1 20 249 https://corkfolklore.org/archivecatalolgue/files/original/4d8c8a97ff29f64bbdc4e4ca40792e90.png 1d7b6cfbcfea66fe3e9f25fb3ad52075 https://corkfolklore.org/archivecatalolgue/files/original/aa1588160a0c81e1dcd1eac595598176.mp3 c28858663f7ce757375f50c4d52a97d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Michael Daly Interviewee The person(s) being interviewed Johnny Chris Kelleher Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 71min 45sec Location The location of the interview Glasheen, Cork. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com JCK: Well now, there was a substantial population in a very, very small area. Because of small houses, up a laneway, you could have thirty, forty or fifty houses. So with big families in small houses, you had a sizeable population and taking up very little area. Now, the people that lived there -- you had a variety. The variety in the sense you had poor people, but you had people who would be considered very well off. And the reason for it was -- as an example, Corbett’s Lane. If you walked up Corbett’s Lane, the first four houses would be small houses with ordinary people, working class people, in them. When you came to the fifth house, it would be a two-story farmhouse with a big black gate, tarred gate, above it, and a big yard at the back of the house. Now, at the back of that house, the people who lived in that house had cattle and sheep. Now, you could -- you could have the same thing in another couple of houses and then a big double storey house, and you could continue up the lane at both sides with that situation. So you had poor, and people who would be considered fairly well off for the times, all living in the one lane. Now at the top of the lane, my grandmother, Polly Kelleher, lived, my father’s mother, and across the way from their house was two tripe houses, Welsh’s and Reilly’s, and around the corner, you had another tripe house, Dylan’s. So you had three tripe, drisheen places at the top of Corbett’s lane, at the junction of Corbett’s -- top of Corbett’s Lane and Kearney’s Lane. And at one -- at one o’clock in the day the hooter would go in those places and a lot of women would come out with their rubber aprons and their clogs for their dinner break, and they all lived in the laneways around. So you had plenty -- you had a lot of work going on in those places because you -- as well as tripe and drisheen houses you had slaughter-houses. And to go back to those days, we weren’t far from the countryside, so you could understand that a lot of the men that lived in the area were butchers, and predominantly the butchers came from the north side of the city rather than the south side, because of the area that they were, you had the slaughter-houses. Now, as well as that then, you had families who, their father reared them, and they earned their wages by being cattle-drovers. They’d go up -- the men’d go up Fairhill at two or three o’clock in the morning, round up cattle belonging to the farmers and hunt the cattle from there down to Midleton, or to Carrigaline, or out to Macroom for the fairs at seven o’clock. As a matter of fact, there was one fair held every Saturday morning right over off Anglesea Street, across from the Garda Station, in that little square there across from the Garda Station. Every Saturday morning you had a fair there, and there’d be sheep and pigs on sale there. And those two pubs, one -- the two of them are there but one is idle at the moment -- and eh twas -- they were farmers’ pubs. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Johnny Chris Kelleher: The Evening Echo, Schooldays, Tuberculosis Subject The topic of the resource Life History: Description An account of the resource Johnny Chris was born in 1929 in Fair Lane, later called Wolfe Tone Street. His mother, Mary Margaret Kelleher (1901 - 1970) was married twice; her first husband died of TB in 1924; she had to get a job selling newspapers to support her family. His father was Tommy Kelleher; he later lost his legs. His sister lost an arm in an accident at O’Gorman’s hat factory. Johnny Chris still sold newspapers into his 80s, to keep agile and to meet people. He lists some of the old lanes of the Northside. He describes the housing on Corbett’s Lane. The areas of Shandon Street and Ballymacthomas were close to the country, and men worked as cattle drovers for farmers, bringing cattle to fairs in the county. Without a social welfare system, people turned their hands to all kinds of menial work. There was nevertheless a good quality of life. Johnny Chris talks about people’s sports and past-times. He praises the rise in the standard of living but laments the loss of a sense of community. The character of the Northside was formed by social housing and the movement of masses of people who lived side by side to new housing there, again side by side. He talks about the street names and the lanes of Cork. He discusses his schooling and the teaching of the Irish language. Johnny Chris recalls the editions of the Evening Echo newspaper printed during World War II, and his working life selling the newspaper. How he heard about the death of Christy Ring; telling Taoiseach Jack Lynch the news. The different newspapers reflected people’s political persuasions; the Echo was for working people. He talks about Blackpool, its residents and industries. He recalls the North Infirmary, and how it was used by people; how his father had a leg amputated there. He remembers hearing about his sister’s industrial accident. He worked for Cork Corporation. People didn’t really take holidays. Johnny Chris then describes working life at The Cork Examiner newspaper, and how the Evening Echo was distributed. How drisheen and tripe were eaten is also discussed. He recalls Father O’Flynn, who had a method to cure stammering; the BBC made a documentary about him in 1948; he went over to help King George VI. He relates a funny story about the Corporation making and storing coffins in case of any local bombing casualties during World War II; they were gradually stolen and sold on to undertakers for money to buy drink. He tells another story about Whacker, a local character. Date A point or period of time associated with an event in the lifecycle of the resource 21 July 2010 Contributor An entity responsible for making contributions to the resource Interviewee: Johnny Chris Kelleher Interviewer: Michael Daly Identifier An unambiguous reference to the resource within a given context CFP_SR00390_kelleher_2010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1900s, 2000s Relation A related resource <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a> Click <a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/8" target="_blank" rel="noreferrer noopener">here</a> to access entry on the Memory Map Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English, Irish Format The file format, physical medium, or dimensions of the resource 1 .wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Allotments Anglesea Street Barrett’s Buildings BBC Bingo Bird-Catching Blackpool Bowling Boxing Boy Murphy Card Games Children’s Games Children’s Mass Christy Ring Churchfield Coliseum Theatre Corbett’s Lane Cork Corporation Don Donncha Ó Céileachair Drisheen Echo Boys Evening Echo Fair Hill Fairs Father O’Flynn Faulkner’s Lane Food Gurranabraher Gurranabraher Road Hiroshima Housey Housey Housing Irish Language Jack Lynch Johnny Chris Kelleher Kearney’s Lane Margaret O’Sullivan Mossy Condon Newsboys Newspapers Nicknames Northside O’Flynn family; O’Gorman’s Factory Pádraig Ó hÓgáin Polly Kelleher Seán O’Mahony Sketchy Roche Slaughterhouses Social Housing Sport St Anne’s Hurling Club Street names TB The Holly Bough Tommy Hyde Tommy Kelleher Trimbath Mulcahy Trimbath’s Lane Tripe Tripe Houses Tuberculosis Walter McEvilly Working class Working life World War II https://corkfolklore.org/archivecatalolgue/files/original/a913cfbaa23a791b5e131cb6c2780e22.tif 96a865553b33fd6030bbebb8176f4f44 https://corkfolklore.org/archivecatalolgue/files/original/92b778fd69cf382283c03d9dbfecd047.mp3 445087267a4ad80de7965167c5356663 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) Subject The topic of the resource Built Heritage: Description An account of the resource In 2013, the Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss the Trinity Presbyterian Church, the National Sculpture Factory, the Custom House/Port of Cork, the Pavilion, the Masonic Hall, Triskel/Christchurch, Cork Vision Centre, South Presentation Convent, Elizabeth Fort, St. Fin Barre's Cathedral, UCC Crawford Observatory and Blackrock Castle Observatory. The overall built heritage project was continued throughout 2013 and 2014 in order to create an interview collection and DVD on the other buildings featured in Cork Heritage Open Day. Interviews about UCC Boole Library and Cork City Opera House, which were not featured in the first DVD, form part of this collection. The DVD was edited by Ian Stephenson, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by Mary O’Driscoll. The film contributed to Cork City Council’s Cork Heritage Open day, winning the Irish Heritage Council Heritage Week 2013 Award for the Best Interactive Event. A second DVD was produced by the Cork Folklore Project in 2015, drawing on further interviews carried out by Mark Wilkins, entitled If the Stones Could Speak. Support: this project was part-funded by Cork City Council. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Interviewees: Kitty McSweeney; John X Miller; Eibhlin Gleeson; Geraldine Healy; Mary McCarthy; Carmel Hartnett/Maeve O'Sullivan; Michael Holland; David Ryan; Ria O'Sullivan; John Faris; David J Butler; Patrick Walsh; Roger "Ronnie" Herlihy; Interviewers: Mark Wilkins; Ian Stephenson; Rights Information about rights held in and over the resource Cork Folklore Project Relation A related resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) <a href="http://corkfolklore.org/films/">Film</a> If the Stones Could Speak: More stories from Cork's heritage (2015) Links to: <a href="http://corkfolklore.org/archivecatalolgue/collections/show/12" target="_blank" rel="noreferrer noopener">Catalogue Collection</a> <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a> Format The file format, physical medium, or dimensions of the resource 13 .wav files Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>; Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork city and surrounds. The 1700s to 2000s, with some reference to 500-1700. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Mark Wilkins Interviewee The person(s) being interviewed Mary McCarthy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 14m 55s Location The location of the interview National Sculpture Factory, Albert Rd, Cork City, Ireland. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com M M: Okay. I suppose it was a, its kind of interesting thinking back to that point, it was like mid eighties in Cork, and its kind of interesting being in the middle of another deep recession now what’s happening and in Cork in the mid eighties most of the cultural organisations that we now have were actually founded like Corcadorca, ourselves the National Sculpture Factory, Blackwater Studios, you know they were all kind of founded in the late eighties, early nineties so four artists who were graduates of the Crawford College; Maud Cotter, Ailish O’Connell, Vivienne Roche and Danny McCarthy who were very well known sculptors were kind of looking for somewhere to work collectively. They had all been travelling abroad, doing their masters, they knew that the moment was right to have a collective facility ‘cause as we know working as artists is very isolating and they are generally on their own, in their studios so this building was identified, it was empty at the time, Civic Council were using it for storage of, those big hairy Christmas lights that used to be on Patrick Street, used to be in here on the floor. Astroturf, the possessions of people’s houses, who were repossessed, it was a real storage territory and they approached the city manager who was Joe McHugh at the time and Joe was very visionary actually, he decided to take a risk, yeah, and gave it to four artists on a long term lease to set up this organisation. And the Arts Council came in then, in 1989 and supported the organisation financially so really it was set up out of five artists, it was an artist lead initiative to look for kind of a building that would give them collective space to work in so they could begin to acquire collective equipment which they could never afford to have in your own studio and that would enable people to work large scale. So they were very visionary actually these four artists and they stayed involved the first few years, and then obviously the organisation grown quite a lot since then its gotten, you know we’ve adapted this building quite a lot, we’ve put in a new roof. This mezzanine that we are sitting in, is an award winning piece of architecture from Tom de Paor who worked with Robin Lee architect in the new entrance last year, so we are always layering new things onto the building. But I suppose something that we as an organisation are very protective is the fabric of the building actually, nothing that we’ve done has changed the building very much, we’ve enhanced it we would think, we’ve added things in but actually we could, if we were to vacate this building it wouldn’t change that much. You know we’ve put in this big door at the back and some new kind of equipment but our, our imprint is quite light and we respect the building’s capacity in that way. I suppose we are very excited to be in this building because it is a very distinctive building in Cork and its on a great site on a corner. Its also we would say we were one of the first buildings in docklands, in Cork docklands so its gives us a very kind of landmark position in the city. And we are also aware that the citizens in the city only get in occasionally ‘cause it is a work space that’s why nights like heritage night, culture night or when we do events for the film festival, they are important that the public get to come in actually and see what’s going on. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary McCarthy: Jewtown, National Sculpture Factory Subject The topic of the resource Cork's Built Heritage Description An account of the resource Mary talks about the establishment of the National Sculpture Factory, and the history of the building that houses it. The sculpture factory was founded by four artists who wished to work collectively, and their project was supported by the city authorities and by the Arts Council. She talks about the building’s wider hinterland, including an area known as ‘Jewtown’, where the city’s Jewish community lived. Note: this interview was conducted for the DVD If the Walls Could Talk. Date A point or period of time associated with an event in the lifecycle of the resource 25 October 2013 Contributor An entity responsible for making contributions to the resource Interviewee: Mary McCarthy Interviewer: Mark Wilkins Identifier An unambiguous reference to the resource within a given context CFP_SR00500_mccarthy_2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork City; Ireland; Built Heritage; 1770s-200Os; Relation A related resource If the Wall Could Talk: Stories Of Cork's Heritage Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>; Published Material: If the Wall Could Talk: Stories Of Cork's Heritage (2013) DVD If the Stones Could Speak: More stories from Cork's heritage (2015) DVDD Creator An entity primarily responsible for making the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Built Heritage If the Walls Could Talk Jewtown Mary McCarthy Material Culture National Sculpture Factory https://corkfolklore.org/archivecatalolgue/files/original/2c7ca0882547a9b843c800127ddf28df.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/ffc405bbd42ed8d2a454f6b1027d4e99.mp3 fda6c07d71c10475c943d6c173174d6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Phil Corcoran Interviewer The person(s) performing the interview Cliona O'Carroll Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 13min 20sec Location The location of the interview Civic Trust House Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound COC: So what we’re doing is we’re going to, you saw the map inside, we’re going to put a version of it online. So, when you go online you can click on a certain point in the map and hear somebody, like you know some of the voices that we had playing. PC: Yeah, because I knew Geraldine from, I say, I used to work in Wilton and Geraldine used to come in for her cup of coffee. COC: Oh, very good. PC: And then, where the Butter Exchange is now used to be a hat factory a long, long time ago. It was O’Gorman’s Hat Factory. And my mother’s mother worked up there. But my grand-father, which would be my mother’s father, was a docker below in the quay but his mother used to sell second hand clothes in the Coal Quay. COC: And can you describe her to me? PC: Well, well I mean since they were all heavy I could get one or two pictures, I’d say off my uncle and well it wasn’t like – my mother had curly hair and good looking. They used to say when – well my grand-mother used to say about her mother in law, she had an old coat or an old apron and the black shawl but she was taking all the coins and notes and they’d be going home at night they’d be [phrase unintelligible] straighten them out. But my grandmother’s father then was a docker below in the quay. That time then there was no [word unintelligible] for dockers below in the quay. Ands my grandfather, on my father’s side, worked for C.I.E. in the railway but his wife’s grandmother was from Chapelizod in Dublin you see. So they all came like, twas basically work with docks, C.I.E. and the whole lot like. My husband then is originally from Shandon Street. COC: And where did you grow up yourself? PC: I grew up in the Low Road, em just below Water Street and we used to come up to get the chocolate crumb off the boats and the bananas. We used to get killed. [Laughter] COC: And would you go in, go in up the quays looking for it? PC: Go up the quay waiting for the chocolate crumb boat to come up and sure of course there was no sweets or you couldn’t afford sweets that time like. We’d get the chocolate crumb and you’d get the bananas and of course the bananas would be as green as grass and you’d have to wrap them in brown paper; put it in cupboards instead like right. Half the time I remember going down then where Silversprings now is. That used to be called Dwyer’s Wood and there was a lot of big houses that time like I mean to say. These were big houses now, they had maids and cleaners and they were big four, five storey houses. But one day we decided we’d go in slogging apples. Of course I caught on the fence coming over. I had two lovely spike marks, sure I got killed when I went up home. COC: And does Kyle, does your grandson know what slogging apples is? PC: You see, this is it, not the kids. COC: You should explain it. Explain it to him now. PC: You see when you go out, you now like, she has an apple tree next door but you see that time we had no money. So we’d be sent off in the morning maybe a bread and jam sandwich and a bottle of milk and you’d be doing – go off for the day because that was – Dwyer’s Wood at the end of Silversprings, where the hotel is there now. We used to be big fools in fields and you’d be throwing off down then playing rounders and whatever was going for the day. And then, well on the way back you’d be feeling hungry and we’d go in and we’d rob apples. That’s what called slogging apples is. [Interrupted by grandson in interview] PC: He was saying what was that building behind the Maldron hotel. But that was the old North Infirmary. COC: Yes. Yeah. PC: I must say my father in law was a patient in there. And I mean to say like where you come out the back now where they have the car park you can see Shandon. And it took me to have a look at Shandon today and then out to the Skiddy’s Alms Houses. Because like you’d often see them and they’d be – I’m sure it’s a Cork Channel, it’s to do with the heritage above in Farrannree or something and they had a documentary about Skiddy’s Alms Houses and then of course I brought him out to see them and then I had to bring him down, Bobba Jones’ as we used to call it long ago. And there. COC: And tell me, when you were young growing up. What kind of games would you play? PC: Oh we’d have kick the can. You see I grew up in the Low Road. It’s like rounders and we used to have hide and seek and then we would play skipping and two balls and then with the roller skates, the old fashioned roller skates with the big rubber wheels. Sure we used to have a great time with them. We were grand didn’t we had no elbow pads or no knee pads. I often fell. COC: And eh, did you ever have bonfires on bonfire night? PC: I did, got rid of all the rubbish and tyres and big black smoke and you’d have the sausages on stick cooking on the bonfire. COC; And where would your bonfire be? PC: We had – there was a big quarry on the Low road. If you go along the train now to Cobh you actually had to pass through the quarry and we used to have great times down there because it – there was men, Mr. Googan [?], the Lord have mercy o him. His daughters were in school with me but he was a taxi driver and that time like taxi drivers, I’m going back now fifty five, so like I’m going back to then. And like having someone [phrase unintelligible] as a taxi driver oh that was a great thing. You were very wealthy, very well to do like. And eh we used to go in there in under the railway bridge play in the quarry and there was the eh, a little stream because you see Spring Lane as we used to call it – Silversprings was a fresh water spring and it used to run down Silversprings, the whole length of Silversprings and you could walk up Spring Lane from there, up to the top of Mayfield and you’d come out then by the Cotton Ball. COC: Yeah, yeah. PC: So, of course we used to have the fresh water and we had an old pond then below the porridge [?] we’d be in there swimming. That was our swimming pool. Or we’d go down, well tis’ a park now, tis the Cork Harbour Park in the Low Road, but that was Tivoli Scheme long ago and sure tis’ in there I learned how to swim. COC: Oh right. PC: And my grandmother, she could never swim but she used to row the ferryboat by the ferryboat inn, over long ago to the matches in Pairc Uí Chaoimh now but it was the Showgrounds that time – or over to the athletic grounds. And her brother, Georgie Garrett, was on the same team as Christy Ring; and he won an All-Ireland. COC: Oh wow. PC: And, like, things like that – I mean tis’ it’s. [Interrupted] COC: And, your grandmother now, she’d, she’d go over as a passenger, was it, in the row boat. PC: No she used to row the boys over in the ferry boat ‘cause she used to – she won a bracelet years ago and it would have been, kind of the equivalent of an Olympic medal ‘cause she rowed with Lee Rowing Club. COC: Wow. PC: They used to do the ‘em—there used to be [phrase unintelligible] and they used to be up and down the river like and she could never swim, but she used to row them. So like that’s where we learned how to swim. We used to go backwards and forwards. COC; Wow. PC: My uncle threw me in, I was about six down in Tivoli Scheme. And I had to learn how to swim. COC: I tell ya, in at the deep end that is. PC: Oh by god you learned how to swim. COC: And what was the Tivoli Scheme? What was it? PC: It was – there was all oil factories that time, the Esso Oil Factory, and then there was em – they used to do a roofing product called Roof Broom. There were a multi-national company. COC: And were you swimming in the river there? PC: Yeah. COC: Yeah, yeah. PC: Swimming in the River Lee, going out to sea. [Interrupted by Grandson] PC: But I remember the synagogue that time for the Jews in Cork, it was over in the Lee Terrace by the old Labour Exchange, where the Lee Garage is now, that’s where the old synagogue was. It’s just like when you be walking around –because Patrick Street is changed so much, Roches’ Stores is it used to be Roches’ Stores then above that, down where Merchant’s Quay – they were on actually -- Neil Prendeville out it on the other day about pubs, old pubs around Cork. There was the Queen’s, there was The Inisfallon along the other side by the back of the Metropole. There were so many old pubs – The Long Valley is – what’s the oldest, The Chateaux. They’re about the only two – The Swan and Cygnet, where Blacktie is there now, used to be the Song and Cygnet. But I mean to say like the – even Cork to the Cork I grew up in like it’s changed so much. COC: I’d say so. PC: I mean to say where Burgerking is there now, that used to be Lipton’s fruit shop long ago, eh where Guiney’s was, was the five star supermarket. And in the old Roches’ Stores there was a laneway going between them and the old coffee shop and down there; there was a friend of mine used to work there, Jack Lyons’ tobacco shop, and they used to mix all of his tobacco for the pipe smokers. And then you had the Tivoli where the entrance, I suppose you could call it down to Marks and Spencers was a fabulous public restaurant. And across from that, now I even say the last day we used to love eh there used to be a greasy spoon I suppose you call it, the Uptown Grill on MacCurtain Street. Sure that’s gone now as well like. Change of faces. COC: So listen, thanks very much. [End of Interview] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Phil Corcoran: The Low Road, Slogging Apples, Chocolate Crumb Subject The topic of the resource Life History: Description An account of the resource Phil grew up in Low Road, near Water Street. As a child Phil used to go to the quays to get chocolate crumb from some of the ships that came in. She also talks about slogging apples. Date A point or period of time associated with an event in the lifecycle of the resource 24 August 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Phil Corcoran Interviewer: Cliona O'Carroll Identifier An unambiguous reference to the resource within a given context CFP_SR00437_corcoran_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1960s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a> Click <a href="https://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/26">here</a> to access Phil's entry on the Memory Map</div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1960s Chocolate Crumb Phil Corcoran Slogging Apples The Low Road https://corkfolklore.org/archivecatalolgue/files/original/e419d85b95cb03144f9b6f4f836603b6.jpg e245f89b3e8cbbb2c200a3033ee23a69 https://corkfolklore.org/archivecatalolgue/files/original/d12fe1beff5d2f13851bd786dbf54f42.mp3 f89e223784f869b2f3c433e727fa8acb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grattan Street Stories: Memory of Place Subject The topic of the resource Occupational Lore; Life History; Built Heritage; Health; Ireland; Cork; Middle Parish Description An account of the resource This collection focuses on a building on Grattan Street which has served as a Quaker Meeting House, a public Dispensary and as the Grattan Street Health Centre. The project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive HSE. The interviewees fall into two main groups: those who worked in the building and those who lived in the surrounding area and availed of the services provided in the building. This project follows on from the collaboration with the HSE in the “<a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a>”. There is a further connection between the two projects as many of the staff and services once provided in the Grattan Street Health Centre have now relocated to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. This topic of the relocation of services is also covered in some staff interviews. To date (October 2021) 13 interviews have been completed for the project. Interviewees discuss the Grattan Street building itself in terms of its historic significance, its benefits and drawbacks as a workplace. Broader themes related to or inspired by the building are also touched on including: personal relationship with the building, staff camaraderie, the problems with parking, memorable incidents at work, patient experiences and descriptions of the people and services for which the building catered. Healthcare professional interviewees detail their training, career progression and comparisons between Grattan Street and other workplaces. Their testimonies also provide a link with the community of patients they served giving further insight into attitudes to healthcare, diseases, vaccines, description of social conditions and the changes in medicine and technology in their working lives. Non-healthcare professional interviewees describe childhood experiences in or around Grattan Street (The Marsh or The Middle Parish), the social, cultural and economic conditions of the area, tenements, businesses, attitudes to and experiences of healthcare, vaccines, diseases, medicines and medical professionals as well as observed changes in these areas over time. Interviewees also reflect on the possible future uses of the Grattan Street building. Related Reference Sources <ul> <li>Barrington, R. (1987) Health, medicine and politics in Ireland, 1900–1970. Dublin: Institute of Public Administration.</li> <li>Butler D.M. (2004) The Quaker meeting houses of Ireland. Dublin : Irish Friends Historical Committee.</li> <li>Byrne, J. (2004) Byrne's dictionary of Irish local history. Cork: Mercier Press.</li> <li>Cooke, R. T. (1999) My Home by the Lee. Irish Millennium Publications: Cork.</li> <li>Dempsey, P. J. & White, L. W. ‘Childers, Erskine Hamilton’. Dictionary of Irish Biography [Accessed 18 October 2021]</li> <li>Harrison, R.S. (1991) Cork City Quakers 1655-1939: A Brief History. Cork.</li> <li>Houston, M. (2004). ‘Life before the GP’. The Irish Times. Available at : <<a href="https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599">https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599</a> > [Accessed 18 October 2021]</li> <li>Keohane, F. (2020) The Buildings of Ireland Cork City and County. New Haven and London: Yale University Press.</li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2019-2020 Contributor An entity responsible for making contributions to the resource Interviewees: Edith O’Regan, 'Mary', Sean Higgisson, Aoife O’Brien, Eileen Kearney, Imelda Cunning, Jane Ward, Liam Ó hUigín, Joe Scanlan, Mary Mulcahy, Philomena Cassidy, Don Morrissy, Derek O’Connell Interviewer: <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a>, (<a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a>) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1940s-2020s; Waterford, Ireland; Dublin, Ireland; Limerick, Ireland; Relation A related resource Exhibition Artist Edith O’Regan-Cosgrave (also an interviewee for the project) created a visual artwork based around the Grattan Street Medical Centre building itself, as a workplace and health centre. The artwork incorporated direct quotations from the oral history interviews conducted for the project, and also included brief historical paragraphs about the building researched, written and edited by the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. This exhibition was launched on 6th February 2020 in “St Peter’s” on the North Main Street where a “Listening Event” was also held to mark the occasion. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Grattan-Poster-for-Email-286-by-400.jpg" alt="Grattan-Poster-for-Email-286-by-400.jpg" /> Presentation and Listening Event To coincide with the launch of the Grattan Street Stories Exhibtion on 6th February 2020 a listening event and presentation of the history of the Grattan Street Medical Centre building and description of the project was given by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/427A7714-1.jpg" alt="427A7714-1.jpg" /> Presentation In 2019 at the OHNI conference the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy discussed social media and oral history which included audio excerpts from the Grattan Street Stories Project along with photographs of the building. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Kieran-OHNI-e1634041838937.jpg" alt="Kieran-OHNI-e1634041838937.jpg" /> Audio Visual Presentation An audio-visual slideshow was produced featuring oral testimony from the Grattan Street Stories Project and combined with suitable images of Grattan Street and from Edith O’Regan-Cosgrave’s exhibition. This was created by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <a href="https://www.youtube.com/watch?v=RnjEtQeOb3I&t=1s&ab_channel=CorkFolklore" target="_blank" rel="noreferrer noopener">Audio Visual Presentation Available to listen and view here.</a> Health and Vaccines Oral History Research Many of the interviews conducted for the Grattan Street project formed an integral part of the testimonies and research for the innovative <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener">'Catching Stories' of infectious disease in Ireland </a>project funded by the Irish Research Council. <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener"><img src="http://corkfolklore.org/wp-content/uploads/2021/05/Catching-Stories-Poster.jpg" alt="Catching-Stories-Poster.jpg" /></a> Social Media Numerous suitable audio excerpts from the oral history interviews have been edited and shared on CFP's social media channels. <a href="https://twitter.com/corkfolklore/status/1139167201582288901" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1139167201582288901</a> <a href="https://twitter.com/corkfolklore/status/1140909542240391168" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1140909542240391168</a> <a href="https://twitter.com/corkfolklore/status/1141264486768238592" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1141264486768238592</a> <a href="https://twitter.com/corkfolklore/status/1189872295923376133" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1189872295923376133</a> <a href="https://twitter.com/corkfolklore/status/1228322700415860736" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1228322700415860736</a> Orthopaedic Hospital Cork Folklore Project in collaboration with the HSE conducted an oral history project focussing on the Orthapaedic Hospital in Gurranabraher. Many of the staff and services once provided at the Grattan Street Health Centre site were moved to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. <a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a> Swimming Article Kieran Murphy and James Furey co-authored an article about <a href="https://tripeanddrisheen.substack.com/p/swim-city?s=r" target="_blank" rel="noreferrer noopener">Swimming in Cork</a> which appeared in the online magazine Tripe + Drisheen. This article features a number of interview extracts collected as part of the Grattan Street Stories Project. Related Interviews CFP_SR00756_Quilligan_2019; CFP_SR00758_Broderick_2019; CFP_SR00670_OShea_2018; Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav Files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary Interviewer The person(s) performing the interview Kieran Murphy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 112 Minutes 13 Seconds Location The location of the interview Bishopstown Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td> 0.00.00 - 0.00.25 </td> <td> Intro </td> </tr> <tr> <td> 0.00.25 - 0.02.29 </td> <td> Background Grew up in County Limerick. Dad died when young. Early memory as 3 year old feeding a calf. Trained in St Johns Limerick, midwifery in Glasgow, 1975 went to Australia- Melbourne, Sidney, Brisbane. Returned after a year. Worked in Orthopaedic hospital in Croom, Limerick. Came to Cork, worked in Sarsfield’s Court [Glanmire] in the chest unit. Met a man which is why she stayed in Cork. Nursing involved night-duty and weekends, and "Mary" was thinking forward and did the Public Health Course to become PHN Public Health Nurse- first assignment was Middle Parish based in Grattan Street. </td> </tr> <tr> <td> 0.02.29 - 0.05.26 </td> <td> Early Memories: Father’s Death, Family Women with tea and USA biscuits. Seeing lines of men in the hay barn and animals coming out- must have been auction of the animals. One older brother mentally & physically handicapped, 2 younger sisters. Mental Hospital St Joseph’s in Limerick rented land from their farm so there was an income coming in without the mother taking sole responsibility for running the farm. It was therapy for the patients working on the farm despite being out in all weather. "Mary" thinks that many of the male patients were there as a result of the war. One man was called Sergeant. "Mary's" family also got fresh vegetables from them. Learning process for them, learned who they could trust and who not- “heightened our awareness of mankind”. Some people were fit and healthy and others had mental issues. </td> </tr> <tr> <td> 0.05.26 - 0.09.30 </td> <td> Memory of Smell of Tripe Cooking reminds of dad When in St Johns in 2nd year of training ages 19 or 20- she had a memory of a taste and smell. Walking on corridor in 1st floor she got the smell. Found her way to room 8 and a priest was having tripe and drisheen or tripe and packet as it’s called in Limerick. You could get the smell passing Shaws abattoir on the way into Limerick City. They had a hooter which would sound at 1pm and 5pm or 6pm in the evening which could be heard by "Mary" at home. Says that tripe is the lining of a sheep’s stomach. “Villi”- nooks and crannies. Still buys it in the English Market on the left hand-side when you enter from the Grand Parade- and there was someone in front of her in the queue so she wasn’t the only one buying it! Advises opening a window to let the small out! </td> </tr> <tr> <td> 0.09.30 - 0.10.35 </td> <td> Typical Day on the Farm when Growing up- making bread They had a cow on the farm. Woman called May who helped out their mother on the farm. They would put on their “busy coat” or “duds” to milk cow, bring in milk, make brown soda bread. Remembers mother making bread around 10am in an earthenware crock with sour milk in it which went into the Aga oven. </td> </tr> <tr> <td> 0.10.35 - 0.13.05 </td> <td> Learning about her Mother Remarrying Tom worked with the mental hospital and he would call in and there was a china cup for him. "Mary" asked her mother whether Tom slept in the house now, and previously asked May where her mother was and was told she was on holidays. Subsequently she realised that her mother had married Tom and they had been on honeymoon. Reflects on how little information she was given about this change in situation and how it applies in her nursing role and thinks that sometimes less information is better when dealing with young children who may not fully understand everything. </td> </tr> <tr> <td> 0.13.05- 0.16.00 </td> <td> Typical Day on the Farm when Growing up In winter deal with the cow: hay, water, and muck out. Cow let out in the field in spring and summer. Dinner would be any time after the cake was made- ready about 12:30. Dinner usually bacon, cabbage, carrots, parsnips. As season moved on more turnips and potatoes. Seasonal. Started with Ker Pinks then Golden Wonders, didn’t like soapy Aran Banners. Then apple or rhubarb tarts. Supper at 5pm or 6pm: beans, bananas, eggs. They had hens which had to be fed. Went to bed at 8pm or 9pm. In evening have to bring the cow back down and there might be 10 or 12 bullocks following you- nightmare that they would trample you to death? Mother and May made the food. When "Mary" was 7 or 8 years old May was let go as "Mary" was considered old enough to help out. </td> </tr> <tr> <td> 0.16.00- 0.17.57 </td> <td> Interaction with the Patients of the Mental Hospital Looking out the window watching them. Sheep shearing and rolling of the wool. Taking off the “daggings” and rolling the wool into fleeces. Or bringing in the hay watching them piking and the change from horses to tractors. There was an archway into their yard and it became harder to get larger machines through the arch over time. Later on it became bales of hay rather than wines of hay (in Limerick) whereas in Cork they would call it trams. </td> </tr> <tr> <td> 0.17.57 - 0.19.17 </td> <td> Animals, Games and Mushrooms They prepared the animals with special soaps for the Limerick Show in August [Limerick Agricultural Show Society]. As children they would sit on the walls in the cow house (cowhouse) and use the chains as stirrups and pretend to be riding horses. Picked mushrooms in fields often along the path the cows had made where you’d find mushrooms. </td> </tr> <tr> <td> 0.19.17- 0.21.36 </td> <td> Going to School and Standing up for Yourself Walk across the fields to get to the road to school which was 2 miles away, wear wellies if raining. When older cycled to school. Had the younger sister in the carrier. Fell off the bike coming down Ryan’s Hill and the sister fell into the bushes and the nettles. Mother gave out to them for falling off the bike. In 6th class coming up the hill on was home from school at cousin Mick Clancy’s hill boys thought it was fun to hold on to the carrier to hold them back. "Mary's" mother advised to throw a stone at the boys. The next time it happened she picked up a rock and the boys ran away. It was lesson for "Mary" for life to stand up for herself and that the threat was enough to work. </td> </tr> <tr> <td> 0.21.36- 0.25.44 </td> <td> School 5 years old when she started school, thinks it might have been around Easter time. Small two teacher school. Mrs McAvoy the principal of the school had taught her father, and was distantly related to "Mary". "Mary's" sister was put on the teacher’s desk to be admired because of her beautiful eyes and hair- which she disliked because she was being made to feel different. 6 pupils in her class in 5th class and they were given the choice to do History and Geography through English or Irish and they chose to do it through Irish. The teacher was from Dingle and from him they learned a “love and appreciation” for Irish. Had good spoken Irish in a secondary school in Limerick City. Her knowledge of Irish helped later on as a PHN when she was assigned an area which had a Gaeltacht in it. Most Gaeltacht schools were insistent that the PHNs did use Irish. "Mary" went to Secondary School in the Presentation in Sexton Street. </td> </tr> <tr> <td> 0.25.44 - 0.27.57 </td> <td> Neighbour’s House and JP McManus on a Bike A little old lady, a spinster called Noni lived in road opposite them. She had old open fireplace with bellows, and thatched roof and two dogs. "Mary" had a step-brother and a step-sister. The step brother was quiet and calm in Noni’s house but he was cross and looking for attention when he was at home. A guy in secondary school used to cycle past in a red bike and "Mary" later discovered it was JP McManus [businessman and racehorse owner] and her younger sister knew him. </td> </tr> <tr> <td> 0.27.57 - 0.29.49 </td> <td> Starting in Nursing after School Always in the back of her mind to do nursing. Did leaving cert when 17 and did interview for nursing. Had started a commercial course. The Blue Nuns ran St. John’s Hospital and knew she was due to start in February. Millford House in Castletroy was run by Blue Nuns and they had a nursing home and "Mary" dropped the commercial course and worked there as a nurses aid. It was a good introduction and confidence building exercise for her. "Mary" thinks that for the nuns patient care was paramount and the written work less important but it is almost the reverse today. </td> </tr> <tr> <td> 0.29.49 - 0.34.51 </td> <td> Decision to do Nursing and Other Career Options Looking at magazines and what nursing involved. Career guidance consisted of blue leaflets. Through the commercial course "Mary" heard about the Junior X course to get into the civil service and the ESB jobs which she hadn’t been aware of through school. Travel was something that she considered and nursing catered for that. The nurses who had lived abroad were easier to work with they had a broader perspective on life and “didn’t sweat the small stuff”. When you started nursing you got to see the different fields and "Mary" liked theatre work and enjoyed the labour ward when she was doing midwifery. Matron had said to her that she should considered doing the tutoring course. Thinks this is because she was questioning what her tutor was reading out of textbooks. She applied for the tutoring course. But she while she had anatomy and biology for the leaving cert but not chemistry and physics. So she did leaving cert physics and chemistry that year but dropped the physics because she had also taken on introduction to psychology. But she had already gotten the Public Health so she chose that. </td> </tr> <tr> <td> 0.34.51 - 0.43.07 </td> <td> Public Health Nurse: Role and Duties PHN you are on your own to some extent you can plan your day, assess the patient. Communicate with the patient GP and hospital. You were independent to a large extent. Had continuity you could see things improving or ‘disimproving’. House visits, vaccination clinics as part of a team, coffee or lunch in Grattan Street where you met other disciplines not just nursing. A mix. Could be rostered for a dressings clinic in Grattan Street. They might have been referred after discharge from the Mercy Hospital. Now the Mercy would have its own dressings clinic. Going to schools dealing with healthy children and teachers. Originally had an admin person with them but now just a doctor and nurse when going to vaccinate in schools. HPV vaccination a big team goes to try to get the first years done in one go. Health promotion going into houses and dealing with young mums. Private houses, corporation houses built in 1950s and 1960s, apartments or flats as they called them then. Leave a note for someone who you couldn’t find in a flat. Maybe a baby that wasn’t feeding very well. Hear that the mother has moved house and start detective work to track her down asking neighbours. And the nurse in their new area would be informed. Write letters to council about the poor conditions of housing. And then neighbours would ask for letters then as well. </td> </tr> <tr> <td> 0.43.07 - 0.51.42 </td> <td> Perspective & Expectations of Patients on Healthcare Most people were welcoming and giving you tea that you didn’t want. A few were trying to get the PHN to adapt too much to their own schedules. For patients the PHN came at the beginning of life and at the end of life. Would be asked “do you think it’s better today nurse?” and trying to read the emotions of the other family members. Understanding with the GP about what the family situation was. Some people would ask for everything they thought they could get other families would never ask for anything. PHN has to decide how necessary a request is or how much someone needs to be persuaded. Try to stay on side and be persistent. Older people at the time had the idea that you only left a hospital in a box. So it could be hard to persuade them to go to hospital. Fear of lack of independence as well. Reflect on how nursing training prepares PHN for these situations. "Tread wearily" and "feel the vibes" when entering a new patient environment. Privilege to be with people in their time of need because you felt that you were doing something and you were a support to the family especially in the time before morphine pumps. Even saying “I don’t think anything is going to happen tonight” might be the simple reassurance that the family wants. Fear with a bedbound patient is that they would get pressure sores. One of the ways to avoid this is to change their position. And there was some education involved in ensuring whoever was moving the patient when the PHN isn’t there was doing it correctly. Extended family would assist with a patient in a way less common today. </td> </tr> <tr> <td> 0.51.42 - 0.55.45 </td> <td> Memories of mothers and their babies and music Remembers a family who lived in one of the lanes off North Main Street. “me mam” was what the family called the beautiful mother who had a lame leg, she had grey-blond hair. One of the daughters had a baby that had a life-limited condition. The whole family were supporting them. They were always well made-up and the sick baby was in the middle. The baby didn’t survive only lived for 8 or 9 months. The family used to sing “Brown Girl in the Ring” by Boney M and the baby used to recognise it and respond. Sleet and rain coming up North Main Street. Pound shop maybe called Powers Jim Reeves and Bing Crosby singing White Christmas which lifted her heart. Streets were full at Christmastime. </td> </tr> <tr> <td> 0.55.45 - 1.01.36 </td> <td> Patients and Cases and conditions in the Grattan Street/ Middle Parish Area Remembers rickety stairs leading to flats above shops which you wouldn’t realise were there. Old man lived in laneway off Grattan Street in a tenement house like those in Glasgow she had seen near York Hill, with red sandstone buildings. Went to this man on a quick “social visit” and he had rasping breath. Just “kippins” or laths on the fire. No electricity. Waiting two hours for ambulance to come. Man didn’t survive. Something else in place of the building now. There may not have been a door on the house you could just walk straight in. </td> </tr> <tr> <td> 0.55.45 - 0.58.18 </td> <td> Patients and Cases and conditions in the Grattan Street/ Middle Parish Area- difficulties of nursing and dealing with different agencies. Woman with dementia in 1970s one room flat in warm house. Bathroom outside. Wasn’t able to look after herself. Had the newspapers stored on top of the electric cooker. GP trying to get her somewhere. Woman would lock herself out. Half naked walking across Sheare’s Street. "Mary" put her in own car and brought her to Our Lady’s Hospital to be seen by psychiatrist. They wouldn’t take her because of her age. Arranged geriatrician appointment who wouldn’t take her because she was psychiatric. A “street woman” (homeless woman) moved in with her and was able to make sure the house wouldn’t be set on fire. Meals on Wheels or Penny Dinners sharing the one meal. "Mary's" frustration with the bureaucracy. </td> </tr> <tr> <td> 0.58.18 - 1.05.20 </td> <td> Woman with Flea Bites/ Flea Marks "Mary" being polite said told her it was a rash but the woman had no qualms about calling them fleabites. "Mary" got temporary eviction order to clean out her flat. Process was traumatic for "Mary" & the woman. Woman spent her time in St Francis Church while her flat was being cleaned. The woman had collected things from bins and stored them in her house in case she might use them and they removed 57 bags of rubbish. Found a beautiful photograph album. Mounds of rubbish as high as the bed. Bucket to empty into the toilet. Candles in danger of burning the house down. The woman was upset that her stuff had been taken but they had put her things in storage in case she wanted them. As PHN you can wear your own clothes but "Mary"wore white uniform in case of infestation in the flat. Man from environmental health section sprayed the flat. "Mary" counted 57 dead fleas on her uniform when she took it off in the bath when she got home. Later with her boyfriend at the time the same woman shouted “Hello nurse!” at her. </td> </tr> <tr> <td> 1.05.20 - 1.18.38 </td> <td> Vaccines, Vaccination and the anti-vaccination People were pro vaccinate after 1956 polio outbreak in Cork. Many people would have been familiar with Polio, its devastating affect and that you can be vaccinated against it. People had to come to the clinic 3 or 4 times with a baby which might be difficult for families with many children and buggies. Remembers vulnerable family in Knocknaheeney. The mother was poor with keeping appointments and she came in the pouring rain with 4 or 5 children. Cost of taxi was 11 pounds or euro even though she had to live on social welfare. The staff suggested that she could get a bus. But she pointed out that one of her children was ADHD (attention deficit hyperactivity disorder) and that he would be climbing on the bus stop. "Mary" says the woman deserved a medal and reflects that they as staff had been judging her for her predicament. Crowds of people and buggies. Role of extended family in assisting with child rearing. Some children may be difficult to deal with. Obstacles to families getting children vaccinated. Vaccination card files. Brought from City Hall to the place of vaccination and not locked. Vaccines were taken from a fridge in City Hall and brought in a biscuit tin along with adrenaline in case someone had a reaction. Compares this to the modern method of cold-chain. After Professor Wakefield made an association between MMR vaccine and autism the vaccination uptake reduced and it’s been an uphill battle since to reverse it. In 1970s and 1980s there was memory of measles, mumps, meningitis and polio. "Mary" worked in a school where a child refused vaccinations in junior infants in the early 1980s. That child got measles, encephalitis and was in a wheelchair by 1st class and by age 8 or 9 she was dead. HCA (Handicapped Childrens Allowance) allowance handicapped children’s allowance financial support for the extra care that was needed for the child. Thinks of the scaremongering about vaccines and the consciences of those people if they knew what the result of not getting vaccinated was. That incident happened in the early 1980s. Worked with a doctor who had difficulty walking after he had got polio in the 1950s. Young mothers in 1970s and 1980s had mothers who influenced them based on their accounts in the diseases in 1950s. Rural approach to vaccines: if you eat healthy and are healthy then you won’t contract the disease. "Mary" says that while a weaker person succumbs to a disease faster it’s not a protection against a disease. Rural culture which still exists of “I don’t believe in vaccines”. HPV vaccines. With all vaccines certain percentage of risk even though it is very rare. Weigh up the advantages versus the risk of something happening. Vaccine cold chain from manufacturer to the administering to the child is much more streamlined. Incidence of polio came down so vaccines were effective. </td> </tr> <tr> <td> 1.18.38 - 1.21.46 </td> <td> Earliest Memories of Grattan Street Waiting room now it’s opened up with pillars and a balcony. When "Mary" started it had a ceiling and so was enclosed and it had a wooden floor where you could hear the “clip clop” of people walking across it echoing. They didn’t have access to the upstairs with stores and pigeons. According to Anne [a friend who worked there] there were stores of the things leftover from when Grattan Street was used as a dispensary/pharmacy/chemist. Old fashioned metal chairs with a timber seat. Queue in the mornings for the dressing, older people with big swollen legs. Mr Hart and Mr Condon were the social welfare officers and they would have clinics which had crowds of people waiting for them. People would receive bed linen or washing machines. Mr Hart advised "Mary" once that when he started out he was given a sob story and he got someone a number of beds and later he saw them being sold on the Coal Quay! Smoking was allowed at the time so there was the smell and fog of smoke. </td> </tr> <tr> <td> 1.21.46 - 1.23.14 </td> <td> Repairs and Revamp/ Refurbishment of Grattan Street Transferred to the City Hall while there was revamping or refurbishing of Grattan Street. Once they returned one of the admin staff noticed that a there was some dry rot on part of the wood in the jam of the door and more repairs had to be done. Beautiful once the repairs were done. Opened up the ceiling with the balcony. The big tea room could be used for meetings and there was a fridge and kettle- luxury! </td> </tr> <tr> <td> 1.23.14 - 1.27.35 </td> <td> Grattan Street as a Workplace “You could never call it glamorous!”. Bars on the windows. Hose reel for the fire. For fire drills the bars on some windows could be opened. The people to work with were fabulous. Dave in podiatry said ‘the building was crap but the people were lovely’. Building was fine, serviceable. "Mary" had a sense of history of the building and that it was privilege to work in it. Beautiful cut limestone blocks. Appreciated that and the big windows. Anne set off the alarm once when she went out the back door. There was once a mix up with the keys. The cleaners would lock up and throw the keys in the letter box and someone else would open up in the morning with another set of keys. But somehow both sets of keys were in the letter box. "Mary" climbed in through a window that was opened and was able to open the door from the inside! Sean the porter would remember this story and Pam from the eye clinic would remember it as well. </td> </tr> <tr> <td> 1.27.35 - 1.30.11 </td> <td> Description of Grattan Street Historic, homely, old grandeur, comfortable but uncomfortable, people are willing to work and find solutions. Nice building at one level but primitive at another level. Staff were always lovely and gelled. Started with 3 disciplines and that expanded. People were caring and good sense of comradery, work spirit and work ethic. Old photocopier that was there for 20-30 years which was always breaking down. They used to repair it themselves. When they asked for a new one they were told “it’s not pride is making ye ask for a new one!” </td> </tr> <tr> <td> 1.30.11 - 1.31.23 </td> <td> The Effect of the Mix of Disciplines Levelling effect. Nobody thought they were above anyone. Meet people from other disciples who could make exceptions or give advice- could tic-tac with one another. It was very personal. You weren’t going into someone else’s territory through some doors. They all met in the tea rom. </td> </tr> <tr> <td> 1.31.23 - 1.33.08 </td> <td> Car Park No car parking when "Mary" began. Staff and outsiders could park there. There was some kind of grandfather clause which allowed non-staff to park there. There used to be agro between the staff about it until they realised they were all in the same boat. Then the Educate Together School opened up and they were trying to park their cars there too. It’s hassle. Manic at times. Compares it to Mr Bean. Residents had parking. </td> </tr> <tr> <td> 1.33.08 - 1.35.46 </td> <td> Child Welfare Case Child welfare issue was brought in front of Judge Clifford. The mother had issues with alcohol and depression (those problems could affect children not getting vaccines as well). "Mary" remembers child or 4 or 5 years of age with bottle in their mouth and the bottle had whiskey in it. The fridge had one tomato in it. What should the staff wear to court- should they wear a hat? "Mary" was obliged to call to the house as a result of the case. And the child was eventually fostered. Wheelchairs and how tough it was for families and children growing up and needing bigger wheelchairs. Makes you think how lucky you are according to "Mary". </td> </tr> <tr> <td> 1.35.46 - 1.37.39 </td> <td> Curiosities and Quirks of Grattan Street Building Pigeons could be heard upstairs and the exterminator came. Plaster crumbling off the walls in Grattan Street. Paperwork and records. New letterheads and they were ordered to dump things while people downstairs were looking for things but there was money being wasted on paperwork being thrown out. </td> </tr> <tr> <td> 1.37.39 - 1.41.50 </td> <td> Floods 2010 and Transporting Vaccines Vaccines were stored in a special room with fridges wired directly to the mains, there was a fear the power would be lost. Water was at the door. Vaccines should be transferred to St Finbarr’s hospital. "Mary" and Sean the porter waited for a van to come to transport them. Eventually a fiesta arrived with 2 big men. They had 20-30 boxes like cool boxes. They made two trips in "Mary's" car to bring the vaccines across town through the floods. Describes herself as a determined person. Onetime borrowed waders from Meitheal Mara on Crosses Green and walked to Grattan Street in them. </td> </tr> <tr> <td> 1.41.50 - 1.43.18 </td> <td> Future of Grattan Street Building Historical connection with William Penn. Would like to see Grattan Street be a visitor centre or a place for weddings. Could have a little garden or courtyard. Current waiting room could be used. Catering could be provided there as well. </td> </tr> <tr> <td> 1.43.18 - 1.46.50 </td> <td> Hopes for St. Mary’s Primary Care Centre Hopes there is suitable parking. And tied up thinking from the planning department and developers. Encouraging people to go green and use bicycles etc. is fine but closing parking isn’t the place to start. There should be a place to make a cup of tea yourself. Good service for people who need it and people feel they can access it. Hope it isn’t too big, and there won’t be sections that you will never meet. A central meeting place is desirable where you could meet someone you don’t directly work with. </td> </tr> <tr> <td> 1.46.50 - 1.48.40 </td> <td> Making the Building Approachable Easy access. Does there need to be a service for mothers to get up the hill to the health centre? Will there be a place for children to play in? People should be given specific individual appointments not 20 appointments sent out for 2pm. Access to water like a watercooler. </td> </tr> <tr> <td> 1.48.40 - 1.52.00 </td> <td> Decision to Become a Nurse Would choose to be a nurse if she had the option over again. Has enjoyed life and had a good home life. Have had lots of opportunities. Could have become pigeonholed in one area. In one way "Mary" feels she has cut herself off from other aspects of nursing that she was interested in- clinical and theatre related work. Rewarding helping mothers and children with bed wetting issues. </td> </tr> <tr> <td> 1.52.00- End </td> <td> Outro. Interview ends 1.52.13 </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Mary": Grattan Street, Healthcare, Working Life Subject The topic of the resource Ireland; Cork; Limerick; Middle Parish; The Marsh; Grattan Street; Occupational Lore; Date A point or period of time associated with an event in the lifecycle of the resource 14 March 2019 Identifier An unambiguous reference to the resource within a given context CFP_SR00704_Collins_2019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Limerick, Ireland, 1960s-2010s Relation A related resource Other Interviews in this Collection <a href="https://corkfolklore.org/archivecatalolgue/items/show/240" target="_blank" rel="noreferrer noopener">CFP_SR00696_O'Regan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/243" target="_blank" rel="noreferrer noopener">CFP_SR00706_Higgisson_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/244" target="_blank" rel="noreferrer noopener">CFP_SR00712_O'Brien_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/245" target="_blank" rel="noreferrer noopener">CFP_SR00713_Kearney_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/246" target="_blank" rel="noreferrer noopener">CFP_SR00714_Cunning_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/247" target="_blank" rel="noreferrer noopener">CFP_SR00717_Ward_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/248" target="_blank" rel="noreferrer noopener">CFP_SR00727_OhUigin_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/249" target="_blank" rel="noreferrer noopener">CFP_SR00728_Scanlan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/250" target="_blank" rel="noreferrer noopener">CFP_SR00729_Mulcahy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/251" target="_blank" rel="noreferrer noopener">CFP_SR00732_Cassidy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/252" target="_blank" rel="noreferrer noopener">CFP_SR00760_Morrissy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/253" target="_blank" rel="noreferrer noopener"> CFP_SR00762_OConnell_2019</a>; Creator An entity primarily responsible for making the resource Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource 1 .wav file Description An account of the resource ‘Mary’ grew up on a farm in county Limerick, part of which was rented to a mental hospital to be worked by patients. By interacting with these patients she quickly learned who you could trust and who you couldn’t. Mentions her brother’s physical and mental disability. Discusses how the smell of tripe and drisheen reminds of father who died when she was young Recounts her surprise and confusion as a child learning that her mother had remarried and her new husband was to live in the family home. Outlines the routine on farm including looking after the cows, feeding hens, making bread, and how their dinner changed with seasonal availability of produce. Talks about her commute to school on a bicycle with sister and standing up to boys who hassled them. Learned some subjects through Irish. Recalls her sister disliking being singled out by teacher because of her attractive eyes and hair. Remembers seeing a young JP McManus cycling. Explains how she always considered becoming a nurse. Discusses training and hospital experiences including with nuns. Believes that nurses who had worked abroad had a broader perspective on life. Outlines the role of the Public Health Nurse which required entering patients’ houses and assisting them with births and deaths. Other features included the need to be able to read emotions and build trust with others and managing your work largely independently. Describes some memorable cases as a PHN. A family singing Boney M to a baby with a severely lif-limiting condition. Waiting for an ambulance for a man struggling to breathe who lived without electricity. Trying to find help for an older woman struggling with dementia who was being passed from one agency to another without resolution. Fumigating a woman’s accommodation to rid it of fleas, the poor living conditions she found there and the ambivalent reaction of the woman to this health intervention. Discusses vaccines, their role in eliminating polio and the varying attitudes to vaccination. Recounts the story of social welfare officers in Grattan Street providing a bed to a woman who promptly sold it on the Coal Quay. Reflects on the mutually beneficial mix of medical disciplines in Grattan Street and the positive relations between the staff. Outlines the problems, changes and tensions relating to the car parking situation for Grattan Street staff and others in the surrounding community. Talks about a child welfare issue where she had to attend court as a PHN. Speaks of the deficiencies of the Grattan Street building including plaster falling off walls, the waste of paperwork, dry rot, bars on windows and a very out-of-date photocopier. Suggests future uses for the building. Tells the story of the 2010 floods when the vaccines had to transferred with difficulty to St Finbarr’s Hospital for safety. Discusses the desirable feature of the new building in Gurranbraher including it having a central meeting area and parking as well as being of a manageable size, accessible and approachable. Reflects on how she found her career of helping others rewarding. 1950s 1960s 1970s 1980s 1990s 2000s 2010s Accommodation ADHD Ambulance Animals Anti-Vax Australia Babies Baby Bales of Hay Bed Wetting Bedtime Bicycle Bicycles Bicycling Bike Bike. Bikes Birth Bread bread and breadmaking Breadmaking Building Buildings Built Heritage Bullying Bureaucracy Bus Calf Camaraderie Candle Candles Canteen Car Park Car Parking Career Career Choice Career Decision Career Guidance Career Path Careers Castletroy Change Chemist Child Welfare Childhood Childhood Games Children Christmas City Hall Cleaners Clinic Clinics Clothes Clothing Co. Limerick. County Limerick Coal Quay Colleagues Community Community Welfare Cooking Cork Cork city Court Court Case Cow Death Decision Dementia Disability Disease Diseases Dispensary Disrepair Dressings Drisheen Duties Educate Together Electricity Emigration English market Family Family Life Farm Farming Farmlife Father Flats Fleas Flooding Floods Food Frustration Games Glasgow GP Grattan Street Hay Health Health Promotion Health Services Healthcare Healthy Hens History Hoarding Home Hospital House Houses Housing HPV HPV Vaccine HSE Hygiene Illness Illnesses Income Irish Language Kitchen Knocknaheeney Labour Ward Lane Laneway Learning Limerick Limerick city Marriage Marsh Meals Medicine Medicines Memories Memory Mental Hospital Mental Issues Mercy Hospital Middle Parish Midwife Midwifery MMR Mother Mushrooms Music Night Work North Main Street Nun Nuns Nurse Nurse Training Nurses Nursing Nursing Home Nursing Training Orthopaedic Our Lady’s Hospital Paperwork Parents Parking Patient Patient Care Patient Environment Patients Pharmacy PHN Polio Pop Music Porter Potatoes Priest Public Health Nurse Public Health Nursing. PHNs Public Transport Quakers Religion Remarriage Rent Role of Women Routine Sarsfield Court Sarsfield’s Court School Schooldays Sheares Street Shift Work Siblings Sickness Singing Smell Smells smoking Social Conditions Songs Spinster St Francis Church St Mary's Health Campus St. Mary’s Primary Care Centre Staff Canteen Tea Tea Room Teacher Teachers Tenements Textbooks Thatch The Marsh The Middle Parish Traditional Food Transport Tripe Tripe and Drisheen Uniform USA Biscuits Vaccination Vaccinations vaccine Vaccines Vegetables Vocation Ward Wastage Waste Wheelchair Winter Women Women's Lives Work Work Colleagues Working Working life Worklife Workplace York Hill https://corkfolklore.org/archivecatalolgue/files/original/d3568d256018c2628eb28ab4536e9a96.jpg 18106e276a42c57377f1bca3ae962d2d https://corkfolklore.org/archivecatalolgue/files/original/fc7a9d14e9dfd1673b8cc2c5901b112d.mp3 825a0448cf288e30077a2fdf1a402967 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grattan Street Stories: Memory of Place Subject The topic of the resource Occupational Lore; Life History; Built Heritage; Health; Ireland; Cork; Middle Parish Description An account of the resource This collection focuses on a building on Grattan Street which has served as a Quaker Meeting House, a public Dispensary and as the Grattan Street Health Centre. The project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive HSE. The interviewees fall into two main groups: those who worked in the building and those who lived in the surrounding area and availed of the services provided in the building. This project follows on from the collaboration with the HSE in the “<a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a>”. There is a further connection between the two projects as many of the staff and services once provided in the Grattan Street Health Centre have now relocated to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. This topic of the relocation of services is also covered in some staff interviews. To date (October 2021) 13 interviews have been completed for the project. Interviewees discuss the Grattan Street building itself in terms of its historic significance, its benefits and drawbacks as a workplace. Broader themes related to or inspired by the building are also touched on including: personal relationship with the building, staff camaraderie, the problems with parking, memorable incidents at work, patient experiences and descriptions of the people and services for which the building catered. Healthcare professional interviewees detail their training, career progression and comparisons between Grattan Street and other workplaces. Their testimonies also provide a link with the community of patients they served giving further insight into attitudes to healthcare, diseases, vaccines, description of social conditions and the changes in medicine and technology in their working lives. Non-healthcare professional interviewees describe childhood experiences in or around Grattan Street (The Marsh or The Middle Parish), the social, cultural and economic conditions of the area, tenements, businesses, attitudes to and experiences of healthcare, vaccines, diseases, medicines and medical professionals as well as observed changes in these areas over time. Interviewees also reflect on the possible future uses of the Grattan Street building. Related Reference Sources <ul> <li>Barrington, R. (1987) Health, medicine and politics in Ireland, 1900–1970. Dublin: Institute of Public Administration.</li> <li>Butler D.M. (2004) The Quaker meeting houses of Ireland. Dublin : Irish Friends Historical Committee.</li> <li>Byrne, J. (2004) Byrne's dictionary of Irish local history. Cork: Mercier Press.</li> <li>Cooke, R. T. (1999) My Home by the Lee. Irish Millennium Publications: Cork.</li> <li>Dempsey, P. J. & White, L. W. ‘Childers, Erskine Hamilton’. Dictionary of Irish Biography [Accessed 18 October 2021]</li> <li>Harrison, R.S. (1991) Cork City Quakers 1655-1939: A Brief History. Cork.</li> <li>Houston, M. (2004). ‘Life before the GP’. The Irish Times. Available at : <<a href="https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599">https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599</a> > [Accessed 18 October 2021]</li> <li>Keohane, F. (2020) The Buildings of Ireland Cork City and County. New Haven and London: Yale University Press.</li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2019-2020 Contributor An entity responsible for making contributions to the resource Interviewees: Edith O’Regan, 'Mary', Sean Higgisson, Aoife O’Brien, Eileen Kearney, Imelda Cunning, Jane Ward, Liam Ó hUigín, Joe Scanlan, Mary Mulcahy, Philomena Cassidy, Don Morrissy, Derek O’Connell Interviewer: <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a>, (<a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a>) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1940s-2020s; Waterford, Ireland; Dublin, Ireland; Limerick, Ireland; Relation A related resource Exhibition Artist Edith O’Regan-Cosgrave (also an interviewee for the project) created a visual artwork based around the Grattan Street Medical Centre building itself, as a workplace and health centre. The artwork incorporated direct quotations from the oral history interviews conducted for the project, and also included brief historical paragraphs about the building researched, written and edited by the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. This exhibition was launched on 6th February 2020 in “St Peter’s” on the North Main Street where a “Listening Event” was also held to mark the occasion. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Grattan-Poster-for-Email-286-by-400.jpg" alt="Grattan-Poster-for-Email-286-by-400.jpg" /> Presentation and Listening Event To coincide with the launch of the Grattan Street Stories Exhibtion on 6th February 2020 a listening event and presentation of the history of the Grattan Street Medical Centre building and description of the project was given by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/427A7714-1.jpg" alt="427A7714-1.jpg" /> Presentation In 2019 at the OHNI conference the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy discussed social media and oral history which included audio excerpts from the Grattan Street Stories Project along with photographs of the building. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Kieran-OHNI-e1634041838937.jpg" alt="Kieran-OHNI-e1634041838937.jpg" /> Audio Visual Presentation An audio-visual slideshow was produced featuring oral testimony from the Grattan Street Stories Project and combined with suitable images of Grattan Street and from Edith O’Regan-Cosgrave’s exhibition. This was created by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <a href="https://www.youtube.com/watch?v=RnjEtQeOb3I&t=1s&ab_channel=CorkFolklore" target="_blank" rel="noreferrer noopener">Audio Visual Presentation Available to listen and view here.</a> Health and Vaccines Oral History Research Many of the interviews conducted for the Grattan Street project formed an integral part of the testimonies and research for the innovative <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener">'Catching Stories' of infectious disease in Ireland </a>project funded by the Irish Research Council. <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener"><img src="http://corkfolklore.org/wp-content/uploads/2021/05/Catching-Stories-Poster.jpg" alt="Catching-Stories-Poster.jpg" /></a> Social Media Numerous suitable audio excerpts from the oral history interviews have been edited and shared on CFP's social media channels. <a href="https://twitter.com/corkfolklore/status/1139167201582288901" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1139167201582288901</a> <a href="https://twitter.com/corkfolklore/status/1140909542240391168" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1140909542240391168</a> <a href="https://twitter.com/corkfolklore/status/1141264486768238592" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1141264486768238592</a> <a href="https://twitter.com/corkfolklore/status/1189872295923376133" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1189872295923376133</a> <a href="https://twitter.com/corkfolklore/status/1228322700415860736" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1228322700415860736</a> Orthopaedic Hospital Cork Folklore Project in collaboration with the HSE conducted an oral history project focussing on the Orthapaedic Hospital in Gurranabraher. Many of the staff and services once provided at the Grattan Street Health Centre site were moved to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. <a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a> Swimming Article Kieran Murphy and James Furey co-authored an article about <a href="https://tripeanddrisheen.substack.com/p/swim-city?s=r" target="_blank" rel="noreferrer noopener">Swimming in Cork</a> which appeared in the online magazine Tripe + Drisheen. This article features a number of interview extracts collected as part of the Grattan Street Stories Project. Related Interviews CFP_SR00756_Quilligan_2019; CFP_SR00758_Broderick_2019; CFP_SR00670_OShea_2018; Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav Files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Liam Ó hUigín Interviewer The person(s) performing the interview Kieran Murphy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59 Minutes 41 Seconds Location The location of the interview Ballyphehane Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td> 0.00.00 - 0.00.31 </td> <td> intro </td> </tr> <tr> <td> 0.00.31 - 0.02.55 </td> <td> Memories of Grattan Street and surrounding area Shops and Buildings Grattan Street was a busy street with many businesses. Most important was the fire brigade. When the new St Francis Church was being built (Broad Lane church as it was called by people in the Middle Parish) the fire brigade amalgamated with Sullivan’s Quay and the priest of Old Broad Lane church moved into the old fire brigade building while new church was being built. Children missed the excitement of the fire brigade. Very vibrant street. 6 pubs: Kellehers, Crosses, Landers, Carrols (later called the Tostal Inn), Ramble Inn (owned by Mrs Brick) two Murphys public houses near Broad Lane which runs from Grattan Street to North Main Street. Shops and sweet Shops: The Rodisses, The People’s Dairy, The M Laundries, 2 Gents Hairdressing Saloons (called barber shops): Leahy’s and Keanes. Where the Community Centre is now was called Mechanics Hall, because the mechanics had a union and meetings there. Later it was known as Matt Talbot Hall. There were lots of tenement houses in the area. [Liam’s phone rings.] </td> </tr> <tr> <td> 0.03.06 - 0.05:04 </td> <td> Tenement Houses, Lanes, playing in Graveyard Where Patrick Hanely Buildings are now there were tenement houses. Liam only barely remembers them as they were being demolished in the late 1940s and early 1950s. They were derelict sites for a while, which was his playground. St Peter’s Cemetery down Peter Church Lane, playing among the headstones, and hiding or planking cigarettes. Shops: Manning’s Shops at corner of Henry Street and Grattan Street, Mrs Mullins at corner of Coleman’s Lane. From Coleman’s Lane to Adelaide Street there were 4 or 5 houses there with 4 or 5 families in each house. Remembers Shinkwin? Family, the Dineens. When they moved out they went to Gurranabraher, Ballyphehane and the suburbs in Ballincollig. </td> </tr> <tr> <td> 0.05:04 - 0.06.56 </td> <td> Childhood Games and Activities Very little Traffic on the roads at the time. Liam was living in Henry Street round the corner from Grattan Street. Recalls soccer matches from one end of the street to the other and wouldn’t see a car. Friends who came from Blarney Street or Barrack Street couldn’t understand why the streets were so wide and loved it for a game of football. If a woman with a pram approached while they were playing football they would pick up the ball or if they played near the Mercy Hospital they knew that they should keep quiet without anyone telling them and Liam thinks that has changed today. Many of his friends live in Grattan Street and everyone was a happy family until there was a row and they had a battering match with “stones down the quarry”. They used to swim by the Mercy Hospital by the ladder. And then on to ‘the pipe’ up the Lee Fields and then the weir and every second day they had the Lee Baths one day for boys one for girls. Today it’s mixed. </td> </tr> <tr> <td> 0.06.56 - 0.11.32 </td> <td> Poverty-Buying on Credit and using Pawn Shops Could get messages or shopping on tick or on credit. Milk, bread, quarter (pound) of cheese. There was no bottle of milk you had to bring in your own jug. If you ran out of money the shopkeeper would write it into a book and at the end of the week you could pay it off. A few people could afford not to be ‘on tick’. There were a few pawn shops on the North Main Street one near north Gate Bridge Jones, another across from Coleman’s Lane called Twomeys. There may have been more. There was one at the bottom of Shandon street owned by Jones as well. There were 18 or 19 pawn shops around the city one at bottom of Patrick’s Hill, one by fire brigade station on Sullivan’s Quay, two on Barrack Street. People would pawn clothes. Tradesmen would pawn trowels on Monday morning. Often for drink/ alcohol. Wives would pawn husband’s suit and take it back the following Saturday for going to mass. Nearly everyone used the pawn it was the forerunner to the Credit Union. If you pawned a pair of shoes for 10 shillings, you got a docket and you had to pay 11 shillings to get it back. Wives would be stressed making sure they could get the husband’s suit back in time for mass. It was a thriving business. If you didn’t claim your pawned items after a certain period it was put for sale in the window. Some people would pawn things openly. Other people would hide it under a shawl, or pretend to be pawning something for someone else. People felt ashamed. Almost everyone was scraping a living. Even some shopkeepers looked after people who may not have had enough to pay at the end of the week. At Christmas the shopkeeper would give you a present of a Christmas Cake or Christmas Candle depending on what type of customer you were. </td> </tr> <tr> <td> 0.11.32 - 0.13.02 </td> <td> Work, Pawns, Showing off Wealth Liam doesn’t remember what or whether his family pawned. Liam’s dad was a docker which was paid on a daily basis and his mother was shrewd enough to put away some money every day. He knew that relations of his pawned things though. Bracelets, wedding ring, engagement ring, rarely a watch very few people had watches. Liam knew someone who went to work in Dagenham and he came back a Dagenham Yank with a different accent “a twang” and a watch. He walked into centre of Henry Street, pulled up his sleeve and pretended to be winging his watch while looking at Shandon clock tower just to show off his watch. </td> </tr> <tr> <td> 0.13.02 - 0.13.46 </td> <td> Telephone Phones were also very scarce. One shop in Henry Street had a phone and there was a queue there for people wanting to use it. There was another phone booth by Vincent’s Bridge coming down Sunday’s Well. Liam remembers playing there and being afraid to go in to answer the phone. </td> </tr> <tr> <td> 0.13.46 - 0.18.37 </td> <td> Tenement conditions, Emigrants, Social Comparison, Fuel Poverty Laneways around there: Philip’s Lane from Grattan Street to North Main Street. Skiddy’s Castle from Grattan Street to North Main Street. Coleman’s Lane, Peter Church Lane (now Avenue), Broad Lane (at the back of the church), all on to North Main Street from Grattan Street. Conditions were basic looking back with an outdoor toilet. One family on Henry Street had ten families with one cold tap in back yard and one toilet between them. They had to clean out every morning and bring an enamel bucket upstairs every morning. Had an inferiority complex about relations coming home from England. The relatives would be dressed up in finery but later Liam discovered they were also badly off but made the effort when coming home. The story of someone’s uncle who came back from America after 40 years and the family had moved out to the suburbs and they had a barbeque. And the uncle used the toilet inside the house. He said he used to eat inside and the toilet was outside and now it is reversed! They used newspaper instead of toilet paper. Turf and timber blocks for fuel for heating which father got going out the Straight Road. Some people got a voucher for a peck of coal which might only be a large shovel full. Some families got vouchers for free shoes like in the shop Furlongs in South Main Street (owner may have been lord mayor later) Liam wasn’t sure where the vouchers came from- maybe the Health Board. Doesn’t think there was any child benefit. Maybe the Sick Poor would provide the vouchers. They would visit people and the people would try to hide that they were calling. </td> </tr> <tr> <td> 0.18.37 - 0.22.42 </td> <td> Cooking, Bathing, Hygiene and Medicines No cooking facilities only the fire. Mother would cook pot of potatoes on the fire and then transfer to the hob. 1948 no electricity in Henry Street at the time. When they got gas in mother told him not to leave kitchen door open to hide it from Liam’s grandmother who lived upstairs and was the real tenant. It wasn’t an oven it was a thing on a stand with two rings on it. Older people were afraid of being gassed. Saturday night the galvanised bath was put in front of fire with hot water and washed, and if you were the last person in the bath the water would be dirty. And then the children were lined up against the wall to get a weekly does of cod liver oil, or Brutlax, California syrup of figs, Senna? All because of worms. Some newspaper put on the table and hair combed with fine tooth comb to get rid of lice- it was an ordeal. Brutlax was like chocolate but a laxative. Milk of magnesia used as well. Given those every Saturday night to prevent you getting sick. Some of them had a terrible taste. If someone got sick taken to the dispensary. </td> </tr> <tr> <td> 0.22.42 - 0.24.12 </td> <td> Children’s Games Different for boys and girls Spent much time in the derelict site where Patrick Hanley Buildings are now, used to connect to Cove street. They had battering matches with stones and they were going to the Mercy Hospital 4 or 5 times a week. They used to play chasing hiding from the nuns around the Mercy Hospital. Could bring a spinning top and hit is with a whip up and down the road without fear of traffic. Girls would tie a rope to a pole and swing around it and skipping as well. </td> </tr> <tr> <td> 0.24.12 - 0.31.57 </td> <td> Food, traditions, routines. Lunch at Work Porridge for breakfast which you eat if you were given. His grandchildren now have a choice of 5 cereals. Goodie- bread and milk mixed maybe with sugar sprinkled on it. Some shops on North Main Street like Simcox or Currans Bakery you could get bread wrapped in soft tissue paper which was kept in a drawer at home for when visitors came to use for the toilet because it was better than newspaper. Potatoes and cabbage. Father loved pigs meat: pig’s heat, backbone, pig’s tail, crubeens. Liam still loves a crubeen except for the trouble of cooking of it, and it’s messy to eat. Mother was reared around Vicar Street. Barrack Street, Blarney Street, Shandon Street: that’s the way people lived because there was little Gurranabraher built and Ballyphehane wasn’t built yet. Tripe and drisheen is still a favourite, can get from Reilly’s in the market. Tripe cut into little pieces, with cornflower, onions, “white sauce”, drisheen put in later. Tripe and drisheen would be weekly. Liam loved the pig’s tongue because it was lean. Set day for each food. Liam’s dad was a docker and he would cut the ear off the pig’s head, put it in a sandwich with bread and butter, wrap in newspaper and that was his lunch. He wasn’t the only one. Thinks tripe is from sheep’s stomach. Blood in the drisheen. Connie Dodgers for Lent allowed one meal and two collations. Con Lucey said you could have a biscuit with a cup of tea as a collation. Liam thinks it was Larry McCarthy’s bakery that made a biscuit twice as big as the normal one. For Lent had to fast every Friday and couldn’t eat meat, except for people of a certain age. Religion was a big thing for people at the time. Lent didn’t bother Liam’s dad. Dockers worked hard. Where Elysian Tower is now, where the Eglinton Baths were Liam went with his mother and a bowl of soup and bread and butter and a tea towel over it. The dockers sat on the kerb eating their soup and sandwiches and they were all black with dirt no washing of hands. All the work was shovelling coal, Liam worked there for 2 days and had enough of it- nearly wanted a small shovel to fill the shovel he had. His dad was small but very wiry and strong. “They were marvellous people” </td> </tr> <tr> <td> 0.31.57- 0.37.05 </td> <td> Pastimes, Shops and Opening Hours Dad spent time in the pub maybe too much. People listened to the radio or sat in front of the fire reading the newspaper. Some people with go hunting or play football or hurling. Liam plays golf now but at the time it was only for the elite doctors and solicitors. Liam’s dad never stood inside a golf club. Liam was 10 when his mother died she would offer him tripe and drisheen or a creamy cake for dinner and he would choose the cake. The corner shops are gone now because of the supermarkets. Corner shops on Henry Street were: Bode’s?, Mannings, Horrigan’s, Dermot’s on Adelaide Street. Dermot’s was first all-night shop in the city- wouldn’t be there during the day. Open from 8pm to 8am. A salesman in coca cola told Liam that Dermot lived on Pope’s Quay and owned a Morris Minor car and he drove it to Adelaide Street 7 days a week and the car was ten years old and there wasn’t 5,000 miles on it because that was all the driving he did. In Ballypheane Liam sees people carrying lots of bags after shopping in Aldi on Tory Top Road. Liam remembers going to Dermot’s for quarter pound of cheese (3 or 4 slices), half pound of tea, 2 eggs, there were no fridges so you bought and you ate them there was little storage. Dermot would put greaseproof paper over the blade and cut perfectly a few slices of cheese which had come from a timber box. Girls were interested in the box for making cots for dolls. There was no variety of cheese available just the one block. Sugar was available in quarter pounds rather than big bags. Men coming home from the pub would be sent back out to get a box of cocoa or milk from Dermot’s. There was no one on the street after 12 o’clock unlike today when there’s lots of people around after nightclubs. </td> </tr> <tr> <td> 0.37.05 - 0.39.00 </td> <td> Death of Mother and Family Living Arrangements When Liam’s mom died his aunt who had 6 children moved upstairs from Liam. She has 5 daughters and 1 son and the son died of meningitis at 4 years old. Liam’s grandfather was dead. Aunt moved to grandmother in Vicar Street to look after her. Liam was going to school in Mardyke, father’s place during the day, went to grandmother’s in Vicar Street for food and washing and then back to the Marsh to sleep. He skipped school for almost 3 months (‘on the lang’) until the school wrote to his dad, who gave him a lecture. He was nearly 14 then and on the verge of leaving school anyway. </td> </tr> <tr> <td> 0.39.00 - 0.44.13 </td> <td> The Dispensary now Grattan Street Health Centre, Tinsmith and Nurse Lots of cases of meningitis. Everyone in Cork used to go to the Dispensary. Everyone now in their 70s seems to remember Dr Cagney. He would give a bottle of coloured water. If you forgot your bottle you had to go to Mr Gamble the tinsmith in Grattan Street. He made ponnies, gallons, billycans. But when plastic came in there was no need for tinsmiths. Remembers getting injection or vaccination from Dr Cagney, thinks it may have been for smallpox but is not sure. He dreaded the needles for the syringes which were “like six-inch nails”. You went through a gate, into a yard and there were steps leading up to the entrance. A grey-haired woman maybe called Mrs O’Keefe. There were benches like in a church. There were hatches. You queued up for the doctor. And the hatches gave you the medicine. Other place for illness was Mercy Hospital. Recalls a midwife Nurse Anthony who called to people’s houses. Liam thought when younger than it was the midwife who brought babies on her bicycle. Aunt lived on Thomas Street (a continuation of Peter’s Street) to the back entrance of the Mercy Hospital where the “dead house” was where Liam’s mother was laid out. Remembers the Quirkes and the Horgans, Glandons?, McCarthys living there too and they all moved out when Mercy took over the whole block. Liam doesn’t remember playing around inside the Dispensary. </td> </tr> <tr> <td> 0.44.13 - 0.45.35 </td> <td> Making vs Buying Lunch People who worked in Dispensary didn’t live in area. Doesn’t think people make lunches for work anymore. In modern day people go to shops like Spar for sandwiches and rolls. Wives/mothers used to make “lunches for them in the morning” for children who were working and there was a can with milk, tea and sugar. </td> </tr> <tr> <td> 0.45.35 - 0.46.14 </td> <td> Families Living in Dispensary Grattan Street Thinks Mrs O’Keefe was only working there, possibly the cleaner. Mrs O’Keefe may not have been her name. Liam doesn’t think they were charging people in the dispensary. </td> </tr> <tr> <td> 0.46.14 - 0.50.55 </td> <td> Attitude to health, Pubs, Fights, Market Gardens, Childhood Mischief There was no such thing as being left on a trolley. The Mercy hospital was the only hospital Liam knew, and every child in the Marsh went there at least once after a fall, hit with a stone on the head, a few stitches. Although, Liam’s aunt lost a son to meningitis. Didn’t have the medicines we have today. They were simple times but he doesn’t remember going hungry ever. Lots of pubs on Grattan Street and people were spending lots of time and money which put a burden on the family. Saturday night on Grattan Street there would usually be a fight, stripped to the waist. Bonfire night used to be a great night but no longer. No awareness of mental health. Called the Lee Road the Madhouse Road. First coloured person Liam ever saw was on Sheares Street and when they saw him they called him “Johnny the Black” and they got a chase. A chase was very important for children at the time. Fisherman on Wise’s Quay near Vincent’s Bridge the children used to throw stones in to frighten the fish away and the fisherman would chase them. Tuesday, Thursday and Saturday the market gardeners would bring their produce on horse and carts to the Coal Quay and the shopkeepers would come to buy vegetables off them. Liam and the children would steal (“knock off”) some cabbage and carrots. “Oliver Twist was only trotting after us”. </td> </tr> <tr> <td> 0.50.55 - 0.51.15 </td> <td> Sweets You’d get a few sweets in Woolworths from the girls who worked there, to prevent them trying to steal them! </td> </tr> <tr> <td> 0.51.15 - 0.55.10 </td> <td> WW2 Air Raid Shelters in Cork Three air raid shelters on Sheare’s Street, 2 in Henry Street and maybe a few in Grattan Street, at least one. O’Connell on Sheares Street was in charge of air raid shelter no 3. Fear of being bombed by German’s during World War 2 mass concrete buildings rather than underground. Liam has photograph of an air raid shelter on Patrick Street outside the Victoria Hotel and a photograph of it being knocked down. The son of the man who had the key to air raid shelter no 3 would rent out the space to old children if it was raining and they wanted to use it to play cards. In the 1940s. he lived at corner of Moore Street and Sheares Street. They were being demolished in 1948 or 1949. Air raid shelter remains inside the door of Elizabeth Fort and there are 2 on the grounds of the South Infirmary (Victoria Hospital), they’ve now been converted to stores. If you stand at bottom of South Terrace and you look up at “Rock Savage” on top of the hill at the back of the South Infirmary you can see it protruding out. Liam remembers the LDF became the FCA and that their “top coats” were good as blankets during the winter as you could put your hands into the pockets. Nearly every house had an army coat on the bed. Everyone was issued with a gas mask, Liam has one from a friend of his. Everyone had to be measured for their gas mask at the city hall or in schools. Liam’s dad wasn’t not in the LDF but his uncle was and it was his coat that was on the bed. </td> </tr> <tr> <td> 0.55.10 - 0.59.24 </td> <td> Grattan Street, Dispensary, surrounding lanes, Terence MacSwiney connection Grattan Street was busy, vibrant street, always something happening there. Can’t believe seeing the traffic there now. Liam took a photograph of Prince Charles stopped in traffic outside the plaque to Patrick Hanely Buildings. The Dispensary was a historical place, there was a time when Grattan Street was a river and Meeting House Lane from North Main Street (at the side of Bradleys) was the entrance to any of the buildings on Grattan Street. Henry Street was known as Penrose Quay. On Adelaide Street at the back of where Curran’s Restaurant was there was a square called Penrose Square- after the Penrose Family that lived in Tivoli. If you come down Coleman’s Lane from Grattan Street and enter North Main Street up on the wall there are four plaques for the building where Terence MacSwiney was born. People think he was born in Blackpool because they confuse him with Tomas MacCurtain. Terence married one of the Murphy brewers. Liam is very interested in Terence MacSwiney and loves talking about him, maybe because he comes from the same area in Cork. </td> </tr> <tr> <td> 0.59.24 - 0.59.41 </td> <td> Outro. Interview Ends. </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liam Ó hUigín: Grattan Street, Healthcare, The Marsh Identifier An unambiguous reference to the resource within a given context CFP_SR00727_OhUigin_2019; Relation A related resource Other Interviews in this Collection <a href="https://corkfolklore.org/archivecatalolgue/items/show/240" target="_blank" rel="noreferrer noopener">CFP_SR00696_O'Regan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/242" target="_blank" rel="noreferrer noopener">CFP_SR00704_Collins_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/243" target="_blank" rel="noreferrer noopener">CFP_SR00706_Higgisson_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/244" target="_blank" rel="noreferrer noopener">CFP_SR00712_O'Brien_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/245" target="_blank" rel="noreferrer noopener">CFP_SR00713_Kearney_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/246" target="_blank" rel="noreferrer noopener">CFP_SR00714_Cunning_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/247" target="_blank" rel="noreferrer noopener">CFP_SR00717_Ward_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/249" target="_blank" rel="noreferrer noopener">CFP_SR00728_Scanlan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/250" target="_blank" rel="noreferrer noopener">CFP_SR00729_Mulcahy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/251" target="_blank" rel="noreferrer noopener">CFP_SR00732_Cassidy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/252" target="_blank" rel="noreferrer noopener">CFP_SR00760_Morrissy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/253" target="_blank" rel="noreferrer noopener"> CFP_SR00762_OConnell_2019</a>; Other Interviews with Liam in the CFP Archive <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_OhUigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_OhUigin_2011</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/67" target="_blank" rel="noreferrer noopener">CFP_SR00539_OhUigin_2015</a>; Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource Audio Date A point or period of time associated with an event in the lifecycle of the resource 24 July 2019 Creator An entity primarily responsible for making the resource Cork Folklore Project Description An account of the resource Liam grew up on Henry Street in The Marsh and recalls playing football on Grattan Street which was busy and full of activity with businesses, pubs, shops a fire station, barber shops and tenements. He discusses some shops and games in more detail. Speaks of the poverty in the Middle Parish which necessitated buying goods on credit and selling clothes and jewellery to pawnshops. Mentions pawn locations. Mentions bringing empty bottles to shops to fill them with milk. Discusses the conditions of the tenement houses in the Middle Parish including the sanitation arrangements such as outdoor toilets and the use of newspaper as toilet paper, he also mentions heating issues including timber, turf and coal which was available via a voucher scheme. Further discusses cooking, washing in the tenements including the introduction of gas and electricity. Also mentions medicines for lice and worms administered at home. Says that boys and girls played different games separately when he was growing up. Mentions some of these games in more detail. Discusses foods (including tripe and drisheen, pig’s tongue, Connie Dodgers) meal routines and the shops where food was purchased. Liam and his mother brought lunch to his father where he worked on the docks. Returns to the topic of corner shops and shopping and the types of food available there, further comparing this to supermarkets today. Speaks of the death of his mother and the change in living circumstances that this entailed. Describes getting a vaccination in the dispensary, what it was like inside and who worked there. Mentions fights outside bars at night time. Talks about air raid shelters built in Cork city during the Second World War, what they looked like and where they were located. Accommodation Adelaide Street Air Raid Shelter Alcohol Bakeries Bakery Ballypheane Ballyphehane Barbers bars Bathing Baths Billycan Bonfire Night Bread Breakfast Broad Lane Buildings Bullycans Business businesses Buying on Credit Cagney Car Cars Catholic Devotion Catholicism Cemetery changing technology Chase Chemist Childhood Childhood Games Children Children’s Games Christmas Christmas Cake Church Churches Cigarettes Class Clothes Clothing Coal Coal Quay Coleman’s Lane Community Centre Connie Dodgers Cooking Corner Shop Corner Shops Credit Credit Union Crubeen Crubeens Customer Customers Dagenham Yank Death Dermot’s Shop Disease Diseases Dispensary Docker Dockers Docks Dr Drink Drisheen Eglinton Baths Elizabeth Fort Elysian Tower Emigrant Emigrants Emigration Employment Families Family Fast Fasting Father Fighting Fights Fire Brigade Fire Station Fishermen Food Football Friends Friendship Fuel Fuel Poverty Gender Roles Golf Grandmother Grattan Street Grattan Street Health Centre Grattan Street Medical Centre Graveyard Great Coat Hair Lice Hairdresser Hairdressers Headstones Health Heating Henry Street Hobbies Home Hospital House Illness Illnesses Jewellery Lanes Laneways LDF Lee Lee Baths Lee Fields Lent Lice Living Arrangements Local Defence Force Lunch Manning’s Shop Mardyke Marsh Mass Mass-Going Meal Meals Meat Medication Medicine Medicines Meningitis Mental Health Mercy Hospital Middle Parish Midwife Mischief Money Mother North Main Street Nurse Nurses Opening Hours Outdoor Baths Outdoor Swimming Outdoor Toilet Parents Pastimes Patrick Hanley Buildings Pawn Shops Pawning Pawns Pawnshops Peter Church Lane Pharmacist Pharmacy Phone Phones Planking Playing Poverty Public House Public Houses Pubs Race Radio Religion River Lee Sandwich Sanitation School Schooldays Second World War Shandon Shandon Bells Sheares Street Shoes Shopkeeper Shops Sick Sickness Skipping Skipping School Slang Soccer Social Conditions South Main Street Spinning Top Sport St Francis Church St Peter’s St Peter’s Cemetery St. Francis Church Street Games Streets Sugar Sullivan’s Quay Sweets Swim Swimming Telephone Telephones Tenement tenement houses Tenements Terence MacSwiney The Lee The Marsh The Middle Parish Theft Tin Tinsmith Toilet Toilets Tory Top Road Traditions Traffic Tripe Tripe and Drisheen Vaccination vaccine Vaccines Vegetables Vincent’s Bridge Voucher Vouchers Watches Weir Winter Woolworths Work Working World War II World War Two WW2 https://corkfolklore.org/archivecatalolgue/files/original/cb6c3a1e52ad869208563ce3381445b7.jpg 22891a0d9704b2cc07c67cb64bce6e43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam Skotarczak https://corkfolklore.org/archivecatalolgue/files/original/22424ad30bb874194b86fabd1cb3b7c8.mp3 83508de212030e28b3217b1dbbddcaa0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Francis Quirke Interviewee The person(s) being interviewed Adam Skotarczak Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38m 38s Location The location of the interview Cork City, Ireland. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com F.Q: Oh yes. I’m going to move you along now and ask you em how did you end up in Cork? A.S: Em my friend was here eh he came here three months before me, and he invite me here, he told me that the people here are very nice. So I came here. F.Q: And did you know anything very much about Ireland or Cork before you came? A.S: Eh I knew a little bit about Ireland, but not about Cork exactly, about Ireland. F.Q: So when you got here, what was your first impression of Cork? A.S: Eh beautiful city, a lot of different colours, people are always smiling, are really nice, very helpful for people from different countries, this was my first. . . F.Q: Impression yeah. A.S: Impression. F.Q: So em did you have any trouble settling in? A.S: No, no there was no trouble for me! F.Q: What about your friend, had he a place got for you, a place to stay? A.S: Yes, yes, yes, now I live with him. F.Q: Yes, em getting a job, was it easy to get a job? A.S: Eh yes, yes it was easy, but now everyday it’s harder to find a job here. . . F.Q: Yes, yeah. A.S: Because more people are coming here to Ireland, so everyday it’s harder. F.Q: Would there be a bit Polish community in Cork? A.S: Yes, yes, there is a lot of Polish people here. F.Q: And would you meet up with them? A.S: Yes of course, we meet from time to time with our friends, we go to pubs or clubs, have a good fun, drinks. F.Q: Em when you came to Cork first, did you have difficulty with the Cork accent? A.S: Yes Irish accent is sometimes difficult. It depends was I talking to one man, it was easy to understand him for me, but sometimes I meet different people, and they talking with different accent, and sometime it’s really hard to understand them. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam Skotarczak: Immigration, Poland, Weddings, Subject The topic of the resource Life History; Poland; Ireland; Description An account of the resource Adam was born in Poland, and talks in very brief terms about his childhood and about living in Cork. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2005 Contributor An entity responsible for making contributions to the resource Interviewee: Adam Skotarczak Interviewer: Francis Quirke Identifier An unambiguous reference to the resource within a given context CFP_SR00360_skotarczak_2005 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; Poland; 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound Adam Skotarczak Celebration Cork 2005 Immigration Poland Weddings https://corkfolklore.org/archivecatalolgue/files/original/d7168cbb6eb384a3359bced19d063d94.jpg f91ba3700de87fa23a455bd75cf42eaf https://corkfolklore.org/archivecatalolgue/files/original/d61f874a59434ab799c27d18e1b24957.mp3 b95e0806fbe35cbec883b1659aad580b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Lee Cassidy Interviewee The person(s) being interviewed Aimée Setter Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22m 36s Location The location of the interview Cork City, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com L.C: What’s the music scene in Cork like? A.S: Em it is thriving and people are trying to make money out of it mainly, whether it’s the drink people buy or how much they charge in. I think some places in Cork charge a fortune to get into places, and I think its ridiculous. Mind you now we’re not as bad as some places like Dublin – I know Dublin’s bigger, we wouldn’t be as bad as Dublin – but em if they put more variety into stuff, people would be more interested or if they had sort of special nights or something like that that would be better. I know Freakscene that they do that every so often, that they have balls and stuff like that, which is sort of good, if you are into the music, but em if you’re not you sort of know where to go, if you’re into rock music you know which is sort of a shame, but I mean as far as I know I mean there is a guy I know – Perry – who be friends with my friend John em; he’s into his sort of reggae and sort of stuff like that like do you know to Jamaica music, em and he, I mean he went out and he got some gigs and stuff and you know brought some of the you know African Americans and you know and people who are generally into that music, or even people from London who would be into Jamaican music around you know. They got a big crowd, a big turn out, it just shows you how to get up off your ass and do something about it, there’s no point whinging em but suffice to say you have to have money for that. L.C: What would you say is the best thing about the Cork music scene? A.S: Music scene? Em the variety of bands, em there is a lot of talent coming out of Cork, and em if you can just see from eh websites, and people playing. I mean nearly every night there is a band playing from Cork, if not they bring people down from Dublin, or down from wherever, like you know, so it’s growing, definitely growing, and I like to see it grow because there is a lot of potential em in Cork for the Cork music scene. Em I think we should plug Cork bands more, definitely, and Cork pubs and clubs should you know should make sure and include Cork bands because there are some damn good ones out there. L.C: And em could you tell me a bit about what you do and about your radio station? A.S: Em well I’m a DJ em on an illegal, I’m on a pirate station, eh Freak FM, 105.2 FM, eh well I just DJ on Thursdays 8-10, I do two hours, with my compadre em DJ Razor, em and she’s a laugh, and we just generally have a laugh, em pump out the tunes, em if people want to text in, we play their requests, if they want us to have a joke about something we have a joke; we had people ringing in about Cornettos last night, so eh that was sort of funny em. L.C: Who is your target audience, who is your main audience? A.S: We don’t have a target audience, em our listeners range from like anything from thirteen to sixty. I was in a taxi a few times, different taxis or cabs, and they had the station on and I said wow that is sort of cool because we’ve rock on there, and em we’ve, I mean it’s good, it’s good. Em it’s nice when you know people go oh I listen to this person, or I listen to that person, and at the end of the day it’s all worthwhile because we’re sort of producing something em for people around the city that they never had before, em and it’s good, variety is always good and if people sort of go oh you know Freak FM, we’ve got no competition em so I mean there is definitely a niche for it like you know. From the size of the people that are gathering in the pub right now for our party em there’s definitely a big thing for it like so yeah I think it’s gone well yeah. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aimée Setter: Immigration, Music, Pirate Radio, Freak FM, Subject The topic of the resource Life History; Music Description An account of the resource Aimée grew up in London. She works as a DJ and comments on the music scene in Cork. She also talks, sometimes critically, about the city and its people. Aimée moved from London to Cork with her family when she was 8 years old. She says she experienced some racism as a result of her accent. Her impression of the city is that it is a dirty place. She comments on pub culture, on the music scene, and describes her work as DJ on a pirate radio station. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 5 March 2005 Contributor An entity responsible for making contributions to the resource Interviewee: Aimée Setter Interviewer: Lee Cassidy Identifier An unambiguous reference to the resource within a given context CFP_SR00364_setter_2005 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; England; 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 2000s Amy Setter Cork 2005 Cork City of Culture Immigration Music Pirate Radio https://corkfolklore.org/archivecatalolgue/files/original/f1b577576e492c211dd96acbd35da098.jpg a9f30be16f393866053370ece956c42a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the stones could sleep cover Rights Information about rights held in and over the resource Cork Folklore Project https://corkfolklore.org/archivecatalolgue/files/original/c9840f7eb1a9ff58987efdb5f84c1f60.mp3 4894f9f458942f8c8f48413ab1a5b9c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the Stones Could Speak: More Stories of Cork’s Built Heritage (2015) Subject The topic of the resource Built Heritage: Description An account of the resource 9 interviews with 8 people This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’. 9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film. <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">The film is available on the Cork Folklore website</a> The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by CFP Project Manager Mary O’Driscoll. Support: This project was part-funded by Cork City Council. Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Interviewees: Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan: Interviewers: Mark Wilkins (9); Annmarie McIntyre (3): Identifier An unambiguous reference to the resource within a given context CFP_SR00509_walsh_2014; CFP_SR00510_healy_2014; CFP_SR00511_cotter_2014; CFP_SR00512_herlihy_2014; CFP_SR00514_spengeman_2014; CFP_SR00523_healy_2014; CFP_SR00525_moraghan_2014 ;CFP_SR00526_byron_2014 CFP_SR00527_gabuzda_2014; CFP_VR00540_herlihy_2015; CFP_VR00541_lenihan_2015; CFP_VR00542_healy_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland: 1700s-2010s: Relation A related resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) Links to: <a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener">Catalogue Collection</a> <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource 9 Audio 3 Video Format The file format, physical medium, or dimensions of the resource .wav .mov Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Aisling Byron Interviewer The person(s) performing the interview Mark Wilkins Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42min 44 sec Location The location of the interview Glenville, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com Well this is the drawing room and this was one of the worstly effected building or rooms in the building because as you can see there was partial collapse of the ceiling here, and behind all this, I don’t know if the possibly, don’t know the construction of lath plaster ceilings, basically, even though, this area here was the area that had fallen, the whole rest of the ceiling was very weak at that point as well, because the way that the base of the ceiling would be first put in place is you get your joists crossing the entire ceiling and on top of that, I put laths and laths of timber that would perhaps be about one inch in thickness, they vary, they don’t have to be very particular, and there then nailed, from this side of the room, and so if you can imagine these are spread out then at intervals, maybe of half an inch and from this side the plaster is pushed up into the laths and as the plaster ceases the laths and as the plaster is pushed up this is a piece of plaster now it falls up and curls over and forms a little ‘U’, which is known as a nib, and quiet often in old buildings like that, the nibs actually break, they break at the line of the lath, so this whole, this whole building, this whole ceiling was very, very, weak. So even though this is the area that looked damaged the entire thing had to be from the other side the floor boards lifted and all the nibs prepared. This had fallen in one piece but as it hit the floor it smashed considerably so. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aisling Byron: Architectural conservation work at Fota House Subject The topic of the resource Built Heritage: Description An account of the resource Aisling talks about her architectural conservation work at Fota House, Cork. She describes the purpose of some of the rooms and of the layout of the house. She comments on the difference between conservation work and renovation work, emphasizing the former. She notes the social divide between staff and Big House families, and how that was reflected in the physical structure of the house at Fota. She gives some examples of the practical work she undertook inside the house. Note: this interview was recorded as part of the audio track to accompany the DVD entitled If The Stones Could Speak. Date A point or period of time associated with an event in the lifecycle of the resource 8 September 2014 Contributor An entity responsible for making contributions to the resource Interviewee: Aisling Byron Interviewer: Mark Wilkins Identifier An unambiguous reference to the resource within a given context CFP_SR00526_byron_2014 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 2000s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Type The nature or genre of the resource Sound Aisling Byron Conservation Fota House The Big House https://corkfolklore.org/archivecatalolgue/files/original/712af4b084b56bd0ca5368a593468d6e.jpg 84ab4ede9d5baef4d8dbb60bb8e18e9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Journeys: Living Folklore in Ireland Today Subject The topic of the resource Life history interviews from the inhabitants of Cork city's Northside. Description An account of the resource 27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. Date A point or period of time associated with an event in the lifecycle of the resource 1996-2001 Contributor An entity responsible for making contributions to the resource Interviewees: Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne: Interviewers: Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1): Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland: 20th Century Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Alan Kennefick Interviewer The person(s) performing the interview Caroline Crowley Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 18min 46sec Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alan Kennefick: Irish Dancing Subject The topic of the resource Life History; Description An account of the resource Alan was 14 years old at the time of this interview. He talks about his involvement in Irish Dancing. Date A point or period of time associated with an event in the lifecycle of the resource 21 June 1999 Contributor An entity responsible for making contributions to the resource Interviewee: Alan Kennefick Interviewer: Caroline Crowley Identifier An unambiguous reference to the resource within a given context CFP_SR00279_kennefick_1999 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork: 1990s Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource .wav Type The nature or genre of the resource Sound Alan Kennefick Irish Dancing https://corkfolklore.org/archivecatalolgue/files/original/bbc050d9bb3b68bd8e3844f4c2b6f4d4.JPG f0b27f28ccf89095973d83c2af393180 https://corkfolklore.org/archivecatalolgue/files/original/b467c5c4ce287d46e7c59e3e9b3f0a3f.mp3 62740a20859a0f4026210410992a2996 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Alan Walsh Interviewer The person(s) performing the interview David McCarthy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42 minutes 48 seconds Location The location of the interview Barrack St, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com <table> <tbody> <tr> <td> Alan speaks of his memories of Halloween growing up. He says it was a special time. He says unlike the youth of today there was no throwing of eggs. He says his father would put an old ten pence piece into the apple, tie it to a string and then tie it to a lamp and swing it. They would take turns at attempting to take a bite from the apple to get the ten pence, he adds they were lucky they didn’t choke on it. He also says there was a game with an apple in a dish of water and he describes going from door to door dressed up. He says he always saw it as a triumph when they were given a few pence as that was what they really wanted. He says they would be out for two or three hours on Halloween night and they must have done the whole of Togher. He forgets the names of half the games but says snap apple was one. He says they used to have a great time with their parents and neighbours kids in the living room.Alan says there was a neighbour who along with two friends would go out as Wren Boys on Stephens Day. He says they would dress up as women and put on shawls and wear makeup to look like women. One of them had a bodhran and they would go from door to door banging the bodhran. Alan says what they were really looking for was drink and at the end of the night they would be “langers” because every place they’d stop would give them a drink. </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alan Walsh: Halloween, St Stephens Day, War Of Independence Subject The topic of the resource Arts: Theatre; Life History; Description An account of the resource Alan speaks about memories of Halloween and the game of snapapple and also about Christmas. He speaks of Wren Boys on St Stephens Day. He also speaks about school and games such as glassy alleys and conkers. He goes over some of the ground covered on the last interview such as The Smiths Cork concert. He speaks about cinema in Cork and the ushers with their elaborate uniforms and also speaks of video rental shops. Also Cork food such as tripe and drisheen, bubble and squeak and crubeens. He tells of a story passed down from his Grandfather about a War Of Independence incident in Blackpool. He also talks about his experience as an extra in the Cork shot movie Strength And Honour. Date A point or period of time associated with an event in the lifecycle of the resource 22 October 2017 Contributor An entity responsible for making contributions to the resource Interviewee: Alan Walsh Interviewer: David McCarthy Identifier An unambiguous reference to the resource within a given context CFP_SR00639_Walsh_2017 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, 1920s, 1970s, 1980s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Relation A related resource <div class="element-text"><a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a></div> Type The nature or genre of the resource Sound https://corkfolklore.org/archivecatalolgue/files/original/bb75762620827093525cec15782e0003.jpg cbf1c711785600501bec005b1d811bed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Alice Delay Interviewer The person(s) performing the interview Stephen Dee Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 20min 14sec Location The location of the interview Civic Trust House Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alice Delay: Togher, Country Life, Childhood Subject The topic of the resource Life History: Description An account of the resource Alice remembers visiting her grandmother in Togher, which was the country, and eating bread and home-made butter. Her grandfather was a farm labourer. The house had an earth floor, and a ceiling made of sewn flour bags. Someone described the house as a cow shed with a door. It had a lean-to for the hens. Her mother used to knit jumpers after being given the wool, which was weighed afterwards to see if she had stolen any. Alice comments on social relations with better off Cork families. Rasa used to be sold for a penny. She mentions her family's involvement in the War of Independence and the Civil War. Alice also talks about her father working in London during the Blitz. Alice describes the Lido Cinema as a fleapit. She recalls having to have a penny for the ‘black babies’ collection. She used to go slogging apples, and her mother would make an apple tart. She talks about bonfire night in her youth and in modern times. Date A point or period of time associated with an event in the lifecycle of the resource 27 August 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Alice Delay Interviewer: Stephen Dee Identifier An unambiguous reference to the resource within a given context CFP_SR00445_delay_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1910s-2000s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1910s 1920s 1930s 1940s 1950s 1960s 1970s 2000s Alice Delay Bonfire Night Christy Ring Cinema Civil War Housing I.R.A Jewish Lido Poulraddy Harbour Prison Republicanism Second World War Sex Slogging Apples Social Class The Emergency War of Independence World War II https://corkfolklore.org/archivecatalolgue/files/original/ec8b0be0548396f72aee6d87c337acee.mp3 d647e742429359426381a90d5515964b Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Alison Morley Interviewer The person(s) performing the interview Lorraine Cahalane Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 62min 19sec Location The location of the interview NCE Ltd, Sunbeam Industrial Estate, Mallow Road, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alison Morley: Family Life, German Measles Subject The topic of the resource Life History: Description An account of the resource Alison Morley was born and raised on the Northside in Cork. She was blind to the age of four due to an early bout of German measles. Here she recounts her personal memories of growing up in Cork. Her descriptions include: her first day at school at Scoil Mhuire in Mayfield, secondary school at South Presentation on Douglas Street, going on the hop-on nice days to Lee Fields, first Holy Communion and being a teenager having her first boyfriend. Date A point or period of time associated with an event in the lifecycle of the resource 13 May 1998 Contributor An entity responsible for making contributions to the resource Interviewee: Alison Morley Interviewer: Lorraine Cahalane Identifier An unambiguous reference to the resource within a given context CFP_SR00199_morley_1998 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1970s-1990s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource 2 .wav files Relation A related resource Alison's story was included in our 'Catching Stories' project on infectious diseases.<a href="https://corkfolklore.org/health/german-measles-/-rubella" target="_blank" rel="noreferrer noopener"> https://corkfolklore.org/health/german-measles-/-rubella</a> 1980s 1990s Alison Morley Family Life German Measles Holy Communion Rubella Schooldays The Grand Parade Hotel https://corkfolklore.org/archivecatalolgue/files/original/931258b3b13bac134321623345ad1f8c.jpg 9290e83fb6a1619eb49a75ad5d769601 https://corkfolklore.org/archivecatalolgue/files/original/83db924c6d81af41d887c4f360f58b5b.mp3 a063f1d52ee8c8317286e58e241dbd3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Noel O'Shaughnessy Interviewee The person(s) being interviewed Andy Hawkins Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 74m 14s Location The location of the interview Blackpool, Cork City, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com A.H.: I did. I’ll tell you the first experience about going abroad. One of the people I met when I moved to the Northside was a man called Kevin Gardner. Kevin and I became very close and we were always talking about slipping away out of Ireland, you see. I was only fourteen at this time, you see. Kevin was fifteen and a half. To tell you the truth, we ran away. We got a train from Cork up to Dublin —two kids— and we got a boat from Dublin to Liverpool. I remember because when we got off we went to a place called Lime Street Station in Liverpool. And we must have been noticeable. We must have stuck out because the next day the guards picked us up —my poor mother at the time God, and they sent us back to Ireland, you know. Needless to say I wasn’t too popular with the mother when I got back, you know? So I got the real taste for travelling then. And then, when I was seventeen, I said to my mother I’d like to spend some time with another distant relation who lived in London for about twenty-odd years at the time. So, I said I was going for a visit but, in actual fact —I was seventeen years of age— I got the Innisfallon at the time… we used to get it to Wales and get the train and I went to London but I didn’t stay… I met two Cork men at the time: Thomas Mulcahy and Seán O’Rourke from the Northside and we eh… they put me wide —so to speak— about getting flats. So I didn’t go and visit the cousin at all, because I knew there would be sort of restrictions on me. I wanted to be a free spirit at the time. But I spent the first five weeks in a place called Shepherds Bush and one of the lads said to me, like, you know, “what we have to do —because we had no place at the time— is go into the bus station in Shepherd’s Bush and they were wide because they had been there for a while— always pick the last bus in the station to sleep in because it would be last out in the morning”. It would be the furthest bus away, you see Noel, and many a night we were woken up at about three or four in the morning and told “get out!” and we’d be sleeping in benches until we got… N. O’S.: And how many other… would there have been other children or young people…? A.H.: There was five of us! I always remember there was three from Cork and two from the North of Ireland and we kind of… we stuck together because we were all Irish. We were very young at the time and I actually was working! I then… what happened is the boys said “to get a job now, like, this is where the Irish people hang out, in certain pubs” —there in London. And I met this man and they told me he was “the ganger man”. The ganger man at the time meant nothing to me. I soon picked up on all the slang words, so to speak, and I met this man called George Foley, who was a Cork man. George Foley, the first thing he says to me was “I’ll give you a start, but you’ll have to change two things: first” he says “you have to change your age, you’ll have to tell people you’re nineteen” —I was only seventeen for God’s sake — “Okay” I said, “what is the second thing”, he said “the second thing is you have to change your name” because everything was into the hand… this, that and the other… I learnt an awful lot, like, about how to get on as a young Irish person in London from people who had been there for twenty and thirty years. And I appreciated that. Now, it was during this time on a building site in London, I met a truck driver who used to deliver stuff to the site in what —at the time to me— was a very peculiar accent. And, as time went by, anyway, he told me his story. He was an Australian. Now, I had read about Australia, but I knew nothing about it… A.H.: I did. I’ll tell you the first experience about going abroad. One of the people I met when I moved to the Northside was a man called Kevin Gardner. Kevin and I became very close and we were always talking about slipping away out of Ireland, you see. I was only fourteen at this time, you see. Kevin was fifteen and a half. To tell you the truth, we ran away. We got a train from Cork up to Dublin —two kids— and we got a boat from Dublin to Liverpool. I remember because when we got off we went to a place called Lime Street Station in Liverpool. And we must have been noticeable. We must have stuck out because the next day the guards picked us up —my poor mother at the time God, and they sent us back to Ireland, you know. Needless to say I wasn’t too popular with the mother when I got back, you know? So I got the real taste for travelling then. And then, when I was seventeen, I said to my mother I’d like to spend some time with another distant relation who lived in London for about twenty-odd years at the time. So, I said I was going for a visit but, in actual fact —I was seventeen years of age— I got the Innisfallon at the time… we used to get it to Wales and get the train and I went to London but I didn’t stay… I met two Cork men at the time: Thomas Mulcahy and Seán O’Rourke from the Northside and we eh… they put me wide —so to speak— about getting flats. So I didn’t go and visit the cousin at all, because I knew there would be sort of restrictions on me. I wanted to be a free spirit at the time. But I spent the first five weeks in a place called Shepherds Bush and one of the lads said to me, like, you know, “what we have to do —because we had no place at the time— is go into the bus station in Shepherd’s Bush and they were wide because they had been there for a while— always pick the last bus in the station to sleep in because it would be last out in the morning”. It would be the furthest bus away, you see Noel, and many a night we were woken up at about three or four in the morning and told “get out!” and we’d be sleeping in benches until we got… N. O’S.: And how many other… would there have been other children or young people…? A.H.: There was five of us! I always remember there was three from Cork and two from the North of Ireland and we kind of… we stuck together because we were all Irish. We were very young at the time and I actually was working! I then… what happened is the boys said “to get a job now, like, this is where the Irish people hang out, in certain pubs” —there in London. And I met this man and they told me he was “the ganger man”. The ganger man at the time meant nothing to me. I soon picked up on all the slang words, so to speak, and I met this man called George Foley, who was a Cork man. George Foley, the first thing he says to me was “I’ll give you a start, but you’ll have to change two things: first” he says “you have to change your age, you’ll have to tell people you’re nineteen” —I was only seventeen for God’s sake — “Okay” I said, “what is the second thing”, he said “the second thing is you have to change your name” because everything was into the hand… this, that and the other… I learnt an awful lot, like, about how to get on as a young Irish person in London from people who had been there for twenty and thirty years. And I appreciated that. Now, it was during this time on a building site in London, I met a truck driver who used to deliver stuff to the site in what —at the time to me— was a very peculiar accent. And, as time went by, anyway, he told me his story. He was an Australian. Now, I had read about Australia, but I knew nothing about it… N. O’S.: There’s not much life experience at that stage anyway… A.H.: No, it’s not, you see. Age is experience —which soon came along after that. And, eh… I had spent quite a while in London and I met a lot of Irish people —a lot of Cork people, in fact— and they had no intention of going nowhere, to be very honest with you. And that was their thing. I don’t blame these people, like. It’s just that me… I just had this thing that I wanted to go and see how the rest of the world was. I first landed then in South-East Asia before I went to Australia. I eventually got my visa to go to Australia in a place called “Australian house on the strand”. I got my little brown suitcases at the time… And I can remember very clearly —this actually happened to me— I got a train from Victoria and I was heading towards Heathrow airport and —there must be about eight million people in London— and I was sitting in the carriage and Noel’s —my brother’s— friend comes into the carriage and spots me… comes up to me —he was a man of about twenty-three, twenty-four at the time. He says “Where are you going?” Well I told a lie at the time, I said “Well, I’m actually going home”. “That’s great” he says, “they’ll be looking forward to see you!” But he looked at the tag on my bag and he says —and he hit the roof—, he says “does your family realise you’re going to Australia” you see? So I said “Ah, yeah! I told them”. He was very insistent in coming to the airport, so much so, I jumped off the train —I did! I actually jumped off the train to give him the slip and I got to the airport. But, you see, I wanted to stop over —I didn’t go straight to Australia—, and headed down to Singapore… Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andy Hawkins: Australia, Culture, Celtic Tiger, Coal Quay, Holy Communion, Inishfallen, London Subject The topic of the resource Life History: Cork; Ireland; Australia; London; Work; Description An account of the resource Andy Hawkins was born in The Marsh and lived there until he was 7 when his family moved to Mayfield. He was the youngest of nine. He went to St Francis School. His father ran a small carpentry business in The Marsh. His father died when Andy was young and his mother died in February 1979. Andy went to London at 17 and to Australia at 19 where he lived for 30 years. His wife Bernadette is from Cork. His two children were born in Australia and still live there. When he was seven they moved to Mayfield and he remembers the novelty of having a bath and developing an interest in wildlife and in breeding birds. He describes how he went to Ross’s Wood and on fishing trips with his dog Buster. His got his first pair of long trousers for his first Holy Communion. A family friend offered the ‘communion breakfast’ which was the norm back then. Soccer was a big interest for him. He describes, with excitement, the big adventure it was going to games and travelling out of Cork for a match. A big treat was getting his 2 and 6 pocket money on a Saturday morning so he could spend it on watching Cowboy films at the cinema where “who is the boy” was an important question. Andy recalls a local man called Seanie Downey who was a boxer in the Irish Army and who represented Ireland in gymnastics. He talks also of another well known local figure called John Walsh who sold bundles of sticks and give him donkey rides along the Coal Quay. Andy’s brother kept a pigeon loft and Andy earned thruppence to clean it out. He was fascinated that the birds returned ‘for their dinner.’ They kept a garden and his mother taught him about growing fruit and vegetables. His mother became a widow in her 40s. In those days women never remarried. When Andy was 14 he ran away to London with a childhood friend. They were picked up by police and sent home. He left for London at 17 on the Inishfallen and gives detailed description about his arrival in London, sleeping rough, getting work on building sites and his dream to go to Australia. At 19 he left for Australia via Singapore. His first job in Perth was in a foundry. He hitchhiked to other towns and took the Indian Pacific train to Adelaide to avoid being conscripted. He spent time in Sydney and Perth and describes with humour some of the unusual jobs he had: working with horses and being the driver for an alcoholic railway manager. He recounts how his saving grace in Australia was the fact that he could play music. He started traditional music sessions in pubs in Perth and it was a great scene. Andy describes coming back to live in Cork in May 2000. It was more complicated and expensive to get accommodation and services than in Australia. When he left Ireland was more conservative so he wasn’t prepared for how less subservient people were and how they discussed their sex lives openly at work. There was a sense that Ireland had made a sudden jump into the Celtic Tiger. Andy noticed how much more money young people had and how much beer they drank. He felt the community spirit had gone and the new building developments didn’t take care of people’s community needs. Describes how he loves being back in Cork for the social life and knowing so many people and for the ‘ball hopping’. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 2 October 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Andy Hawkins Interviewer: Noel O'Shaughnessy Identifier An unambiguous reference to the resource within a given context CFP_SR00340_hawkins_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; London; England; Perth; Austrailia; 1960s - 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material: ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 1960s 1970s 1980s 1990s 2000s Andy Hawkins Australia Blackpool School Building sites Carpentry Catholicism Celebration Celtic Tiger Cinema Coal Quay Conscription Cork 2005 Culture Fairfield Fishing Gaelic football Gardening Holy Communion Horses Inishfallen London Nature Perth Pigeons Ross’s Wood https://corkfolklore.org/archivecatalolgue/files/original/47998d1b6000a76e70981ad7252a7f04.jpg e245f89b3e8cbbb2c200a3033ee23a69 https://corkfolklore.org/archivecatalolgue/files/original/859e801dd14591ec7d7a25917a9ecc6c.wav 42cd57234548f74e7bc3b88c245586c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grattan Street Stories: Memory of Place Subject The topic of the resource Occupational Lore; Life History; Built Heritage; Health; Ireland; Cork; Middle Parish Description An account of the resource This collection focuses on a building on Grattan Street which has served as a Quaker Meeting House, a public Dispensary and as the Grattan Street Health Centre. The project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive HSE. The interviewees fall into two main groups: those who worked in the building and those who lived in the surrounding area and availed of the services provided in the building. This project follows on from the collaboration with the HSE in the “<a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a>”. There is a further connection between the two projects as many of the staff and services once provided in the Grattan Street Health Centre have now relocated to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. This topic of the relocation of services is also covered in some staff interviews. To date (October 2021) 13 interviews have been completed for the project. Interviewees discuss the Grattan Street building itself in terms of its historic significance, its benefits and drawbacks as a workplace. Broader themes related to or inspired by the building are also touched on including: personal relationship with the building, staff camaraderie, the problems with parking, memorable incidents at work, patient experiences and descriptions of the people and services for which the building catered. Healthcare professional interviewees detail their training, career progression and comparisons between Grattan Street and other workplaces. Their testimonies also provide a link with the community of patients they served giving further insight into attitudes to healthcare, diseases, vaccines, description of social conditions and the changes in medicine and technology in their working lives. Non-healthcare professional interviewees describe childhood experiences in or around Grattan Street (The Marsh or The Middle Parish), the social, cultural and economic conditions of the area, tenements, businesses, attitudes to and experiences of healthcare, vaccines, diseases, medicines and medical professionals as well as observed changes in these areas over time. Interviewees also reflect on the possible future uses of the Grattan Street building. Related Reference Sources <ul> <li>Barrington, R. (1987) Health, medicine and politics in Ireland, 1900–1970. Dublin: Institute of Public Administration.</li> <li>Butler D.M. (2004) The Quaker meeting houses of Ireland. Dublin : Irish Friends Historical Committee.</li> <li>Byrne, J. (2004) Byrne's dictionary of Irish local history. Cork: Mercier Press.</li> <li>Cooke, R. T. (1999) My Home by the Lee. Irish Millennium Publications: Cork.</li> <li>Dempsey, P. J. & White, L. W. ‘Childers, Erskine Hamilton’. Dictionary of Irish Biography [Accessed 18 October 2021]</li> <li>Harrison, R.S. (1991) Cork City Quakers 1655-1939: A Brief History. Cork.</li> <li>Houston, M. (2004). ‘Life before the GP’. The Irish Times. Available at : <<a href="https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599">https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599</a> > [Accessed 18 October 2021]</li> <li>Keohane, F. (2020) The Buildings of Ireland Cork City and County. New Haven and London: Yale University Press.</li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2019-2020 Contributor An entity responsible for making contributions to the resource Interviewees: Edith O’Regan, 'Mary', Sean Higgisson, Aoife O’Brien, Eileen Kearney, Imelda Cunning, Jane Ward, Liam Ó hUigín, Joe Scanlan, Mary Mulcahy, Philomena Cassidy, Don Morrissy, Derek O’Connell Interviewer: <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a>, (<a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a>) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1940s-2020s; Waterford, Ireland; Dublin, Ireland; Limerick, Ireland; Relation A related resource Exhibition Artist Edith O’Regan-Cosgrave (also an interviewee for the project) created a visual artwork based around the Grattan Street Medical Centre building itself, as a workplace and health centre. The artwork incorporated direct quotations from the oral history interviews conducted for the project, and also included brief historical paragraphs about the building researched, written and edited by the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. This exhibition was launched on 6th February 2020 in “St Peter’s” on the North Main Street where a “Listening Event” was also held to mark the occasion. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Grattan-Poster-for-Email-286-by-400.jpg" alt="Grattan-Poster-for-Email-286-by-400.jpg" /> Presentation and Listening Event To coincide with the launch of the Grattan Street Stories Exhibtion on 6th February 2020 a listening event and presentation of the history of the Grattan Street Medical Centre building and description of the project was given by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/427A7714-1.jpg" alt="427A7714-1.jpg" /> Presentation In 2019 at the OHNI conference the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy discussed social media and oral history which included audio excerpts from the Grattan Street Stories Project along with photographs of the building. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Kieran-OHNI-e1634041838937.jpg" alt="Kieran-OHNI-e1634041838937.jpg" /> Audio Visual Presentation An audio-visual slideshow was produced featuring oral testimony from the Grattan Street Stories Project and combined with suitable images of Grattan Street and from Edith O’Regan-Cosgrave’s exhibition. This was created by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <a href="https://www.youtube.com/watch?v=RnjEtQeOb3I&t=1s&ab_channel=CorkFolklore" target="_blank" rel="noreferrer noopener">Audio Visual Presentation Available to listen and view here.</a> Health and Vaccines Oral History Research Many of the interviews conducted for the Grattan Street project formed an integral part of the testimonies and research for the innovative <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener">'Catching Stories' of infectious disease in Ireland </a>project funded by the Irish Research Council. <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener"><img src="http://corkfolklore.org/wp-content/uploads/2021/05/Catching-Stories-Poster.jpg" alt="Catching-Stories-Poster.jpg" /></a> Social Media Numerous suitable audio excerpts from the oral history interviews have been edited and shared on CFP's social media channels. <a href="https://twitter.com/corkfolklore/status/1139167201582288901" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1139167201582288901</a> <a href="https://twitter.com/corkfolklore/status/1140909542240391168" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1140909542240391168</a> <a href="https://twitter.com/corkfolklore/status/1141264486768238592" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1141264486768238592</a> <a href="https://twitter.com/corkfolklore/status/1189872295923376133" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1189872295923376133</a> <a href="https://twitter.com/corkfolklore/status/1228322700415860736" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1228322700415860736</a> Orthopaedic Hospital Cork Folklore Project in collaboration with the HSE conducted an oral history project focussing on the Orthapaedic Hospital in Gurranabraher. Many of the staff and services once provided at the Grattan Street Health Centre site were moved to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. <a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a> Swimming Article Kieran Murphy and James Furey co-authored an article about <a href="https://tripeanddrisheen.substack.com/p/swim-city?s=r" target="_blank" rel="noreferrer noopener">Swimming in Cork</a> which appeared in the online magazine Tripe + Drisheen. This article features a number of interview extracts collected as part of the Grattan Street Stories Project. Related Interviews CFP_SR00756_Quilligan_2019; CFP_SR00758_Broderick_2019; CFP_SR00670_OShea_2018; Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav Files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Aoife O'Brien Interviewer The person(s) performing the interview Kieran Murphy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 80 Minutes 1 Second Location The location of the interview Grattan Street Medical Centre Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td> 0.00.00 - 0.00.52 </td> <td> Role in Grattan Street Medical Centre Clerical Officer in Grattan Street Medical Centre for 18/19 years. From Cathedral Road originally. Only Northsider working in Grattan Street Medical Centre! </td> </tr> <tr> <td> 0.00.52 - 0.02.44 </td> <td> Background, Childhood and Games Grew up in cul-de-sac terrace called School Avenue. Primary school: St Vincent’s. Games: “piggy”, skipping ropes. Convinced her friends that there were fairies in trees by her house. Took over older sister Sinead’s job in Grattan Street Medical Centre. They played together with Sinead as the teacher and Aoife as the student in their grandmother’s room using chalk which got on grandmother’s clothes and she never knew when it came from. Started school with boys & girls she was friends with and still friends with many of them today. </td> </tr> <tr> <td> 0.02.44 - 0.03.37 </td> <td> Childhood Games: Piggy Describes the game how it’s made and its rules (also known as hopscotch or pickey) chalk on the road and use a shoe polish tin. Very popular where Aoife was from. </td> </tr> <tr> <td> 0.03.37 - 0.05.06 </td> <td> Grand Mother’s shop on Churchfield Green. Grandmother’s surname was Stephens and people who know Aoife from the shop know her as Aoife Stephens. Had friends up near the shop. Shop closed 20 years ago. Her dad drove her and siblings from school to the shop after school. Her mom worked up there. Aoife and her friend Paula went to the “Pound Shop” or collected old wool from people’s houses to make ponytails in imitation of Like “Rainbow Brite Dolls”. </td> </tr> <tr> <td> 0.05.06 - 0.07.37 </td> <td> Grandmother’s Shop- description, shopping notes, fun Shop was hub of activity. Customers sent up notes with the items they wanted. Children played hiding in fridges. “Light-fingered”- as children they took things from the shop. It was a grocery shop selling: milk, bread, cold meats, sweets, cigarettes. Recalls a funny incident when her cousin Leonard got a note which had “S. Towels” meaning sanitary towels but he asked his dad “what are stowels?” </td> </tr> <tr> <td> 0.07.37 - 0.13.23 </td> <td> Grandmother: Description, her Funeral, Summer Holidays with her, Christmas Day, Caring for others, Cooking Tripe and Drisheen Aoife thought her grandmother wasn’t patient because she had a quick tongue. Now looking back she thinks she was very patient. Aoife’s sister went to live with their grandmother when granddad died. Used to stay in caravans down in Youghal. Eventually they rented a house from a woman called Maureen. About 13 children stayed there in Youghal with grandmother for the summer. Grandmother doted on all of them. At her funeral people had very fond memories of her. She was an agony aunt and confidante. A neighbour could chat in the shop for 3 hours with her. Family always went to grandmother’s house for Christmas Day. When grandmother sold the house she came to live with Aoife’s family and the rest of the family came to them for Christmas. Grandmother always had an apron or pinnies [pinafores]. She was glamourous at the time. She used to go to the Isle of Man and she used to wear wigs because they were in fashion. Aoife called her grandmother Mrs Bijoux because she had so much jewellery. She would put so much jewellery on for special occasions that she probably couldn’t bend some of her fingers! She had fur coats. A lovely old lady. Grey hair and loved her cigarettes. She never really inhaled them it was just a habit and for comfort. Loved chocolate. Went for a nap after dinner. She woke at dawn and put the washing on. She cooked tripe and drisheen for Aoife’s dad who worked nights in Irish Steel. Grandmother loved feeding people. Steak and gravy could be cooked in the morning so Aoife’s mom only had to heat it up. “The smell alone would turn me off” the tripe and drisheen. “Fairly gruesome now to be honest”. “she knew by my face not to even ask” if Aoife wanted to taste any. </td> </tr> <tr> <td> 0.13.23 - 0.14.55 </td> <td> Christmas Day Start 10am. Aoife’s parents & her 3 sisters. Uncle Jim now deceased. Aunt Geraldine. Grandmother had 2 girls and 2 boys. Neighbours would call in. Everyone in a small kitchen. It was the hub of the family. Fighting over toys and batteries. </td> </tr> <tr> <td> 0.14.55 - 0.16.53 </td> <td> School Enjoyed it. As admin for the vaccinations department in Grattan Street Medical Centre she has goes back to St Vincent’s twice a year for vaccines: HPV (human papillomavirus), Men C (meningitis C) and Tdap (tetanus and low dose diphtheria and low dose pertussis (whooping cough) booster). School still looks and smells the same. Saw her picture on the wall sitting next to two girls who she is still best friends with now. Liked the subjects Art, French and Business Organisation (“Biz Org”). </td> </tr> <tr> <td> 0.16.53 - 0.20.11 </td> <td> After School: Courses and Jobs Did a secretarial course in Terence MacSwiney Community College and a City and Guilds Course. Work experience in solicitor’s office in Washington Street doing dictation and typing but felt a little bit like it was over her head. Worked in Dovertron Electronics in Dublin Hill which had the contract for the Sky Box where she worked for 6 months. Worked in Bourns Electronics: 8 months soldering. Saturday job in a butchers in North Main Street- she hated smell of meat lasted 3 Saturdays! Handed in CV to line manager and staff officers in HSE. Offered job 2 weeks after the interview. Feels like Grattan Street Medical Centre won’t let her go. Feels like part of the furniture. The secretarial skills course she took included: computer skills, typing, floppy disks, word processing, dictation, typing, telephone manner, </td> </tr> <tr> <td> 0.20.11 - 0.22.31 </td> <td> Recalls Grattan Street when visiting her sister before working there Aoife used to call into Grattan Street Medical Centre to visit her sister who worked there. She attended Michael O’Sullivan in the eye clinic when she was in school. She was familiar with the building. It is strange to be working in the building where she had been as a patient. There was a school nurse who she was afraid of and Aoife became her secretary. Smoking: Canteen was halved at the time and smokers were on one side of it. People could smoke in their offices. She stepped into her sister’s job. She felt very welcomed. Aoife says that she doesn’t take direction very well, she prefers to do things her way. Her sister was very particular. </td> </tr> <tr> <td> 0.22.31 - 0.25.00 </td> <td> Memories as a Patient- and pretending to need glasses! Dark room, waiting to be called. As a child she was desperate to get glasses and braces. She used take silver foil from cigarette packets to put around teeth to imitate braces. She wore her grandfather’s glasses which had thick lenses “like jam jars” in the hope that she herself would need to wear glasses. She told Dr (Michael) O’Sullivan that she couldn’t see much of the (eye-test) board. Later on, after a year or two working in Grattan Street Medical Centre, she discovered that she did need glasses. </td> </tr> <tr> <td> 0.25.00 - 0.26.23 </td> <td> Difficult to leave Grattan Street Medical Centre Sister loved Grattan Street Medical Centre and was heartbroken to leave. Aoife has been in her office since March 2001. In facy she has been there longer than she has been in her own home. “My whole life story is been in the walls”. Leaving Grattan Street Medical Centre is tough for her and some of the others working there. </td> </tr> <tr> <td> 0.26.23 - 0.32.57 </td> <td> Description of Role and duties Every child in junior infants is offered a vision check MMR, booster vaccination and senior infant child is offered hearing check. Aoife and Síle (Sheila?) in Grattan Street Medical Centre cover the North Lee area from Macroom to Youghal, not the city, Glounthaune, Carrigtwohill, Cobh, Midleton area. Aoife works from the city to east Cork, there’s a very big workload so she must be organised. It’s a very rewarding job. It requires building a rapport with primary schools and secretaries. As part of her work she needs to: send out forms to 58 primary schools and get packs ready for the schools and all the students and get the forms back by courier. The form have to be sorted based on the vaccination date schedule and people removed from the list if they refuse the vaccine. They also check that children weren’t vaccinated before eg. a “repeat student” (a student repeating a class or year) or maybe the student has lived in another country where they were vaccinated so that must be followed up. They are almost busier in the summer months because the details of every child that has been vaccinated must be inputted into the system. Aoife gets called a lot because she has been in Grattan Street Health Centre for so long that she has many answers to questions, for instance she buys all of the stationery for the building. The computer system has changed in the last few years, it’s now a national system. Previously there was one system for Cork and Kerry but a different one for Galway etc. The new system is more time consuming at present but will be easier in the long run. Cards on the database. Notes written on the cards which are kept as well. </td> </tr> <tr> <td> 0.32.57 - 0.36.55 </td> <td> Vaccinations in Secondary Schools Aoife goes to secondary schools providing administrative support as part of the vaccine programme. Visits a school twice: once for 1st dose of HPV and Men C and then 2nd dose of HPV and the Tdap. Boys aren’t given HPV at present but they will next year (2020) which will make things very busy. Either Aoife brings the forms or the AMO Area Medical Officer will. Sometimes the school secretary sends 4th years (fourth year /transition year students) to help them. Checks that the students have the right consent forms. Ensures that the students get back to class after waiting 15 minutes after the vaccination. First time the students have been at an appointment or vaccination without a parent. A bit of nerves from them. Tdap is Tetannus. Men C for meningitis. HPV the cervical cancer vaccine. Aoife says that nobody wants to get a vaccine but generally it’s fine. </td> </tr> <tr> <td> 0.36.55 - 0.40.30 </td> <td> Rare cases of people refusing vaccines and possible reasons why Not many people refuse the vaccinations. Some consent forms are confusing for people, especially if English is not their first languages. Aoife sees form where people sign to accept and refuse a vaccination so those have to be cleared up. When a child is vaccinated a parent has to be present. People refuse vaccines for personal reasons- don’t agree with them or have never taken them and won’t start now. Aoife mentions the controversy around the MMR but says that she cannot get involved as an admin. If she or a parent is unsure about something there is a doctor on call to answer any questions re vaccines. </td> </tr> <tr> <td> 0.40.30 - 0.42.52 </td> <td> The Building itself in Grattan Street Medical Centre Aoife thinks that the Grattan Street Medical Centre building has character, it is quirky. It is not clinical like you think a medical centre might be. “There’s probably music in the walls of this building”, “It’s a happy building”. The roof leaks, door hinges break, things crack and things break. She has shared the office with the same girl for a few years and they will be separated when they leave. They know when to talk to each other or leave each other alone. Pigeon poo has come down from the ceiling onto people. </td> </tr> <tr> <td> 0.42.52 - 0.46.30 </td> <td> Neighbourhood around Grattan Street Medical Centre So near town. On lunch can go to the bank. Few houses that live around them know them. Car park has been a source of hatred because so many use it and the school as well. No point in falling out with staff or neighbours over cars. A few people “fond of the drink” would come into the building there was never trouble there were always characters about the area. Could find people sleeping rough at the side of the building. Will miss the location. Know the people in the local shops and chemists with whom she’s built up relationships. Goes to the furniture shop on North Main Street, they ask when she’s leaving Grattan Street Medical Centre and she says “don’t mention the war! Just don’t talk about it because I can’t talk about it.” Feels it’s the end of an era and it’s sad. </td> </tr> <tr> <td> 0.46.30 - 0.50.41 </td> <td> Moving to St Mary’s Primary Care Centre Gurranbraher Aoife’s workplace is moving to the old orthopaedic hospital now the St Mary’s Primary Care Centre in Gurranabraher. She feels institutionalised being in Grattan Street Medical Centre so long. Aoife has organised social aspect of Grattan Street Medical Centre eg. the Christmas party and lunch parties for people leaving. She even once served lunch after she had made the orders. It’s like a family away from home. There’s about 50 staff but never there at the same time. GPs, mental health, public health nursing, dental will all be up in St Mary’s. Aoife wonders about how they will keep the soul of Grattan Street Medical Centre when they move. Some people are delighted to be moving to a new building. But for Aoife it’s the people that make it. Change is good even though it’s scary. Will ensure they still do nights out, lunches, Christmas events. Wants to keep something about Grattan Street Medical Centre as well. </td> </tr> <tr> <td> 0.50.41 - 0.54.30 </td> <td> Social Aspects of Grattan Street Medical Centre Tradition before Christmas breakup day bring some food to the canteen between 12:30-2:30 big lunch in canteen. A feast- people make the effort. Aoife puts Christmas music on an old CD player. Some people play instruments eg. Violin. Party night at the airport hotel, plays. You can’t please everyone- you’ll never get the date right or the venue right. Takes lots of patience and organisation to do the social events. Recommends that people pay for the meal beforehand and she gives the restaurant the money and then everyone pays for everything extra themselves. </td> </tr> <tr> <td> 0.54.30 - 0.56.45 </td> <td> Organising Social Events and responsibility for money People think when you work for HSE they may think you get subsidised nights out. Mindful that she’s handling other people’s money. Bad snow one Christmas and only 2 members of staff made it to the party in Oriel House Ballincollig. There was no refund and that may have affected the turnout the next years. </td> </tr> <tr> <td> 0.56.45 - 0.59.20 </td> <td> Stories from Grattan Street Wasps coming through the decorative vents in the ceiling one year. Leaks in the roof. Boiler broke down and Aoife spotted smoke on the way to work. Flooding prevented staff from getting to work in Grattan Street. Professor Drumm (Brendan Drumm) head of HSE was visiting and there was new cutlery arrived and lots of scones from Duggan’s cake shop around the corner. Aoife was giving the scones to people as they were leaving even Prof Drumm. </td> </tr> <tr> <td> 0.59.20 - 1.04.00 </td> <td> Assumptions about the HSE Aoife has a pensionable job and works hard for it. And HSE is in the news a lot, eg the cervical test issues. But Aoife can only account for the work she does. Elderly people would always ask her the same two questions; can you get me a medical card and can you get me glasses? Welfare officers used to be downstairs in Grattan Street Medical Centre there could be an array of different characters. Sometimes there would be uproar with someone trying to skip the queue for the welfare officer. Gone to look at the style in weddings in the registry office in the front of the building. First gay marriage in Cork in the registry office. Everyone gets on there’s never been a major falling out between staff. Nice, friendly place to work even though shabby. Taken phone calls from elderly people who are looking for a different department and Aoife goes out of her way to help them. </td> </tr> <tr> <td> 1.04.00 - 1.06.39 </td> <td> Crimes and Old Dispensary Doctor’s handbag was taken and the thief got disorientated ran into the clinic room not out front door and dropped his mobile phone. Someone covered Sean (the porter’s) duties and a laptop was stolen. Aoife’s car was broken into one day. People had a misconception that Grattan Street Medical Centre was the old dispensary that there was drugs there. Only thing they could get was head lice lotion, bandages. Says the building belonged to the Mormons [means Quakers] who gave it to HSE to help the poor of Cork. </td> </tr> <tr> <td> 1.06.39 - 1.09.15 </td> <td> Accidents: Windows and Filing Cabinet Window have been here for a while. Sign on her office window which said “brrrrrr” and that was the noise the window made when it was windy! The window came away from the fitting one day while opening it. Hit her head into an open filing cabinet after answering phone once. Went to the Mercy (hospital) with the cut which wasn’t able to be stitched. </td> </tr> <tr> <td> 1.09.15 - 1.11.13 </td> <td> Cars Aoife was youngest in Grattan Street Medical Centre for a long time. “The baby of Grattan Street”. Aoife has a thing for cars. Could go out at lunchtime and could come back with a new car. Went to move her car and someone told her to call her parent to move it because she looked so young. </td> </tr> <tr> <td> 1.11.13 - 1.12.00 </td> <td> Ghost of Grattan Street Medical Centre Someone had a meeting and something fell and Sean the porter told them it was the ghost. Aoife says the “Ghost is actually real” heartbroken and traumatised by having to leave. </td> </tr> <tr> <td> 1.12.00 - 1.12.58 </td> <td> Different Dynamics in new Primary Care Centre Dynamics will be different in St Mary’s: won’t all be meeting in the canteen or chatting </td> </tr> <tr> <td> 1.12.58 - 1.13.42 </td> <td> Changes to job in new Primary Care Centre Currently all files and printer are in her office but in St Mary’s those are all centralised. Expects teething problems. </td> </tr> <tr> <td> 1.13.42 - 1.16.32 </td> <td> Grattan Street can’t let go of Aoife Would still take the job if she had the time over. Even though Aoife has tried to leave her job a few times something has always happened so that she ended up staying eg. an application form she sent off was blank, once there was a mix up with a panel, another time the job she went for changed from HSE to social work, she lost 6 family members in 6 or 7 years. Always had someone to turn to, support, friendly ear and chat in Grattan Street Medical Centre. “Burning the place down so no one can have it!” </td> </tr> <tr> <td> 1.16.32 - 01.18.40 </td> <td> Hopes for future of Grattan Street Medical Centre Disability services, child adolescent mental health, eating disorder clinic. Hate to see it turned into apartments. Lovely community- it should be kept. Food after Christmas parties is brought up to Edel House and food brought to Penny Dinners as well. Lots of vulnerable people in the area and lots of elderly people. Hopes podiatry can keep a room for foot care for the elderly with diabetes etc. prefer to see it remain as something that’s giving to the community. </td> </tr> <tr> <td> 1.18.40 - 1.19.01 </td> <td> Reflections on Grattan Street as Workplace Quirky characters. Fun place to work. </td> </tr> <tr> <td> 1.19.01 - 1.19.50 </td> <td> Fairies Aoife imagined fairies in the trees at her childhood home. Says she has a great imagination. She perhaps took the idea from The “Secret Garden”, she also loved “The Never Ending Story”. </td> </tr> <tr> <td> 1.19.50 - 1.20.01 </td> <td> Outro Interview Ends </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aoife O'Brien: Grattan Street, Healthcare, Working Life Identifier An unambiguous reference to the resource within a given context CFP_SR00712_O'Brien_2019; Relation A related resource Other Interviews in this Collection <a href="https://corkfolklore.org/archivecatalolgue/items/show/240" target="_blank" rel="noreferrer noopener">CFP_SR00696_O'Regan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/242" target="_blank" rel="noreferrer noopener">CFP_SR00704_Collins_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/243" target="_blank" rel="noreferrer noopener">CFP_SR00706_Higgisson_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/245" target="_blank" rel="noreferrer noopener">CFP_SR00713_Kearney_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/246" target="_blank" rel="noreferrer noopener">CFP_SR00714_Cunning_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/247" target="_blank" rel="noreferrer noopener">CFP_SR00717_Ward_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/248" target="_blank" rel="noreferrer noopener">CFP_SR00727_OhUigin_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/249" target="_blank" rel="noreferrer noopener">CFP_SR00728_Scanlan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/250" target="_blank" rel="noreferrer noopener">CFP_SR00729_Mulcahy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/251" target="_blank" rel="noreferrer noopener">CFP_SR00732_Cassidy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/252" target="_blank" rel="noreferrer noopener">CFP_SR00760_Morrissy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/253" target="_blank" rel="noreferrer noopener"> CFP_SR00762_OConnell_2019</a>; Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 16 May 2019 Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource 1 .wav file Creator An entity primarily responsible for making the resource Cork Folklore Project Subject The topic of the resource Ireland; Cork; Northside; Middle Parish; The Marsh; Occupational Lore; Medicine; Family; University; Built Heritage Description An account of the resource Aoife describes growing up on the Northside near Cathedral Road and playing games with her friends. Describes her grandmother who ran a shop on Churchfield Green. Her grandmother was a confidante to many locals. Her grandmother eventually moved into their family home, where Aoife describes how she cooked tripe and drisheen. Aoife also speaks about a typical Christmas day with her family and neighbours visiting. Recalls her school days and subsequent courses and jobs before her clerical officer role in Grattan Street, taking over her sister’s role. Remembers her first experiences of Grattan Street as a child patient wanting to get glasses. Is reluctant to leave Grattan Street as she has so many memories there. Explains her work in administration for the schools vaccination programme. Mentions rare cases of vaccine hesitancy or refusal. Describes the quirky character of the Grattan Street Medical Centre building and as a happy place to work despite its defects. It’s location in the centre of the city is also beneficial. Aoife talks about her role organising social events for the medical centre staff- Christmas parties and leaving parties. Hope to maintain these traditions when the staff move to St Mary’s Health Campus Gurranabraher. Recalls stories from Grattan Street including wasps, pigeons, floods, characters and the boiler. Accident Accidents Admin Administration Apron Build Heritage Building Buildings Built Heritage Cake Cake Shop Canteen Car Car Park Car Parking Career Career Decisions Career Path Cars Cathedral Road CD CD Player Cervical Test Chalk Change Childhood Childhood Games Children’s Games Christamas Christamas Dinner Christmas Churchfield Green Cigarettes Clerical Officer Clerical Work Clinic Colleagues Community Computer Crime Crimes Database Disability Dispensary Disrepair Dolls Drisheen Dublin Hill Duties Fairies Fairy Family Father Floods Food Friends Games ghost Glasses Grandparents Grattan Street Grattan Street Medical Centre Gurranabraher Health Centre HPV HPV Vaccine HSE Instruments Irish Steel Job Leaks Lunch Marriage Meals Medical Centre Medicine Memory Music Name Names Neighbour Neighbourhood Neighbours News North Main Street Northside Nurse Office Organising Parents Parking Parties Party Patient Patients Perceptions Picky Porter Poverty Registry Office Responsibility Sanitary Towels School Schooldays Scone Scones Secretarial Skills Secretary Shop Shopping Shops Sibling Sister Skills Skipping Smell Smells smoking Social life St Mary's Health Campus St Mary's Orthopeadic Hospital St Mary’s Primary Care Centre St Vincent's Staff Stories Summer Holidays Traditional Food Traditions Training Tripe Tripe and Drisheen Vaccination Vaccinations vaccine Vaccine Hesitancy Vaccines Wedding Weddings Work Work Colleagues Working Working life Worklife Workplace Youghal https://corkfolklore.org/archivecatalolgue/files/original/622a903a0d8ec14cf35f0ec5117f6d11.jpg 9bb7a39b33317470337de9c1daca7120 https://corkfolklore.org/archivecatalolgue/files/original/39feecb71909a59384899ba77376cc4d.mp3 e27dcdb814e6783046f3087a8654e4e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ballyphehane Oral History Project Subject The topic of the resource Life history interviews with the inhabitants of the Cork City suburb of Ballyphehane about life in the area pre and post city corporation development. Description An account of the resource In June 2016 Contact was made by the<a href="https://19162016committee.org/" target="_blank" rel="noreferrer noopener"> Ballyphehane 1916 Centenary Commemoration Committee</a> with the Cork Folklore Project to establish an oral history project to coincide with the events in Ballyphehane marking the centenary commemoration of the 1916 rising. The goal was to collect the memories of the residents and have a night in the community centre where these interviews would be played for the community. Ballyphehane is a suburb in the Southside of the city between Turners Cross and Togher. It was built between the 1940s and 1960s and inhabited by families rehoused from the city centre, much like Gurranabraher and Knocknaheeny in the north side. The significance of the 1916 rising to Ballyphehane is that the streets are named after the leaders of the rising. It was decided that CFP researcher and Ballyphehane resident, James Furey, would head up the project and assist volunteers in technical training and interview techniques: all interviews were carried out under the auspices of the the CFP. This interviewing project is ongoing, and there have been a number of community listening events in 2017 and 2018. Interviews have been carried out by CFP staff James Furey and David McCarthy, and by Ballyphehane resident Arnie O'Connell. Date A point or period of time associated with an event in the lifecycle of the resource 2016 and ongoing Contributor An entity responsible for making contributions to the resource Interviewees: Hilary Lyons; Arthur Walker Snr; John Chute; Marie McAllen (with contribution from Liam Ohúigín); Elizabeth 'Lizzie' O'Sullivan; Tom Falvey; Kieran Edwards & Noreen Crowley Interviewers: James Furey; Arnie O'Connell; David McCarthy; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/72" target="_blank" rel="noreferrer noopener">CFP_SR00586_lyons_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/73" target="_blank" rel="noreferrer noopener">CFP_SR00587_walker2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/76" target="_blank" rel="noreferrer noopener">CFP_SR00592_chute_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/77" target="_blank" rel="noreferrer noopener">CFP_SR00617_mcallen_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/79" target="_blank" rel="noreferrer noopener">CFP_SR00643_osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/80" target="_blank" rel="noreferrer noopener">CFP_SR00665_falvey_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/84" target="_blank" rel="noreferrer noopener">CFP_SR00672_EdwardsCrowley_2018</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ethnographic interviews carried out with inhabitants of Ballyphehane detailing their lives pre and post corporation development (ca. 1930s to 2018). Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 7.wav Files Relation A related resource Furey, Jamie (2018) ‘Boxcars, broken glass and backers: A Glimpse at the Ballyphehane Oral History Project’, The Archive 21: 24-25. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a> Listening Events Library Lane Café Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/search?query=jamie+furey&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=Collection&submit_search=Search" target="_blank" rel="noreferrer noopener">James Furey</a> and <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> 15th June 2017 Tory Top Library Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/search?query=jamie+furey&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=Collection&submit_search=Search" target="_blank" rel="noreferrer noopener">James Furey</a> Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview James Furey Interviewee The person(s) being interviewed Arthur Walker Sr Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 65m57s Location The location of the interview Ballyphehane, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Interview Format This field should hold one of the following values; audio, video. Audio Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com AW: But, ‘twas there it all started. The apples, and my going down to Friar’s Walk and finally Ballyphehane and going into Paddy O’Halloran’s orchard. That’s where the church is now and the school above it, then. They built the school eventually. After building the church, then, the building of the church, there was no one that I knew around that time working on houses and friends that we knew very well and a lot of people then that got work, got houses in Ballyphehane, down the lower end, they were getting work above in the building of the church, like, it gave great work to locals and no outsiders, ‘twas all local direct labour in Ballyphehane. After that, then, it progressed, the church was packed, packed, packed and the Corporation, there was two priests arrived, and they had no house, so the corner of Joe Murphy Road in Friar’s Walk, there was two houses hadn’t been given out yet to any family or anything and they gave the priests one each, one of the houses and they lived there for years, and eventually they built four houses, eventually, we ended up with five priests, years after, we had so many priests that time, and they were all good men. They built four houses then, on the grounds of the church, there alongside of it there below. That was the beginning of it, then. And then, after that, things were picking up with the building of the roads in Ballyphehane, so to me, the greatest thing of all, there was a meeting called for everyone in the parish, and the churches used be packed that time, they were starting a credit union. ‘Twas the first in Cork. Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.00.00 - 0.07.30 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Early Life: Evergreen Street. 3 brother and 3 sisters. Father worked in England. Mother was an invalid. The house had 1 little room. Bad conditions, no work in Cork. Would only see father once a year or once every second year. Telegram boy would come with wages every now and then. Eldest sister looked after them. No room for 2 eldest siblings in the house. Mattress on the floor. Remembers the talk of his eldest siblings and cousin from Turners cross deciding to emigrate to England. The travelled on the InnisFallon. They were 17 or 18, embarrassed to bring friends back to the house. Arthur thinks that this may have been the deciding factor to leave. The Grandmother lived next door, she knitted down quilts from peoples woollen jumpers and sold them to her neighbours. She also sold apples from a barrel from her front window to the school children for a penny. The apples came from an orchard on the end of Friars Walk were Ballyphehane church is now. It was Arthur’s job on the weekend to go and collect the apples. He often cried, had a boxcar with 2 pram wheels, he would go all the way to the orchard, half way down Friars walk where the Marian Pharmacy is now was a was 4 cottages and a water pump with a cup attached where Arthur used to stop to get refreshed. Where the orchard was there was also a farm house belong to Paddy Halloran with a big country yard with a lot of fowl. Get the bag of apples from him, wouldn’t get back home till 8 in the evening. He used to give Arthur an apple on the sly. The corporation decided to build up Ballyphehane, so he had to sell his land to the corporation, and opened the Bull McCabe pub on the Kinsale Road, his son had it after him. The collecting of the apples was Arthur’s first experience of Ballyphehane. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.07.31 - 0.09.01 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The building of Ballyphehane: there was no building work at the time, so those who had been moved out here were given work on the church, all local direct labour. The church used to be packed with parishioners. 2 priests were assigned to the area, they were firstly given corporation houses on the corner of Joe Murphy road and Friars walk, eventually they built four house at the rear of the church. The parish ended up with 5 priests, ‘all good men’. After that thing were picking up with the building of the roads in Ballyphehane. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.09.02 - 0.14.40 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Credit Union: was the greatest thing that happened. Ballyphehane was the first Credit union in Cork, could have been the first in the country (First outside Dublin). Meeting called in the school hall about setting it up. Bishop Lucey had been in America and had met people there that told him about the credit union movement which had begun in Germany. The New Cannon in the church, Cannon Henchy was told by Bishop that it would be a good idea to set up a credit union in the area to bring people together. Great interest from the beginning, a few men volunteered to take it on, and it grew. Due to the speed at which Ballyphehane was built, the houses got dishevelled quite quickly, with doors off hinges etc. The Corporation had a repair unit on Friars walk in a tin shed, that is still there (the pipe band is there now) and can’t be moved with out permission, it was originally a part of a market garden. The corporation weren’t very reliable when it came to repairs. The credit union filled this void and enabled the locals to afford to maintain their house. At first the credit union was based out of the church. Arthur volunteered on Saturday with the Children’s bank. It picked up with everybody saving locally. To buy a mattress or anything one would have to go to Sean Jennings on grand parade where the park is now, you would be paying off for one item but when that was nearly paid off they would get you to buy something else and people would get further into debt. The credit union made these purchases easier and more affordable. In Arthur’s case, he was able to get a loan to build some garden walls at the back of his house, eventually he was able to buy a car for £80, which was an awful lot of money, couldn’t have afforded it without the assistance of the credit union. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.14.40 - 0.17.07 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Car: in question was a Morris Minor which had to fit a family of seven and whoever else was tagging along. The car opened up things to the family, they would go to red strand or Youghal every Sunday. One Sunday a friend of his daughter Pat’s was with them on a trip, he was teaching Pat to drive, got to Bandon and she wouldn’t drive through the town, so they swapped seats Arthur drove through the town and swapped back again after the town, on the way home same thing happened again but this time there was a hitchhiker on the road, while they were swapping seats the hitchhiker thought they had stopped for them and sat in the seat ‘Jesus, you’ve a big crowd in here’ he said, Arthur had to explain what was going on and the hitchhiker didn’t take to kindly to being removed from the car. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.17.08 - 0.18.53 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Credit union Cont.: progress was made through the credit union, the council was always putting you on the longer finger, so you’d go to the credit union for money and get a local to the job in the house. Back door, windows, today he says he wouldn’t have anything if it weren’t for the credit union. The council owe them a big honour, the beauty of Ballyphehane house and upkeep of gardens is due to the CU, and the CU gets little recognition for this. Footballers and hurlers and anyone gets honoured by the council but not the CU. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.18.54 - 0.21.20 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> FR Matthew, the Graveyard and the GAA: They started a hurling club called the Fr Matthews due to him being buried in St Joseph’s cemetery. His grave was a famous site where people would go for cure, they would do rounds of his grave in hope to cure cancer. The comedian Ignatius Commerford lived across the road from Arthur and he used to do rounds of the grave every morning after he had a stroke, trying to get his speech back. Back to the GAA club, the locals weren’t happy with name, so called a meeting in turners cross school and had a vote, which passed the name Ballyphehane Hurling and Football club. They set up street leagues for the young fellas under 12, each street had its own teams which competed against each other. They played first at Tory Top park. Casement Soccer club then set up street leagues too </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.21.20 - 0.23.11 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Battle of Ballyphehane: One Sunday the GAA club and the Soccer team’s finals clashed. Both were to be played at Tory Top park. It was known as the battle of Ballyphehane. The men on Connolly Road were setting up soccer goal post and men on the other side were putting up the Hurling goal post, there was children and the Sinn Féin pipe band waiting to play, the nest thing they men started arguing ‘ye can play after’ and Paddy Mahoney took off his coat and shirt, they had to call the priest to settle the matter, Fr Fitzgerald came up told one group to play next week and the other to play the following week and the final should be played on these days for every year. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.23.11 - 0.25.12 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Neville’s Lane at the side of the Marian Pharmacy, the side gate to the park used to be a massive house belonging to the Neville family. They gave the pitch to the children. We used to take a picnic to the cemetery on Sundays and look at the grave, nothing else to do, no TV or radio, you’d have go through that lane way, no Derrynane road at the time no Doyle’s road to Connolly road. Connolly road was just stones and earth. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.25.13 - 0.33.08 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Getting the house in Ballyphehane: you needed a contact to get a house in the area, ‘you’d have to know the Lord Mayor’, ‘some councillor had pull’ Dino was a fierce man in those days’. Arthur had to go to the tinny shed with the form and house would be given out the following week. Was told to pick a house on Joe Murphy Road and come back and tell them. Picked No. 52 because the sun was shining in the back garden. Got the key the following Monday. The road was not yet finished, no fences and earth and rubble everywhere. There a lot of families worse off, Arthur by then had a job in Murphy’s Bacon Factory on evergreen road (a job he kept for 33years). The Walkers were the first to move in the road, in 1957. He had been living in a flat in Washington street, above the Washington inn looking over the roof of the court house. MacDonald’s from Bishopstown owned the pub. After he got married he had nowhere to go, a fella told him to go to Oliver Plunket street and see John Mcasey (pub by the market) he gave him a small flat as a stopgap. They were in a 1 room attic sweatbox, 4-5 flights of stairs. His sister was home, her brother -in-law was a housing officer in the city hall. They were out for a drink and a chatted about family and Arthurs situation came up, the brother in law came to assess the flat, he discovered that the Jim Barry’s (boxer and cork hurling coach) tailor was on a lower floor and had four men working and one toilet which Arthur had to share with them. He said that’s illegal, later got the call from the council and got the bungalow on Joe murphy road. Very happy on Joe Murphy road. ‘I’d go back there today’ lived there for nearly 10 years. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.33.09 - 0.36.03 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Collecting the church dues: Fr Fitzgerald called to the houses chatting to people and tell of the churches debt. He appointed Arthur and his neighbour Timmy Cooney to call to the house on their road very Sunday to collect a shilling from each and mark it in a jotter, and return the money to the sacristy. Some would pay, others would skip it. Cooney used say ‘don’t go in there now, the young fella will come out and he’ll say ‘me mam said she’s gone out’’ did that for years. Was then roped in to the credit union, for the children’s bank on Saturday mornings from 10 to 12. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.36.04 - 0.42.46 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The move to Nuns Walk: He was told that his family was too big for the house on Joe Murphy road and that he would have to move to Togher. He had 5 kids at this stage. They were all upset. No reasonable time to leave. Told a chap in the credit union and he said ‘I’ll be leaving my house on nuns walk shortly, I’ll have a word with the Fr Fitzgerald’ (he had great pull, he was known as Lord Fitzgerald, he inherited Fitzgerald Park and the Cork cricket grounds and Fitzgerald’s place by the south infirmary.) Fr Fitzgerald got on to Jimmy Dineen the housing officer who was also a founding member of the credit union and he helped out again and got Arthur and his family into the house on Nuns walk. Got the house but was to tell no one because there was loads of interest in houses at the time, but he got it through his volunteering with the church and the credit union. The previous owner used to do shoe repairs in the house. He had worked for Hanover Shoe company where the dole office is now on Clarkes bridge, that closed down and himself and a fella named Jack Dwyer (the sunbeam dywers) decided to rent the store on Pouladuff road (ucc use it now). He was exporting boxes of shoes to Italy, in the end he wasn’t getting anything back, found out that they were going to a false address, and he lost all the whole business. He then started a repair shop here in the house. So there was smell of leather in the house from him. His wife used to give out about it, so he rent a shop on Peasre square, later he packed it in, the wife said he was over worked. He moved from here to where SuperValu is on the Togher Road. Only Fr Fitzgerald, jimmy Dineen and Arthur knew of the move. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.42.46 - 0.47.50 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The buses in Ballyphehane 1960s: they came up as far as the church, turned up friars walk and turned by the tinny shed and go around the corner, that house had massive trees. Arthur describes trees of Ballyphehane which re-date the suburb being built. The Carroll’s had a house over by where the harp bar is and got to pick a house wherever they wanted in the area and moved to Connolly road. The big weeping willows on Derrynane road (recently cut down), the bus would turn there, the conductor would sit on the wall and have a smoke or go to the toilet, and the driver and the school kids would be waiting for the conductor, the young fellas would hit the bell and the driver would head off without the conductor, and more fella would get on and hit the bell again, the conductor would be running after and the driver would have to turn back to get the conductor. The trees at lynches (Katheleen Lynch the TD, her family fierce Sinn Féin man and a Bowl player, Dinny) house were older than Ballyphehane. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.47.51 - 0.49.30 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The first shop in Ballyphehane: was down Kilreendowney avenue was owned by the Carrol family. Used stay open late, people used to get milk and cigarettes. A work colleague of Arthur’s, Sammy Forde married one of the Carroll’s daughters, and the family gave her a gift of what is now Fordes shop on Pearse road. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.49.31 - 0.53.42 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Club House? Tory Top park The Club house? Could be Neville’s house in the park, people did have meetings there, but it got vandalised. Or it could be the Club house on the corner of ST Patrick’s road, Deer park, across the road from the shop, was Nemo Rangers first club house. There was a public toilet in Ballyphehane park. In the side gate off Neville’s lane, behind where the goals would be there was a square red bricked house and it was a gent’s toilet. ? Arthur Jnr has no recollection of these, must be early 1960s. 2 characters used to work with Arthur, Connie Bennett (Joe Murphy Road) and Tommy Kelleher (pauladuff Road) fierce for the drink, they could end up anywhere. They were coming home late one night from Mountain bar on Evergreen Road, everyone used the park as shortcut, the lads were going through the park and Tommy was bursting for the toilet, rushed over to the gents and tommy went in and ran out quickly shouting with his pants down round his knees, he had walked in on a young couple embracing. Connie told all of Cork about it. The Bandstand used to have a band every second Sunday, great place for the kids. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.53.43 - 1.01.23 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Explosion at the republican plot in St Finbarr’s Cemetery: The monument. Timmy Cooney said that they should go out to the cemetery on Glasheen road to see de Valera unveil a plaque to the old IRA, there will be a band at 3pm. The night before there was an explosion out there. You could hear it all around. Some Sinn Féin guy’s had set a bomb at the monument to get de Valera. They had been at a dance in the Tomas Ashe hall (Sinn Féin hall) on Fr Matthew quay. Mick Collins from Evergreen Road, Madden from Upper Fr Matthew Road, and a young fella Swanton, from Blackrock. Arthur knew them, had worked in some capacity with Swanton and was quite friendly with him. They decide to have a smoke before they left the plot. Whatever happened, the bomb went off, three of them went up, one of Madden’s arms was found a distance away, he is still alive on turners Cross. Collins ran off to England. Swanton died in the blast. Timer on the bomb set wrong. This had a fructuous effect on the IRA in the city and led to factions being set up. Sinn Féin members who attended the funeral was expelled from the party. Arthur attended the Funeral. Swanton worked for Sisk and used to do lot of jobs in the Bacon Factory. Mr Mulcahy: form Nuns walk, took park in the boarder Campaign in the late 1950s early 1960s in the North. He was arrested in an ambush where Séan South killed. (He roped Barry Doyle into Sinn Fein). He was arrested and jailed for 12 years, wouldn’t sign out or let the family visit. Fr Fitzgerald visited him. He died and they buried in St Finbarr’s, Guards and army presence to stop the gun salute from happening. But later in the school playing field in Ballyphehane they did the gun salute, even though unmarked cars were monitoring the area. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 1.01.24 - 1.05.57 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> What Ballyphehane means to Arthur: The greatest thing ever. It gave him a place to live and to enjoy. Never met so many great people anywhere. Wouldn’t live anywhere else, the most pleasant place. It used to all bog land, used to pick blackberries, there used to be a train line, he was on the last train to Courtmacsherry 1963. Used to pick birds nest. Would walk out to the viaduct, he was there for the lofting of the bowl by the German on the ramp. It was done it with a 16 inch bowl, the normal weight is 28. The German did it with the 16inch while Mick Barry did it with the 28. They had a ramp to help get extra height. Murphy’s brewery gave him £1000 pounds to do it. The bishop said that Barry’s bowl only actually went through a gap and didn’t really scale it. INTERVIEW ENDS </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur Walker Snr: Evergreen Road, Ballyphehane Subject The topic of the resource Life History: Evergreen Road, Ballyphehane, Childhood, Poverty, Emigration Description An account of the resource Arthur tells of his early life on Evergreen road and the move to Ballyphehane in the 1950s Date A point or period of time associated with an event in the lifecycle of the resource 13 September 2016 Contributor An entity responsible for making contributions to the resource Interviewee: Arthur Walker Snr Interviewer: James Furey Identifier An unambiguous reference to the resource within a given context CFP_SR00587_walker_2016 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; Ballyphehane; Evergreen Road; 1950s - 2000s Relation A related resource <div class="element-text"><a href="http://corkfolklore.org/archivecatalolgue/items/show/72" target="_blank" rel="noreferrer noopener">CFP_SR00586_lyons_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/73" target="_blank" rel="noreferrer noopener">CFP_SR00587_walker2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/76" target="_blank" rel="noreferrer noopener">CFP_SR00592_chute_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/77" target="_blank" rel="noreferrer noopener">CFP_SR00617_mcallen_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/79" target="_blank" rel="noreferrer noopener">CFP_SR00643_osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/80" target="_blank" rel="noreferrer noopener">CFP_SR00665_falvey_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/84" target="_blank" rel="noreferrer noopener">CFP_SR00672_EdwardsCrowley_2018</a>:</div> <div class="element-text"> Furey, Jamie (2012) ‘Boxcars, broken glass and backers: A Glimpse at the Ballyphehane Oral History Project’, The Archive 21: 24-25. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a></div> Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource .wav Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Arthur Walker Snr Ballyphehane Ballyphehane Oral History Project Ballyphehane Pipe Band Bandon Battle of Ballyphehane Bishop Cornelius Lucey Bull McCabe Pub Canon Henchy Credit Union Eamon de Valera Emigration England Evergreen Street Fr Theobald Matthew Hanover Shoe Company Innisfallen Neville’s Lane Nuns Walk Sean Jennings Sinn Fein St Finbarr’s Cemetery Youghal https://corkfolklore.org/archivecatalolgue/files/original/3a3b74910e9b494616af9fd1838dfa87.jpg 9a1212ce48dc2ace584eb0614efc891c https://corkfolklore.org/archivecatalolgue/files/original/cb40a8b59b15c2453ec91f4e415ce9ac.mp3 606ebc799418401b9cae84b920674afa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview John Meghan Interviewee The person(s) being interviewed Avreimi Rot Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33m 49s Location The location of the interview Cork City, Cork Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com J.M: OK fine, so back to the English language, do you have any stories about misunderstandings that might have occurred because of the difference of language, or because people do things differently here in Ireland? A.R: I remember working as a security officer, I had to, I was working near the airport in the Business Park, I was working in the gate, and there were cars arriving, and I was on the gate, and sometimes I had to tell the car to stop. And it would be more visual communication, because I was there in the booth, and I couldn’t speak with them, and I had to make a sign to stop, and the sign in Israel would be like putting your hand forward with your palm up and in front of the person and it would mean eh to stop but they did not understand this one and they just waved me hallo and the other way is to ask somebody what is the sign to make a sign to make it stop, and the other officer told me you take your index finger and putting it up and then it would mean just wait one moment, well like or the way people say hello here with the head it wouldn’t be like putting it up and down, it would be in Israel, if you meet somebody in the street and you don’t actually say hello just sign it with your head it would be like getting your head up and down while in here it would be like right and left kind of half way right and left, it took me time to understand this kind of thing as well, of course with language as well but I don’t the physical the visual . . . Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Avreimi Rot: Customs, Food, Israel, Religion, Subject The topic of the resource Life History: Cork; Ireland: Israel Description An account of the resource Avreimi grew up in Jerusalem, Israel in a strict orthodox community until he was 14 when he moved to a less religious neighbourhood. He came to Ireland when he was 21. His father became ill with multiple sclerosis when Avreimi was a child. From a young child his day was spent going to school, studying the bible and religious scripts. It was just his education and he enjoyed it. Avreimi relates how his family came out of the orthodox way of life. They had to live almost under cover for years. There were sections of Jerusalem that are strictly religious and defined by clothes and certain behaviours on Sabat. He describes the food and the symbolic meaning of food they ate on Religious festivals like Jewish New Year and Passover. Avreimi came to Ireland after doing national service. He did not want to participate in the war. He came to Ireland through an invite to work on an organic farm in Carrigaline. He was struck by how kind and friendly everyone was. Gives a humorous account of how he misunderstood the meaning of hand and body gestures. There are few Israelis in Ireland. His friends are from a range of cultures. Discusses how he sees that Ireland is politically insular and lacking awareness of world issues. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 16 September 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Avreimi Rot Interviewer: John Meghan Identifier An unambiguous reference to the resource within a given context CFP_SR00337_rot_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland; Israel; 1990s - 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material: ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 1990s 2000s Celebration Cork 2005 Customs Farming Food Israel Jews National Service New Year Passover Religion Spirituality https://corkfolklore.org/archivecatalolgue/files/original/54c3f0d647af70f2d0a3f4970043243c.jpg 9a1212ce48dc2ace584eb0614efc891c https://corkfolklore.org/archivecatalolgue/files/original/64a2a30322f7f8bcfdba3a3c7d957b9d.mp3 62c551fe1817c3763742e59e54482082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Mary O'Driscoll Interviewee The person(s) being interviewed Balaska O’Donoghue Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43m 08s Location The location of the interview Cork City, Cork Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com M O'D: Em could you describe maybe some kind of a family celebration that would be kind of a I don't know, it could be a wedding it could be a funeral, it could be whatever, a typical celebration? B O D: Yeah well wedding for example, how would I describe it? Church weddings didn't really happen! As far as all the weddings in Slovakia, I didn't go to church wedding. Well that's probably because the way it was, registry office, out to the wedding, the same you have your white clothes, you have to have your red clothes in the middle of the night, you the bride has to change to red clothes, and she'll be dancing for another while, and they don't go on honeymoon until next morning, so that's the only difference probably in this em traditional folk, polka, and this kind of clarinet or how do you call them those breathing instruments. . . M O'D: Clarinet, tuba, saxophone, trumpets? B O D: Trumpets, that's it yeah that would be there, loads of button accordions, harmonicas, yeah traditional folk, that would be the wedding just going on for about a day, not like Irish weddings: they can go on forever. (Laughs). M O'D: So would there be a lot of dancing at the weddings? B O D: Mm, loads of dancing, yeah, loads of drinking, loads of food yeah! M O'D: Could you tell me about the food? What kind of food? B O D: What would you have? We would have the traditional food would be em its kind of a beef, and its kind of white cabbage cooked, and you get your dumplings with it, and you get your dumplings yeah, your white cabbage, and your beef, it's kind of diced beef, and the cabbages em well not sour how will I say it? It just has a distinctive taste, it's sweet and sour more beer taste out of it, yeah, I don't know what to compare it to, in here, white cabbage like from coleslaw, something like that. That's the traditional food, then you would have your pork chop kind of thing with potatoes and vegetables of the day, whatever it is, and the most traditional food which is not served at weddings would be again special cheese with special bacon and home made dumplings - you can't get that cheese anywhere else: it's called Binza - and you just do your dumplings in the water and put that over with your bacon. And you drink kind of sour milk with it, which is made in the mountains by all the shepherds and they are supposed to be very strong from it. Em it's kind of sour milk as well, more like natural yoghurt or something, yeah so that's the traditional food totally different, veg, brown and white bread and the rolls. Yeah a little bit similar but not the same. Desserts, desserts are lovely! Desserts, there's a poppy seed cake that's my favourite and we eat that for Christmas as well, poppy seed dumplings I would call them, or sweet dumplings with poppy seed. Beautiful. Yeah that's the food in Bulgaria. Eat fish for Christmas then (we don't eat meat) we celebrate on Christmas Eve, can't eat meat so we eat the fish, and then, with your potato or potato salad whatever you prefer. The big day is then when we can eat is the twenty fifth and sixth, as everywhere else we just stuff ourselves and go with the families. Yeah that's the Slovakian way of putting it! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Balaska O’Donoghue: Bulgaria, Cork City, Food, Music, Slovakia, Travel, Celebrations Subject The topic of the resource Life History: Cork: Ireland: Slovakia; Bulgaria Description An account of the resource Balaska grew up in the central city area of Kosice , Slovakia until she was 19. Her father was Bulgarian and her mother Slovakian. She has one-half brother. She came to Cork because she met a Cork man whilst visiting London. She spent a lot of time as a child with her grandmother in Bulgaria. She was an independent child. Her mother was often sick. In the era of communism, they would go to after school to do their homework. The family had a lot of holidays, going to spas and skiing in the winter. In Bulgaria on holiday she was exposed to many different nationalities. There were no church weddings. They took place in a registry office. The bride wore white during the day and changed into red in the middle of the evening. Balaska describes traditional Slovakian food. They ate diced beef and a type of sour cabbage with dumplings. She mentions a cheese called Binza and a poppy seed dessert. The ate fish on Christmas Eve. She describes spending three months with her grandmother in Bulgaria where she learned the language. Half of the village where her father was from married foreigners so the children who visited were half Bulgarian and half other nationalities. Balaska came to Cork because she met a Cork man in London. Her first observations of Cork were how colourful the houses were. When she came first it rained every day for two months. She loved how small Cork was as a city and the people were very friendly. Since she came to Cork it has become more international. There are more people with darker skin. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 28 September 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Balaska O’Donoghue Interviewer: Mary O'Driscoll Identifier An unambiguous reference to the resource within a given context CFP_SR00339_odonoghue_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; Slovakia; Bulgaria; 1990s -2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material: ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 2000s Bulgaria Celebration Communism Cork 2005 Cork city Food Holidays Music Slovakia Travel Weather https://corkfolklore.org/archivecatalolgue/files/original/b036c7ced45028f4c8d676577193cbd8.jpg c749eda90e16fa92bb8fcc1bdb0b02f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LGBT Collection Subject The topic of the resource Stories and memories of LGBT life in Cork City and County. Description An account of the resource The LGBT (lesbian, gay, bisexual, transgender) collection was launched and created in August 2014 by Stephen Dee and Dermot Casey, researchers at the Cork Folklore Project. The Project was established to record and preserve stories and memories of LGBT life in Cork City and County, with a focus prior to decriminalization in 1993 but also to document the important achievements and struggles that contributed to a society that today is far more accepting of LGBT people. This is proven today with the legalisation of same sex marriage through popular vote and the increased visibility of LGBT people in all areas of public life. The collection’s aims are to explore three main aspects: ‘Personal Recollections’ including but not limited to identity, coming out and experiences of homophobia; ‘Community Stories’ based on certain areas, streets, and forms of social interaction within the LGBT community; and ‘Political Movements’, chronicling political events, motivations and outcomes such as the creation of the Cork-based Irish Gay Rights Movement in 1976, Cork Gay Collective in 1980, and UCC Gay Soc in 1980. Each interview we conducted was unique with each interviewee covering some or all of these topics and with some areas being explored in depth. We hope the material can complement LGBT research in Ireland and also stimulate further interest amongst the public in LGBT history. To date we have distributed some of this material to the public with an audio visual presentation on YouTube and in 2016 in conjunction with Cork City Partnership for LGBT Awareness week we produced a public exhibition of our sound excerpts at Cork City Library. Special thanks to all our interviewees and also to Alvina Cassidy whose research also features in this collection. This LGBT collection of interviews is stored within the Cork Folklore Project permanent oral history archive run in conjunction with UCC’s Folklore and Ethnology Department and Northside Community Enterprises, with both a physical and digital presence. As with all our material, access to full interviews is supervised through a variety of permissions and forms. Date A point or period of time associated with an event in the lifecycle of the resource 2012 and onwards Contributor An entity responsible for making contributions to the resource Interviewees: Derrick Gerrety; Eddie Kay; Christine Browne; Stephen Dee; Dermot Casey; Padraig McCarthy; Clive Davis; Finbarr Kiely; Ken Curtin; Paul McAllister; Jonathan Neville; Tara Whelan; Edmund Lynch; Tony Doherty; Cathal Kerrigan; Barra O’Donnabhain Interviewers: Alvina Cassidy; Stephen Dee; Dermot Casey Identifier An unambiguous reference to the resource within a given context <a href="http://corkfolklore.org/archivecatalolgue/items/show/85">CFP_SR00502_kay_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/86">CFP_SR00516_browne_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/87">CFP_SR00518_dee_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/88">CFP_SR00519_casey_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/89">CFP_SR00521_mccarthy_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/90">CFP_SR00532_davis_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/91">CFP_SR00534_kiely_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/92">CFP_SR00547_curtin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/93">CFP_SR00548_mcallister_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/94">CFP_SR00549_neville_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/96">CFP_SR00555_whelan_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/97">CFP_SR00556_lynch_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/98">CFP_SR00558_doherty_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/99">CFP_SR00561_kerrigan_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/100">CFP_SR00576_odonnabhain_2016;</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ethnographic interviews carried out with members of the LGBT community in Cork city and county Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav files Relation A related resource Youtube video showcasing interviews from our LGBT Archive Collection. Ten voices, eight topics, ranging from First Discovery, Coming Out, The Scene, Marriage and more. <a href="https://www.youtube.com/watch?v=enopWLdeOAw&t=2s">https://www.youtube.com/watch?v=enopWLdeOAw&t=2s</a> Other CFP Material Realting to LGBT Life in Cork: <a href="http://corkfolklore.org/archivecatalolgue/document/130">CFP_SR00418_gerrety_2012</a> Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Dermot Casey Interviewee The person(s) being interviewed Barra O’Donnabhain Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 104min Location The location of the interview Cork Folklore Project, Farranferris, Cork. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound DC And, so when you went to UCC, wasn’t the atmosphere so of UCC wasn’t liberal, no? -- BOD It wasn’t positive at all, and like UCC actually for me, was a very challenging place. Partly I suppose because you know, say the three years in my undergraduate from the age of seventeen to twenty, I was realising more and more, this isn’t a phase that is a going away. This is how I am, and I must be the only one as well, but I knew I wasn’t, because there was an attempt and I, -- DC What was year was this now was this in UCC? BOD I started in 78 and I think it would have been maybe about ’79 or ’80 there was an attempt to establish a gay society and that is what it was going to be called a gay soc, gay in UCC. And the University opposed it, in fact, the University wouldn’t allow it, so I don’t know what year, I, I? DC I think it was about then because we spoke to Cathal and he? BOD To Cathal Kerrigan? DC Yeah, he was the auditor wasn’t he ? -- BOD Well he, well he was the auditor, well he was also that was an interesting story in itself, because that would have been either my second or third year so either 79 or 80 and he, he was elected as a, what would you call it, chairman or president, of the UCC students Union. And you know I think he got it because his dad was a TD so he was seen as a natural leader or whatever and then after he was elected president of the students Union, he came out or he let it be known that he was gay. And this caused a lot of consternation; I don’t think there is any way he would have been voted in, if that had been known prior, because, I actually I can put a date on this, I think it was 1980, or 81 because the hunger strikes were on in Northern Ireland, so it was an awful time in Ireland generally like you know the economy was down the toilet, and then you had this nothing seem to go right for the country but anyway the hunger strikes were on and as part of that, the students union, I think Cathal may have, I don’t know done something, like closed in sympathy or made some expression of sympathy in one direction or another. And there was a general assembly of the students call somebody objected to this, now I can’t remember what led up to this, but anyway so there was general assembly, in the main restaurant in UCC and Cathal stood up, and it was like prior to that he had led some kind of a student protest about fees or something like that, and there was a sit-in, in the presidents office and you know there were kind of general meetings, and he would have seen as somebody who was doing stuff that was worth doing but then he came out and there was this general meeting called, as I say, I think it was about the hunger strikes and the student response to it and he got up on the stage and he said something like oh we have a query here from somebody and the whole place erupted into laughter, and it was like, I was looking around, I was like whatever, nineteen, twenty, I was looking around, I was like seriously? Like that is the reaction, that is you know this is so funny because a queer has the said the word query? And I do remember thinking you know looking around the room and saying these are, this is Irelands future leaders, this is not a good sign, you know and to be honest I didn’t have a high opinion of my fellow students, and you know the kind of guffaws of laughter, and oh Jesus it was pathetic, but then things got on to things to discussing whatever substantive issue was, but that for me, was a kind of a real moment of kind rejection if you like by my peers even though it had nothing to do with me. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barra O’Donnabhain: Homosexuality, UCC, David Norris, Subject The topic of the resource Stories and memories of LGBT life in Cork City and County. Date A point or period of time associated with an event in the lifecycle of the resource 1 June 2016 Contributor An entity responsible for making contributions to the resource Interviewee: Barra O’Donnabhain Interviewer: Dermot Casey Identifier An unambiguous reference to the resource within a given context CFP_SR00576_odonnabhain_2016 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Clare, Ireland, 1960s-2010s, Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Relation A related resource <a href="http://corkfolklore.org/archivecatalolgue/items/show/85">CFP_SR00502_kay_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/86">CFP_SR00516_browne_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/87">CFP_SR00518_dee_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/88">CFP_SR00519_casey_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/89">CFP_SR00521_mccarthy_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/90">CFP_SR00532_davis_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/91">CFP_SR00534_kiely_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/92">CFP_SR00547_curtin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/93">CFP_SR00548_mcallister_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/94">CFP_SR00549_neville_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/96">CFP_SR00555_whelan_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/97">CFP_SR00556_lynch_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/98">CFP_SR00558_doherty_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/99">CFP_SR00561_kerrigan_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/100">CFP_SR00576_odonnabhain_2016;</a> <div class="element-text">Youtube video showcasing interviews from our LGBT Archive Collection. Ten voices, eight topics, ranging from First Discovery, Coming Out, The Scene, Marriage and more. <a href="https://www.youtube.com/watch?v=enopWLdeOAw&t=2s">https://www.youtube.com/watch?v=enopWLdeOAw&t=2s</a></div> <div class="element-text"> Other CFP Material Realting to LGBT Life in Cork: <a href="http://corkfolklore.org/archivecatalolgue/document/130">CFP_SR00418_gerrety_2012</a></div> <a href="http://corkfolklore.org/archivecatalolgue/items/show/100"></a> Description An account of the resource Barra was born in Shannon Co. Clare but moved to Cork in the late seventies to attend UCC at a time when the first student gay society was being set up. He had experience of gay life and the emerging gay social scene in Cork and Dublin in the early 1980s. Barra today is a Lecturer of Archaeology at University College Cork. From UCC website: Dr Barra O'Donnabhain, who holds a PhD degree in Anthropology from the University of Chicago, is a bioarchaeologist who has been conducting archaeological research in Ireland and other parts of the world for over 25 years. Type The nature or genre of the resource Sound 1960s 1970s 1980s 1990s 2000s 2010s AIDS David Norris Homosexuality UCC University College Cork https://corkfolklore.org/archivecatalolgue/files/original/36b8210071167421aaeb36f84f233b00.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/b380390a6d3b97a02440b32508d78485.wav 50dc8a7e2609d686ed203df12fa93c40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Barry Murphy Interviewer The person(s) performing the interview Stephan Dee Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 4min 35sec Location The location of the interview Civic Trust House Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound C O C: Would you like to state your name and give us your memory. B M: My name is Barry Murphy I lived in this house for from the 1st of February 1959 to the 27th of July 1970. I left here to go to the church to get married. Eh my two brothers and my first cousin also left here to go to the church to get married. Em the house was run by the Mrs Ryan’s there was Sissy, Monica, Mary and they had a brother Jack who was not well and they also had a brother Monsignor Ryan he retired to this he was in Plymouth but he retired to here. Eh his eh Ger I think his name was. I have many happy memories here like to me it was home from home it was because eh I was originally from Bantry and the home place was sold so this, this was my home. C O C: An we are talking about the Civic Trust House. What was the civic house trust when you lived here it was a B M: It was a boarding house. There was thirteen the maximum number that ever stayed here was thirteen, but em we very rarely that was she was trying to fit in some friends or other. But people who stayed here I only remember two people who came to stay here and left to change lodgings. We never changed. C O C: Right B M: I suppose its location it’s near to town and em the people who ran it were generally very nice very nice people. C O C: An would have stayed friends with the people that you would have met? B M: I did yes well like they were elderly ladies. I have a photograph of my em after, after we were married we called we passed by the house here an I have a photograph with the people of the house an our on the door step in our wedding gear and the family here as well. So em its. C O C: And has the house changed much now from what it was then. B M: Well I can’t say that much. This room has changed a lot because the fireplace is that’s a new fireplace that’s been fitted there that wasn’t like that, an there was a press there in the corner and also but I'm glad to see I was worried about the window. That stained glass window on the stairs. I was wondering what happened what happened to that. I was wondering was it removed by some engineer as a favour for a friend for some other house but thank god its still there. An I have many happy memories of this house. C O C: Can you give me a picture of your kind of days here B M: Well I was a shift worker so em we’d come down. This was our this was our communal room and we we em the students use to study in there own rooms but we came down here for meals and there was a radio there in the corner there was no television at the time and we had chairs around the place. We played forty forty five here or and em there was one man Michael O Callaghan he was a teacher above in the Cathedral school and he spent all his life here. He never married but he spent all his life here in this house and em so it’s em the room across the way that was the family room an the kitchen was in behind here and all the rest then were more or less bedrooms. C O C: Ok and what kind of meals would have been prepared for ye. B M: Well ordinary meals breakfast you’d get a fry for breakfast you got your lunch and you got your tea. C O C: And what was dinner? B M: An you got supper maybe a bit of sweet cake an if we didn’t we always went up to the Inchigeela Dairy’s or up to the Stad to get something to have with the cup of tea. C O C: Em, em just questions we are asking em everyone that comes in. Em do you have any memories of Allotments in Cork. B M: No you see I'm a native of Bantry not a native of Cork. C O C: O ok. Did you have any experiences of Bonfire night in the city? B M: Only horrible black clouds of smoke tyres no didn’t like it C O C: Well em Barry thank you for coming in and taking this interview. B M: Thank you Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barry Murphy: Cork Civic Trust Subject The topic of the resource Life History: Description An account of the resource Barry Murphy, originally from Bantry Co. Cork. From 1959 until 1970 Barry lodged in the historic building that later became the home of Cork Civic Trust. He remembers the house and its inhabitants. Date A point or period of time associated with an event in the lifecycle of the resource CFP00446 Contributor An entity responsible for making contributions to the resource Interviewee: Barry Murphy Interviewer: Stephen Dee Identifier An unambiguous reference to the resource within a given context CFP_SR00446_murphy_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-1970s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1950s 1960s 1970s Barry Murphy Civic Trust House Inchigeela Dairy Pope’s Quay https://corkfolklore.org/archivecatalolgue/files/original/c26c967d6d1ca3e4522b1a55945517d6.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/38a017115e88f5413425f1baa2f9c721.mp3 11d2fffff5b21c199514662b44056a42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Bernard Casey Interviewer The person(s) performing the interview Cliona O'Carroll Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 9min 53sec Location The location of the interview Civic Trust House Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound C OC We might chat away for a little while. You might introduce yourself and say who you are. BC My name is Bernard Casey. I’m chairman of the Cork Jazz Festival based here in Civic House in Pope’s Quay. Many years ago I actually played on Pope’s Quay. That happened when I was an altarboy in St Mary’s Dominican Church which is just adjacent to the Civic Trust House. C OC Could you describe the scene for me that would have been there now when you would have been out there playing out on the road? BC Well, part of the that I seem to remember in my distant past, this would probably be around ’45 or ’46, the huge air raid shelters that were on the quay here. They were huge concrete edifices, the most ugliest things you ever saw in your life. But, they were part of the, they were built possibly 1940, 1941. There were two here outside Civic House and further up the quay there were another two. I remember those. I wasn’t an altar boy then but I remember always been associated with St Mary’s. My elder brother was an altar boy here so obviously we’d be in and out, the family would have been in and out. So, they were knocked then and I remember they being knocked with this huge ball. That’s how they knocked the concrete edifices. I became an altar boy then, and happy days for seven or eight years. About thirty altar boys there at the time. C OC What kind of routine would you have for the week as an altar boy there? BC Well, you’d be on for the week really. If you were on Mass, you’d be on from Monday to Saturday and you could be on the seven o’clock mass which nobody wanted [laughs], half seven, eight, half eight. These were the times. There were four masses plus eleven o’clock. Sunday then you were on all day practically from early morning mass and then you’d have Complan in the afternoon and you’d have Confraternites [sounds like], in the evenings. So, it was practically a full time job. C OC And, how many of you would be on at the same time? BC Well, for mass, just two. Then you’d be marked present or absent and if you were absent more than one or two in the week, you got a dressing down. C OC And, did you have to look after your own [vestments]? BC Pure white, yeah. They were laundered every week. You’d have to have them laundered. They were laundered by the Good Shepherd and they were all beautifully crisp and starched with Soutane and Surplus. The surplus would have as much lace as you could find. They were different times. Easter was very important of course. Easter’s when you’d be up at half five in the morning because the ceremonies on Thursday and Friday and Saturday morning would be, they’d start early like, at that time. We’d be out playing ball out there at six in the morning. So, happy times. Different times altogether. C OC You went to the North Mon. Can you tell me a bit about the choir there? BC Well they always had choirs really. Still have I think. There would be three or four choirs going on at the time really, until obviously voices started to break at a certain stage. They always would put on shows every year, maybe twice a year like. It was a good tradition there like. The music would be sorted, and you’d be learning it by the Tonic Sulfa, the doh, ray, me, fah, so, lah, tee, doh, written on the board by the Brother. It was, I felt, it certainly was a great advantage in developing your ear, and your aural sense. It was certainly an advantage to me when I took up music let’s say for want of a better word. It was certainly no hindrance. C OC Thinking back now to when you were small. Can you describe the street that you grew up on BC From immediately after the war there were quite a lot of tenements up around the North side. Pockets of them that still hadn’t been cleaned up and cleared up like. Then you could see, although there wasn’t much money in Ireland at the time, that efforts were being made. Just around that period was when the whole of Cathedral Road began to be built. It started there at the Cathedral, with those houses that are still there on either side of Cathedral Road, and I remember on my way to school seeing the men actually making the concrete blocks for them. This little hand machine. Make them actually for each house, they’d take them out of this little press and put them to one side, they would dry there for a week, two weeks whatever it takes, before they were used in the actual building then like. Gurranabraher then just grew out of that then, just year by year by year to what it is today. C OC When you were smaller did you feel any links with the countryside. BC The countryside was very near. If you were up beyond the Cathedral in Cathedral Road, you were nearly in the country. Beyond that I remember there were some fields with streams that you would visit. There was also small farms around, and these are the farmers that would bring their donkey and cart around with the milk in the churn, and would visit each house like and you’d get the measure of milk plus a drop for the cat. Where the Orthopaedic Hospital is now at the moment, there’d be a farm there, a small farm there with a few cows and that like. And then there’d be the North Mon playing fields. Sure its’ completely built up now. C OC I’ve a couple of last questions for you. It’s something we’re asking everybody. Do you remember in the autumn time doing anything with apples. BC You mean slogging apples? [laughs]. I remember going out with a few other friends like, and first of all you’d be picking blacks. That would be September. You’d go out early in the morning, Saturday morning or a Sunday morning. You would come back, you’d go out with a pail, and you’d come back absolutely torn asunder from the brambles. Your hands and mouth covered in Blackberry juice which was very difficult to get off. Which probably still is like. And slogging then, you’d go to Odam [sounds like], if any farmer has an orchard or an apple tree. I suppose you’d try your hand at that. They were harmless things like really like you know. C OC And how about. My last question for you is about Bonfire Night. Do you have any memories of Bonfire Night. BC Every area would have its own bonfire. Usually very controlled really. The adults would make sure there was control. But for weeks beforehand you’d be going out the countryside looking for Furze bushes, and you’d have to travel out a few miles all right, cut them and then drag them all the way in to where the bonfire was to be held and they’d dry up then for a week or two, because they wouldn’t burn very well unless they were dry. This was well before I remember tyres being used on the fire. If you have an old tyre, that was a luxury I think. C OC Is there anything else that comes to mind. Any kind of images or memories? BC Not really. Looking back everything seemed to have been very rosy but of course it wasn’t. C OC What kind of challenges would people say of your parent’s generation? BC Well the biggest challenge for any house was to have somebody working. A lot of emigration. Especially to America at the time. Anybody who did go always did well like you know. Thankfully. A lot of unemployment. I think it wasn’t until the mid ‘50s that the country started picking itself up slowly. Things began to improve. We were a young country. Takes time and good leaders too. But, we’ve come full circle haven’t we? [laughs] C OC Well, that much is very true. Well, listen, thanks very much. End of transcript. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bernard Casey: Cathedral Road, Childhood, Cork Jazz Festival Subject The topic of the resource Life History: Description An account of the resource Bernard, at the time of this interview, was the chairman of the Cork Jazz festival. He recalls air raid shelters in Cork during the 1940s. He talks about his routine as an altar boy. The first housing developments of Cathedral Road. The countryside was close by and farmers brought milk door to door. In the Autumn, children would go picking blackberries first, then slogging apples. Date A point or period of time associated with an event in the lifecycle of the resource 23 August 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Bernard Casey Interviewer: Cliona O'Carroll Identifier An unambiguous reference to the resource within a given context CFP_SR00429_casey_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1940s-2000s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1940s 1950s Alter Boy Bernard Casey Blackberry-picking Cathedral Road Cork Jazz festival Slogging Apples