1
20
5
-
https://corkfolklore.org/archivecatalolgue/files/original/ba1d9b3be746273429c078e807330f88.jpg
d9f7d67c0dc8af98d82f1f640fd78a8f
https://corkfolklore.org/archivecatalolgue/files/original/adf86ec094374f4d67d23f55048e1669.mp3
98e85ff2670f094a9829a7d222eea061
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Cork Shakespearean Company (The Loft)
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-2019
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees: </strong>Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:<strong><br /></strong>
<strong>Interviewer: </strong>David McCarthy
Identifier
An unambiguous reference to the resource within a given context
<a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <br /><a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork: Ireland: 1920s-2010s:
Relation
A related resource
<strong>Published Material:<br /><br /><br /></strong>McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a>
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Type
The nature or genre of the resource
Audio
Format
The file format, physical medium, or dimensions of the resource
.wav
Subject
The topic of the resource
Arts; Theatre; Life History
Description
An account of the resource
This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft". Founded in 1924 by Fr Christopher O'Flynn. The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre.
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed
Pat Gunn
Interviewer
The person(s) performing the interview
David McCarthy
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
71 mins 04 secs
Location
The location of the interview
Maryborough, Douglas, Cork City
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
24bit / 48kHz
Transcription
Any written text transcribed from a sound
<strong>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com <br /><br /></strong>
<p class="western" style="margin-bottom:.35cm;line-height:115%;"><b>DMC.</b> After the death of Fr. O’Flynn, as we know, the loft continued on….</p>
<p class="western" style="margin-bottom:.35cm;line-height:115%;"><strong>PG. </strong> Well it did too because, at that time we still had the original founders like Gus Healy and Eileen Curran and, and others: Tom Vesey, Teddy Healy, Norry O’Brian, Norry,…..Norry Healy, sorry as and. Quite a number of others that, that,…..Jonny Gallaher, she was another woman that, who came into that as well and, and they, they were there with us as well. So they brought us along another step of the way, and Gus Healy was absolutely wonderful that he was able to bridge that gap because he knew Fr. O’Flynn from the time that the loft was founded in 1924, right up until he died and then came in and then took over the role of, of chairman. And was chairman up till the time he died in 1986. So we were lucky, and of course, Eileen Curran was Fr. O’Flynn's disciple and she had his interpretation. She knew the plays backwards. She could quote from any of the plays without ever looking at a book, you know. And we were lucky. And then, like, we were maturing ourselves. Pierce, of course, my brother, was that much ahead of me and he, he was well into it as well. And you had Pat Lehane and other stalwarts of that particular time. Now I would have to say then a lot of the others had drifted away, like the Michael Twomey’s and Marie Twomey’s weren’t as and…. those that were around at the time when I mentioned like the: Kevin Sheehan’s, the Michael Mcauliffe and all of these. They, Monn Murphy’s, they had moved on a bit. Now one or two of them, like Monn, came back and did a few parts with us at later stages, you know. I know Monn did a reprise of <i>Hamlet</i> in, I think the mid, the mid 60's, 1964. She came back and reprised her role as ‘Ophelia’, you know. And Tom Vesey, of course, a very old great old stalwart of the original cast. He, he was there up until he died I think 1966. So they, we were lucky, you know. But then we had matured enough to more or less bring it on ourselves and Pierce immersed himself, my brother that is, immersed himself in the work of Fr. O’Flynn and Eileen Curran. When Eileen Curran passed on in 1977. And we also had a, a, a, an outsider who's contributed hugely to the loft of the period and he was a man by the name of John Morley. And he came into the loft in the early 70's and he, he, he was quite an outstanding character. He was English, old English, retired actor living in Cork for a period and he, he was, he was a great man of theatre, you know. And he taught us a lot of things apart from…. the plays and producing and all that, you know. He taught us a lot about creating properties and you know, and settings and all that as well. And he was an extremely talented man and wonderful guy and he understood Fr. O’Flynn and where Fr. O’Flynn was coming, from the word go. He had in fact in Dublin been a friend of Fr. O’Flynn’s nephew, John O’Flynn. And when he came to Cork he, he, he, he was involved briefly I think with The Everyman Theatre. But then he came along to us. And he, he was with us for many happy years really up until….. 1977. He was producing at the time that Eileen died rather suddenly on us in the middle of the last few rehearsals for, for <i>The Winter’s Tale</i> in 1977. And she was; Susan Cummins was a very good girl at the time who, who filled in, in between, between the Saturday and the following Wednesday she, she filled in for him …and she took over the role that was vacated by Eileen Curran, which was quite a substantial role actually in that play. And she, she was to give a very credible performance but John Morley, he directed that. And I learnt a great deal from him because I played ‘Leontes’, the king, in that I had a major role for the first half of, of the play and he was great. But he eventually; he was a member of the high religion and he was asked to go over to Bermuda with his wife, Valery, who was a lovely lady as well. That was about the end of the period where we had come out of The Opera House. We went back into the opera house in the 70s and then did quite a number of plays in The Opera House. But eventually, the burden of, of, of mounting pro plays in the opera house became a bit heavy for us all because we were all young and married and working and that sort of thing. So we tended to go back into The Theatre of the South, a little theatre in Castle Street and then after that then, when they built the The Cork Arts Club then in Knapp’s square we gravitated to there. We kinda, generally speaking, do most of our plays there now at the, at the moment anyway, but. So, that was, we were helped an awful lot to be able to do that, you know. Now, and I'm glad to say that there’s a new generation coming on after us headed up by Ciaran O’Leary and others, and Ray Brothers and Mike O’Neill and hopefully they'll carry the organisation on further into, into the next number of years.</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pat Gunn: Cork Shakespeare Company, Fr O Flynn, War Of Independence, Black And Tans, Tom Barry.
Subject
The topic of the resource
Arts: Theatre: Life History;
Description
An account of the resource
Pat Gunn grew up on Barrack Street. He talks of early life there plus his involvement with The Cork Shakespearean Company and of his knowing FR O Flynn in his final years plus the 1961 BBC film on The Loft. Also about his Fathers involvement in The Old IRA in War Of Independence and Civil War. Topics covered include his father's memories of the burning of Cork and Barrack Street ambush. His father's thoughts on the Civil War. Also his ancestor in The RIC. He also speaks of meeting Tom Barry in the 1960s. He speaks of witnessing the ceremony at Cork City Hall to celebrate Ireland becoming a republic in 1949. <br /><br />This is the first of two interviews with Pat for The Cork Shakespearean Company (The Loft) collection. The second is <a href="http://corkfolklore.org/archivecatalolgue/items/show/208">CFP_SR00627_Gunn_2017</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
18 January 2017
Contributor
An entity responsible for making contributions to the resource
Interviewee: Pat Gunn
Interviewer: David McCarthy
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00598_Gunn_2017
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork, Ireland, 1800s, 1900, 1920s, 40s, 50s, 60s, 70s, 80s
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1.wav File
Relation
A related resource
<div class="element-text"><a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener">CFP_SR00639_Walsh_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <br /><a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a></div>
Type
The nature or genre of the resource
Sound
Black and Tans
Civil War
Cork Shakespearean Company
Fr O'Flynn
RIC
The Loft
Theatre
Tom Barry
War of Independence
-
https://corkfolklore.org/archivecatalolgue/files/original/2144f2306c944d718ab898e24caea811.jpg
c2f91bb52caeacdfe1174f8aa8afaccc
https://corkfolklore.org/archivecatalolgue/files/original/158fbddddc4bdca529cb7a5ab18af375.mp3
95f58a3dcff6d4109bcc6801493b08af
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Cork Shakespearean Company (The Loft)
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-2019
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees: </strong>Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce:<strong><br /></strong>
<strong>Interviewer: </strong>David McCarthy
Identifier
An unambiguous reference to the resource within a given context
<a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <br /><a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork: Ireland: 1920s-2010s:
Relation
A related resource
<strong>Published Material:<br /><br /><br /></strong>McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a>
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Type
The nature or genre of the resource
Audio
Format
The file format, physical medium, or dimensions of the resource
.wav
Subject
The topic of the resource
Arts; Theatre; Life History
Description
An account of the resource
This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft". Founded in 1924 by Fr Christopher O'Flynn. The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre.
All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed
Musetta Joyce
Interviewer
The person(s) performing the interview
David McCarthy
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
52 minutes 32 seconds
Location
The location of the interview
Montenette, Cork City
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
24bit / 48kHz
Transcription
Any written text transcribed from a sound
<strong>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com</strong><br />
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Musetta Joyce: Cork Arts Theatre, The Emergency, The Magdalene Laundries
Subject
The topic of the resource
Arts: Theatre, Life History
Description
An account of the resource
Musetta studied at the Crawford School Of Art and worked in textiles in Galway and Cork. She became a professional actress and worked with among other groups, the Radio Eireann Players. She spent twenty years teaching English in Sicily. She now spends the year between Cork and Sicily.
Date
A point or period of time associated with an event in the lifecycle of the resource
25 September 2019
Contributor
An entity responsible for making contributions to the resource
Interviewee: Musetta Joyce
Interviewer: David McCarthy
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00733_Joyce_2019
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork; Dublin; Ireland; 1940s, 1950s, 1960s, 2000s
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
2.wav File
Relation
A related resource
<div class="element-text"><a href="http://corkfolklore.org/archivecatalolgue/document/205" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener">CFP_SR00639_Walsh_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <br /><a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener"></a></div>
Type
The nature or genre of the resource
Sound
Cinemas
Cork Shakespearean Company
Crawford Art College
Fr O'Flynn
Italy
Magdalene Laundries
RTE
RTE Players
Sicily
The Loft
Theatre
Youghal
-
https://corkfolklore.org/archivecatalolgue/files/original/2a784ec5b03463b6dfb884aaf7cdd52e.jpg
84ab4ede9d5baef4d8dbb60bb8e18e9a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Life Journeys: Living Folklore in Ireland Today
Subject
The topic of the resource
Life history interviews from the inhabitants of Cork city's Northside.
Description
An account of the resource
27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter.
Date
A point or period of time associated with an event in the lifecycle of the resource
1996-2001
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees:</strong> Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne:<br />
<strong>Interviewers: </strong>Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1):
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997:
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork, Ireland: 20th Century
Relation
A related resource
<strong>Published Material:<br /><br /><br /></strong>Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. <br />
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Type
The nature or genre of the resource
Audio
Format
The file format, physical medium, or dimensions of the resource
.wav
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed
Mary Healy
Interviewer
The person(s) performing the interview
Stephen Hunter
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
82min 79sec
Location
The location of the interview
Cork Arts Theatre, Knapp's Square, Cork
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Cassette
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mary Healy: Theatre, Gilbert & Sullivan, Society
Subject
The topic of the resource
Life History;
Description
An account of the resource
Mary was born circa 1958, to parents who were both involved in the theatre. Her mother was a professional costume designer. Her father was a stage manager and an actor. She appeared on stage for the first time at the Opera House when she was 7 years old. The family moved to Douglas when she was 4.
She talks about her parents’ involvement in theatre. They met while members of a Gilbert and Sullivan group, and another group, Theatre of the South, that put on Summer Revels. She comments that people often joined theatre groups for the social more than the thespian aspect. She herself became involved with Blackrock Players. She comments that Cork people go to shows which reflect both Cork and themselves as Cork people. She talks about the Everyman theatre then based in Father Mathew Street. Most theatre groups are amateur and part-time. She feels that theatregoing was more popular with Cork people in the past and that an audience for plays has been lost.
Mary talks about the superstitions associated with theatre, such as not whistling in the dressing room. She recalls a story about a ghostly figure in a showband ballroom. She talks about the fire which burned down the original Opera House building. The opera house site had previously been occupied by the Munster Hall, and then by the Atheneum. She talks about earlier, forgotten theatres of Cork dating from the 1700s, and about The Loft and Father O’Flynn.
Her own career has moved from acting to directing to administration. She discusses changes in women’s lives in Irish society.
Date
A point or period of time associated with an event in the lifecycle of the resource
15 June 1999
Contributor
An entity responsible for making contributions to the resource
Interviewee: Mary Healy
Interviewer: Stephen Hunter
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00269_healy_1999
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Ireland; Cork; 1900s
Relation
A related resource
<strong>Published Material:<br /><br /></strong>Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project.
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Format
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.wav
Type
The nature or genre of the resource
Sound
Billa O’Connell
Cork Opera House
Father O’Flynn
Feminism
Gilbert & Sullivan
Mary Healy
The Everyman Theatre
Theatre
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https://corkfolklore.org/archivecatalolgue/files/original/81fe2e74e4d07cf00b5bf2220ee539ef.jpg
cbf1c711785600501bec005b1d811bed
https://corkfolklore.org/archivecatalolgue/files/original/347be1b012b3cb4dc3c9c67be9efafd1.mp3
4e71b4d4a15fdf5d4a3cfb73b78652ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Cork Memory Map Collection
Subject
The topic of the resource
A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.
Description
An account of the resource
A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. <br /><br />In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. <br />A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).<br /><br />The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. <br />The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.<br /><br />Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. <br /><br /><strong>For further description and discussion of the Cork Memory Map project, see:</strong> <br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.<br /><br />To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
2010 - 2013
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork, Ireland, 1930s - 2010s,
Relation
A related resource
O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a>
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Rights
Information about rights held in and over the resource
Cork Folklore Project
Language
A language of the resource
English
Type
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Audio; Video
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees:</strong> Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald
<strong>Interviewers:</strong> Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;
Identifier
An unambiguous reference to the resource within a given context
<strong>Catalogue Numbers:</strong> <br /><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014
Format
The file format, physical medium, or dimensions of the resource
58 .wav Files
1 .mov File
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewee
The person(s) being interviewed
Jim Horgan
Interviewer
The person(s) performing the interview
Richard Clare
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
76min 10sec
Location
The location of the interview
Farranferris, Cork
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
24bit / 48kHz
Transcription
Any written text transcribed from a sound
<p style="margin-bottom:0cm;line-height:100%;text-align:left;"><b><strong>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com<br /></strong><br /><br /><br /><br />RC:</b> Have you ever come across any theatre superstitions in your time?</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>JH:</b> Oh yes plenty you know theatre is full of superstitions. I suppose you know most people involved in theatre for any length of time would be aware of them and it’s not that they are particularly Irish in nature or in Cork for that matter I think they are just in theatre generally. So there are the usual ones, you never whistle you know it’s bad luck that’s what we’re trying to avoid. We are trying to avoid the bad luck but you never whistle in a dressing room and if you do you have to go outside the door, turn around 3 times and then come back in. And I’ve had to do that (laughs) many times because you just forget you know especially if you're involved in musical and you might start whistling one of the tunes and everybody would go “Outside the door!” and turn around. So there’s that one the obvious one you’d never wish anybody good luck you always say “Break a leg”. I don’t know where that came from, I’m sure somebody knows but one of those things you just never do you know? You just say “break a leg”. The other ones that I’ve come across over the years would be that you never say the name of the “Scottish play” as it’s called, Shakespeare’s Scottish play.</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>RC:</b> Mmm.</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>JH: </b>No, no I won’t say it but it’s..I know why you don’t say that because I did read up on it and it’s simply that in those times when Shakespeare’s plays were you know being toured around in theatres that when they weren’t doing very well they needed a hit. They would always roll out the Scottish play because it was a guaranteed hit because people loved it and it was full of gore and witches and everything else. So they would always roll that out so it’s not that the play its self is unlucky it’s just that if you're doing it, it’s a sign that the theatre group or company isn’t doing very well so that’s why it has this tag of being an unlucky play.</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>RC:</b> But you still won’t say it.</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>JH: </b>Still won’t say it because I’m in a theatre at the moment and I’m not going to say it here but no you’d avoid saying that. What else is there? Trying to think now there’s a lot more. Oh, you never give…you give flowers to the leading lady but you never give them before the show, before the show opens because again it’s bad luck because if you like the leading lady hasn’t earned them at that stage. You would give them immediately after the show but never before because it’s bad luck. So there’s, there’s lots of things like that, that you just don’t do you know? And it’s not that I’d be in any other aspect of my life that superstitious but when it comes to theatre I just adhere to the traditions you know? And these are the traditions, so it’s part of what you do and I suppose it’s out of respect as well for the theatre traditions that are there and to continue them you know?</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>RC:</b> You would view it more as a tradition than a superstition maybe?</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>JH:</b> Well I suppose it’s mixed because again even though as I said for me it’s the traditional side of theatre. I still will you know if necessary go out and turn around 3 times and come back in.</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>RC:</b> Even if no one tells you too?</p>
<p style="margin-bottom:0cm;line-height:100%;"><b>JH:</b> Even if no one tells me too you know I still will because theatre is you know that sort of profession where fear goes along with it and fear is an interregnal part of it. You know the fear of will I remember my lines, will I make a fool of myself or will it go, will it be accepted? So and that fear is necessary to have an acceptable performance, you need some level of nerves. So it’s an interregnal part of it and people involved in theatre just live with fear and thankfully it only relates to when we’re in the theatre but the fear is there and the traditions the superstitions if you like that raise their heads every so often are part of that. That if we don’t it this way then it won’t be as good as it could. The last show I was involved in it was funny to see backstage the people all had their little rituals you know and again it’s part of the rehearsal thing that we do. Everything is repetition, everything is getting it right down to the last detail and people had their little rituals where they’d have everything in its place in the dressing room and you know God forbid if you moved it you know that’s the place for it and that’s where it is. Then you’d have people walking up and down backstage pacing because that’s what they do just getting into the role. There are little things that you know are technical things that we need to do as actors before performance and part of that is trying to loosen up the face, the muscles in around the mouth so there are little exercises that we can do which sort of stretch the mouth into you know very contorted shapes at times and I remember one instant where there was an actor in the wings doing these contorted faces and the exercises and someone thought they were actually having a heart attack because it was so strange looking but these are the things unless your involved with theatre you do think they are very strange but anyone involved in theatre thinks it’s quite normal you know so it does have it’s own quirks but yea I mean even though we accept that the fear will always be there and should be always there we're still quite happy to do you know because it is it’s very fulfilling at the end of the day.</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Jim Horgan: Pouladuff, Theatre, Superstitions
Subject
The topic of the resource
Life History:
Description
An account of the resource
Jim (born 1960) grew up in Croaghtamore Cottages, Pouladuff. His father was a draughtsman with Cork City Council. He was also an amateur film-maker, who made films with Jim and his siblings as actors. Some films required significant splicing by hand. His mother acted in the community as a kind of unofficial welfare worker. Jim became a photographer and graphic designer. He later became a fashion photographer, shooting models for the Fidelma Supple Agency in Cork.
As a graphic designer for Musgraves, he designed fliers by hand in the days before computers were used. He recalls the introduction of computers and new technology.
As a teenager, he preferred reading to sports and made great use of the library. Croaghtamore Cottages had been built on the site of a market garden, and the soil allowed him to conduct some amateur archaeology; he found old clay smoking pipes.
After leaving school he became involved in amateur drama and theatre, firstly with the Penny Youth Theatre; he was also involved with CAT (Cork Arts Theatre) and the Blackrock Players.
He talks about theatre superstitions.
Date
A point or period of time associated with an event in the lifecycle of the resource
9 October 2012
Contributor
An entity responsible for making contributions to the resource
Interviewee: Jim Horgan
Interviewer: Richard Clare
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00424_horgan_2012
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork, Ireland, 1960s-2000s
Relation
A related resource
<div class="element-text">
<div class="element-text"><strong></strong><strong>Other Interviews in the Colection:</strong> <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014</div>
<div class="element-text"><br /><strong>Published Material: </strong> <br /><br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div>
</div>
<div class="element-text"><br /><strong>To view the Cork Memory Map Click </strong><a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"><strong>Here</strong></a></div>
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1 .wav File
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Rights
Information about rights held in and over the resource
Cork Folklore Project
Type
The nature or genre of the resource
Sound
1960s
1970s
1980s
1990s
Amateur Dramatics
Blackrock Players
Cinema
Cork Arts Theatre
Fidelma Supple Agency
Home Movies
Jim Horgan
Musgraves
Penny Youth Theatre
Pouladuff Road
Social Care
Theatre
-
https://corkfolklore.org/archivecatalolgue/files/original/d315a759f91d1a3c928877d23c1780a6.JPG
9dbd30416bbedb6e4760b0604044f4f4
https://corkfolklore.org/archivecatalolgue/files/original/1e66cf6b156e8f515decd999c606eeeb.mp3
f482c8e691aa2ab81fbd6c002d60c716
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
If the Walls Could Talk: Stories of Cork's Built Heritage (2013)
Subject
The topic of the resource
Built Heritage:
Description
An account of the resource
In 2013, the Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss the Trinity Presbyterian Church, the National Sculpture Factory, the Custom House/Port of Cork, the Pavilion, the Masonic Hall, Triskel/Christchurch, Cork Vision Centre, South Presentation Convent, Elizabeth Fort, St. Fin Barre's Cathedral, UCC Crawford Observatory and Blackrock Castle Observatory. The overall built heritage project was continued throughout 2013 and 2014 in order to create an interview collection and DVD on the other buildings featured in Cork Heritage Open Day. Interviews about UCC Boole Library and Cork City Opera House, which were not featured in the first DVD, form part of this collection. The DVD was edited by Ian Stephenson, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by Mary O’Driscoll.
The film contributed to Cork City Council’s Cork Heritage Open day, winning the Irish Heritage Council Heritage Week 2013 Award for the Best Interactive Event.
A second DVD was produced by the Cork Folklore Project in 2015, drawing on further interviews carried out by Mark Wilkins, entitled If the Stones Could Speak.
Support: this project was part-funded by Cork City Council.
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Contributor
An entity responsible for making contributions to the resource
<strong>Interviewees:</strong> Kitty McSweeney; John X Miller; Eibhlin Gleeson; Geraldine Healy; Mary McCarthy; Carmel Hartnett/Maeve O'Sullivan; Michael Holland; David Ryan; Ria O'Sullivan; John Faris; David J Butler; Patrick Walsh; Roger "Ronnie" Herlihy; <br /><br /><strong>Interviewers:</strong> Mark Wilkins; Ian Stephenson;
Rights
Information about rights held in and over the resource
<p>Cork Folklore Project</p>
Relation
A related resource
If the Walls Could Talk: Stories of Cork's Built Heritage (2013) <a href="http://corkfolklore.org/films/">Film</a><br /><br />If the Stones Could Speak: More stories from Cork's heritage (2015)<br /><br />Links to:<br /><a href="http://corkfolklore.org/archivecatalolgue/collections/show/12" target="_blank" rel="noreferrer noopener">Catalogue Collection</a><br /><br /><a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a>
Format
The file format, physical medium, or dimensions of the resource
13 .wav files
Language
A language of the resource
English
Type
The nature or genre of the resource
Audio
Identifier
An unambiguous reference to the resource within a given context
<strong>Catalogue Numbers:</strong> <br /><br /><a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>;
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork city and surrounds. The 1700s to 2000s, with some reference to 500-1700.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview
Mark Wilkins
Interviewee
The person(s) being interviewed
Eibhlín Gleeson
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
18m 56s
Location
The location of the interview
Cork Opera House, Cork City, Cork, Ireland
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
.wav
Bit Rate/Frequency
Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)
24bit / 48kHz
Transcription
Any written text transcribed from a sound
The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com
EG Em so the Opera House, I suppose current Opera House began its existence in 1855 when it when the Athenaeum was built. At that time, it was built as a lecture hall, a concert hall and an assembly hall and it was built here on Emmet Place. Em it was designed by Sir John Benson and the building was actually a rebuild of the main exhibition hall at the 1852 National Exhibition in Cork. Em so it was kind of the design I suppose was moved from the National Exhibition and up on to Emmet Place and it was completed in 1855. Now it opened with a series of, actually funny -- funnily enough it unofficially opened with a series of local artists and musicians performing on the stage and em that was in the first number of months.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Eibhlín Gleeson: Cork Opera House, Athenaeum, Theatre,
Subject
The topic of the resource
Cork's Built Heritage
Description
An account of the resource
Eibhlín talks about Cork Opera House, its history and its role in the life of the city.
The building was established in 1855 as the Athenaeum, a rebuild of an earlier exhibition hall, and remodelled as the Munster Hall in 1872 and again in 1877.
She talks about the fire which destroyed the building in 1955, about the impact of that event on Cork people and about their efforts to raise funds for a new structure. She describes the functions and programming of the current theatre and conveys her enthusiasm for her role in it.
Note: This interview was carried out for the DVD film “If the Walls Could Talk”.
Date
A point or period of time associated with an event in the lifecycle of the resource
24 July 2013
Contributor
An entity responsible for making contributions to the resource
Interviewee: Eibhlín Gleeson
Interviewer: Mark Wilkins
Identifier
An unambiguous reference to the resource within a given context
CFP_SR00506_gleeson_2013
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Cork City; Ireland; Built Heritage; 1770s-200Os;
Relation
A related resource
<div class="element-text"><strong>If the Wall Could Talk: Stories Of Cork's Heritage Catalogue Numbers:</strong><br /><br /><strong><br /></strong><a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>;</div>
<div class="element-text"></div>
<strong><br />Published Material:</strong> <br />If the Wall Could Talk: Stories Of Cork's Heritage (2013) DVD <br /><br />If the Stones Could Speak: More stories from Cork's heritage (2015) DVD
Publisher
An entity responsible for making the resource available
Cork Folklore Project
Language
A language of the resource
English
Format
The file format, physical medium, or dimensions of the resource
1 .wav File
Creator
An entity primarily responsible for making the resource
Cork Folklore Project
Source
A related resource from which the described resource is derived
Cork Folklore Project Audio Archive
Rights
Information about rights held in and over the resource
Cork Folklore Project
Type
The nature or genre of the resource
Sound
Athenaeum
Built Heritage
Cork Opera House
Eibhlín Gleeson
Emmet Place
If the Walls Could Talk
Material Culture
Theatre