website&lt;/a&gt;   &lt;br /&gt;&lt;br /&gt;The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. &lt;br /&gt;&lt;br /&gt;The project was co-ordinated by CFP Project Manager Mary O’Driscoll.    &lt;br /&gt;&lt;br /&gt;Support: This project was part-funded by Cork City Council.</text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;I did a project about six years ago on the Jewish community in Cork and it was a subject that was very close to my heart because my maternal grandparents lived in 31 Geraldine Place in the heart of what the local people affectionately call Jew Town. As David Marcus said in his autobiography &lt;em&gt;Buried Memories, &lt;/em&gt;no cartographer actually has it listed as Jew Town on a map of Cork but it’s a distinct place known to everybody just like Ballyphehane or Blackpool or anywhere like that and very close to my heart so I began writing about the Jewish community up at the Folklore Project. I focused in on the history of the Jewish people and their presence in Cork City and some prominent members of the Jewish community who contributed so much so much to Cork life because the Jewish community in academic, economic, social, political circles contributed greatly to the fabric of Cork life and society and also a little bit about their history as they dispersed after the War from Cork.&lt;/p&gt;</text>
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                <text>Geraldine shares her knowledge of the Jewish community in Cork. &#13;
&#13;
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                <text>As Interviewee:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/15" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00505_healy_2013&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/167" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00510_healy_2014&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/189" target="_blank" rel="noreferrer noopener"&gt;CFP_VR00542_healy_2015&lt;/a&gt;;&lt;br /&gt;CFP_SR00700_healy_2019;&lt;br /&gt;CFP_SR00701_healy_2019;&lt;br /&gt;CFP_SR00709_healy_2019;&lt;br /&gt;CFP_SR00710_healy_2019:&lt;br /&gt;&lt;br /&gt;As Interviewer:&lt;br /&gt;CFP_SR00387_Sheehan_; CFP_SR00395_Speight; CFP_SR00421_Cronin.</text>
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                    <text>If the stones could sleep cover</text>
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                  <text>9 interviews with 8 people    &lt;br /&gt;&lt;br /&gt;This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’.  9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. &lt;br /&gt;&lt;br /&gt;The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. &lt;br /&gt;&lt;br /&gt;Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film.    &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;The film is available on the Cork Folklore website&lt;/a&gt;   &lt;br /&gt;&lt;br /&gt;The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. &lt;br /&gt;&lt;br /&gt;The project was co-ordinated by CFP Project Manager Mary O’Driscoll.    &lt;br /&gt;&lt;br /&gt;Support: This project was part-funded by Cork City Council.</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan:</text>
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                  <text>CFP_SR00509_walsh_2014; CFP_SR00510_healy_2014; CFP_SR00511_cotter_2014; CFP_SR00512_herlihy_2014; CFP_SR00514_spengeman_2014; CFP_SR00523_healy_2014; CFP_SR00525_moraghan_2014 ;CFP_SR00526_byron_2014 CFP_SR00527_gabuzda_2014; CFP_VR00540_herlihy_2015; CFP_VR00541_lenihan_2015; CFP_VR00542_healy_2015&#13;
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                  <text>If the Walls Could Talk: Stories of Cork's Built Heritage (2013) &lt;br /&gt;&lt;br /&gt;Links to:&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener"&gt;Catalogue Collection&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener"&gt;Film&lt;/a&gt;</text>
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              <text>&lt;strong&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;My familiarity with Fota House is really more to do with Fota gardens, I did a course there, on the history of Irish Gardens and I also became familiar with the frameyard garden, the frameyard was really part of the production garden, so what people forget about country houses, is that the house and the garden were one entity, they were not separate entities, the garden provided the fruit and vegetables for the family and for some of the staff, and the garden also provided, a supply of flowers in bloom for every month of the summer, essentially. Now it was the head gardeners job to provide army after army of flowers in bloom, also to provide, soft fruit, for the desert section of the families dinners and for the guests, so the house and the garden really were two sides of the same coin, now when we think, of gardens and gardeners, we have an image of some guy raking up leaves in a field, the gardener in a country house had the most important position, aside from that of the butler or the leader of the household staff. Now the gardener, occupied quite an unusual position because to be the head gardener was to occupy a fairly elevated social position, it was a way, in which young men, usually who would have started as gardeners boys and then became foreman, journeymen, foreman, and then head gardeners, it was a way for them to elevate their social position but really to be head gardener was to be a very important person, because you liaised with the master of the house particularly in the Victorian period, the leaders of aristocratic families competed with each other in raising exotic plants and flowers and the head gardener worked quite closely with the head of the household to achieve success with garden specimens, very often these were quite exotic and the reason they had exotic plants and flowers, was because Ireland was then nominally part of the British Empire and Irish and British plant hunters went out and brought back seeds and specimens, which people then competed to bring to bloom, or to bring to, bring to success.&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>Sean Moraghan: Fota House and gardens </text>
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                <text>Sean Moraghan talks in depth about Fota House and gardens in specific and the evolution of the country house in general. He talks, inter alia, about the role of the garden, food preparation and storage, class, status and gender distinctions. </text>
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                <text>Cork, Ireland 1960s</text>
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