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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>English</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
L.C: What’s the music scene in Cork like?&#13;
&#13;
A.S: Em it is thriving and people are trying to make money out of it mainly, whether it’s the drink people buy or how much they charge in. I think some places in Cork charge a fortune to get into places, and I think its ridiculous. Mind you now we’re not as bad as some places like Dublin – I know Dublin’s bigger, we wouldn’t be as bad as Dublin – but em if they put more variety into stuff, people would be more interested or if they had sort of special nights or something like that that would be better. I know Freakscene that they do that every so often, that they have balls and stuff like that, which is sort of good, if you are into the music, but em if you’re not you sort of know where to go, if you’re into rock music you know which is sort of a shame, but I mean as far as I know I mean there is a guy I know – Perry – who be friends with my friend John em; he’s into his sort of reggae and sort of stuff like that like do you know to Jamaica music, em and he, I mean he went out and he got some gigs and stuff and you know brought some of the you know African Americans and you know and people who are generally into that music, or even people from London who would be into Jamaican music around you know. They got a big crowd, a big turn out, it just shows you how to get up off your ass and do something about it, there’s no point whinging em but suffice to say you have to have money for that.&#13;
&#13;
L.C: What would you say is the best thing about the Cork music scene?&#13;
&#13;
A.S: Music scene? Em the variety of bands, em there is a lot of talent coming out of Cork, and em if you can just see from eh websites, and people playing. I mean nearly every night there is a band playing from Cork, if not they bring people down from Dublin, or down from wherever, like you know, so it’s growing, definitely growing, and I like to see it grow because there is a lot of potential em in Cork for the Cork music scene. Em I think we should plug Cork bands more, definitely, and Cork pubs and clubs should you know should make sure and include Cork bands because there are some damn good ones out there.&#13;
&#13;
L.C: And em could you tell me a bit about what you do and about your radio station?&#13;
&#13;
A.S: Em well I’m a DJ em on an illegal, I’m on a pirate station, eh Freak FM, 105.2 FM, eh well I just DJ on Thursdays 8-10, I do two hours, with my compadre em DJ Razor, em and she’s a laugh, and we just generally have a laugh, em pump out the tunes, em if people want to text in, we play their requests, if they want us to have a joke about something we have a joke; we had people ringing in about Cornettos last night, so eh that was sort of funny em.&#13;
&#13;
L.C: Who is your target audience, who is your main audience?&#13;
&#13;
A.S: We don’t have a target audience, em our listeners range from like anything from thirteen to sixty. I was in a taxi a few times, different taxis or cabs, and they had the station on and I said wow that is sort of cool because we’ve rock on there, and em we’ve, I mean it’s good, it’s good. Em it’s nice when you know people go oh I listen to this person, or I listen to that person, and at the end of the day it’s all worthwhile because we’re sort of producing something em for people around the city that they never had before, em and it’s good, variety is always good and if people sort of go oh you know Freak FM, we’ve got no competition em so I mean there is definitely a niche for it like you know. From the size of the people that are gathering in the pub right now for our party em there’s definitely a big thing for it like so yeah I think it’s gone well yeah.</text>
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                <text>Aimée Setter: Immigration, Music, Pirate Radio, Freak FM,</text>
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                <text>Aimée grew up in London. She works as a DJ and comments on the music scene in Cork. She also talks, sometimes critically, about the city and its people.&#13;
Aimée moved from London to Cork with her family when she was 8 years old. She says she experienced some racism as a result of her accent. Her impression of the city is that it is a dirty place. &#13;
She comments on pub culture, on the music scene, and describes her work as DJ on a pirate radio station.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>5 March 2005</text>
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                <text>Interviewee: Aimée Setter&#13;
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Interviewer: Lee Cassidy</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>John Mehegan</text>
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              <text>Geoffrey D’Sousa</text>
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          <name>Duration</name>
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              <text>32m 06s</text>
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              <text>Cork City, Ireland.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M: So you’re constantly building your level of knowledge so, really it’s an ongoing thing rather than it stopped when you finished your trade or your apprenticeship I should say, so it’s actually ongoing your knowledge base, the whole time. . .&#13;
&#13;
G.D'S: In all aspects, you know, like even, one thing is very interesting is that Ireland is a big daily producing country: like it comes from cattle, the beef, the lamb, the whole thing, the way they treat it, the way it’s done, even go to English market, like many times I just stand there I say guys now I don’t mean to meddle, I’m just looking at what you’re doing, because like the way they do it, they’re so skilled at their thing, you know the way they cut off you know it’s just the bone left outside you know. Like those are, you go to fish markets and you see so many fresh fishes around, those are the true insights into society and the civilisation, and you know that how do people eat, what do people eat, and then you ask yourself the small questions: why is the fish so expensive and why do so little people eat so little fish, when then you go up and ask people and that’s the way they tell you, well most of it is exported, most of it is sold, and you know like, you know like you know like there are lopsided balances of eating like you know, people probably do an overdose of potato and prefer to die from eating potato, but then that again comes back from, from, from the times and history and if you can relate it then from an outsiders point of view you are like ah solving the jigsaw puzzle in a very positive way, so as you know when you are cooking for a person you will know what to cook, you know, you won’t cook up a whole, whole, whole new Indian meal with Indian gadgets, where you know it’s not working for you, you know, well people would say well it’s lovely but I don’t really eat that, now you know, so you will know that what to eat, you will make up a nice fillet steak with a bit of mash and a bit of gravy or garlic butter you know, like you just know that all those inputs all those inputs strong from around and that is I think that’s a way to go, you know, if you’re moving nobody can try to book for this for you, nobody can tell this to you, and when you can go to a local pub as well and you know down twenty pints and fall on top of somebody and people just laugh at you and they just accept you, and you’re fine you know, so it’s positive, positive. . .&#13;
&#13;
J.M: OK very good ok Geoffrey, ok so to round off is there anything else that you would like to add to the interview perhaps a joke or saying from your country?&#13;
&#13;
G.D'S: Well, well I think, I don’t really, I, I, I, hate saying this but then I don’t really know how to write my own mother tongue and it’s very hard to remember a joke from those countries (Laughs): I went to school where English was you can say that it was a first language, but it did a lot of good, and so I just say well you know like it’s just been a nice time, and I never regretted coming up here. When I was coming up to Cork and I wasn’t sure a lot of people were telling me that you’re crazy, maybe I thought I was making a mistake, you know and then Cork grew up as well you know with so many Europeans coming in like. I have a friend chef working with me, only we used to have a lot of problem staffing people, but now we have a lot of Slovenians, Slovakians, Georgians, and catering has become a lot more multi-cultural and it’s a lot more easier, and in my way I can see this small city growing up in a very, very positive way as well so I presume that’s a very positive note to end, you know, and, and, and, and, and that’s great to see because you would, you would not like to, and I don’t think any city would like to be just cornered out in a corner and em lay out there as if like oh that’s a tourist destination, go over there, that’s a tourist, and people come up here and they’re intrigued by the churches, the bells, by the small pay of cobble stone ways, sure where the restaurant is we have so many tourists roaming around, looking around, there is a little ballet theatre, you know, it just gives it more often, often Irish identity with a global prospective which is fantastic like you know, and I think that would be the best way to finish the whole thing, that you know it doesn’t come up to be just the typical Irish, Irish thing, or Irish countryside where it’s more Irish, Irish, Irish and nothing else, it just become more global and it’s more mellow, and, and it’s more upbeat, you know, you see a bit of colour, you see a bit of Chinese, you see Italians, you see Indians, they’re all doing their thing, and they all blend in which is fantastic.&#13;
&#13;
J.M: Very good, the face of the new Ireland!&#13;
&#13;
G.D'S: The face of the new Ireland.&#13;
&#13;
J.M: Very good, thank you Geoffrey it was a pleasure.&#13;
&#13;
G.D'S: Thanks a million, John.</text>
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                <text>Geoffrey D’Sousa: Immigration, India, English Market, Food</text>
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                <text>Life History; Immigration; Occupation;</text>
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                <text>Geoffrey is from New Delhi, India, and works in Cork as a chef. He talks about how he came to the city in 2001, he compares Ireland and India, and talks about his interest in cooking.&#13;
Geoffrey came to work in Cork at the invitation of two Irish people. He found people friendly and observed that pub culture was the way to socialise in Ireland. He enjoys the relaxed pace of life compared to home. He comments on the class structure and on inequalities of wealth in India. His passion is for cooking which is also his job; he cooks European cuisine rather than India&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>3 March 2005</text>
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                <text>Interviewee: Geoffrey D’Sousa&#13;
</text>
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                <text>&#13;
Interviewer: John Mehegan</text>
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                <text>CFP_SR00363_dsouza_2005</text>
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                <text>Cork; Ireland; India; 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
O: Yeah exact, do you know what I mean? Do you know? Unlike, these people are way too greedy do you know?&#13;
&#13;
L.C: But that’s part of Ireland I think now isn’t it – the greed!&#13;
&#13;
O: Yeah, it’s taken over, I mean like all they want to know now is forty inch screen tv’s, with remote control sound systems, and remote control this or remote control that, like do you know like it’s like they’re forgetting all the basics like - how to say hello like, how you doing, are you alright like, they’ve forgotten all about that like. The amount of times these people walk past me in the street, and every now and then an old lady will fall over, yeah and I’ll bet you nine times out of ten, I’m the only one who picks her up; and like they look at me like I’m the bum, do you know, and to me no, they’re the bum, they’re walking past man. How can you walk past when someone’s in trouble do you know? I can’t do it, I can’t do that bit, that’s not in me, do you know? Someone’s in trouble, someone needs help and I’ll stay and I’ll be there for them do you know? I mean I had a girl last week - she was not from the city, she was a young girl she was about eighteen – she was a bit nervous about being here do you know what I mean, and she had to wait like almost two hours for her mate to come out of college, and I said don’t worry like, chill out there like, I said if you can handle it like, I said just get yourself a cup of tea like and just chill out, and I said no one will touch you while I’m here like, you know, you’re alright like, I said don’t worry about nothing like, and she was like well you know the lads like you know like, and I said well the lads, you’ll just have to forget about the lads, I says do you know, you’ll meet the right person when it comes along isn’t, you’ll know when it happens then and it takes time, and you go through a process, and she was just trying to get, you know she couldn’t handle being wolf whistled at and stuff like that and being are you alright darling? Do you know what I mean, do you know what I’m saying, you know, arrogant blokes.&#13;
&#13;
L.C: I hear you using Cork kind of expressions there like, the lads are like, all right there like, can you think of any like Cork expressions or phrases that come to mind like?&#13;
&#13;
O: Langer, em will we? As in will I? do you know – I’ll go to the shop will I? I mean well you’ve already just said that you’re going to the shop, what are you saying will I? Are you questioning yourself whether you’re going to the shop or what like? (Laughs). Do you know what I mean like? There’s been a few other ones I’m trying to think like, em ah I hate it, I hate it, just blocked, I can’t think at the moment, it will come back do you know, that was just one, have some more soup by all means do you know.</text>
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                <text>Owen was homeless at the time of this recording. He talks on how he spends his days on the streets, with his dog. He plays the tin whistle. He talks about people’s attitudes towards him and describes the course of his days.&#13;
The interview suggests that Owen is Welsh. He describes the highs and lows of his day and comments on people’s attitudes to him and about life in general. He describes his relationships with the police and with people he meets.&#13;
&#13;
Note: surname of interviewee not supplied&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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Interviewer: Lee Cassidy</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Francis Quirke</text>
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              <text>72m 58s</text>
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              <text>Apple, Hollyhill, Cork City, Ireland.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q: And tell me the big question, how did you end up in Cork?&#13;
&#13;
L.V: Eh that was a very nice, eh yeah it is a nice thing. What happened was I was reading a newspaper and I saw an ad and they were looking for people em for a call centre in Manchester; I thought to myself why not to be abroad for a year, and then come back again and to improve my English. But eh the job interview was in the Netherlands, was in Amsterdam, so I had the interview but what happened was, I don’t know what happened but they didn’t get me the position, but a few weeks later Apple rang me to ask if I would like to work for Apple; I thought hey I think Ireland can be larger? than England. So I said to myself ok I will go there, and we’ll see what will happen, but that was to my acosher? Apple rang me to ask me if I want to work for Apple, so that was the. . .&#13;
&#13;
F.Q: That’s how you ended up here in Cork.&#13;
&#13;
L.V: Yeah I came up here yeah. &#13;
&#13;
F.Q: Did you know anyone here Lode before you came? Did you?&#13;
&#13;
L.V: No nobody it was really like, I like to be abroad for a year and see what could happen; it is good for my development, and I know it was, another reason was yeah to improve my English, was another thing, but I really like don’t mind, I will be a stranger, but I’m going to Ireland for a year.&#13;
&#13;
F.Q: So when you saw Cork for the first time, what was your first impressions?&#13;
&#13;
L.V: If you are from a big city, yeah big city, I came over here it was really it felt like you are driving a car, and you’re driving seventy miles, and if you eh push the brake down, unexpectedly and you’re going forty miles you know. It was like woo everything was so slow, everything was so relaxed: I was always so stressed in the Netherlands, because you have to work, you have to study, you have to, you have to eh, and it’s a fast society. But in Ireland, it was so relaxed, and I never done it before, was like yeah, it was nice, it was good.&#13;
&#13;
F.Q: And what did you, what were your impressions of the, we’ll say the city centre, now the buildings and that?&#13;
&#13;
L.V: Eh the funniest thing what I like here, especially in the South of Ireland, the buildings are painted in different colours: pink, yellow, green, orange, and yeah it looks very good, because em it’s your own property, so you can do what you want. But yeah in the Netherlands it’s like, if you want to paint your house, you have to go to the government to ask for permission, but you can’t use all the colours.</text>
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                <text>Lode Vermeulen: Immigration, Netherlands, Family,</text>
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                <text>Lode is from Amsterdam and came to Cork to learn English and to experience another culture. He compares Holland and Ireland.&#13;
Lode (b. 1974) talks about growing up in Amsterdam, Holland. He compares Dutch and Irish behaviour and likes the easy-going nature of the Irish, what he sees as a caring society, and pub culture. He views migration as a positive and enriching experience.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>20 Feburary 2005</text>
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                <text>Interviewee: Lode Vermeulen&#13;
</text>
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Interviewer: Francis Quirke</text>
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                <text>Cork; Ireland; Holland; 1990s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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              <name>Title</name>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q: Oh yes. I’m going to move you along now and ask you em how did you end up in Cork?&#13;
&#13;
A.S: Em my friend was here eh he came here three months before me, and he invite me here, he told me that the people here are very nice. So I came here.&#13;
&#13;
F.Q: And did you know anything very much about Ireland or Cork before you came?&#13;
&#13;
A.S: Eh I knew a little bit about Ireland, but not about Cork exactly, about Ireland.&#13;
&#13;
F.Q: So when you got here, what was your first impression of Cork?&#13;
&#13;
A.S: Eh beautiful city, a lot of different colours, people are always smiling, are really nice, very helpful for people from different countries, this was my first. . .&#13;
&#13;
F.Q: Impression yeah.&#13;
&#13;
A.S: Impression. &#13;
&#13;
F.Q: So em did you have any trouble settling in?&#13;
&#13;
A.S: No, no there was no trouble for me!&#13;
&#13;
F.Q: What about your friend, had he a place got for you, a place to stay?&#13;
&#13;
A.S: Yes, yes, yes, now I live with him.&#13;
&#13;
F.Q: Yes, em getting a job, was it easy to get a job?&#13;
&#13;
A.S: Eh yes, yes it was easy, but now everyday it’s harder to find a job here. . .&#13;
&#13;
F.Q: Yes, yeah.&#13;
&#13;
A.S: Because more people are coming here to Ireland, so everyday it’s harder.&#13;
&#13;
F.Q: Would there be a bit Polish community in Cork?&#13;
&#13;
A.S: Yes, yes, there is a lot of Polish people here.&#13;
&#13;
F.Q: And would you meet up with them?&#13;
&#13;
A.S: Yes of course, we meet from time to time with our friends, we go to pubs or clubs, have a good fun, drinks.&#13;
&#13;
F.Q: Em when you came to Cork first, did you have difficulty with the Cork accent?&#13;
&#13;
A.S: Yes Irish accent is sometimes difficult. It depends was I talking to one man, it was easy to understand him for me, but sometimes I meet different people, and they talking with different accent, and sometime it’s really hard to understand them. </text>
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                <text>Adam was born in Poland, and talks in very brief terms about his childhood and about living in Cork.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Adam Skotarczak &#13;
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Interviewer: Francis Quirke</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
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Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>John Mehegan</text>
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              <text>Stephen Wimpenny</text>
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              <text>26m 23s</text>
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              <text>Cork City, Ireland.</text>
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              <text>16bit / 44.1kHz</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M: Very good ok. So we’ll move nearer the present. Could you tell me how you happened to arrive in Cork?&#13;
&#13;
S.W: This is kind of a long story (Laughs). Em before I came over to Cork I was actually working in Orkney, which is an island off the North of Scotland, like way way off the North of Scotland. Em and I was still seeing my friends from Yorkshire. Now one of my friends he works in the IT industry, and he got free flights over to Cork one weekend to do a job, so I came over with him, em and when we were over (this must have been not too long ago, three, four years ago now) we decided to do the Midleton Distillery Tour so we went up to Midleton, and did the tour, sampled the whiskey, and we thought this is quite a nice, small town, so we stayed around and we went into a place called McDaid’s for a drink, and one drink led to another and we were having a great time in there and I was chatting to some of the local, local ladies, one of whom is now my wife (she took my eye, I took her eye) so I went back over to Scotland, to Orkney, and we were corresponding and maybe two or three times a year we would meet up em Edinburgh, London, wherever was kind of halfway between us. One thing led to another, it got kind of serious, and it got kind of expensive as well seeing each other, so we were discussing would Aine come over to Orkney, and would I go to Cork, and Orkney is such a small place – there’d be more opportunities in Cork – so I ended up coming over in January 2003 em we became engaged and we were actually married in August 2003. So that’s how I’m here, I think I’m getting my dates a bit confused!&#13;
&#13;
J.M: Yeah, yeah I’m sure that’s no problem!&#13;
&#13;
S.W: It was January 2002 which I came over, and we got married August 2003, so that’s why I’m here!</text>
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                <text>Stephen Wimpenny: Leeds United, Soccer, Yorkshire, </text>
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                <text>Life History; Sport;</text>
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                <text>Stephen grew up in Yorkshire, and talks about football and coming to Cork.&#13;
Stephen visited Midleton in 2002 and settled in Cork in 2003, having met a woman who later became his wife. &#13;
He compares people in Yorkshire and Cork. He talks about supporting Leeds United football club and describes in detail what he would do on the day of a home match. &#13;
He says the origins of rivalry between Leeds and Manchester United stems from the Wars of the Roses [in the 1400s].&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
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                <text>20 January 2005</text>
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                <text>Interviewee: Stephen Wimpenny&#13;
</text>
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                <text>&#13;
Interviewer: John Mehegan</text>
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                <text>CFP_SR00359_wimpenny_2005</text>
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                <text>Cork; Ireland; Leeds; England; 1970s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Cork 2005 Project</text>
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              <name>Subject</name>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="23">
                  <text>Cork Folklore Project</text>
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              <name>Date</name>
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                  <text>2004-2005</text>
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              <name>Contributor</name>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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              <name>Rights</name>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                <elementText elementTextId="27">
                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                  <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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              <name>Format</name>
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                  <text>37 MiniDisc</text>
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              <name>Language</name>
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                  <text>English</text>
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              <name>Identifier</name>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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          <name>Interviewer</name>
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              <text>Lee Cassidy</text>
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              <text>Patricia Manresa </text>
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              <text>46m 53s</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Cork City, Ireland.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="940">
              <text>MiniDisc</text>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
L.C: Em can you remember any Irish being spoken in your house?&#13;
&#13;
P.M: Yeah, not in my house now, but when we used to travel every day over, not every day . . .every year over to Ireland, and em the first phrase I learned in Irish was na bi dana buachaill beag. Em my cousins were brought up in Irish and they were very naughty when they were small and em – very hyperactive – so I just wasn’t able to control them at all, and the only I could was by saying this sentence which I didn’t even know what it meant at the time. And em I used to say when they were just uncontrollable, I used to say na bi dana buachaill beag, but I just didn’t know what it meant. And until years later where somehow I just said it again and finally it was translated to me. But that was the first thing I learned in Irish; and then my mother probably would travel over to Ireland by car – it took us two days on the road, and then another day on the boat – so she’d be kind of naming all the counties in Ireland and saying different words in Irish as well, and then when I came over to Ireland I would start pointing out things, and then she would tell me the equivalent word in Irish. So yeah I did know a few words a long time ago.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="921">
                <text>Patricia Manresa : Catalonia, Immigration, Irish Language, Spain,</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Life History; Spain; Ireland;</text>
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                <text>Patricia grew up in Catalonia and describes coming to Cork to live and her experiences in the city.&#13;
Patricia describes her childhood. Her mother was Irish, her father Spanish. She visited Cork and decided to stay, getting a job. She compares how Cork people and Spanish people behave in daily life. Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
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              <elementText elementTextId="924">
                <text>20 December 2004</text>
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                <text>Interviewee: Patricia Manresa &#13;
</text>
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                <text>&#13;
Interviewer: Lee Cassidy</text>
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              <elementText elementTextId="927">
                <text>Cork; Ireland; Spain; 1990s - 2000s;</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Francis Quirke</text>
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              <text>Dearbhla Kelleher</text>
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              <text>35m 41s</text>
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              <text>Ballyvolane, Cork City, Ireland</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F Q Now we’ll get to night-time when you are going out, when you’d be going out at night, what places do you like?&#13;
D K It depends what night it is really I suppose, ‘cause Thursday’s night our college night, so what we do of a Thursday night is usually go up to Brannigan’s ‘cause its thirsty Thursday up there, and the pints are cheaper so [laughs]. We usually take an interest in that now straightaway. So we’d go to Brannigan’s now alright, we go to Bruno’s, that’s nice pub, that’s down there by the Mardyke and or else would we go now. Oh, I’m trying to think there now, so many of them there we go, well I’d call into Axies, because my friends, one of my friend works in there like so I’d call in for one maybe in there. And then afterwards, we’d go to the, probably Club One, down by Phoenix Street.&#13;
F Q Oh yeah, yeah.&#13;
D K So I like that place, do you know so? Its kind of a mixed crowd in there really, so its grand, do you know there is a lot of different people, do you know different nations and different age groups.&#13;
F Q Is there yeah? &#13;
D K Yeah, I like that place in there now so that’s usually where we go at night now or unless we, that’s usually on a Thursday night now unless it’s a Saturday night when town is packed altogether, you just go where you can go. Go where you can get in so.&#13;
F Q So like besides that Club One, is there any other clubs that em?&#13;
D K That I go to, some of my friends love Vibes, you know Mangan’s, the old Mangan’s, they always go in there but I’ve been in there too much so I’m getting sick of it.[laughs]&#13;
F Q Would that be a late bar?&#13;
D K Newport next door that’d be a late bar, and then Mangan’s would be the club. &#13;
F Q Oh yeah, yeah.&#13;
D K They’d be open to about maybe two-ish, then after that get kicked out. Get your munch up in Hillbillys then. &#13;
F Q What would ye go for something to eat then? &#13;
D K Oh, I have to get Hillbillys, I get a breast in a bun. Oh yeah.&#13;
F Q Where’s that in MacCurtain Street is it? &#13;
D K Oh, there’s one alright in the Grand Parade but the one in MacCurtain Street is lovely. It's nicer.&#13;
F Q Is it?&#13;
D K I don’t know what the difference is but we always go up there.&#13;
F Q What about now we’ll say before you go out, the ritual of going out, would, getting ready like, would ya?&#13;
D K Ah yeah.&#13;
F Q How long would it take you to get ready? &#13;
D K Ah God, depends if I’m in a rush or sometimes I could do it, then in about ten minutes. No, but, come home now and , come home from work or whatever go in for a shower and I’d start getting ready around, I don’t go out ‘till late, you see, I don’t go out until maybe around half nine, ‘cause I just can’t stand being out and nobody out like so, I start getting ready about maybe half seven, quarter to eight kind of way, and I get out and all for maybe around half nine so. Ah, It doesn’t take me that long but you know I could be just.&#13;
F Q I know just.</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Dearbhla Kelleher: Clubbing, Slang, Social life, UCC,</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="901">
                <text>Life History: Youth; College;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Dearbhla is from Ballyvolane . She is interested in music and drama and has appeared in several productions. Her father was from Sheare’s Street, and she briefly relates some of his childhood escapades. &#13;
She talks about going out socialising and the rituals of the night and getting ready. She discusses some Cork slang words.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
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              <elementText elementTextId="903">
                <text>20 December 2004</text>
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                <text>Interviewee: Dearbhla Kelleher&#13;
</text>
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              <elementText elementTextId="3933">
                <text>&#13;
Interviewer: Francis Quirke</text>
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                <text>CFP_SR00357_kelleher_2004</text>
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                <text>Cork; Ireland; 2000s;</text>
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              <elementText elementTextId="907">
                <text>Published Material; ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available o&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:n the Cork Folklore Project website)</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project </text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
L.C.: So Dave em can you tell me a little bit more about you know what a treat was for you as a child can you think of any more examples.&#13;
&#13;
D.W.: We didn’t by then we didn’t real do much I mean birthdays were, there be a birthday cake and stuff it was no it wasn’t a big deal, presents tended to be because &#13;
I‘m born on the 25th of November there was either one big present for both Christmas and birthday or a couple of little ones. Em we didn’t used go much visit relatives maybe, well I’d say trips to the cinema and that was more we’d used go and stay with my gran and granddad in Girvan for a week at a time in the summer holidays as much to give my mum and dad a break I suppose, so we used to go to the cinema then and as part of that whole seaside town, I associate the seaside, the beach, and the cinema and café and Ital the was loads on the west of Scotland more throughout Scotland there was loads of Italian cafes there all run by Italians who turned up around the World War Two and they all made I don’t know about now, but they all used to make their own ice cream you’d get a real proper ice cream in cones not this stuff with the flake in it you know what I mean . It wasn’t the fl.. it wasn’t so much the flavour we used to get vanilla and stuff but big cones of it and getting all sticky and ice cream everywhere it was great its was and the cinema as well and it wasn’t the whole range of like snacks and lemonade and stuff you know at all. There was just you know popcorn I remember crisps actually I don’t know if I remember popcorn, crisps and orange juice, like fizzy orange yuck horrible I mean now its horrible it just so sweet but as a kid it was great you know. So I can remember going up the steps and in the doors and everything big yeah and sitting on those seats would fall down and as kid you would be really careful because if get it wrong they flip up on ye you know and yeah I remember the dark just that anticipation waiting for the film to start because it was all, we didn’t have a tele for years and years. The first thing I really remember on the tele would be 63, 64 or something I was about eight or nine years old by then, I don’t have any of tele’s before that really.</text>
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                <text>David talks briefly about his childhood in Scotland.&#13;
David’s father was the manager of a country estate. He talks about the idyllic life there and recalls childhood activities such as going to the cinema.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: David Walker&#13;
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Interviewer: Lee Cassidy</text>
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                <text>Cork; Ireland; Scotland; 1950s - 1960s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
N.O'S: That’s Ireland. So you came to Cork, and what was your first feelings about Cork when you?&#13;
&#13;
M.A: I was flying for nearly fourteen, sixteen hours, I was very, very tired, so I slept for nearly twenty hours, ok then when I woke up – it was in the middle of early October – it was nice Autumn, so I went out of the house to look around (it looked very quiet) and not so many people, but friendly people, hi hello, I went for a walk, it was very enjoyable, I saw some hills, because Bangladesh is very, very flat, so I saw some hill, you know. I stayed for a few weeks near Lough, ok so I move around the Lough, I saw the swan, it was very, very enjoyable!&#13;
&#13;
N.O'S: You noticed the people going for strolls around that area where you were - it’s a very popular area for people strolling, what we call strolling.&#13;
&#13;
M.A: Yeah, ok.&#13;
&#13;
N.O'S: Em how did you go about making contact with others when you came first?&#13;
&#13;
M.A: Yeah, eh I after I first came here, after two days, then I had my first lecture, so I came to my institute (University) and then I met the new people there, yeah I introduced myself, my name and I came here to do a Phd so yeah I found that people were very friendly – many of them they asked me to go for drinks, although I don’t drink, I like to go with them, yeah I went out.&#13;
&#13;
N.O'S: Could you tell me a little about that experience when that happened to you?&#13;
&#13;
M.A: Yeah I remember one of the guys – his name was Keith probably – he asked me to go for a drink, and I said I don’t drink, but then he said it’s ok, you may not drink, but you’re always welcome. So yeah I went with them to the pub – I think it was Costigans probably, very close to work – yeah I saw that there were more people inside the pub than in the street, that it was a bit surprising, but at this moment I’m used to this.&#13;
&#13;
N.O'S: What can you remember about the evening?&#13;
&#13;
M.A: I remember one guy he got completely drunk - we had to carry him home. (Laughs).</text>
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                <text>Mahbub talks about growing up in Bangladesh and coming to Cork to work and study.&#13;
Mahbub recalls life a child and talks briefly about a game he played called carom [Carrom]. He describes the family’s diet, consisting often of rice. He studied electrical engineering and chose to come to Cork in 1998.&#13;
He found Ireland quiet when he first arrived. He was invited out and observed the country’s pub culture. He is working while studying for a PhD. He likes Cork and talks about how he was welcomed by people.&#13;
&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>14 December 2004</text>
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                <text>Interviewee: Mahbub Akhter&#13;
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                <text>&#13;
Interviewer: Noel O'Shaughnessy</text>
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                <text>CFP_SR00355_akhter_2004</text>
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                <text>Cork; Ireland; Bangladesh; 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                  <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Francis Quirke</text>
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              <text>40m 58s</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q: Yeah, em what changes now Michael would you have we’ll say seen in Cork down through the years?&#13;
&#13;
M.O.F: Well down through the years, like from the time, you know I mean Patrick’s Street is Patrick Street, I suppose that is probably the focal point of Cork, but I mean Cork is spread out now, I mean all of, I suppose from a ten mile radius of Cork city now is nearly an extension of Cork city, I mean the likes of em Ballincollig, Carrigaline, we spent all our childhood in Crosshaven, Crosshaven is no longer the little village now, it was always a Summer place for us – we used to go down there in June until the end of August – but I mean it is I’d say 99% of the people now in Crosshaven are living in Crosshaven. And when you have Carrigaline, I mean my God, Carrigaline is a town in itself, you know, and eh I mean I suppose that’s probably the biggest change: the way the city has expanded, you know, I mean no matter what way you go now there’s Mallow sorry . . .&#13;
&#13;
&#13;
F.Q: Michael what would you like to see change about Cork?&#13;
&#13;
M.O.F: I suppose from my own point of view I suppose if we actually could get the traffic right, and eh if we could, I would like to see a complete walking area in the centre of the city: all cars free zones away from the thing; it would be fantastic for the city, but what they’re going to do about it I don’t know. Even the tunnel they’re taking the amount of cars that’s passing them by day they didn’t expect until 2007, 2008, and they said that by 2007, 2008, I’m going to have another twenty five per cent increase, so I think that everybody’s going to have to go back to nature, and the bikes and walking, get rid of the cars. To me that would be great, like if I could actually see a carbon free air, and the pollution improved in Cork city, and people would take care of the way they burn things, and that would make my job much easier.</text>
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                <text>Michael O’Flynn: Fire Brigade; Vandalism; Change;</text>
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                <text>Life History; Cork; Fire Brigade;</text>
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                <text>Michael has worked most of his life with Cork fire brigade, a job he loves, and he describes the nature of his job, the training required, and its dangers and rewards.&#13;
Michael grew up in Turner’s Cross. &#13;
He works as a fireman. In the 1960s there were lots of chimney fires in tenement houses because the occupants burned whatever they could find. He talks about his training, and the difficulties of the job. The fire service also has a role in recovering bodies from the River Lee, and he comments on tragic deaths he has seen.&#13;
Christmas, Halloween and Bonfire Night are busy times for the fire brigade. He comments on antisocial behaviour and describes attacks on fire crews.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>13 December 2004</text>
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                <text>Interviewee: Michael O'Flynn&#13;
</text>
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                <text>&#13;
Interviewer: Francis Quirke</text>
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                <text>Cork; Ireland; 1960s - 2000s;</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M.: Very good, okay. That’s a nice touch. Okay, so Vitaliy, do you have any stories about misunderstandings that might have occurred because of the difference in language or because people do things differently here?&#13;
&#13;
V.M.: Oh yes… it’s eh… I would say, eh… not only from my experience but from experience of other people because I’m involved as a part of eh, integrating support centre in Cork organisation name… named NASC. So, f… I’m come across lots of situation and not all of them quite funny, some of them s… would be much dramatic… dramatic situation, but I want to come back about my own experience. Eh, first thing eh which I found for myself was eh, difference in culture, when you greeting each other. In Ireland you say, “Hello, how are you?” and that’s it and people turn up and go away and you later on stayin’ and watching what’s wrong with me? Am I ugly? Am I smelly? And just feeling your self frustrated. But I mean when I grew up in the eh… environment where every single word has a meaning and now I try to explain you; we have one proverb eh… eh… word… eh… the word is like a bird, if it flew away, you won’t be able to catch it and bring it back, even if you say sorry. And I mean by this, in… in our culture, when you say to somebody “Hello,” and later ask, “How are you?”, you really expect an answer, and person might say you, “Oh, I’m good today”, and person become to telling you most eh deeply the story, for example, today I met new girlfriend, and she so nice, so on… and you tell him, “Okay, let’s take a drink and you tell me more about this thing,” and person, “no bother, let’s go.” You take sit… eh you take in the pub with him, we don’t have pubs, café, take tea or beer and person just sharing his mood and experience what he done today and you feel yourself eh… happy and you learn from that person what he done in life, you get some, eh, how do you say, benefit to yourself. Or opposite thing happen, person might tell you “Oh, awful thing happen today, I was sack from job”, or something like that, “I lost my friend”, or what ever, you say “No worries, come with me, I buy you drink”, I call all my friends, we sit together maybe you tell us your story, and maybe you’ll bring some solution. Maybe somebody come across similar situation, or somebody was in your shoes, maybe people can tell their own experience and you can learn something from those. Another story you became eh feel yourself more eh needed person, then somebody need you. Eh, but compare here to Ireland, “Hello, how are you?”, and, “Bye, bye”, and you just okay, what’s wrong. Later on my friends, Zara and Fran, just explain me this only formal greeting, don’t pay too much attention about those things, I said “fine”. Another thing which can came across again, eh in Slavic language we use words eh, thank you, please, eh but the same in a… I mean ordinary way, we use an intonation to say something. I mean if you say something like, “Ahh”, it mean eh request or please. If you say the same sentence with eh plain into… intonation like, “Ahh”, it mean like statement or you bored. If you say maybe more eh high tone like, “Arh”, would be mean like you’re angry, just leave me alone. And by intonation it can just show what you mean. Eh but here in English language you have to put everywhere this small word, ‘please’, unless you don’t do this people treat you different way. I mean if you go to the shop and say, “Can I have this?”, and forget to say “Please,” people watching you very strangely, throw you on table, take it, and so on. But later on you presume what’s wrong with me, what I did wrong? Try to rewind your sentence back a sec… ah, sorry, I forgotten to say the word, ‘Please’. And, next time when you start to learn from this thing, okay, please, please, and you start to say it in beginning, “Please can you tell me, or give me something?” Rather in our language because we do everything by intonation. I mean, m… mostly in th… situations. Or another thing about detonation eh of word, friend. Here in Ireland you call friend everybody, but in our country it’s more sacramental, more… eh more… it’s… it’s word has a more eh deep meaning. We don’t call friend everybody, in our country we have different condition, maybe I tell you my own gradation of relation between people, you can have the top of hierarchy would be the friend, eh… below the friend would be mate, or eh, colleague. After them would be person you know, eh, some fella who maybe neighbourhood living near by, or your class eh mate from long time ago, forever, forever. And this hierarchy building up by relations with people. If you just try to come eh see from perspective of philosophy, Aristotle, if I’m not mistaken, he said, “Who’s a friend is second me,” like mirror reflections. Only one or two people could be eh… thinking the same way, to treat the same way in situation like you are and his word was eh… eh proved by another eh… Iranian eh poet, about twelfth century… century, twas’ Saadi, he said, “If you had eh… if you have one friend you are happy person, if you have a two friend, everybody jealous you, if you have three or more friends you the sad person.” An explanation would be of this like that, human being has only two arms, if somebody going by the bridge, somebody eh… eh your friend suddenly be… become eh sink, you can save only two and give two of your hands, and lift them up. If there are more than two friends, you have a make a choice, who can you have save. That’s a big eh… eh, decision to have to be done. But… and that’s why I mean in our culture, the word friend has more eh, deep meaning, and we don’t call everybody friends, compare in Ireland if it’s a friend you say, “Okay, I’m friend”, but later on you become stuck in situation, and hold on why somebody call me friend, if I maybe quite opposite perspective of eh understanding reality. Maybe I’m quite different person somebody telling me friend and you become to be more, feel yourself uncomfortable because it’s big responsibility to be a friend in perspective of my understanding. You have to be eh, everywhere when your friend needs you. And not always friend have to call you and tell you, “okay, I need your help”. Sometime you have to offer this thing. Somebody telling you oh, call friend, you presume then you have to be wakey, wakey and just to expect something happen, have to be eh, give some hand to help the… the… the people. And a lot of eh, different stories like that, which would be, show in a difference eh… eh… cultures, aspects.</text>
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                <text>Vitaly is from the Ukraine. He compares his home culture to that of Ireland, and he talks about his experiences as an immigrant in Cork.&#13;
Vitaly was born in the city of Lviv, Ukraine. Although he was heavily involved in boxing, he opted to become a journalist.&#13;
He came to Cork in 2002, and felt isolated until he met friends who taught him some English. He worked with immigrant support centre NASC. He describes some cultural differences between Ukrainians and Irish people, such as how they use language, and their concepts of friendship.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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Interviewer: John Megehan</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewer</name>
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              <text>Francis Quirke</text>
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              <text>Mary O'Sullivan</text>
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          <name>Duration</name>
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            <elementText elementTextId="811">
              <text>58m 31s</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Kinsale Road, Cork City, Ireland</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>MiniDisc</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>16bit / 44.1kHz</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
F.Q.: I know yeah, em, when you em, came living here then, em had you your five children at that stage.&#13;
&#13;
M.O.: Yes…hmm… I had. Em, and they would … they would have sort of played along the same lines, &#13;
&#13;
F.Q.: Would they, yeah?&#13;
&#13;
M.O.: They would, because, like they… they… at that stage they would have… in the site they would have eh, been collected by bus to go to school, and taken out to school and brought back and what happened in… in the sort of eh in that, sort of a process was, they weren’t… they wouldn’t have been getting the level of education that I would have got, so I suppose, directly, thinking of the children em, I decided to move them, from… you see they were in a structure that was… that the department of Education set in place in the mid-seventies, thinking about traveller children that were going to be coming into the education system and it was the special classes for travellers and they were in that structure and then I wasn’t satisfied with that structure, so I decided to move them, but the… the response I got from the very people who were delivering the structure that the department put in place was shock because they really couldn’t con… conceive that like this is a traveller woman and she’s standing up and she’s sort of taking charge of her children and like, as I said to the principle at one stage, like, I’m sorry now, I said, but I delivered these children, I gave birth to them, so I am entitled to educate them whatever way I want to educate them, but em, like experiences like that now, would have…I would have sort of because of the… the background, the education, eh, the whole sort of comfort thing with school and stuff like that, it stood at times like that.&#13;
&#13;
F.Q.: It stood well to yeah, it gave ye experience, yeah.&#13;
&#13;
M.O.: Because it gave… it gave me the confidence to know that I could actually stand up and say, hello, I’m not satisfied with this. I… I know from experience that there’s more to education, like they would never do history, they wouldn’t do geography, eh, they wouldn’t do… a little bit of maths. Once they were able to sign for the dole, now, that was the whole em sort of em, the purpose and aim of that… that structure. Once you were able to sign for the dole that was fine. Once we teach ‘em to sign their name, grand.&#13;
&#13;
F.Q.: They were giving them a little but they weren’t giving the whole lot, ya.&#13;
&#13;
M.O.: That was it... that was it. But it… the shocking thing was that it actually came from the Department of Education. That structure actually was brought down from there and implemented here and the psychological damage that was done to these children, now I caught mine in time em, but still there was a whole psychological thing that went on for them because, I thrown them into the… the deep end in a sense by putting them to national school. The… national school that I would have gone to and would have negotiated with the teachers and the principle for support structures to be put in place for them, because, I remember the three teachers that actually took them, em, asked me to come in and meet them an’, went in and grand and… and they were in a very nice way trying to sort of tell me that the … that they were backward, because they were missin’… they were missin’ huge chunks of education. But when I explained to them why, they completely understood. You know, they weren’t backward it’s just that they were never taught any of the subjects, an’ that goes for an awful lot of traveller children that would have sort of, either gone from Cork to other parts of the country and eh, I remember reading a survey in college and it was done in the earl… the early seventies, and it… this was a government document now, and it was… it stated like that, structures should be set in place… structures and guidelines should be set in place for like… preparing for traveller children that were going to be coming into the education system. That structures and guidelines the same as for backward children should be set in place.&#13;
&#13;
F.Q.: God!&#13;
&#13;
M.O.: And I’m like reading’ that I was like, oh my God,</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Mary O’Sullivan: Travelling Community, Education, Prejudice,</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="796">
                <text>Life History; Traveling Community;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="797">
                <text>Mary is a Traveller who developed a love of education, which she has tried to instil in others. She talks in detail about her experience of being a Traveller and about the lives of older generations and the history of her community.&#13;
Mary was born in Skibbereen, and her family moved to Cork City when she was four years old. After living in a wagon in a lane, the family moved to a house in Ballyphehane. Her mother had 11 children, and this influenced the decision to settle down.&#13;
She had a very positive experience of education from Primary school onwards.&#13;
In a reverse of the usual pattern, when she got married she moved into a caravan and reared her children there. She was not happy with the education offered for her children and took them out of a scheme for Traveller children. She talks in detail about education for Travellers and describes her experience of helping adults to learn. She also helped to form the Cork Traveller Women’s Network to articulate the needs of her community.&#13;
She talks about her father’s transition to settled life in a house. He continued as a tinsmith and fixer for a while. He used to tell the children ghost stories (and she mentions two examples). He played the melodeon and his favourite song was “O’Sullivan John to the Road You’ve Gone”; he also busked with Pecker Dunne.&#13;
A treat for her as a child was Dripping Cake.&#13;
She sees herself as a Cork person as well as a Traveller, and she has a fondness for the Shandon area and the English Market. She says that her grandmother fed passing squads of Black and Tans and that Travellers were instrumental in passing on news of their arrival in Kinsale during the War of Independence.&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="798">
                <text>21 November 2004</text>
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            <name>Contributor</name>
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              <elementText elementTextId="799">
                <text>Interviewee: Mary O'Sullivan&#13;
</text>
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              <elementText elementTextId="3913">
                <text>Interviewer: Francis Quirke</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CFP_SR00352_osullivan_2004</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="801">
                <text>Cork; Ireland; 1950s - 2000s;</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="802">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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              <elementText elementTextId="803">
                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="3914">
                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project</text>
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            <name>Language</name>
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                <text>English</text>
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                <text>1.wav File</text>
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                <text>Cork Folklore Project</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
C.O.: Ay, ya. And thinking of your mother, em and life in the caravan, what would be a normal day for her, a kind of a daily routine?&#13;
&#13;
B.C.: Em, normal day, get up, more or less the same as any ones normal day. Em, just get up and put ‘em to school and I mean, she could go away for the day then, she’d be away driving. She’d come and visit my grandfather or she’d go and visit the aunts and she’d be back then just before my sister’s arrive back from school, it’s just… it’s not…em, it was much different from being in a house, it was more or less the same thing you just hadn’t got the same space, basically.&#13;
&#13;
C.O.: How would people deal with that, the lack of space, would there be…?&#13;
&#13;
B.C.: Em, well I…when I got married first I had em, moved into a caravan and, I had two kids before I moved into the house and I found the space of the house unbelievable. I keep… I kept moving things, I kept moving the beds. I’d… for a week there was never things in the same place all the wardrobes were moved, all the beds were moved, cause I wasn’t used to havin’ that kind of space, em…because we were brought … because my children were brought up in the house, at that stage my youngest was Jessica, she’s nine now but, she would be crying if I went into the bathroom because she couldn’t figure out where I was gone. The house was so big for ‘em they couldn’t understand it. Em, but it’s very, very tough in the caravan, I mean, where I lived in a caravan I would em, I’d have to walk to use one of the bathrooms in my aunts house, em, you’d walk down the hill, about a hundred yards, or to get water and you’d have to carry the water up to the caravan and you’d be washing clothes outside. Em, frosty mornings, my husband would have to get up about six to light the fire before the kids got up for school so the caravan would be heated, and I can remember waking up on morning, it was really, really frosty and the curtains were stuck to the insides of the windows, it was that cold, that the win… that the glass had actually frozen, and we’d have to peel the curtains off the inside windows and… But at the same time then you’d have the good side of it which is the freedom of, you open all the windows, you know-mean and completely clean out the caravan in one day, eh, and that’s great, as you have the freedom and if you do want to go somewhere, you have the freedom to hitch up a caravan and just go, whereas with the house, you have to have someone watching the house and you have to have certain things in place, em, but, I mean, that… that side of it is good, but it’s a tough life to live in a caravan, rearing children in a caravan is very, very tough. I mean, I mean, you’d have, in a mobile home you’d have a bedroom and then you’d have to pull out the bunks to make a double bed in the front of the caravan, I mean if you had visitors or anything by seven o’clock you’d have to pull out the bed, so the kids could go to bed and em, and then you’ve no space then because the bed is out. The bed is practically in the kitchen, so if you’re cooking or what ever you’d doin’ anything around the bed it is very tough and… storytime, the kids didn’t have the toys the wanted then either because they hadn’t got the space, like, they couldn’t have their dolls and prams like, because you had nowhere to put them. Stuff like that, so I mean once they moved into the house… their great now, they love it now, I mean I have a nine year old who is a traveller to the bone, she loves being the traveller. Eh, I’ve a twelve year old who just doesn’t want anything to do with it, she’s at the stage where… “don’t be telling the principle that I’m a traveller” and this, and then the nine year old who’ll say to the teacher, she’ll give her a picture of a house and she’ll say “do have any trailer that I can do”. Em, but, the nine year old have said to me now, I’d love to live in a trailer again. You know, she’s about the only one now, the rest of them don’t want, they don’t want that life at all, they think it’s… it’s too tough altogether, and honestly I mean the young fellow have his own room, the girls have their own bedroom and they go into it and watch television or whatever, something they couldn’t do if they were in a caravan, so…</text>
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                <text>Brigid Carmody: Traveling Community, Tradition, Change,</text>
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                <text>Life History; Traveling Community; </text>
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                <text>Brigid is a Traveller. She talks about her childhood within an extended family, and about Traveller heritage and culture.&#13;
Brigid talks about growing up quickly within an extended family. She describes adult life in a caravan and the difficulties of getting used to living in a house. She talks about life in the group housing scheme for Travellers. She comments with pride on a Traveller wagon that was built from scratch for Cork Capital of Culture.&#13;
She remembers going for nights out in the city and she describes the scene when a group of Travellers were turned away from a club, and how that felt. She contrasts life now to that of the past and hopes her children will keep their Traveller culture. She remembers her grandparents’ lifestyle and the importance of the wagon to her grandfather, and the pinny and buttons to her grandmother.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Brigid Carmody&#13;
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                <text>Interviewer: Cliona O’Carroll</text>
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                <text>Cork; Ireland; 1970s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Yossi Valdman</text>
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              <text>30m 25s</text>
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              <text>16bit / 44.1kHz</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
J.M.: Very good, Ok. So do you have any stories about misunderstandings that might have occurred because of the difference in language or because people do things differently here, when you arrived first?&#13;
&#13;
Y.V.: I used to have when I came… when I came to Ireland; you know my English was eh… quite bad (laughs), and em… I could speak English like, quite flatly, but I mean, it was expressions, that eh… expression, Irish expression that eh…I kind of didn’t know. Em… yeah, it used to be barrier of culture barriers, but eh, when I came here I was very, eh, if you like, very open, very, do you know, em…. I was very fast in many things. People didn’t like it, or people were afraid of it, em… em, I used to call to peoples’ houses and kind of, do you know, where in Israel people have to call to peoples’ houses. Eh, there is a lot of things where, em, like if we had a packet of cigarettes here on the table, you know, I’ll take a cigarette because knowing that you are my friend and eh, there is no problem. Do you know, a lot of things like in the bars, for instance, where in Israel, bars open all night until the last customers leave really. Eh, and there is things, eh… like they are in the bar like the cigarettes, tapas, tapas which is peanuts and stuff like that to put in bar and eh… for people just to pick up. People do that without questioning or anything, em… Lot of specially we talking about the bar, eh, we ordering our drinks and we pay as we leave. You know in Ireland I found it very em, do you know pay now you know. And eh…you know, most of things like that em… do you know, I find it quite, you know, eh… it used to make me angry, but eh, do you know like the Irish people kind of advanced me that’s the way we live, and you know ‘there is nothing we can do about that now’ (laughs).</text>
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                <text>Yossi Valdman: Israel, Jaffa, Jews, Customs,</text>
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                <text>Life History; Israel; Jaffa; Cork;</text>
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                <text>Yossi talks about Israel and his Jewish heritage, and describes coming to Cork and how he experienced life in the city.&#13;
Yossi’s father lived in Israel and then moved to Jaffa where he opened a shop. Yossi lived in Jaffa and Israel and then travelled and met his wife, Margaret, who is an Irish woman. He came to Ireland in 1991, and to Cork in 2001. He talks about his impressions of Cork and Ireland. He recounts cultural differences he encountered, and comments on drink culture. He talks about the historic nature of the city’s Jewish community.&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>23 November 2004</text>
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                <text>Interviewee: Yossi Valdman&#13;
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                <text>&#13;
Interviewer: John Mehegan</text>
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                <text>Cork; Ireland; Israel; Jaffa; 1960s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                  <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>37 MiniDisc</text>
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                  <text>English</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>46m 57s</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
T.H: It’s improved enormously, yeah the whole Celtic tiger thing, there is a whole generation who’ve grown up who expect to work hard, and expect to do well as a consequence of it because I mean that was always my thinking at the time is that em there was no particular incentive for people to you know keep their nose to the grindstone, or to be disciplined or driven or any of those things because you’d work hard and do no better than anybody else, I mean any sensible person would see that, so em I’ve never felt that the Irish were intrinsically this that or the other thing more than any other culture or group of people, I think these are entirely down to circumstances you know there are cultural influences but em people, why would people work hard for no particular gain, and conversely I suppose why would they not work hard if they can see that they can get a lot of stuff that they actually want, eh whatever that stuff is, whether it’s material stuff or whether it’s freedom, you know, or the possibility to go to Spain four times a year or the possibility of moving to Spain, or whatever you know I mean the stuff that money buys, em so anyway I mean that, all of that stuff wasn’t a mystery to me but it was, you did ask what was galling to me, what bothered me and that was certainly one of the worst.</text>
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                <text>Tony Henderson: Canada, Music, London</text>
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                <text>Life History; Canada; London Cork; Ireland;</text>
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                <text>Tony grew up in Canada. He came to Cork during the 1990s, and he talks about his impressions of the city.&#13;
His father was Irish, his mother English. He talks about growing up in Canada, where he learned the guitar and played in a band. He came to Ireland to play music with another musician. He talks about his impressions of Ireland and of Cork. &#13;
He has carpentry skills, which he picked up because he often had time on his hands, and he has made some acoustic guitars.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Tony Henderson&#13;
</text>
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Interviewer: Sean Claffery</text>
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                <text>Cork; Ireland; Canada; England; 1970s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Dolores Horgan</text>
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              <text>Robert Fourie</text>
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              <text>81 m 07s</text>
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              <text>Friar St, Cork City, Ireland</text>
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              <text>MiniDisc</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
R.F ...em and so that was kind of how I got to be a lecturer in Speech and Hearing Sciences at UCC.&#13;
&#13;
D.H: So Robert going back what was your first impression of Cork?&#13;
&#13;
R.F: My first impression of Cork, I remember driving in, I had a friend drive me from Dublin – she lives in Dublin – and she drove me into Cork. And em I don’t know, I didn’t know what to expect, I didn’t know what Cork would be like, I mean I know there was a match on when I arrived and the place was very dirty (there was litter everywhere) and we came up MacCurtain Street, because my B &amp; B was at MacCurtain Street, and there was a huge amount of litter there, and I remember my friend complaining about the amount of litter, and then I just got a sense, I just thought that Cork looked very interesting: it was very kind of hodge podge, you know, different colours, different textures, different types of buildings, a lot of the buildings I thought were not looked after like you’d think, like monument type buildings very neglected. And em but I was interested in all the different, it was an interesting town, it was very em stimulating because of the different colours, different types of things to see. I noticed that there was only one type of person: it was just Irish people kind of thing: I’m used to much more, lots of different races and colours and people and that, it was just one type of person, it was, white European kind of people, and very few Africans or darker coloured people, but that has changed in the last five years of course, em but I do remember thinking it was very monocultural, and that kind of thing; I also came to Cork in kind of Summer so it was very bright, and I thought, I liked the city, I felt it was interesting. One of the things that really struck me as well about the houses was that they all looked so like on top of each other, and tiny and small, and being used to houses in South Africa where there is planning (the cities are really planned) they are all modern cities – they are not like medieval towns or cities like Cork. So everything is planned and there are long distances, you know and the houses are widely placed, and everybody has got a little plot of land, and all the houses are separate. I’m talking about middle class kind of European people, white people in South Africa. A lot of Africans now that’s also the case – they live like that in South Africa too, but there is that differentiation: African people are often poorer, but not all, of course, but I noticed that when I came to Cork I thought Gosh, the houses are so squashed up nearly like a township, really I think in South Africa, and I’d always be surprised going into a house or a shop: it looked so small on the outside, and when you went in it was much bigger on the like an oblong shaped house, a square house, and most houses in South Africa wouldn’t have a double story, most houses are single storey, and they spread out on the ground rather than going up, so I noticed houses having three or four storeys, and that was very unusual for me, and I was struck by just how everything was squashed up, so em houses are very different, just the way people build, and the way people live as well, and very small spaces for people to bring up very large families in, one just wonders how people with twelve children or even six children would manage on such a squashed up house, and then I said why isn’t there enough space to build, and it’s not like that, it’s just that there is a different culture of building houses and a different way of building and a different way of conceiving of houses. Em later on I mean I started noticing when I spoke to people, local people, em one of the big topics of conversation in Ireland is property, and that everybody wants to have property, everyone wants to have a house, whereas where I come from no one really talks about that, it’s just taken for granted: you might get a house or you might not; you might rent or you might buy, but there is no focus on ownership of property, em although everyone you know a lot of people have, buy houses over in South Africa. Here young people, young people between the ages of twenty and thirty, are you know they’re all talking about they want a house, they want property, they want to own houses, and then you look at the prices of the houses, and like that was one thing that would just astound me at the price of a house: to me 100,000 pounds or punt at the time was just, for a house so small, and so cramped, how could you ever pay that amount of money for a house, and so I never, I still to this day don’t understand this property obsession, and everybody focussing on ownership of houses, and why don’t people just spread the building out more into the country and open it up and have more houses, and you know it’s just very difficult for me to understand. But I suppose there is a history and there is a history of British occupation, and ownership, and people wanting ownership of their land because they were you know disenfranchised and their land taken away from them, so one can understand it from that perspective,</text>
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                <text>Robert Fourie: Hiberno-English, Holy Communion, Language, South Africa, </text>
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                <text>Life History: Cork; Ireland; South Africa</text>
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                <text>Robert talks in detail about growing up in South Africa, and makes some observations about Cork places and people.&#13;
Robert (b. 1969) is from a gold-mining town in South Africa. He talks about mining conditions there. He comments that South Africa has many different cultures and languages. He remembers Holy Communion as being a very religious event without the element of being given money. He talks about the kind of food and meals that are eaten by white South Africans.&#13;
After gaining a qualification in Speech and Language Therapy, he wanted to travel and he settled in Cork. After returning home he missed Cork and returned. He describes his impression of the city when he first arrived. He observes that Irish people are quite indirect in their conversation and avoid sounding confrontational, and he returns to the topic of how language is employed. He relates a couple of funny Cork conversations which he overheard.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Robert Fourie&#13;
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                <text>&#13;
Interviewer: Dolores Horgan</text>
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                <text>CFP_SR00348_fourie_2004</text>
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                <text>Cork; Ireland; South Africa; 1990s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project</text>
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            <name>Language</name>
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                <text>English</text>
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                <text>1 .wav file</text>
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            <name>Date</name>
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              <elementText elementTextId="3896">
                <text>23 November 2004</text>
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                <text>Cork Folklore Project</text>
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                <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork 2005 Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>2004-2005</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
K.A : I had a very good impression of Cork people, and I think I made good friends straight away when I came here, so it was really great time, and I love Cork people.&#13;
&#13;
L.C: Did you have any difficulties with the accent?&#13;
&#13;
K.A: With the accent, with my accent?&#13;
&#13;
L.C: The Cork accent.&#13;
&#13;
K.A: Oh the Cork accent. Well somebody, well I met one Australian boy recently in Russia, actually so you see Russia is changing, and he said ok my friend is living in Ireland, and I said oh she’s living in Cork, and I hear Cork accent when I speak to you, so I probably have Cork accent myself already. It’s the only accent I heard really in this country, because I didn’t live in other places. So I accept it, it’s like my own language now, my own accent.&#13;
&#13;
L.C: Can you think of a common phrase.&#13;
&#13;
K.A: Common phrase.&#13;
&#13;
L.C: A common Cork phrase.&#13;
&#13;
K.A: Good luck, it’s not good luck, it’s good luck. And what else, em I don’t know are there are Cork phrase, I really should think about it, I can’t remember straight away.&#13;
&#13;
L.C: We can come back to that later. Are there any places in Cork that give you a similar feeling to places maybe at home in Russia?&#13;
&#13;
K.A: Similar feeling, actually I’m living in Bishopstown in Model Farm Road, and other side of the Model Farm Road is a forest if you know. So I go for a walk nearly every weekend, sometimes I walk to my college in the morning through this forest, I just go to Leeside, and that’s real beautiful place, I just love it, and it really remind me of the place where I was growing when I was child, yeah, it just really remind me.</text>
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                <text>Karina Abdulbaneeva: Art, Russia, London, Spirituality, Nature, Nationality, New Year’s Day, Religion,</text>
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                <text>Russian born Karina Abdulbaneeva, talks about coming to Cork from London in 2001 and her impressions of the smallness and accessibility of the city. She describes the helpfulness of Cork people and the spirituality of the country in which she feels she has been welcomed into and helped. &#13;
Karina was born in Moscow, Russia and came to Cork in 2001. She has two children and lives in Bishopstown. She is an art teacher. &#13;
Karina grew up in an apartment in a nine story building, with around five hundred other families, which was a common living situation in Russia. She describes a strong sense of community.&#13;
They children played games in the local forest. Karina loved ‘the secret’ which involved collecting beautiful items like coloured paper or flowers and burying them in the earth. They would only be shown to special friends. &#13;
Karina started school at seven. It was the custom there that children as young as four could be left alone at home. Karina spent hours drawing, which nurtured her passion for art and led to her eventually becoming an art teacher.&#13;
New Year’s Day was the day to celebrate. They didn’t recognise Christmas. Another holiday was the eight of March, International Women’s Day. They had no religious education in schools so there was no abeyance to religious holidays or rites. Karina describes Russia as being closed when she was growing up. They didn’t meet any foreigners until she spent time abroad with her parents. &#13;
Karina came to Ireland, via London, she says through ‘fate’. She was first struck by the smallness of the buildings and streets and how spiritual Ireland is. &#13;
Blarney Castle and St Finbarre’s cathedral are her favourite places in Cork. In comparison to Moscow. Cork is small and convenient for meeting your living needs. Karina mentions how cork people are changing and are more open to other nationalities.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>Interviewee: Karina Abdulbaneeva&#13;
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Interviewer: Lee Cassidy</text>
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                <text>Cork; Ireland; Russia; 1990s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>Mary O'Driscoll</text>
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              <text>Stefan Wullf</text>
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              <text>77m 53s</text>
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              <text>Glanmire, Cork, Ireland</text>
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              <text>MiniDisc</text>
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              <text>16bit / 44.1kHz</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
&#13;
M.O'D: When I say Cork are there, can you think of three words that come to mind, the first three things that jump to mind?&#13;
&#13;
S.W: Lee, chaos, change.&#13;
&#13;
M.O'D: Can you say a bit about those?&#13;
&#13;
S.W: As I mentioned before the Lee always kind of stuck out, em well maybe not the Lee as being the Lee, and everything that’s linked to it for a Cork person, but just as a river flowing through a city and eh adding so much more flair to it; I suppose that might be debatable as regards to everything that goes into it, as well which one mightn’t want to think about too closely, but just as such I always really well that’s something, coming into Cork city, Patrick’s Bridge, and so on. It’s really doing something for me. Now chaos, I suppose the traffic I’m referring to. (I would have come to Ireland with a bicycle, again you know when I came over to Ireland I flew into Ireland, I had my bicycle with me, flying through Shannon, putting the bicycle onto the bus, and off we went to Cork, so I would have cycled for the first couple of years all over the place, and eh which was a great way of transport and I was grateful for having the bike, because I’ve heard that the traffic is lunacy here; obviously the whole infrastructure in Cork is was geared towards garages, small cars or whatever and em but then obviously the whole thing evolved traffic grew more and more cars on the streets, and just congestion all over the place, and on top of that, I suppose a typical, is it Irish or particularly Corkonian behaviour, to park everywhere you want, it doesn’t matter if you block the road, you already have a car parked on one side of the road, it doesn’t matter if you park on the other side of the road, and nobody else can get through. So that to some extent amused me, to another extent annoyed me, and em I suppose I would have been used to cycling a long, long time, and cycling probably in a haphazard way, myself, but it would have suited me down to the ground you know: I didn’t care whether I broke a red light, or just go against the stream, which I still do, which I think is very well to do, but obviously it’s getting a bit more dangerous now because things have improved ever so small I suppose. The surfaces in Cork city have improved luckily ten years down the road, that brings me on to change, the change that took place particularly over the past five years I think is just phenomenal, em I’m saying that in a very neutral way, so I’m not sure if that is a good thing or a bad thing, I suppose it’s both. Remembering coming to Cork and yeah getting around in Cork ten years ago, there were certain areas where I thought this is unbelievable, this reminded me of em really probably the early times after the second World War in Germany em well that would be an exaggeration now obviously there would have been devastating destruction there, but em lets say the years after rebuilding Germany and so on, and you would have had really very poor architecture, very neglected areas and so on, and certainly one area that sticks in my mind would be the North Mall: that would have been extremely grey, a lot of dilapidated houses, em at the same time there was a nice flair in that area but really I felt grey, grey on a bad day it really could have an impact on somebody’s mood like, and certainly the Coal Quay similarly. So they were the things there was an attraction one side kind of a feeling of being appalled, how things could be that way, could be that bad in the 90’s, so that certainly had an impression on me. </text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="649">
                <text>Stefan Wulff: Germany, Cycling, Currachs, Change,</text>
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                <text>Life History; Cork; Ireland; Germany; </text>
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                <text>A detailed interview with German born Stefan Wulff. He gives a really rich account of building currachs, of trips down the Lee and his impressions of Cork from the river side. &#13;
Stefan was born in Dortmund, in the Ruhr Valley, Germany. He has one brother and one sister. He came to study in UCC in 1994. &#13;
The agricultural area where Stefan grew up was very spacious with plenty of fields to play in. He played the usual childhood games: cycling, football and a favourite which was shooting darts from an air rifle in their cellar. He had a passion for kite flying and bought hundreds over the years. &#13;
His earliest memory is of not wanting to go to pre-school and nun like figures who wanted to give him (calcium) tablets. He remembers his grandmother telling him stories particularly about his father growing up in Prussia and how during the war and they had to flee for their own safety and moved to northern Germany. His grandmother helped in the process of settling the large numbers of refugees. He was told his grandfather was shot, but Stefan later learned he had ended his own life. &#13;
Stefan first came with a cycling group in 1983. He came back in 1994 on a student exchange programme to UCC where he met his future wife. &#13;
Stefan mentions the differences in the social dimensions between Ireland and Germany. It took him years to settle in Ireland because of these differences. &#13;
He uses the words Lee, chaos and change to describe Cork. The river Lee holds a strong attraction for Stefan, and he speaks of it bringing a certain flair to Cork. The chaos comes from observing the lunacy of cork driving and parking habits. He talks about the change in Cork’s architecture and how dilapidated some buildings were when he first arrived. &#13;
Stefan highlights his discomfort with the drinking culture and how much more consumer orientated people are and how it has brought greed to some. &#13;
Naomhoige Chorcai and Meitheal Mara are rowing clubs that build and row currachs. Stefan describes the boats, getting them into the water and rowing them down the Lee. He gives a detailed description of viewing Cork from the river side and a long journey he took on the open sea, in an Aran currach, from Lettermullen in Connemara to Inishman with Padraig O’Dineen, one of the founders of Meitheal Mara, and Brian Hennessy.&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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                <text>19 November 2004</text>
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              <elementText elementTextId="653">
                <text>Interviewee: Stefan Wullf&#13;
</text>
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              <elementText elementTextId="3888">
                <text>&#13;
Interviewer: Mary O'Driscoll</text>
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                <text>CFP_SR00345_wulff_2004</text>
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                <text>Cork; Ireland; Germany: 1990s - 2000s;</text>
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                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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              <elementText elementTextId="3889">
                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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                <text>Cork Folklore Project</text>
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              <elementText elementTextId="660">
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                <text>1 .wav File</text>
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                <text>Cork Folklore Project</text>
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                  <text>Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. </text>
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                  <text>The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.&#13;
&#13;
A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. &#13;
&#13;
The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq.&#13;
&#13;
The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork.&#13;
&#13;
For further description of the Cork 2005 project, see:&#13;
&#13;
O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela.&#13;
&#13;
O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30.&#13;
&#13;
For the dissemination content see:&#13;
‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&#13;
&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interviewers:&lt;/strong&gt; Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke.</text>
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                  <text>&lt;p&gt;Cork Folklore Project&lt;/p&gt;
&lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License&lt;/a&gt;.</text>
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                  <text>&lt;strong&gt;Published Material;&lt;/strong&gt; &lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. &#13;
&#13;
Catalogue project description written by: Clíona O’Carroll</text>
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                  <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/31"&gt;CFP_SR00344_geaney_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                  <text>37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States.</text>
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              <text>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com&#13;
&#13;
N G: I’d say I started school about- you didn’t start that time at three or four, I started at about five, and we had to walk a mile and a half to school, it was Owen na Bui National School, twas a two teacher school at the time. And I remember my old teachers Mrs McSweeney and Mr Murphy, and you would have fourth, fifth and sixth class together in the one room and then you’d have the I suppose, the infants, the first, the second, and the third, in one room. And eh, naturally there was no central heating at that time, and we’d all have to bring a sod of turf to school in the morning for the fire. And I remember our lunch consisted of a bottle of milk, eh a couple of slices of brown bread, butter and jam. Well of course Noel, if there was a station on in the parish, you know where the Mass is held in the house, we’d be allowed go to the station and we’d bring lots of currant bread to school from the station. Let’s see where do I go on from here?&#13;
&#13;
N O'S: That’s about the stations, are they still going on? &#13;
&#13;
N G: Oh they’re still going on! They are, the majority of them now are held in the church, but they are, they’re still going on. But sure the stations in the country before I mean they turned the house inside out, cleaning it and painting and decorating and everything for the stations. I think they are mostly held at night in the homes, but they were always held in the morning, about nine o’clock in the morning. And eh of course then at the stations you had to pay the station money.&#13;
&#13;
N O'S: Sorry for interrupting you Noreen, could you explain a little bit about what the station money is?&#13;
&#13;
N G: The station money was money you would pay at the station, it was a half crown, well the big farmers now would have paid more, but you know anyone who could afford it, it was a half crown. It was for the priest for petrol for their car for the year, and the following week it would be called out in the church what each person gave, the station money. &#13;
&#13;
N O'S: That’s very intimidating!</text>
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                <text>An account of growing up on a small farm in the Cork countryside and the simplicity of life in the 1950s. &#13;
Noreen was born in Cuileann Ui Chaoimh in Co. Cork. She had three sisters and one brother. She attended Owen na Bui National School. She lived and worked in Dublin for six years and met her husband there. He was a prison officer in Mountjoy. They came back to live in Cork in 1972.&#13;
Noreen describes her family and childhood as being simple. Their needs were simple. Bacon and cabbage were their basic diet. She remembers Ling fish on a Friday and describes ‘Pandy’. Blackberry wine was made in season and buried in the ground for three weeks.&#13;
At the time old people weren’t living in homes. Noreen describes the funeral rites of her grandparents: How they were laid out in a brown habit and waked for two nights.&#13;
Stations were held in people’s houses. People gave money according to their means and Noreen recalls that the amount you gave would be read out at the church the following week. &#13;
Their school had only two teachers for all the classes. They walked a mile and a half and had to bring fuel for the fire. &#13;
Parenting was strict and Noreen recalls a story of sneaking out to a ceilí and her father beating her along the road afterwards. &#13;
Noreen describes the games and rituals of Halloween: Playing Blindman’s bluff and her mother laying the table ‘for the dead’. &#13;
Noreen worked in Dublin for years and came back to Cork with her family in 1972. &#13;
&#13;
&#13;
&#13;
Note; This interview was conducted as part of the Cork 2005 Project</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="631">
                <text>30 October 2004</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="632">
                <text>Interviewee: Noreen Geaney&#13;
</text>
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              <elementText elementTextId="3884">
                <text>&#13;
Interviewer: Noel O'Shaughnessy</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CFP_SR00344_geaney_2004</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="634">
                <text>Cork; Dublin; Ireland; 1940s - 1960s;</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="635">
                <text>&lt;strong&gt;Cork 2005 Collection Catalogue Numbers:&lt;br /&gt;&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/5"&gt;CFP_SR00329_mccarthy_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/18"&gt;CFP_SR00330_odriscoll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/19"&gt;CFP_SR00331_claffey_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/20"&gt;CFP_SR00332_hanover_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/21"&gt;CFP_SR00333_desplanques_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/22"&gt;CFP_SR00334_bale_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/23"&gt;CFP_SR00335_sheridan_1996&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/24"&gt;CFP_SR00336_steiner-scott_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/25"&gt;CFP_SR00337_rot_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/26"&gt;CFP_SR00338_stafford_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/27"&gt;CFP_SR00339_odonoghue_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/28"&gt;CFP_SR00340_hawkins_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/29"&gt;CFP_SR00341_ocarroll_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/30"&gt;CFP_SR00342_ikebuasi_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/54"&gt;CFP_SR00343_ogeallabhain_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/32"&gt;CFP_SR00345_wulff_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/33"&gt;CFP_SR00346_abdoulbaneeva_2004&lt;/a&gt;;&lt;br /&gt;CFP_SR00347_gunes_2004;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/35"&gt;CFP_SR00348_fourie_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/36"&gt;CFP_SR00349_henderson_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/37"&gt;CFP_SR00350_valdman_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/38"&gt;CFP_SR00351_carmody_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/39"&gt;CFP_SR00352_osullivan_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/40"&gt;CFP_SR00353_mahknanov_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/41"&gt;CFP_SR00354_oflynn_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/42"&gt;CFP_SR00355_akhter_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/43"&gt;CFP_SR00356_walker_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/44"&gt;CFP_SR00357_kelleher_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/45"&gt;CFP_SR00358_manresa_2004&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/46"&gt;CFP_SR00359_wimpenny_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/47"&gt;CFP_SR00360_skotarczak_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/48"&gt;CFP_SR00361_vermeulen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/49"&gt;CFP_SR00362_owen_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/50"&gt;CFP_SR00363_dsouza_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/51"&gt;CFP_SR00364_setter_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/52"&gt;CFP_SR00365_obrien_2005&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/53"&gt;CFP_SR00366_botan_2005&lt;/a&gt;:</text>
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                <text>&lt;br /&gt;&lt;strong&gt;Published Material:&lt;/strong&gt;&lt;br /&gt;‘How’s it Goin’, Boy? radio series &lt;a href="http://corkfolklore.org/radio-series/"&gt;(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)&lt;/a&gt;</text>
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                <text>&#13;
O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing.</text>
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          <element elementId="45">
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="637">
                <text>Cork Folklore Project</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="639">
                <text>English</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 .wav File</text>
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              <elementText elementTextId="3886">
                <text>Cork Folklore Project</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Folklore Project Audio Archive</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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        <name>1940s</name>
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        <name>Noreen Geaney</name>
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        <name>The Stations</name>
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