13 20 249 https://corkfolklore.org/archivecatalolgue/files/original/6931244a8c6d64c87eb96b3ffeaed969.jpg c749eda90e16fa92bb8fcc1bdb0b02f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource LGBT Collection Subject The topic of the resource Stories and memories of LGBT life in Cork City and County. Description An account of the resource The LGBT (lesbian, gay, bisexual, transgender) collection was launched and created in August 2014 by Stephen Dee and Dermot Casey, researchers at the Cork Folklore Project. The Project was established to record and preserve stories and memories of LGBT life in Cork City and County, with a focus prior to decriminalization in 1993 but also to document the important achievements and struggles that contributed to a society that today is far more accepting of LGBT people. This is proven today with the legalisation of same sex marriage through popular vote and the increased visibility of LGBT people in all areas of public life. The collection’s aims are to explore three main aspects: ‘Personal Recollections’ including but not limited to identity, coming out and experiences of homophobia; ‘Community Stories’ based on certain areas, streets, and forms of social interaction within the LGBT community; and ‘Political Movements’, chronicling political events, motivations and outcomes such as the creation of the Cork-based Irish Gay Rights Movement in 1976, Cork Gay Collective in 1980, and UCC Gay Soc in 1980. Each interview we conducted was unique with each interviewee covering some or all of these topics and with some areas being explored in depth. We hope the material can complement LGBT research in Ireland and also stimulate further interest amongst the public in LGBT history. To date we have distributed some of this material to the public with an audio visual presentation on YouTube and in 2016 in conjunction with Cork City Partnership for LGBT Awareness week we produced a public exhibition of our sound excerpts at Cork City Library. Special thanks to all our interviewees and also to Alvina Cassidy whose research also features in this collection. This LGBT collection of interviews is stored within the Cork Folklore Project permanent oral history archive run in conjunction with UCC’s Folklore and Ethnology Department and Northside Community Enterprises, with both a physical and digital presence. As with all our material, access to full interviews is supervised through a variety of permissions and forms. Date A point or period of time associated with an event in the lifecycle of the resource 2012 and onwards Contributor An entity responsible for making contributions to the resource Interviewees: Derrick Gerrety; Eddie Kay; Christine Browne; Stephen Dee; Dermot Casey; Padraig McCarthy; Clive Davis; Finbarr Kiely; Ken Curtin; Paul McAllister; Jonathan Neville; Tara Whelan; Edmund Lynch; Tony Doherty; Cathal Kerrigan; Barra O’Donnabhain Interviewers: Alvina Cassidy; Stephen Dee; Dermot Casey Identifier An unambiguous reference to the resource within a given context <p><a href="http://corkfolklore.org/archivecatalolgue/items/show/85">CFP_SR00502_kay_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/86">CFP_SR00516_browne_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/87">CFP_SR00518_dee_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/88">CFP_SR00519_casey_2014</a>; <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/89">CFP_SR00521_mccarthy_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/90">CFP_SR00532_davis_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/91">CFP_SR00534_kiely_2014</a>; <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/92">CFP_SR00547_curtin_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/93">CFP_SR00548_mcallister_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/94">CFP_SR00549_neville_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/96">CFP_SR00555_whelan_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/97">CFP_SR00556_lynch_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/98">CFP_SR00558_doherty_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/99">CFP_SR00561_kerrigan_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/100">CFP_SR00576_odonnabhain_2016;</a></p> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ethnographic interviews carried out with members of the LGBT community in Cork city and county Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav files Relation A related resource Youtube video showcasing interviews from our LGBT Archive Collection. Ten voices, eight topics, ranging from First Discovery, Coming Out, The Scene, Marriage and more. <br /><br /><a href="https://www.youtube.com/watch?v=enopWLdeOAw&amp;t=2s">https://www.youtube.com/watch?v=enopWLdeOAw&amp;t=2s</a> <br /><strong>Other CFP Material Realting to LGBT Life in Cork:</strong><br /><a href="http://corkfolklore.org/archivecatalolgue/document/130">CFP_SR00418_gerrety_2012</a> Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Stephen Dee & Dermot Casey Interviewee The person(s) being interviewed Tony Doherty Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 95min 22sec Location The location of the interview The South Terrace, Cork City. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound <p><strong><b>SD</b></strong> When did you first hear the term coined, you know homosexual gay?</p> <p><strong><b>TD</b></strong> Ah sure we heard it all the time my father like was in the special branch, and they were constantly in those days the guards like kind of following going down any cruising areas, or I remember once talking about some Judge that used to come to Cork like and they would follow him around because he picking up young fellas, there was a kind of balance as far I could see in those days, that, like there was no one obviously anyone open, they were about two openly gay men Martin Bennett in the, what was it called, he had a shop, the bargain stores in the North Main street, he was famous, everyone knew he was gay like, he would be getting off with Echo Boys and things and there was a guy, over in Boreenmanna, who was known as Father Tom I think, even though he wasn’t a priest who was into young fellas as well and there was a fella two doors up and so like it accepted that, our headmaster up in Chriost Rí used bring the good looking guys and he would sit them on his lap, like cute little first and second years and things like that, and we were aware of that, we accepted it, there was another brother who used to do it as well, and that was the norm. I remember now this, there was a brother there who used always fall in love with the young fella who would be playing the boy soprano in the opera, the annual opera, that Gilbert and Sullivan done every year like and he would be trying to kiss him backstage and we would grab, we would be working backstage as well, we would grab the young fella and we would be waiting to land, for Brother Amsel[phonetic??] would to appear, and we would shove him out in front of him. Because we just thought that this is the norm you know, but if you didn’t associate yourself with that, you would be kind of tempted alright to go looking for Uncle Tom, or Father Tom, whatever you called him, but then I kind have started an affair, or a fling with a friend of mine so that solved that problem.</p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tony Doherty: Rainbow Ramblers, Cork Gay Mens’ Cooperative, Cruising. Subject The topic of the resource Stories and memories of LGBT life in Cork City and County. Description An account of the resource Tony Doherty was interviewed as part of the LGBT project. He describes his younger days in Cork in the 1950s and 1960s. He went to England in 1968, five years after decriminalisation in the UK. He describes being gay in a Catholic school, the social scene, theatre productions and notable people. He recalls decriminalisation in 1993. Date A point or period of time associated with an event in the lifecycle of the resource 15 July 2015 Contributor An entity responsible for making contributions to the resource Interviewee: Tony Doherty Interviewers: Stephen Dee & Dermot Casey Identifier An unambiguous reference to the resource within a given context CFP_SR00558_doherty_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, England, 1950s-2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Relation A related resource <p><a href="http://corkfolklore.org/archivecatalolgue/items/show/85">CFP_SR00502_kay_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/86">CFP_SR00516_browne_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/87">CFP_SR00518_dee_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/88">CFP_SR00519_casey_2014</a>; <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/89">CFP_SR00521_mccarthy_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/90">CFP_SR00532_davis_2014</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/91">CFP_SR00534_kiely_2014</a>; <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/92">CFP_SR00547_curtin_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/93">CFP_SR00548_mcallister_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/94">CFP_SR00549_neville_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/96">CFP_SR00555_whelan_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/97">CFP_SR00556_lynch_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/98">CFP_SR00558_doherty_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/99">CFP_SR00561_kerrigan_2015</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/100">CFP_SR00576_odonnabhain_2016;</a><br /><br /></p> <div class="element-text">Youtube video showcasing interviews from our LGBT Archive Collection. Ten voices, eight topics, ranging from First Discovery, Coming Out, The Scene, Marriage and more. <br /><br /><a href="https://www.youtube.com/watch?v=enopWLdeOAw&amp;t=2s">https://www.youtube.com/watch?v=enopWLdeOAw&amp;t=2s</a></div> <div class="element-text"><br /><strong>Other CFP Material Realting to LGBT Life in Cork:</strong><br /><a href="http://corkfolklore.org/archivecatalolgue/document/130">CFP_SR00418_gerrety_2012</a></div> <a href="http://corkfolklore.org/archivecatalolgue/items/show/100"></a> Type The nature or genre of the resource Sound 1950s 1960s 1970s 1980s 1990s 2000s 2010s CAT Club Cork Gay Mens’ Cooperative Cruising David Gordon Decriminalisation Dogging Grindr Hilton Edwards Iron Toilet Le Chateau LGBT Marriage Referendum Michael Mac Liammoir Mother Gordon Rainbow Ramblers The Other Place Tony Doherty https://corkfolklore.org/archivecatalolgue/files/original/46a6660888de96a8e45b64e41188c8ef.jpg 9e614d0569c64b5ffbacd28a9407a152 https://corkfolklore.org/archivecatalolgue/files/original/be6f1b07977b5bf861f4471ae3f89fd2.mp3 0b88ebf9e2bcddc39eb73d873def484b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic) Subject The topic of the resource Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore: Description An account of the resource This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project. Date A point or period of time associated with an event in the lifecycle of the resource April 2017 - September 2018 Contributor An entity responsible for making contributions to the resource Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey; Interviewers: Joanne McNamara (8 Interviews): <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> (1 Interview) Identifier An unambiguous reference to the resource within a given context <strong>Other Interviews in this Collection</strong><br /><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener">CFP_SR00618_Dempsey_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener">CFP_SR00622_McNamara_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener">CFP_SR00625_McShane_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener">CFP_SR00626_O'Connell_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener">CFP_SR00628_Osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener">CFP_SR00632_Curtin_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener">CFP_SR00633_Sargent_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener">CFP_SR00648_Fitzgerald_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener">CFP_SR000673_Twomey_2018</a>; Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 9 .wav Files Relation A related resource <strong>Published Material</strong> <br /><br />MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive. <strong>Listening Events<br /><br /></strong>Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.<br /><br /> <ul> <li>Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy">Kieran Murphy</a> and <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener">James Furey</a> at Hollyhill Library, 22nd August 2018  as part of Heritage Week</li> </ul> <div class="element"> <div class="element-text"> <div class="element"> <ul> <li class="element-text">Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 </li> </ul> </div> <div class="element">The Cork Folklore Project Audio Archive holds recordings of both these events.</div> </div> </div> <div class="element"></div> <p><strong>Related Collection</strong><br /><br /></p> <div class="element"> <div class="element-text"> <p>The <a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener">Grattan Street Stories: Memory of Place</a> was also conducted in collaboration with the HSE. <br /><br />Many of the services from Grattan Street Health Centre were to move to the new <span>St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher</span> on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. <br /><br />There is thus some overlap in discussions related to the <span>St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.</span></p> </div> </div> <p></p> <p></p> Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Tony Fitzgerald Interviewer The person(s) performing the interview Kieran Murphy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44min 44sec Location The location of the interview Cork City Council, City Hall, Anglesea Street, Cork, Ireland. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tony Fitzgerald: Orthopaedic Hospital, Healthcare, Family Subject The topic of the resource Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore: Description An account of the resource Tony, at the time of this interview was Lord Mayor of Cork. Date A point or period of time associated with an event in the lifecycle of the resource 28 March 2018 Contributor An entity responsible for making contributions to the resource Interviewee: Tony Fitzgerald Interviewer: Kieran Murphy Identifier An unambiguous reference to the resource within a given context CFP_SR00648_Fitzgerald_2018 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-2010s Relation A related resource <a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener">CFP_SR00618_Dempsey_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener">CFP_SR00622_McNamara_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener">CFP_SR00625_McShane_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener">CFP_SR00626_O'Connell_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener">CFP_SR00628_Osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener">CFP_SR00632_Curtin_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener">CFP_SR00633_Sargent_2018</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener">CFP_SR000673_Twomey_2018</a>; Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound https://corkfolklore.org/archivecatalolgue/files/original/b0f6e4d5cc1e42a8d85574d7ff3ba684.jpg 9a1212ce48dc2ace584eb0614efc891c https://corkfolklore.org/archivecatalolgue/files/original/3b12951ce0f90bc0ea2507eca571447c.mp3 14516bc52ba1ffb3bbdd042eb418550a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource <strong>Interviewees:</strong> Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: <br /><br /><strong>Interviewers:</strong> Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource <p>Cork Folklore Project</p> <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a><br />This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource <strong>Published Material;</strong> <br />‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context <strong>Cork 2005 Collection Catalogue Numbers:<br /></strong><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>;<br />CFP_SR00347_gunes_2004;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Sean Claffery Interviewee The person(s) being interviewed Tony Henderson Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46m 57s Location The location of the interview St. Luke's, Cork City, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com T.H: It’s improved enormously, yeah the whole Celtic tiger thing, there is a whole generation who’ve grown up who expect to work hard, and expect to do well as a consequence of it because I mean that was always my thinking at the time is that em there was no particular incentive for people to you know keep their nose to the grindstone, or to be disciplined or driven or any of those things because you’d work hard and do no better than anybody else, I mean any sensible person would see that, so em I’ve never felt that the Irish were intrinsically this that or the other thing more than any other culture or group of people, I think these are entirely down to circumstances you know there are cultural influences but em people, why would people work hard for no particular gain, and conversely I suppose why would they not work hard if they can see that they can get a lot of stuff that they actually want, eh whatever that stuff is, whether it’s material stuff or whether it’s freedom, you know, or the possibility to go to Spain four times a year or the possibility of moving to Spain, or whatever you know I mean the stuff that money buys, em so anyway I mean that, all of that stuff wasn’t a mystery to me but it was, you did ask what was galling to me, what bothered me and that was certainly one of the worst. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tony Henderson: Canada, Music, London Subject The topic of the resource Life History; Canada; London Cork; Ireland; Description An account of the resource Tony grew up in Canada. He came to Cork during the 1990s, and he talks about his impressions of the city. His father was Irish, his mother English. He talks about growing up in Canada, where he learned the guitar and played in a band. He came to Ireland to play music with another musician. He talks about his impressions of Ireland and of Cork. He has carpentry skills, which he picked up because he often had time on his hands, and he has made some acoustic guitars. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Tony Henderson Interviewer: Sean Claffery Identifier An unambiguous reference to the resource within a given context CFP_SR00349_henderson_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; Canada; England; 1970s - 2000s; Relation A related resource <strong>Cork 2005 Collection Catalogue Numbers:<br /></strong> <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>;<br />CFP_SR00347_gunes_2004;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: <br /><strong>Published Material:</strong><br />‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 1980s 1990s 2000s Canada Celtic Tiger Cork 2005 London Music Tony Henderson https://corkfolklore.org/archivecatalolgue/files/original/af8f8e365a943ef5d3ea1732e8951b31.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/df2a349d0b430dd361b14e26972f086d.wav 2618519c82d880000b7ae69555a0930f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. <br /><br />In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. <br />A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).<br /><br />The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. <br />The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.<br /><br />Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. <br /><br /><strong>For further description and discussion of the Cork Memory Map project, see:</strong> <br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.<br /><br />To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource <strong>Interviewees:</strong> Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald <strong>Interviewers:</strong> Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context <strong>Catalogue Numbers:</strong> <br /><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Tony McGillicuddy Interviewer The person(s) performing the interview Stephen Dee Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 3min 03sec Location The location of the interview Civic Trust House Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;">GoD Can you tell me your name and leave us your memory.</p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;">TMG: My name is Tony McGillicuddy. My memory is of Jack Lynch’s Ford Anglia. It was the first Ford Anglia that came of the line in Fords on the marina, and they presented it to Jack Lynch who was Minister for Industry and Commerce at the time. He wasn’t very fond of driving, Jack Lynch. So he arrived outside The Metropole where I worked for 42 years, one evening, parked the car and said to me ‘Get rid of the car’, he didn’t want it anymore. Because he was going on holidays, and he had a holiday home down round West Cork, don’t know exactly where, but he was on his way down there anyway I presume. He decided to drive but when he got to Cork anyway he was sick of driving so we parked the car for him anyway, he got his driver to drive him the rest of the way --- but it was an absolutely gorgeous car, everything was in it. It was a grey Ford Anglia. It’s like the photograph that’s in the, the one with John Kelleher there [referring to a photograph in the exhibition] it’s like that now but it was an absolutely gorgeous car. But that was Jack Lynch and his driving.</p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;">GoD Do you know what happened to the car afterwards?</p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;">TMG Well, he got it taken away then, he got it taken away, and eventually after a fortnight or so someone came down and collected it, but I don’t know what happened to it after but it was an absolutely gorgeous car.</p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;">GoD Can you tell me what about the exhibition sparked that particular memory?</p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;">TMG The one with John Kelleher now selling the papers in the middle of the street because John Kelleher used to supply The Metropole with papers for sixty years. He was in McCurtain Street and The Coliseum I would say he was nearly there for 70 years. He was yeah, but he’s an amazing character, that man.</p> <p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-bottom:0cm;line-height:150%;">GoD And, Tony, are you a Cork local?</p> <p class="western" style="margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-bottom:0cm;line-height:150%;">TMG I am. I’m born and reared on the Low Road.</p> <p class="western" style="margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">GoD We’re asking everyone we interview certain questions, just if you have any memories of allotments in Cork</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">TMG No I wouldn’t. No</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">GoD What about bonfire night?</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">TMG I would have memories of Bonfire Night. You go around for a couple of weeks beforehand and start collecting stuff, and where it used to be on the Low Road was an old railway line that runs back, well The Arcadia is gone now, but it used to run along the back of The Arcadia, that’s where the bonfire on the Low Road used to be.</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">GoD And do you have any memories of the Pawn Shops in Cork City?</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">TMG I would. I would have memories of seeing them at the end of Shandon Street, and there was another around, I can’t think where it was but that would be a memory for me the one at the end of Shandon Street.</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">GoD Do you remember going in there?</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">TMG No. I was never in there.</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">GoD Well thank you very much Tony for the memory.</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">TMG You’re welcome.</p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"></p> <p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;">End of interview</p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tony McGillicuddy: The Low Road, Jack Lynch, Ford's Subject The topic of the resource Life History: Description An account of the resource Tony was born and reared in Low Road. He remembers a story about Jack Lynch who had been presented with a Ford Anglia car by the factory. Lynch hated driving and eventually gave it away. Date A point or period of time associated with an event in the lifecycle of the resource 27 August 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Tony McGillicuddy Interviewer: Stephen Dee Identifier An unambiguous reference to the resource within a given context CFP_SR00444_mcgillicuddy_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1960s-1980s Relation A related resource <div class="element-text"> <div class="element-text"><strong></strong><strong>Other Interviews in the Colection:</strong> <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014</div> <div class="element-text"><br /><strong>Published Material: </strong> <br /><br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"><br /><strong>To view the Cork Memory Map Click </strong><a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"><strong>Here</strong></a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Oral History Archive Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1960s 1970s Ford Jack Lynch The Low Road Tony McGillicuddy https://corkfolklore.org/archivecatalolgue/files/original/f562f63b4bb0636f0a4561a0b8892d1e.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/d5f790dc772c19e7186be47d013255bb.mp3 ea5e3fd5e264ab1c5b3612ccb7153482 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. <br /><br />In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. <br />A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).<br /><br />The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. <br />The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.<br /><br />Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. <br /><br /><strong>For further description and discussion of the Cork Memory Map project, see:</strong> <br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF <br /><br />Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.<br /><br />To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource <strong>Interviewees:</strong> Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald <strong>Interviewers:</strong> Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context <strong>Catalogue Numbers:</strong> <br /><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Una Lyons Interviewer The person(s) performing the interview Tom Doig Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 68min 47sec Location The location of the interview Togher, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound <b><b><strong>The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com<br /><br /></strong></b></b> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">UL: </span><span style="font-family:'Times New Roman', serif;">But the people who stayed at the house, the Bed and Breakfast that my mother ran, were mostly what she called Dublin drivers, they were men coming out of Dublin, driving these huge lorries with goods from televisions to chocolates to s</span><span style="font-family:'Times New Roman', serif;">ign</span><span style="font-family:'Times New Roman', serif;">age to lots of different things. And they were the people mostly who stayed in the house, the drivers.</span></p> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">TD: They were bringing goods down to Cork and then going or were they just transporting stuff back and forth or?</span></p> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">UL: Yeah, they’d come down on deliveries so we, I remember we had Bush television and the man was called Barry from Bush television and I remember he had a bald head and big bushy hair at the side </span><span style="font-family:'Times New Roman', serif;">[laughs]</span><span style="font-family:'Times New Roman', serif;"> I thought that was why he was working for Bush television and we had Gaelite signs they stayed with us and we had a man from Nestle chocolates and at that time there was a lovely confectioners called Milroy, Milroy sweets, they used to do Macaroon bars and Calypso bars and they used to give us bags of sweets so you’d be very popular with the other kids. And my mother with her sense of humour, used to call them after the company so she’d say Oh Mr Bush and Mr, we’d Lamb’s jams, Oh Mr Lamb, you know for the craic. And the man who drove from Milroy’s sweets, she used call Mr Milroy and he really enjoyed that. </span></p> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">TD: That’s very funny if, it was just her particular way of making them feel at home, I suppose.</span></p> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">UL: Yeah and having a bit of a craic with them but the joke was while the other lads all knew that it was a joke this man was delighted to be called Mr Milroy. </span><span style="font-family:'Times New Roman', serif;">[laughs]</span><span style="font-family:'Times New Roman', serif;"> He was all delighted with himself. And he had a young lad with him in the van called Andy and Andy was only a young boy at the time but we stayed very good friends with him and when he got married he came to Cork for his honeymoon and they stayed in the house which was lovely. And then years later, we had our first dog and we were trying to come up with a name for the dog and he happened to be in Cork and he called in to see us and we were reminiscing about the old days and Mr Milroy, we liked to think that Milroy lifted his head up at that point and Andy said what about calling him ‘Milroy’ so we had this famous dog called Milroy as well named after the old days. </span></p> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">Yeah. And there was, could I tell you another point about it, I was just telling a friend yesterday that there was another guest house up the road from us, it was a hairdresser with a </span><span style="font-family:'Times New Roman', serif;">guest house</span><span style="font-family:'Times New Roman', serif;"> as well and where the drivers would get one rasher, one sausage, one egg, my mother would give them three rashers, three sausages, two eggs [laughs] but we had an interesting experience happened one night, we, there was a knock on the door and I answered it as a small child and there was this African man standing there. And he said ‘can I, is your mum at home can I speak to her?’ and I said ‘Yes, of course’ so went and got my mother. She came out and she brought the man in and it turned out that he had, he was over from Africa, had lived, I think he was living in London and had come to Cork. And nobody in Cork would give him bed and breakfast. He did the whole length of Cork and no one would put him up. And he ended up with Fitzgerald’s and the woman said ‘well I won’t take you in but I know a woman who probably will’ and that was my mother. And not only was he brought in but he was brought in to the front room where the family were, a big blazing fire and Saturday dinner and sat down at the table and welcomed as a family member and.</span></p> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">TD: This was because she had lived in Africa, I presume, she’d have a broader understanding. </span></p> <p class="western" style="margin-bottom:0.35cm;line-height:115%;"><span style="font-family:'Times New Roman', serif;">UL: Yeah, I mean she. Yeah, very cosmopolitan outlook. And my dad was the same, my dad was in the Merchant Navy during the war and they had all travelled and met different people. And completely different outlook from the very narrow-minded Irish view at that time. And I remember him sitting at the table with us and Daktari which was a programme at the time came on and he was explaining all about Africa and the Bush and the scorpions. He was just fascinating. So I think that’s a kind of poignant story in the sense it just shows you how much Ireland has moved on, has changed. </span></p> <b><strong><br /></strong></b> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Una Lyons: Oliver Plunkett Street, Cinemas, English Market Subject The topic of the resource Life History: Description An account of the resource Una (born 1960) grew up in a guesthouse, a Georgian building on Oliver Plunkett Street. She had two siblings. Her parents had an unusually cosmopolitan outlook. Her father was an engineer with CIE trains. The street was quite residential but she also recalls a number of named businesses, including Cold Storage, which sold ices. Most of the guesthouse guests were lorry drivers from Dublin. She recalls an African man who called for lodging having been refused elsewhere in Cork. Una remembers seven cinemas in Cork; her mother left her at The Savoy for an afternoon at a time. She recalls the English Market when it specialised in meat. She describes the different shops and businesses in the city centre. Date A point or period of time associated with an event in the lifecycle of the resource 24 October 2012 Contributor An entity responsible for making contributions to the resource Interviewee: Una Lyons Interviewer: Tom Doig Identifier An unambiguous reference to the resource within a given context CFP_SR00425_lyons_2012 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-2000s Relation A related resource <div class="element-text"> <div class="element-text"><strong></strong><strong>Other Interviews in the Colection:</strong> <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; <br /><br />CFP_SR00491_fitzgerald_2013. <br /><br /><strong>Heritage Week 2011:</strong> <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; <br /><br /><strong>Video Interview:</strong> CFP_VR00486_speight_2014</div> <div class="element-text"><br /><strong>Published Material: </strong> <br /><br />O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. <br /><br />O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> <br /><br />O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. <br /><br />The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"><br /><strong>To view the Cork Memory Map Click </strong><a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"><strong>Here</strong></a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1950s 1960s 1970s Beasley Street Childhood Games Cinema Cudmores English market Milk and Cake Shops Oliver Plunkett Street Una Lyons https://corkfolklore.org/archivecatalolgue/files/original/51c6567c4b6af0fc134625664112a278.jpg 8cb1487608186852ed4f4a83a614e21a https://corkfolklore.org/archivecatalolgue/files/original/21a335e32cc1fd3299e1acba32523b37.mp3 2fe62f0a9d833311a3401d7602aff284 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Showbands Subject The topic of the resource Interview collection exploring the ‘showband era’ (late 1950s to early 1970s) in Ireland from the perspective of Cork-based musicians and family members. Six audio interviews with eight people totalling 251 minutes. Description An account of the resource In 1996-1997, researcher Stephen Hunter interviewed a range of musicians, family members and one author on their memories of the ‘showband era’ in Ireland. In the first interview, Seán Lucy (clarinet and saxophone player with Cork band the Dixies from 1954) and Terry McCarthy (singer with the Dixies from 1985) speak briefly about their backgrounds and childhoods in Cork before tracing their musical careers and discussing their experiences as members of the Dixies. Tommy Rooney from Crosshaven recounts playing with army and civilian bands (Trumpet player) before founding the Second City Jazz Band, and talks about the showband era and his experiences of playing in Cork and in Protestant halls in Northern Ireland. Pat Nolan, a saxophone and clarinet player who grew up on Cork City’s Northside, traces the rise and fall of the showbands on the Island of Ireland, and describes playing in dancehalls in Northern Ireland. Vincent Power, author of the book Send ‘Em Home Sweatin’, reflects on the showband phenomenon in his interview. Liam Foley from Blackpool, Cork, a drummer and guitarist, recalls his experiences as a musician in that era. Frances McCarthy and Betty O’Mahony, wife and daughter of the late Christy O’Mahony who played bass with the Dixies from 1958-1985, talks about Christy’s involvement with the band. Date A point or period of time associated with an event in the lifecycle of the resource 1996-1997 Contributor An entity responsible for making contributions to the resource Interviewees: Seán Lucy; Terry McCarthy; Tommy Rooney; Pat Nolan; Vincent Power; Frances McCarthy; Betty O’Mahony. Interviewer: Stephen Hunter Identifier An unambiguous reference to the resource within a given context Accession number for collection [CFP Acc. No. 1997-004]; <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/56" target="_blank" rel="noreferrer noopener">CFP_SR00051_dixies_1996;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/57">CFP_SR00052_rooney_1997</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/58" target="_blank" rel="noreferrer noopener">CFP_SR00053_nolan_1997</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/59" target="_blank" rel="noreferrer noopener">CFP_SR00054_power_1997</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/60" target="_blank" rel="noreferrer noopener">CFP_SR00055_foley_1997</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/61" target="_blank" rel="noreferrer noopener">CFP_SR00056_various_1997</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Belfast; Northern Ireland; Ireland; music; showband music; dancehalls; 1950s-1970s Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 6 .wav files [digitized at 96kHz, 24-bit audio from 90-minute cassette tapes] Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Stephen Hunter Interviewee The person(s) being interviewed Vincent Power Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31 mins 34 secs Location The location of the interview Irish Examiner offices, Academy St., Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 90 minute cassette tape Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com S.H.: Moving on to the Dixies and your chapter on them, (Clown Princes ) , do you think the popular image of them is showmen , or of musical performers? V.P: I would lean more towards the showmen label, even though they where was a musical component to them and they had some gifted musicians, primarily they were terrific showmen, and probably the best showmen of all the show bands, probably the best show band in the strict definition of the word (show band) and that definition I would use borrowing from the originators of the show band concept which would have been a band known as the clipper Carltons, from Northern Ireland. I’d probably rate the Dixies as the best show band in that sense. S.H.: Most of the band came from very similar backgrounds, North side and working-class –do you think that contributed to the zany sense of humour that they had? V.P: It was all very new and very exciting for these young people and you’re right a lot of them did come from the working class- people who come from very mundane day-jobs –probably relatively lowly-paid jobs and suddenly were transformed in to glamour – boys overnight and paid a lot of money. That kind of zaniness came from a freedom they had never experienced before –people looking for their autographs, people putting them on a pedestal, screaming at their every move. This was certainly exciting as far as they were concerned. It was a different world to the kind of world they would have been use to. So the kind of zany mad-caps humour you’re speaking of came party from that. They could get away with a lot more – they were away from the prying eyes of their families and local communities, they had freedom as never before. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vincent Power: Send ‘em Home Sweatin’ Subject The topic of the resource Interview exploring the ‘showband era’ (late 1950s to early 1970s) in Ireland from the perspective of Cork-based musicians and family members. Description An account of the resource Vincent was born in 1960. In 1990 he published the book Send ‘em Home Sweatin’, the story of the showband era. He talks in detail about the showband scene. Irish audiences had no access to rock’n’roll and its performers, but showbands were copycat performers who could provide that kind of experience. The ballroom scene was Ireland’s sexual revolution. The singers and bands were so popular they were often mobbed in the street. The Dixies as quintessential showmen. The singer of The Magic Band had a suit made up of light bulbs. Showbands were frowned upon by the Catholic church. Rory Gallagher and the showbands. He talks about Brendan O’Brien’s accidental electrocution on stage. He tells a funny anecdote about a gig at a remote location in County Galway. The Devil was said to have appeared at some ballrooms: Vincent believes such stories were spread by rival ballroom owners. He estimates the showband era was from 1960 to 1971. Date A point or period of time associated with an event in the lifecycle of the resource 5 March 1997 Contributor An entity responsible for making contributions to the resource Interviewee: Vincent Power Interviewer: Stephen Hunter Identifier An unambiguous reference to the resource within a given context CFP_SR00054_power_1997 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; 1960s - 1990s; Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Relation A related resource <strong>Showbands Collection Catalogue Numbers: <br /><br /></strong>Accession number for collection [CFP Acc. No. 1997-004]; <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/56" target="_blank" rel="noreferrer noopener">CFP_SR00051_dixies_1996;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/57">CFP_SR00052_rooney_1997</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/58" target="_blank" rel="noreferrer noopener">CFP_SR00053_nolan_1997</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/document/60" target="_blank" rel="noreferrer noopener">CFP_SR00055_foley_1997</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/61" target="_blank" rel="noreferrer noopener">CFP_SR00056_various_1997</a>: Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1960s 1970s 1980s 1990s Albert Reynolds Brendan Bowyer Brendan O’Brien Butch Moore Capitol showband Clipper Carlton Elvis Presley Grand Parade Horan’s Ballroom Jutland ballroom Las Vegas Limerick city Majestic Ballroom Mallow Mayo Music Radio Luxembourg Rory Gallagher Royal Showband Sexuality Stardust ballroom (Cork) The Devil The Dixies The Magic Band https://corkfolklore.org/archivecatalolgue/files/original/66dcc7d969785a0bf1be5bf38cfa0e31.jpg 0619c2f0a2227838c97802158ba63b65 https://corkfolklore.org/archivecatalolgue/files/original/1bac69c56e6d836e8caaddf03d1634a2.mp3 81af0dfe6b846b3c5c0fa2a642a26ed8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource <strong>Interviewees:</strong> Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: <br /><br /><strong>Interviewers:</strong> Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource <p>Cork Folklore Project</p> <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a><br />This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource <strong>Published Material;</strong> <br />‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context <strong>Cork 2005 Collection Catalogue Numbers:<br /></strong><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>;<br />CFP_SR00347_gunes_2004;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview John Megehan Interviewee The person(s) being interviewed Vitaly Mahknanon Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55m 28s Location The location of the interview Ballincollig, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com J.M.: Very good, okay. That’s a nice touch. Okay, so Vitaliy, do you have any stories about misunderstandings that might have occurred because of the difference in language or because people do things differently here? V.M.: Oh yes… it’s eh… I would say, eh… not only from my experience but from experience of other people because I’m involved as a part of eh, integrating support centre in Cork organisation name… named NASC. So, f… I’m come across lots of situation and not all of them quite funny, some of them s… would be much dramatic… dramatic situation, but I want to come back about my own experience. Eh, first thing eh which I found for myself was eh, difference in culture, when you greeting each other. In Ireland you say, “Hello, how are you?” and that’s it and people turn up and go away and you later on stayin’ and watching what’s wrong with me? Am I ugly? Am I smelly? And just feeling your self frustrated. But I mean when I grew up in the eh… environment where every single word has a meaning and now I try to explain you; we have one proverb eh… eh… word… eh… the word is like a bird, if it flew away, you won’t be able to catch it and bring it back, even if you say sorry. And I mean by this, in… in our culture, when you say to somebody “Hello,” and later ask, “How are you?”, you really expect an answer, and person might say you, “Oh, I’m good today”, and person become to telling you most eh deeply the story, for example, today I met new girlfriend, and she so nice, so on… and you tell him, “Okay, let’s take a drink and you tell me more about this thing,” and person, “no bother, let’s go.” You take sit… eh you take in the pub with him, we don’t have pubs, café, take tea or beer and person just sharing his mood and experience what he done today and you feel yourself eh… happy and you learn from that person what he done in life, you get some, eh, how do you say, benefit to yourself. Or opposite thing happen, person might tell you “Oh, awful thing happen today, I was sack from job”, or something like that, “I lost my friend”, or what ever, you say “No worries, come with me, I buy you drink”, I call all my friends, we sit together maybe you tell us your story, and maybe you’ll bring some solution. Maybe somebody come across similar situation, or somebody was in your shoes, maybe people can tell their own experience and you can learn something from those. Another story you became eh feel yourself more eh needed person, then somebody need you. Eh, but compare here to Ireland, “Hello, how are you?”, and, “Bye, bye”, and you just okay, what’s wrong. Later on my friends, Zara and Fran, just explain me this only formal greeting, don’t pay too much attention about those things, I said “fine”. Another thing which can came across again, eh in Slavic language we use words eh, thank you, please, eh but the same in a… I mean ordinary way, we use an intonation to say something. I mean if you say something like, “Ahh”, it mean eh request or please. If you say the same sentence with eh plain into… intonation like, “Ahh”, it mean like statement or you bored. If you say maybe more eh high tone like, “Arh”, would be mean like you’re angry, just leave me alone. And by intonation it can just show what you mean. Eh but here in English language you have to put everywhere this small word, ‘please’, unless you don’t do this people treat you different way. I mean if you go to the shop and say, “Can I have this?”, and forget to say “Please,” people watching you very strangely, throw you on table, take it, and so on. But later on you presume what’s wrong with me, what I did wrong? Try to rewind your sentence back a sec… ah, sorry, I forgotten to say the word, ‘Please’. And, next time when you start to learn from this thing, okay, please, please, and you start to say it in beginning, “Please can you tell me, or give me something?” Rather in our language because we do everything by intonation. I mean, m… mostly in th… situations. Or another thing about detonation eh of word, friend. Here in Ireland you call friend everybody, but in our country it’s more sacramental, more… eh more… it’s… it’s word has a more eh deep meaning. We don’t call friend everybody, in our country we have different condition, maybe I tell you my own gradation of relation between people, you can have the top of hierarchy would be the friend, eh… below the friend would be mate, or eh, colleague. After them would be person you know, eh, some fella who maybe neighbourhood living near by, or your class eh mate from long time ago, forever, forever. And this hierarchy building up by relations with people. If you just try to come eh see from perspective of philosophy, Aristotle, if I’m not mistaken, he said, “Who’s a friend is second me,” like mirror reflections. Only one or two people could be eh… thinking the same way, to treat the same way in situation like you are and his word was eh… eh proved by another eh… Iranian eh poet, about twelfth century… century, twas’ Saadi, he said, “If you had eh… if you have one friend you are happy person, if you have a two friend, everybody jealous you, if you have three or more friends you the sad person.” An explanation would be of this like that, human being has only two arms, if somebody going by the bridge, somebody eh… eh your friend suddenly be… become eh sink, you can save only two and give two of your hands, and lift them up. If there are more than two friends, you have a make a choice, who can you have save. That’s a big eh… eh, decision to have to be done. But… and that’s why I mean in our culture, the word friend has more eh, deep meaning, and we don’t call everybody friends, compare in Ireland if it’s a friend you say, “Okay, I’m friend”, but later on you become stuck in situation, and hold on why somebody call me friend, if I maybe quite opposite perspective of eh understanding reality. Maybe I’m quite different person somebody telling me friend and you become to be more, feel yourself uncomfortable because it’s big responsibility to be a friend in perspective of my understanding. You have to be eh, everywhere when your friend needs you. And not always friend have to call you and tell you, “okay, I need your help”. Sometime you have to offer this thing. Somebody telling you oh, call friend, you presume then you have to be wakey, wakey and just to expect something happen, have to be eh, give some hand to help the… the… the people. And a lot of eh, different stories like that, which would be, show in a difference eh… eh… cultures, aspects. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vitaly Mahknanon: Immigration, Ukraine, Language, Friendship, Subject The topic of the resource Life History; Ukraine; Ireland; Description An account of the resource Vitaly is from the Ukraine. He compares his home culture to that of Ireland, and he talks about his experiences as an immigrant in Cork. Vitaly was born in the city of Lviv, Ukraine. Although he was heavily involved in boxing, he opted to become a journalist. He came to Cork in 2002, and felt isolated until he met friends who taught him some English. He worked with immigrant support centre NASC. He describes some cultural differences between Ukrainians and Irish people, such as how they use language, and their concepts of friendship. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 3 December 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Vitaly Mahknanon Interviewer: John Megehan Identifier An unambiguous reference to the resource within a given context CFP_SR00353_mahknanov_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; Ukraine; 2000s; Relation A related resource <strong>Cork 2005 Collection Catalogue Numbers:<br /></strong> <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>;<br />CFP_SR00347_gunes_2004;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: <br /><strong>Published Material:</strong><br />‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 2000s Cork 2005 Friendship Immigration Language Ukraine Vitaly Mahknanon https://corkfolklore.org/archivecatalolgue/files/original/7f544e066937365493ee2393c81d4528.jpg 84ab4ede9d5baef4d8dbb60bb8e18e9a https://corkfolklore.org/archivecatalolgue/files/original/ed67ed0daffd2053227cd1adfc33012b.mp3 c396d544cf622b8cf9d231b9921859e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Journeys: Living Folklore in Ireland Today Subject The topic of the resource Life history interviews from the inhabitants of Cork city's Northside. Description An account of the resource 27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. Date A point or period of time associated with an event in the lifecycle of the resource 1996-2001 Contributor An entity responsible for making contributions to the resource <strong>Interviewees:</strong> Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne:<br /> <strong>Interviewers: </strong>Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1): Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland: 20th Century Relation A related resource <strong>Published Material:<br /><br /><br /></strong>Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. <br /> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Willy Good Interviewer The person(s) performing the interview Caroline Cronin Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34min 47sec Location The location of the interview The Cottage, Parklands, Commons Road, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Transcription Any written text transcribed from a sound <strong>The following is a short extract from the interview transcript relating to the audio extract above. Copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com</strong> C.C: What about superstitions was there superstitions about Halloween? W.G: Well there would be a bit about witches and that you would be a bit scary now. C.C: Scared to go out? W.G: That time ya.. Especially now when it would be getting a bit late in the evening. There was a lot more scare around then than then now. Frightening stories would have been told. C.C: Would you be sitting down telling stories now that night? W.G: Well we would like, the father would have plenty of those haunted house stories, we would be running into the corners. C.C: And all about ghosts and spirits? W.G: Oh ya, ya we believed quite a lot about the ghosts around that time. C.C: Was there any particular ones around here, was there any ghost stories? W.G: Ah! There’s one down there in the Boreen, that’s a well know place. It used to be called “The Style”, it was halfway down to the old barracks and going a way back. A lady used to tell me there was a priest seen there on numerous occasions…. praying late by night as we witnessed ourselves later on. I had a horse on the road at the time and the horse would be shying, scared you know, around to one side of the road, and it happened a couple of years later with a second horse my brother was driving. And my sister saw something very unusual down there one night. C.C: Oh! That girl that was home from England. W.G: Ya! C.C: What did she see? W.G: She was doing the romancing down there and saw an enormous cat, she thought she was seeing things first but her boyfriend, who was terribly brave fella, he was known to be a tough man, he got a desperate fright that night, he forgot about the romancing for quite a bit. C.C: What did he see, a big cat? W.G: It was supposed to be a huge cat, I didn’t believe it myself, but my sister said definitely, it was terribly unusual. There was something scary always about that area. My father was sitting up there one night and was pushed off the style and he put out his shoulder actually. C.C: Did he? W.G: So people don’t believe in haunted places. It was very convenient to where a young girl died at the age of 25 years, it was tragic and she is buried only a short distance from that … and apparently that was their premises that they owned, and there’s a style there… and it’s in that gate they used drive with their coach to get up to the house which is the house near me now. They lived in that house. C.C: The house next door? W.G: Ya. C.C: Is that right? W.G: Oh yeah! W.G: Her name is inscribed on the staircase inside, this girl. C.C: She died when she was 25? W.G: She died tragically, there’s a big story about that, but you would want to be sitting down for a while to go through that. But it’s a fact, because it came out on “The Echo” one night. C.C: Did it? W.G: Oh ya! I have the story on it there. C.C: When was that? A very, long time ago? W.G: Oh God that would be back a long way, oh they were French – Delahide was their names. C.C: What was her name? W.G: The father deserted them and went away to America and was away for 25 years and she grew up a beautiful girl and they had a house in Kinsale…. ‘n the meantime she was going around Cork and she met this foreigner or Yankee coming home and they took up together and the romance started off even though he was twice her age but age don’t come between love you know. C.C: I know. W.G: What happened then was, it was getting more serious, so one night he showed her, she asked him would he like to see a few photographs, there wouldn’t be a whole lot of them that time…. cameras weren’t on the go that much. She went through a few photos anyway and she came to this chap about 19 and he said “who was that?”, “ That was my father”…. and he left a gasp out of him, so he didn’t say any more to her that night…. when he sat her down after a few nights later, he said he would have to break off the whole show that’s going on between us, the romance. “What’s wrong?” she said. He said, “that’s me in the photo”. Her own father, she was going to marry him in six months. C.C: You’re not serious. W.G: Oh I am, and you would imagine with the shock that the father would pan out but actually the girl died in a very short time. C.C: Broken heart? W.G: Well, shock I would say. And she’s buried down here, in just adjacent to the Commons Bar. C.C: Is that right? W.G: Yes. C.C: Her grave is there? W.G: Well, it was there, but the stories tell it was consecrated and all for her and the father became a recluse after that, he wouldn’t go out until midnight and drive and coach and he used have the horses’ feet padded and they thought it was a headless coach, …. which it wasn’t, but that was the same style in the gate that he used to go in there because he would be driving up to this house here to see her. The mother had died in the meantime. They had a house in Kinsale, but after she died, he never came out by day after that. But it was very tragic. C.C: And it was a true story? W.G: So that’s how we call it “The Haunted Style”, a combination of the two of them now live! C.C: Was her ghost, was she ever seen? W.G: Well, no. I saw a few things down there, but no like, not really. C.C: Did you see a few things down there? W.G: I met someone coming out the gate on at night all in black holding a white purse, 12:45, I was just coming down from Goulds and I be like my own father, I’d face anything. I’d be brave regards to that. I tracked her down a bit, but I didn’t want to go too far because she thought I might be following her or something. I thought she might go into Onslow Gardens, but she stood under the tree below, for quarter of an hour and I stayed above and there was no move out of her. So I was coming up another night then from Lyons Cottage, I was like a bit of a rover and I saw her again. C.C: The same woman? W.G: Up on the lane, there could be a possibility that she fancied some fella in Onslow Gardens. And then again, she had long hair and she had kind of a cloak on her. That’s why you wouldn’t see too many of them with that on. C.C: She never made a sound or anything? W.G: No, no. Never spoke or anything, so you could take that with a pinch of salt, or with a glass of brandy if you like. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Willy Good: Halloween, Fairies, Holy Wells, Subject The topic of the resource Life History Description An account of the resource Willy Good was born in the 1930s and brought up in Commons Road. His house was in the family for two centuries, and once had a thatched roof. He recalls Halloween games; he called Halloween ‘Snap Apple Night’. Ghostly encounters associated with The Stile. A sad story about a girl surnamed Delahide. Visiting a holy well on All Souls’ Day [All Souls’ Well, off Blarney Road]. Hearing two banshees. His father and Jack of the Lantern. His mother read tea-leaves. Willy tells a story of the Famine and the Piper’s Boreen. He describes how they repaired their own leather shoes. Also mentioned is the cutting hay and the fairy whirlwind. He remembers Irish and Hiberno-English words his family used: ‘a bart [bundle] of sticks’, a gaotog [for making sugán rope], ‘Cuas Mhainin, hanam an diathail’. Date A point or period of time associated with an event in the lifecycle of the resource 29 October 1996 Contributor An entity responsible for making contributions to the resource Interviewee: Willy Good Interviewer: Caroline Cronin Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland, Cork, 1800s - 1900s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English, Irish. Format The file format, physical medium, or dimensions of the resource 1 .wav File Type The nature or genre of the resource Sound All Souls’ Day All Souls’ Well Banshee Fairy Wind fortune-telling Ghosts Halloween Hiberno-English Jack of the Lantern Shoemaking Supernatural https://corkfolklore.org/archivecatalolgue/files/original/3dd725a774b2e6fadac17a33c995c82e.jpg be19deee1ee7bb4878d224c6b13245d8 https://corkfolklore.org/archivecatalolgue/files/original/51405d73b3e08ce990e3426a19b1c9c3.mp3 5b61f893afe3120efc1a8ebe10655609 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource <strong>Interviewees:</strong> Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: <br /><br /><strong>Interviewers:</strong> Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource <p>Cork Folklore Project</p> <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a><br />This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource <strong>Published Material;</strong> <br />‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context <strong>Cork 2005 Collection Catalogue Numbers:<br /></strong><br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>;<br />CFP_SR00347_gunes_2004;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview John Mehegan Interviewee The person(s) being interviewed Yossi Valdman Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30m 25s Location The location of the interview Summer Hill North, Cork City, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com J.M.: Very good, Ok. So do you have any stories about misunderstandings that might have occurred because of the difference in language or because people do things differently here, when you arrived first? Y.V.: I used to have when I came… when I came to Ireland; you know my English was eh… quite bad (laughs), and em… I could speak English like, quite flatly, but I mean, it was expressions, that eh… expression, Irish expression that eh…I kind of didn’t know. Em… yeah, it used to be barrier of culture barriers, but eh, when I came here I was very, eh, if you like, very open, very, do you know, em…. I was very fast in many things. People didn’t like it, or people were afraid of it, em… em, I used to call to peoples’ houses and kind of, do you know, where in Israel people have to call to peoples’ houses. Eh, there is a lot of things where, em, like if we had a packet of cigarettes here on the table, you know, I’ll take a cigarette because knowing that you are my friend and eh, there is no problem. Do you know, a lot of things like in the bars, for instance, where in Israel, bars open all night until the last customers leave really. Eh, and there is things, eh… like they are in the bar like the cigarettes, tapas, tapas which is peanuts and stuff like that to put in bar and eh… for people just to pick up. People do that without questioning or anything, em… Lot of specially we talking about the bar, eh, we ordering our drinks and we pay as we leave. You know in Ireland I found it very em, do you know pay now you know. And eh…you know, most of things like that em… do you know, I find it quite, you know, eh… it used to make me angry, but eh, do you know like the Irish people kind of advanced me that’s the way we live, and you know ‘there is nothing we can do about that now’ (laughs). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yossi Valdman: Israel, Jaffa, Jews, Customs, Subject The topic of the resource Life History; Israel; Jaffa; Cork; Description An account of the resource Yossi talks about Israel and his Jewish heritage, and describes coming to Cork and how he experienced life in the city. Yossi’s father lived in Israel and then moved to Jaffa where he opened a shop. Yossi lived in Jaffa and Israel and then travelled and met his wife, Margaret, who is an Irish woman. He came to Ireland in 1991, and to Cork in 2001. He talks about his impressions of Cork and Ireland. He recounts cultural differences he encountered, and comments on drink culture. He talks about the historic nature of the city’s Jewish community. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Yossi Valdman Interviewer: John Mehegan Identifier An unambiguous reference to the resource within a given context CFP_SR00350_valdman_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; Israel; Jaffa; 1960s - 2000s; Relation A related resource <strong>Cork 2005 Collection Catalogue Numbers:<br /></strong> <br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>;<br />CFP_SR00347_gunes_2004;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>;<br /><a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: <br /><strong>Published Material:</strong><br />‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 1970s 1980s 1990s 2000s Cork 2005 Customs Israel Jaffa Jews