1
20
5
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https://corkfolklore.org/archivecatalolgue/files/original/3da972a019194597016fd5728097c0e2.mp3
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
If the Walls Could Talk: Stories of Cork's Built Heritage (2013)
Subject
The topic of the resource
Built Heritage:
Description
An account of the resource
In 2013, the Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss the Trinity Presbyterian Church, the National Sculpture Factory, the Custom House/Port of Cork, the Pavilion, the Masonic Hall, Triskel/Christchurch, Cork Vision Centre, South Presentation Convent, Elizabeth Fort, St. Fin Barre's Cathedral, UCC Crawford Observatory and Blackrock Castle Observatory. The overall built heritage project was continued throughout 2013 and 2014 in order to create an interview collection and DVD on the other buildings featured in Cork Heritage Open Day. Interviews about UCC Boole Library and Cork City Opera House, which were not featured in the first DVD, form part of this collection. The DVD was edited by Ian Stephenson, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by Mary O’Driscoll.
The film contributed to Cork City Council’s Cork Heritage Open day, winning the Irish Heritage Council Heritage Week 2013 Award for the Best Interactive Event.
A second DVD was produced by the Cork Folklore Project in 2015, drawing on further interviews carried out by Mark Wilkins, entitled If the Stones Could Speak.
Support: this project was part-funded by Cork City Council.
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees:</strong> Kitty McSweeney; John X Miller; Eibhlin Gleeson; Geraldine Healy; Mary McCarthy; Carmel Hartnett/Maeve O'Sullivan; Michael Holland; David Ryan; Ria O'Sullivan; John Faris; David J Butler; Patrick Walsh; Roger "Ronnie" Herlihy; <br /><br /><strong>Interviewers:</strong> Mark Wilkins; Ian Stephenson;
Rights
Information about rights held in and over the resource
<p>Cork Folklore Project</p>
Relation
A related resource
If the Walls Could Talk: Stories of Cork's Built Heritage (2013) <a href="http://corkfolklore.org/films/">Film</a><br /><br />If the Stones Could Speak: More stories from Cork's heritage (2015)<br /><br />Links to:<br /><a href="http://corkfolklore.org/archivecatalolgue/collections/show/12" target="_blank" rel="noreferrer noopener">Catalogue Collection</a><br /><br /><a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a>
Format
The file format, physical medium, or dimensions of the resource
13 .wav files
Language
A language of the resource
English
Type
The nature or genre of the resource
Audio
Identifier
An unambiguous reference to the resource within a given context
<strong>Catalogue Numbers:</strong> <br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>;
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork city and surrounds. The 1700s to 2000s, with some reference to 500-1700.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview
Mark Wilkins
Interviewee
The person(s) being interviewed
Rodger' Ronnie' Herlihy
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38m 53s
Location
The location of the interview
Douglas, Cork City, Ireland
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
Audio/Wav 48kHz/24bi
Transcription
Any written text transcribed from a sound
The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com
M W: Could you tell me a little bit there just what you were saying before I recorded there of -- was their ghosts in the belfry or some myth like that?
R H: Yeah, there was a story in 1840 em there was kinda ghosts -- there was very -- a lot of superstitions around the place of course and every now and again, there’d be fellas, maybe locals just doing the maggot basically and they’d be kinda knocking on walls and they’d be making noises and people would be saying oh tis a ghost. I know there was one case in up in the Quaker Meeting -- the Quaker graveyard in Windmill Road there you know -- or Quaker Road, em like that now there was stones being thrown over the roof on to the lodge where the graveyard is and of course they thought twas a ghost and people were seeing all kinds of things on the roof and everything but twas only a couple of guys throwing stones like you know? But going back then to around 1840 I think it was, there was a -- something similar -- not stone-throwing now but there was unusual noises let’s say being heard in the vicinity of the old cathedral now, not the present one, so you’re talking twenty years before the present one was built, twenty-odd years. So again hundreds of people were gathering in the area waiting to see some supernatural event and the church authorities or the cathedral authorities got in such a tizzy over it that they decided to perform an exhumation of a woman who had been just buried maybe a few days before in one of the aisles of the cathedral. And so they dug her up anyway and they were quite happy when they opened the coffin that she was as dead as they’d left her the last time, you know was what the saying said like. So she was dead anyway so they locked her up again and buried her again and everybody went away. But afterwards they put up a ladder and had a look up in the belfry and they found a pair of owls [laughs] which were the source of the noises, you know. But I mean, as I said it just begs the question like, the mentality that was there they’d -- why didn’t they put up the ladder first and have a look in the belfry? Their first thing they did was dig up a woman who had died like you know. [laughs] I mean what would be the easiest thing to do -- We’ll have a look in the belfry first or we’ll exhume somebody like you know, but they did the exhumation first before they looked in the belfry you know. [laughs] So.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Roger Herlihy: Barrack Street, Saint Fin Barre’s cathedral, William Burgess, Elizabeth Fort, Jimmy Page, Pavilion cinema, Second World War
Subject
The topic of the resource
Cork's Built Heritage
Description
An account of the resource
Ronnie talks about some of the buildings of the South Parish, such as Saint Fin Barre’s Cathedral and Elizabeth Fort, and comments on some related photographs.
Ronnie (b. circa 1963)talks about the laying of the foundation stone for Saint Fin Barre’s and the introduction of ‘the goldie angel’, a statue that was afterwards said to be the herald of the end of the world. The architect was William Burgess, and guitarist Jimmy Page, who lives in the architect’s house, came to Cork in 2005 to talk about Burgess. Ronnie tells a story about people hearing what they thought was a ghost in the cathedral and exhuming a recent burial, only to find that the strange noises were coming from owls in the belfry.
He mentions Elizabeth Fort, and the Gateway Bar, believed to have been established in 1698, and the oldest surviving pub in Cork city. During the Second World War, the fort housed an air raid shelter, and he names other shelter locations in the city.
Ronnie discusses a photograph of the old barracks building in Barrack Street, which dated to the 1700s and which was burned out during the Civil War. The barracks were housed in Elizabeth Fort, and he gives a history of the buildings’ use.
Note: this interview was conducted for the DVD If the Walls Could Talk.
Date
A point or period of time associated with an event in the lifecycle of the resource
12 October 2013
Contributor
An entity responsible for making contributions to the resource
Interviewee: Rodger 'Ronnie' Herlihy
Interviewer: Mark Wilkins
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00492_herlihy_2013
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork City; Ireland; Built Heritage; 1770s-200Os;
Relation
A related resource
<strong>If the Wall Could Talk: Stories Of Cork's Heritage Catalogue Numbers:</strong><br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>;
<strong><br />Published Material:</strong> <br />If the Wall Could Talk: Stories Of Cork's Heritage (2013) DVD <br /><br />If the Stones Could Speak: More stories from Cork's heritage (2015) DVD
<strong><br />Related Material in CFP Archive:</strong><br /> CFP00512_herlihy_2014
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1 .wav File
Rights
Information about rights held in and over the resource
Cork Folklore Project
Type
The nature or genre of the resource
Sound
Barrack Street
Built Heritage
Elizabeth Fort
If the Walls Could Talk
Jimmy Page
Material Culture
Pavilion cinema
Ronnie Herlihy
Saint Fin Barre’s Cathedral
Second World War
St Patrick Street
William Burgess
-
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eacb989b7ebf626801d4a0b62f243525
https://corkfolklore.org/archivecatalolgue/files/original/aa49daa9b8c982eebf9d2dbcc196dc54.mp3
7ad8e32389d729aa61ed52ae1309e456
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
If the Walls Could Talk: Stories of Cork's Built Heritage (2013)
Subject
The topic of the resource
Built Heritage:
Description
An account of the resource
In 2013, the Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss the Trinity Presbyterian Church, the National Sculpture Factory, the Custom House/Port of Cork, the Pavilion, the Masonic Hall, Triskel/Christchurch, Cork Vision Centre, South Presentation Convent, Elizabeth Fort, St. Fin Barre's Cathedral, UCC Crawford Observatory and Blackrock Castle Observatory. The overall built heritage project was continued throughout 2013 and 2014 in order to create an interview collection and DVD on the other buildings featured in Cork Heritage Open Day. Interviews about UCC Boole Library and Cork City Opera House, which were not featured in the first DVD, form part of this collection. The DVD was edited by Ian Stephenson, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by Mary O’Driscoll.
The film contributed to Cork City Council’s Cork Heritage Open day, winning the Irish Heritage Council Heritage Week 2013 Award for the Best Interactive Event.
A second DVD was produced by the Cork Folklore Project in 2015, drawing on further interviews carried out by Mark Wilkins, entitled If the Stones Could Speak.
Support: this project was part-funded by Cork City Council.
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees:</strong> Kitty McSweeney; John X Miller; Eibhlin Gleeson; Geraldine Healy; Mary McCarthy; Carmel Hartnett/Maeve O'Sullivan; Michael Holland; David Ryan; Ria O'Sullivan; John Faris; David J Butler; Patrick Walsh; Roger "Ronnie" Herlihy; <br /><br /><strong>Interviewers:</strong> Mark Wilkins; Ian Stephenson;
Rights
Information about rights held in and over the resource
<p>Cork Folklore Project</p>
Relation
A related resource
If the Walls Could Talk: Stories of Cork's Built Heritage (2013) <a href="http://corkfolklore.org/films/">Film</a><br /><br />If the Stones Could Speak: More stories from Cork's heritage (2015)<br /><br />Links to:<br /><a href="http://corkfolklore.org/archivecatalolgue/collections/show/12" target="_blank" rel="noreferrer noopener">Catalogue Collection</a><br /><br /><a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a>
Format
The file format, physical medium, or dimensions of the resource
13 .wav files
Language
A language of the resource
English
Type
The nature or genre of the resource
Audio
Identifier
An unambiguous reference to the resource within a given context
<strong>Catalogue Numbers:</strong> <br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>;
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork city and surrounds. The 1700s to 2000s, with some reference to 500-1700.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview
Mark Wilkins
Interviewee
The person(s) being interviewed
Pat Walsh
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
28m 43s
Location
The location of the interview
Cork City, Ireland.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
24bit / 48kHz
Transcription
Any written text transcribed from a sound
The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com
P W While the area in front of the sculpture factory and the general area around the city here was quite busy, transport wasn’t moving very fast. Again you look towards the river, with the Sextant corner straight ahead on your right and the opening behind it, which took the track from where the Elysian Tower and complex is now, that was known as the Victoria Quay siding and despite the fact that traffic was going slow, be it road or be it rail, just by the Sextant Bar cutting was the, that was the scene of a fatal accident in 1945, a steam engine as it would have been at the time, pulling some six wagons of grain up from after being loaded off a ship on Victoria Quay, which is now Kennedy Quay, down towards where we’d say the Idle Hour bar and Victoria Road would be, it was proceeding, and the rules of the time were five miles an hour and preceded by a flag man, it the engine was coming out of the siding on to Albert Quay, Albert Street, right in front of the sculpture factory, when it collided with a horse and dray, now the man that was driving the horse and cart sadly was seriously injured and died on the scene, and his name was Walsh and he came from Custom House Street, now Custom House Street is a wide street now but it was a much narrower street at that stage, at that time. There are still some houses in Anderson’s Street, which is a very narrow street there between Parnell Place and Custom House Street and they would have been typical of the houses that would have been in Custom House Street, it was widened when Jury’s Hotel was built and the grain silos, mills
and warehouses there were knocked for that building. My mother, my late mother remembers the story of them being trapped for hours in the wreckage and she said all the doctors could do there, they couldn’t free him, was to give him morphine, but he died on, he died at the scene. That was in 1945.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pat Walsh: Barrack Street, Custom House, Dundanion Castle, Elizabeth Fort, Railways, Sculpture Factory, Trams, Transport,
Subject
The topic of the resource
Cork's Built Heritage
Description
An account of the resource
Pat Walsh talks about some of the transport histories of Cork, including the railway and tramway systems and their associated infrastructure; and about the history of Elizabeth Fort.
He talks about the channels of the River Lee within the city and the bridges that cross the river. He recalls an accident in 1965 when a ship failed to anchor and crashed into one of the bridges. He remembers a fatal accident in 1945 when a steam train collided with a horse and cart.
He talks about the old buildings of the south of the city, and about his own developing interest in local history. He remembers Barrack Street and he talks about what Elizabeth Fort meant to him as a child and about its general history, particularly during the Siege of Cork in 1690
Date
A point or period of time associated with an event in the lifecycle of the resource
12 October 2013
Contributor
An entity responsible for making contributions to the resource
Interviewee: Pat Walsh
Interviewer: Mark Wilkins
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00493_walsh_2013
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork City; Ireland; Built Heritage; 1770s-200Os;
Relation
A related resource
<strong>If the Wall Could Talk: Stories Of Cork's Heritage Catalogue Numbers:</strong><br /><br /><strong><br /></strong><a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>;
<strong><br />Published Material:</strong> <br />If the Wall Could Talk: Stories Of Cork's Heritage (2013) DVD <br />If the Stones Could Speak: More stories from Cork's heritage (2015) DVD
<strong><br />Related Material in CFP Archive:</strong> <br /><br />CFP_VR00487_walsh_2014
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1 .wav File
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Rights
Information about rights held in and over the resource
Cork Folklore Project
Type
The nature or genre of the resource
Sound
1940s
Albert Road
Barrack Street
Blackrock
Built Heritage
Custom House
Dundanion Castle
Elizabeth Fort
If the Walls Could Talk
Material Culture
Pat Walsh
Railways
Sculpture Factory
Trams
Transport
-
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cbf1c711785600501bec005b1d811bed
https://corkfolklore.org/archivecatalolgue/files/original/46eb6388bc12700347ba14eb59a2d7e6.mp3
1669fa4a749aacfad369ed6cd8c75671
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Cork Memory Map Collection
Subject
The topic of the resource
A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.
Description
An account of the resource
A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. <br /><br />In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. <br />A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).<br /><br />The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. <br />The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.<br /><br />Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. <br /><br /><strong>For further description and discussion of the Cork Memory Map project, see:</strong> <br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.<br /><br />To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
2010 - 2013
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork, Ireland, 1930s - 2010s,
Relation
A related resource
O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a>
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Type
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Audio; Video
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees:</strong> Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald
<strong>Interviewers:</strong> Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;
Identifier
An unambiguous reference to the resource within a given context
<strong>Catalogue Numbers:</strong> <br /><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014
Format
The file format, physical medium, or dimensions of the resource
58 .wav Files
1 .mov File
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed
Marie Finn
Interviewer
The person(s) performing the interview
Helen Kelly
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
39min 57sec
Location
The location of the interview
Friars Walk, Cork.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
24bit / 48kHz
Transcription
Any written text transcribed from a sound
<strong><strong>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com<br /><br /><br /></strong></strong>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;"><span>H K: </span>What about milk and cake shops? Did ye?</span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">M F: Yeah, there was one on Barrack Street down on the left-hand side of Barrack Street called Ciste Milis, Ciste Milis yeah. Now when we were younger all we did was look in because we couldn’t, we wouldn’t have the money to buy the cakes you know. Eventually, then you might get – you’d go in and you’d buy maybe one cake and a glass of milk.</span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">H K: What kind of cakes were they?</span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">M F: Em, they were like they were Thomson’s Cakes mostly at the time. Beautiful now: pastries and snowballs, éclairs, em you’d be very lucky if you bought the cake; ‘twas like looking into fairyland I suppose with all the beautiful cakes and then there was another on in Sullivan’s Quay called Mrs Mac’s. You could go in there and sit down and the one thing – time that stands out in my mind before my father went to England. He brought me up to the dogs on the Western Road, the greyhound track, and all I can remember is I couldn’t see a bit with all the people in front of me but he must’ve won anyway and we came home in a sidecar and he brought me into Mrs Mac’s below for cakes and milk.</span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">H K: And what? How would they keep the milk fresh then, it wouldn’t be pasteurised now like, you know.</span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">M F: Oh no, it was only just in big jugs. </span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">H K: And where would you get that from? </span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">M F: Well the milkman used to come around even to the -- you know you’d buy it eh they used to come around. There was a shop down here not too far away from us and they used to bring the churns in and they’d just pour it from the churns into jugs. They used to have big enamel jugs. There was a milk shop on Barrack Street called Gill’s, we used to get the milk there; just go up with your jug and get a half pint or a pint.</span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">H K: They’d fill your jug?</span></span></div>
<div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;border-color:#000000;border-style:none none solid;border-width:medium medium 1px;line-height:100%;padding:0cm 0cm .07cm;"><span style="font-family:Calibri, sans-serif;"><span style="font-size:small;">M F: They’d fill the jug for you. Yeah and I can remember now going to that shop down there, we were going down to school, and my brother was very young, he was only after starting school. My sister and myself walked ahead and we looked back for him and he was after</span></span></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marie Finn: Barrack Street, Blackberry-picking, Catholic Church,
Subject
The topic of the resource
Life History:
Description
An account of the resource
Marie (b. 1938) grew up in Barrack Street. She left school at 16 and started working.
She talks about the games she played as a child and recites part of a rhyme. You could pick blackberries and sell them to a sweet-makers. Oranges and bananas as rare fruit. Rationing after World War II.
A family in Barrack Street kept pigs, sometimes in the house. There were two house-shops, selling sweets from front rooms.
Marie’s grandmother could make sheets from boiled flour bags. Felt hats could be remodelled at McKechnie’s.
Her father worked in England and came home twice a year.
Marie explains that life under the Catholic Church was one of fear. Going to dances organised by the nuns; the dancing stopped for The Rosary.
She became a singer in three choirs. She describes the milk and cake shops.
Marie describes how children were washed and nappies were cleaned.
Also covered are pubs of Cork, and pubs with snugs where women could drink.
Date
A point or period of time associated with an event in the lifecycle of the resource
6 September 2011
Contributor
An entity responsible for making contributions to the resource
Interviewee: Marie Finn
Interviewer: Helen Kelly
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00413_finn_2011
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork, Ireland, 1940s-2000s
Relation
A related resource
<div class="element-text">
<div class="element-text"><strong></strong><strong>Other Interviews in the Colection:</strong> <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014</div>
<div class="element-text"><br /><strong>Published Material: </strong> <br /><br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div>
</div>
<div class="element-text"><br /><strong>To view the Cork Memory Map Click </strong><a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"><strong>Here</strong></a></div>
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1 .wav File
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Rights
Information about rights held in and over the resource
Cork Folklore Project
Type
The nature or genre of the resource
Sound
1940s
1950s
1960s
1970s
Barrack Street
Blackberry-picking
Catholic Church
Childhood Games
Dancing
Food
Marie Finn
McKechnie’s
Milk and Cake Shops
Pubs
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https://corkfolklore.org/archivecatalolgue/files/original/8188fef8e0316fcb9847f089c9d71e27.JPG
6bef50aba99d09dccb32c300741b5e3c
https://corkfolklore.org/archivecatalolgue/files/original/8bed132227da3fc02eb8cc77f0fecd15.mp3
2e013bddd8b75f569380ab56d4bff54f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="western" style="margin-bottom:0cm;line-height:100%;">Cork’s Main Streets Collection</p>
<br /><br /><span><span></span></span>
Subject
The topic of the resource
Cork city's North and South main Streets.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Contributor
An entity responsible for making contributions to the resource
Interviewees: Erin O'Brien; Rosarii Comber; John O'Leary; Liam Ohiugin; Tom Spalding; Noreen Hanover; Michael Creedon; Patrick Leader;
Interviewers: Aisling Byron; Tara Arpaia; Dermot Casey; Stephen Dee; Margaret Steele; Mark Wilkins;
Identifier
An unambiguous reference to the resource within a given context
<strong>Catalogue Numbers:</strong><br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener">CFP_SR00536_oleary_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener">CFP_SR00537_hanover_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/66" target="_blank" rel="noreferrer noopener">CFP_SR00538_spalding_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener">CFP_SR00539_hUigin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener">CFP_SR00543_obrien_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/69">CFP_SR00544_comber_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/70">CFP_SR00545_leader_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener">CFP_SR00546_creedon_2015</a>;
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork City's North and South Main Streets.
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Language
A language of the resource
English
Type
The nature or genre of the resource
Audio
Format
The file format, physical medium, or dimensions of the resource
8 .wav files
Description
An account of the resource
This collection of eight interviews concentrates on Cork City’s historic spine, North and South Main Streets. These streets link the island of the city centre with the North and South Sides of the city. They form a shopping and business area, which has also served a residential purpose down through the years. Although our broader collection contains much description of and stories from the area, these interviews (carried out between January and March 2015 and totalling 4 hours 28 minutes in duration) focus specifically on the streets, their past and their future. Interviewees include residents of the streets and their environs and those who work and have worked there, and the interviews encompass memories of the area from the 1940s onwards, descriptions of change in the area, and reflection on the area’s future. Interviews were carried out with local residents, one of whom is a local historian, representatives of three multi-generational family businesses (Leader’s clothing, the North Gate Pharmacy and Bradley’s Off-licence), a South Main Street resident and city planner, a cityscape historian, and a promoter who was particularly active in organising events in the nightclub Sir Henry’s in the late 1980s and early 1990s. Take a stroll down these streets using the interactive website developed by Penny Johnston: <a href="http://corksmainstreets.corkfolklore.org/cms/" target="_blank" rel="noreferrer noopener">corksmainstreets.corkfolklore.org</a>
Cork Civic Trust supported this interviewing project.
Relation
A related resource
Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: <a href="http://corksmainstreets.corkfolklore.org/cms/">http://corksmainstreets.corkfolklore.org/cms/ </a><br /><br />Penny’s PhD dissertation can be accessed at: <a href="https://cora.ucc.ie/handle/10468/5469">https://cora.ucc.ie/handle/10468/5469</a>
<strong><br />Other Material Realating to Cork's Main Streets:</strong><strong></strong><br /><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/62">CFP_SR00448_hinchy_2012</a>: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy.<br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/90">CFP_SR00532_davis_2014</a>: Interview with former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection <br /><br />CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview
Margaret Steele
Interviewee
The person(s) being interviewed
Tom Spalding
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38 mins 40 secs
Location
The location of the interview
Farrenferris, Cork
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
24bit / 48kHz
Interview Format
This field should hold one of the following values; audio, video.
Audio
Transcription
Any written text transcribed from a sound
The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com
MS: Em no I was just asking you about Paradise Place
TS: Oh Paradise Place yeah so on the North Main Street and the South Main Street em generally the street is, is, is simply numeric you know starting from Castle Street, Liberty Street intersection north and south right em but for some reason there’s a little section there on the corner of South Main Street and Castle Street which is Paradise Place with about four little business’ there and they CCYMSA hall above it, there was a, it’s hard to explain but kind of a fortified town house on that corner which was called Paradise and it was owned by the I think it was the Terry’s but if you check June Johnson’s book you’ll get this, get the correct thing but one of the merchant families of the city they were the Roches’ and the Terry’s you know the old English Catholic families em and they called their home Paradise sometimes it’s spelt with a zed sometimes with an s em and I don’t know the, the reason for the name and it’s kind of lost in time at this stage it could have been to do with they thought it was paradise em I don’t know but obviously that building is long gone but the memory of their home is preserved in Paradise Place which is why that’s there em like, there is another funny street name on North Main Street which is Piccadilly Lane and June Johnson doesn’t em sug, suggest any reason in her book why it’s called Piccadilly Lane at least from my memory anyway em but she does note that it, that it had been renamed and that’s, that’s very common on the North Main and South Main Streets that all the little side lanes have been renamed many times and I am not even including just spelling the name differently with or without a y or an e or whatever the names have changed frequently em usually to do with a change of ownership because a lot of those lanes more or less were originally intended as private access to peoples houses so they were named after a family or a business that was on the lane or near the lane but yeah Piccadilly Lane my suspicions is it something to do with the reference to do with the reference to the London place named Piccadilly because we have quite a few London place names in Cork not as many as they do in Dublin like where they have Temple Bar and they have Portobello and these things you know we have, we have the Mall like the Mall in London and we have, em, we have Piccadilly and there’s a couple of others too em and I suspect there might have been a bit of a red light district, [laughing] that’s my hunch but again very hard to prove, em it’s not the kind of thing that would get reported in polite newspapers.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tom Spalding: North Main Street
Subject
The topic of the resource
North Main Street and South Main Street
Description
An account of the resource
In this interview, Tom Spalding, a local historian and author, discusses his research methods and interests concerning the development of the North and South Main Street area over time. His interest lies primarily in what he calls “street furniture” – street signage and other fixtures on the street within public areas (such as benches, bronze plaques, and post boxes). When prompted, he discusses the nature of changing street names within Cork: streets like Wellington Road will have multiple other street names associated with them and for which the properties receive their own address numbers, such as Montpellier Terrace, Connaught Place, and Garfield Terrace. Tom also lists Paradise Place on the corner of South Main Street and Castle Street, as another example of this phenomenon and describes the history behind the name “Paradise”. He also states that names may have been changed on paper, which can be traced through painstaking archival research reaching back 150 years, but that street names did not necessarily always catch on “on the ground”. Another topic of discussion is where North Main Street ends and South Main Street begins. Tom presents evidence for the divide occurring at the Liberty Street and Castle Street junction, explaining that Washington Street would have been cut through the medieval part of the city in the 18th and 19th centuries. There is some discussion of local pubs and businesses that Tom frequents: Leaders, the Benny McCabe pubs, the Raven, the Vicarstown, and the Castle. Lastly, Tom gets into a discussion of renovations and construction over old ‘street furniture’ evidence of prior businesses and old artisanship within the city. Some examples he lists are the renovation of North Main Street “20 years ago” (in the 1990s) as well as City Council pedestrianizing Prince’s Street in the 1980s. He advocates keeping things that are of heritage value that are still in functioning order and do not present a hazard to pedestrians.
Date
A point or period of time associated with an event in the lifecycle of the resource
14 January 2015
Contributor
An entity responsible for making contributions to the resource
Interviewee: Tom Spalding
Interviewer: Margaret Steele
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00538_spalding_2015
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork; Ireland; 1800s - 2000s;
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1.wav File
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Relation
A related resource
<strong>Other Interviews with Tom Spalding:<br /></strong><a href="http://corkfolklore.org/archivecatalolgue/items/show/81" target="_blank" rel="noreferrer noopener">CFP_SR00636_spalding_2017</a><strong><br /></strong>
<strong>Other Interviews in the Collection<br /></strong><br /><a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener">CFP_SR00536_oleary_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener">CFP_SR00537_hanover_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener">CFP_SR00539_hUigin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener">CFP_SR00543_obrien_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/69">CFP_SR00544_comber_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/70">CFP_SR00545_leader_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener">CFP_SR00546_creedon_2015</a>;
<br /><br />
<div class="element-text">Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: <a href="http://corksmainstreets.corkfolklore.org/cms/">http://corksmainstreets.corkfolklore.org/cms/ </a><br /><br />Penny’s PhD dissertation can be accessed at: <a href="https://cora.ucc.ie/handle/10468/5469">https://cora.ucc.ie/handle/10468/5469</a></div>
<div class="element-text"><strong><br /></strong><strong>Other Material Relating to Cork's Main Streets:</strong><strong></strong><br /><br />CFP_SR00448_hinchy_2012: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy.<br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/90">CFP_SR00532_davis_2014</a>: Interview with the former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection <br /><br />CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains an in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty.</div>
<br /><a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/34"><strong>Click here to access Tom's entry on the Memory Map</strong></a>
Rights
Information about rights held in and over the resource
Cork Folklore Project
Type
The nature or genre of the resource
Sound
Academy Street
Adelaide Street
Barrack Street
Camden Quay
Carron Foundry
Castle Inn
Castle Street
Cork Exhibition
Dalton’s Avenue
Fishamble Street
Fitzgerald’s Park
Leader’s
Liberty Street
Lower Glanmire Road
North Main Street
Paradise Place
Piccadilly Lane
Post boxes
Pubs
Rutland Street
Signage
South Main Street
St. Peter’s Church
Street Furniture
Street names
Tom Spalding
Vandeleur‘s Lane
Wellington Road
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https://corkfolklore.org/archivecatalolgue/files/original/9cadf9901209b0e650eee270a4562352.JPG
41b56f04e8ed594b4cea026d71f673c0
https://corkfolklore.org/archivecatalolgue/files/original/5b682cc15ec20c0023b4665cf29a7038.mp3
976a5e06ff681b634070ed915438b390
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="western" style="margin-bottom:0cm;line-height:100%;">Cork’s Main Streets Collection</p>
<br /><br /><span><span></span></span>
Subject
The topic of the resource
Cork city's North and South main Streets.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Contributor
An entity responsible for making contributions to the resource
Interviewees: Erin O'Brien; Rosarii Comber; John O'Leary; Liam Ohiugin; Tom Spalding; Noreen Hanover; Michael Creedon; Patrick Leader;
Interviewers: Aisling Byron; Tara Arpaia; Dermot Casey; Stephen Dee; Margaret Steele; Mark Wilkins;
Identifier
An unambiguous reference to the resource within a given context
<strong>Catalogue Numbers:</strong><br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener">CFP_SR00536_oleary_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener">CFP_SR00537_hanover_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/66" target="_blank" rel="noreferrer noopener">CFP_SR00538_spalding_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener">CFP_SR00539_hUigin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener">CFP_SR00543_obrien_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/69">CFP_SR00544_comber_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/70">CFP_SR00545_leader_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener">CFP_SR00546_creedon_2015</a>;
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork City's North and South Main Streets.
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Language
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English
Type
The nature or genre of the resource
Audio
Format
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8 .wav files
Description
An account of the resource
This collection of eight interviews concentrates on Cork City’s historic spine, North and South Main Streets. These streets link the island of the city centre with the North and South Sides of the city. They form a shopping and business area, which has also served a residential purpose down through the years. Although our broader collection contains much description of and stories from the area, these interviews (carried out between January and March 2015 and totalling 4 hours 28 minutes in duration) focus specifically on the streets, their past and their future. Interviewees include residents of the streets and their environs and those who work and have worked there, and the interviews encompass memories of the area from the 1940s onwards, descriptions of change in the area, and reflection on the area’s future. Interviews were carried out with local residents, one of whom is a local historian, representatives of three multi-generational family businesses (Leader’s clothing, the North Gate Pharmacy and Bradley’s Off-licence), a South Main Street resident and city planner, a cityscape historian, and a promoter who was particularly active in organising events in the nightclub Sir Henry’s in the late 1980s and early 1990s. Take a stroll down these streets using the interactive website developed by Penny Johnston: <a href="http://corksmainstreets.corkfolklore.org/cms/" target="_blank" rel="noreferrer noopener">corksmainstreets.corkfolklore.org</a>
Cork Civic Trust supported this interviewing project.
Relation
A related resource
Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: <a href="http://corksmainstreets.corkfolklore.org/cms/">http://corksmainstreets.corkfolklore.org/cms/ </a><br /><br />Penny’s PhD dissertation can be accessed at: <a href="https://cora.ucc.ie/handle/10468/5469">https://cora.ucc.ie/handle/10468/5469</a>
<strong><br />Other Material Realating to Cork's Main Streets:</strong><strong></strong><br /><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/62">CFP_SR00448_hinchy_2012</a>: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy.<br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/90">CFP_SR00532_davis_2014</a>: Interview with former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection <br /><br />CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview
Aisling Byron
Tara Walsh
Interviewee
The person(s) being interviewed
Erin O'Brien
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
28 mins 20 secs
Location
The location of the interview
City Hall, Cork
Original Format
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.wav
Bit Rate/Frequency
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24bit / 48kHz
Interview Format
This field should hold one of the following values; audio, video.
Audio
Transcription
Any written text transcribed from a sound
The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com
TW: Are you familiar with South Main Street?
EOB: I am. Not as familiar as I am with North.
AB: I lived on South Main Street. I lived over Avesca Funding. We’re still trying to figure out Avesca Funding were. It’s a mystery.
EOB: Is that one of the sites that’s in NAMA now (?). I’m not sure.
AB: I think it is. It is actually, yeah. Do you think that South Main Street would have the same appeal or is there anything there anymore that could be regenerated?
EOB: I think that, actually that’s a good question because right now, you’ve heard about the City Centre Strategy that they’ve put together. We’ve had some consultants who have looked at ideas for the city centre. We’re turning that into an action plan right now. I’m actually tasked with looking at the historic spine from Barrack Street to Shandon so these are things I’ve been thinking about a lot. Getting back to the South Main Street question, we’ve divided it into four sub-areas. South Main Street has its own ting going on and there really isn’t a community there as much as in other places. My hope would be that as the area re-develops, if it’s done well, that forming that basis of community would be part of it too. So maybe there’ll be a new community. I had an architect friend who was saying, not from a religious point of view but just from a community point of view, you kind of think of it as the different medieval parishes along the way and we’ll kind of be re-creating that parish, so to speak, around, I suppose he was saying, around Triskel, St Finbarr’s, the Vision Centre, St Anne’s as you move up the historic spine.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Erin O'Brien: Historic Spine
Subject
The topic of the resource
North Main Street and South Main Street
Description
An account of the resource
Erin O’Brien is originally from Nebraska but has lived in Ireland since 1993. She is a planner at the Planning Department at City Hall and she also lives on North Main Street. In this interview, she takes an in-depth look mostly at North Main Street, and details potential ideas for re-development and maintaining the character of the area. She states specifically, that she works in the Planning Department and consults regularly with the Conservation Officer, archaeologists, and Heritage Officer in her efforts to discover what kind of development would best suit different parts of the city. Explaining that she is in charge of looking at the Historical Spine (“Barrack Street to Shandon”) under the City Centre Strategy, she discusses the types of activity and development that a given “zone” will be able to accommodate, stressing that North Main Street does not have the specifications to attract high street retail like St Patrick Street (and that this is a good thing!) The aim, she states, is to promote the development of North Main Street as a kind of bohemian area for a younger crowd. She explains that the demographic (current as of the time of this interview) in the North Main Street area are mostly in their 20s, international in origin, and in the tech sector commuting outside City Centre for work. The struggle, additionally, is to keep businesses alive in the North Main Street area. There is mention of the “Living Above the Shops Scheme” as well as discussion of the knocking down of buildings that had fallen into disuse and that were no longer safe, i.e. “gap sites”. Erin highlights that Cork City Centre has a very high number of independent shops compared to city centres in the UK and elsewhere and that this is one of the charms of the city. The discussion also features a good amount of back and forth between the interviewers and the interviewee with an appreciation for sites like the Old Beamish Brewery (and it’s Christmas Tree) and the former Liberty Pub as well as a general appreciation for the small neighbourhood atmosphere to be found particularly on North Main Street.
Date
A point or period of time associated with an event in the lifecycle of the resource
03 February 2015
Contributor
An entity responsible for making contributions to the resource
Interviewee: Erin O'Brien
Interviewers: Aisling Byron; Tara Walsh
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00543_obrien_2015
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork; Ireland; 2000s
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1.wav File
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Relation
A related resource
<br /><a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener">CFP_SR00536_oleary_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener">CFP_SR00537_hanover_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/66" target="_blank" rel="noreferrer noopener">CFP_SR00538_spalding_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener">CFP_SR00539_hUigin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener">CFP_SR00543_obrien_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/69">CFP_SR00544_comber_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/70">CFP_SR00545_leader_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener">CFP_SR00546_creedon_2015</a>;
<br />
<div class="element-text">Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: <a href="http://corksmainstreets.corkfolklore.org/cms/">http://corksmainstreets.corkfolklore.org/cms/ </a><br /><br />Penny’s PhD dissertation can be accessed at: <a href="https://cora.ucc.ie/handle/10468/5469">https://cora.ucc.ie/handle/10468/5469</a></div>
<div class="element-text"><strong><br /></strong><strong>Other Material Relating to Cork's Main Streets:</strong><strong></strong><br /><br />CFP_SR00448_hinchy_2012: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy.<br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/90">CFP_SR00532_davis_2014</a>: Interview with the former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection <br /><br />CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains an in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty.</div>
Rights
Information about rights held in and over the resource
Cork Folklore Project
Type
The nature or genre of the resource
Sound
Barrack Street
Beamish and Crawford
Castle Street
City Centre Strategy
Coal Quay
Cork City Hall
Erin O’Brien
Historic Spine
Living Above the Shops Scheme
MacCurtain Street
Medieval
Munster Furniture
North Main Street
Oliver Plunkett Street
Patrick Street
Shandon Street
South Main Street
Vision Centre
Washington Street