5 20 249 https://corkfolklore.org/archivecatalolgue/files/original/b1d35fa5003c4836bb0000937cdbdd86.jpg dcc2301b20bcf03ed033dddeff915a18 https://corkfolklore.org/archivecatalolgue/files/original/ad56acd6a22e20fccc3a78ab8757b55e.mp3 1ced7518f466f81f94d5b0a3831ece2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview John Mehegan Interviewee The person(s) being interviewed Geoffrey D’Sousa Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32m 06s Location The location of the interview Cork City, Ireland. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com J.M: So you’re constantly building your level of knowledge so, really it’s an ongoing thing rather than it stopped when you finished your trade or your apprenticeship I should say, so it’s actually ongoing your knowledge base, the whole time. . . G.D'S: In all aspects, you know, like even, one thing is very interesting is that Ireland is a big daily producing country: like it comes from cattle, the beef, the lamb, the whole thing, the way they treat it, the way it’s done, even go to English market, like many times I just stand there I say guys now I don’t mean to meddle, I’m just looking at what you’re doing, because like the way they do it, they’re so skilled at their thing, you know the way they cut off you know it’s just the bone left outside you know. Like those are, you go to fish markets and you see so many fresh fishes around, those are the true insights into society and the civilisation, and you know that how do people eat, what do people eat, and then you ask yourself the small questions: why is the fish so expensive and why do so little people eat so little fish, when then you go up and ask people and that’s the way they tell you, well most of it is exported, most of it is sold, and you know like, you know like you know like there are lopsided balances of eating like you know, people probably do an overdose of potato and prefer to die from eating potato, but then that again comes back from, from, from the times and history and if you can relate it then from an outsiders point of view you are like ah solving the jigsaw puzzle in a very positive way, so as you know when you are cooking for a person you will know what to cook, you know, you won’t cook up a whole, whole, whole new Indian meal with Indian gadgets, where you know it’s not working for you, you know, well people would say well it’s lovely but I don’t really eat that, now you know, so you will know that what to eat, you will make up a nice fillet steak with a bit of mash and a bit of gravy or garlic butter you know, like you just know that all those inputs all those inputs strong from around and that is I think that’s a way to go, you know, if you’re moving nobody can try to book for this for you, nobody can tell this to you, and when you can go to a local pub as well and you know down twenty pints and fall on top of somebody and people just laugh at you and they just accept you, and you’re fine you know, so it’s positive, positive. . . J.M: OK very good ok Geoffrey, ok so to round off is there anything else that you would like to add to the interview perhaps a joke or saying from your country? G.D'S: Well, well I think, I don’t really, I, I, I, hate saying this but then I don’t really know how to write my own mother tongue and it’s very hard to remember a joke from those countries (Laughs): I went to school where English was you can say that it was a first language, but it did a lot of good, and so I just say well you know like it’s just been a nice time, and I never regretted coming up here. When I was coming up to Cork and I wasn’t sure a lot of people were telling me that you’re crazy, maybe I thought I was making a mistake, you know and then Cork grew up as well you know with so many Europeans coming in like. I have a friend chef working with me, only we used to have a lot of problem staffing people, but now we have a lot of Slovenians, Slovakians, Georgians, and catering has become a lot more multi-cultural and it’s a lot more easier, and in my way I can see this small city growing up in a very, very positive way as well so I presume that’s a very positive note to end, you know, and, and, and, and, and that’s great to see because you would, you would not like to, and I don’t think any city would like to be just cornered out in a corner and em lay out there as if like oh that’s a tourist destination, go over there, that’s a tourist, and people come up here and they’re intrigued by the churches, the bells, by the small pay of cobble stone ways, sure where the restaurant is we have so many tourists roaming around, looking around, there is a little ballet theatre, you know, it just gives it more often, often Irish identity with a global prospective which is fantastic like you know, and I think that would be the best way to finish the whole thing, that you know it doesn’t come up to be just the typical Irish, Irish thing, or Irish countryside where it’s more Irish, Irish, Irish and nothing else, it just become more global and it’s more mellow, and, and it’s more upbeat, you know, you see a bit of colour, you see a bit of Chinese, you see Italians, you see Indians, they’re all doing their thing, and they all blend in which is fantastic. J.M: Very good, the face of the new Ireland! G.D'S: The face of the new Ireland. J.M: Very good, thank you Geoffrey it was a pleasure. G.D'S: Thanks a million, John. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geoffrey D’Sousa: Immigration, India, English Market, Food Subject The topic of the resource Life History; Immigration; Occupation; Description An account of the resource Geoffrey is from New Delhi, India, and works in Cork as a chef. He talks about how he came to the city in 2001, he compares Ireland and India, and talks about his interest in cooking. Geoffrey came to work in Cork at the invitation of two Irish people. He found people friendly and observed that pub culture was the way to socialise in Ireland. He enjoys the relaxed pace of life compared to home. He comments on the class structure and on inequalities of wealth in India. His passion is for cooking which is also his job; he cooks European cuisine rather than India Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 3 March 2005 Contributor An entity responsible for making contributions to the resource Interviewee: Geoffrey D’Sousa Interviewer: John Mehegan Identifier An unambiguous reference to the resource within a given context CFP_SR00363_dsouza_2005 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; India; 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 2000s Cork 2005 English market Food Geoffrey D’Sousa Immigration India https://corkfolklore.org/archivecatalolgue/files/original/e9384e3bfcc9feff408675b402f00ee5.jpg 84ab4ede9d5baef4d8dbb60bb8e18e9a https://corkfolklore.org/archivecatalolgue/files/original/e654d575ed9815588072a51991531395.mp3 b1ccb7d4ce65a8a2b6acf931a5b9f207 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Journeys: Living Folklore in Ireland Today Subject The topic of the resource Life history interviews from the inhabitants of Cork city's Northside. Description An account of the resource 27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. Date A point or period of time associated with an event in the lifecycle of the resource 1996-2001 Contributor An entity responsible for making contributions to the resource Interviewees: Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne: Interviewers: Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1): Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland: 20th Century Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed George Glendon Interviewer The person(s) performing the interview Stephen Hunter Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 69min 57sec Location The location of the interview Wellington Rd, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript relating to the audio extract above. Copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com S H: Was Tshombe’s army quite a well-disciplined army by the standards of the place? G G: Tshombe’s army was mainly controlled by mercenaries and the mercenaries came from all over the world, mercenaries from New Zealand, Australia and South America. They were mercenaries proper, mad for a fight, to fight was their lifestyle, you know. We found that they were great, they were white number one. When I went into Luena and took it over, there were Congolese army just on the edge of town and there was a Belgian in charge of it. Jack -- can’t remember his name now, Jack something. But the first night that I was there, I went over into his camp, I rang him up first on the phone, on the army line and I said who I was and that we were here to do a job to stop killing and he said ‘that’s my policy too, in taking this place we killed only a half dozen in the place’. So I went over into his camp, sitting at the table and I said for a start off ‘I have no gun on me, no gun on me, have you?’, ‘I always carry a gun’ he says, you know. I said ‘I wouldn’t like to talk to you with the gun there’, so he took the gun and he said here you have it he says, so that changed that, it went pleasantly then, we had comfort there but if any bit of trouble started I went to him or he went to me. S H: He was a Belgian was he? G G: A Congolese born Belgian, he was a gentleman, only a gentleman. No bother getting on with him, as I said they cleared that area now of the local Congolese tribe and kept the killing down to the minimum anyway. That was the rule. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Glendon: Irish Army, World Wars, The Congo Subject The topic of the resource Life History; Description An account of the resource George was born in Slievenamon, Co. Tipperary in 1915. He served in as a commandant in the Irish army from 1935 to 1971. His parents married in 1895. George's father was a serviceman in the British army. Both George's father and eldest brother fought on the western front during the First World War. His brother was captured and held a prisoner of war until fighting ceased. On his return from the war, his brother joined the IRA's 3rd Tipperary battalions flying column and was heavily involved till the end of the Civil War. George speaks of the societal and technological change that happened in his early life. How most people lived on credit and those who were subsistent farmer like his family had little to no social life. He mentions women performing physical tasks on the farmers due to not being able to afford male labourers. He speaks of attending a pattern day at a holy well in county Waterford and mentions that other calendar customs weren't really observed George was in involved with the Local Defense force before joining the regular army in 1935. He speaks of the lead up to the second world war and how he did not see it coming. Once the war did begin he felt that the country pull together and he expresses that he thought 'it was our most united time as a nation'. Georges goes on to speak of Ireland being Anti Soviet and that communism never taking hold here. He finishes by outlining his time spent in the Congo with the army. Date A point or period of time associated with an event in the lifecycle of the resource 14 July 1999 Contributor An entity responsible for making contributions to the resource Interviewee: George Glendon Interviewer: Stephen Hunter Identifier An unambiguous reference to the resource within a given context CFP_SR00297_glendon_1999 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Tipperary; Cork; Africa; The Congo Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 2 .wav files Type The nature or genre of the resource Sound Civil War Farming First World War IRA Irish Army Irish Defence Forces LDF Pattern Day The British Army The Congo The Emergency The Local Defence Force War of Independence World War I World War II https://corkfolklore.org/archivecatalolgue/files/original/c0117c7b0ed5b74d355424f3311c2883.jpg a7bbb022b0b590f9b9c169fe7115de9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy Description An account of the resource Geraldine Healy Portrait Photograph Creator An entity primarily responsible for making the resource Gráinne Magee Rights Information about rights held in and over the resource Cork Folklore Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the Stones Could Speak: More Stories of Cork’s Built Heritage (2015) Subject The topic of the resource Built Heritage: Description An account of the resource 9 interviews with 8 people This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’. 9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film. <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">The film is available on the Cork Folklore website</a> The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by CFP Project Manager Mary O’Driscoll. Support: This project was part-funded by Cork City Council. Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Interviewees: Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan: Interviewers: Mark Wilkins (9); Annmarie McIntyre (3): Identifier An unambiguous reference to the resource within a given context CFP_SR00509_walsh_2014; CFP_SR00510_healy_2014; CFP_SR00511_cotter_2014; CFP_SR00512_herlihy_2014; CFP_SR00514_spengeman_2014; CFP_SR00523_healy_2014; CFP_SR00525_moraghan_2014 ;CFP_SR00526_byron_2014 CFP_SR00527_gabuzda_2014; CFP_VR00540_herlihy_2015; CFP_VR00541_lenihan_2015; CFP_VR00542_healy_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland: 1700s-2010s: Relation A related resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) Links to: <a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener">Catalogue Collection</a> <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource 9 Audio 3 Video Format The file format, physical medium, or dimensions of the resource .wav .mov Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Geraldine Healy Interviewer The person(s) performing the interview Mark Wilkins Annmarie Mclntyre Location The location of the interview Rathmore Park, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav .mov Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy Subject The topic of the resource Built Heritage: Date A point or period of time associated with an event in the lifecycle of the resource 30 October 2014 Contributor An entity responsible for making contributions to the resource Interviewee: Geraldine Healy Interviewer: Mark Wilkins Videographer: Annmarie Mclntyre Identifier An unambiguous reference to the resource within a given context CFP_VR00542_healy_2015 Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 2 .wav File 2 .mov File Relation A related resource For more from Geraldine. As Interviewee: <a href="http://corkfolklore.org/archivecatalolgue/document/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/15" target="_blank" rel="noreferrer noopener">CFP_SR00505_healy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/167" target="_blank" rel="noreferrer noopener">CFP_SR00510_healy_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/174" target="_blank" rel="noreferrer noopener">CFP_SR00523_healy_2014</a>; CFP_SR00700_healy_2019; CFP_SR00701_healy_2019; CFP_SR00709_healy_2019; CFP_SR00710_healy_2019: As Interviewer: CFP_SR00387_Sheehan_; CFP_SR00395_Speight; CFP_SR00421_Cronin. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1800s, 1900s Type The nature or genre of the resource Video https://corkfolklore.org/archivecatalolgue/files/original/251470e13d50420ed3dbaa5c4bc7a1cd.JPG b26ed0eebbe322ab5fcbe6da7da69fe1 https://corkfolklore.org/archivecatalolgue/files/original/9eb452a82052a472baf145fd172c0d65.mp3 386b95da248a109815b825da85aa1f7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) Subject The topic of the resource Built Heritage: Description An account of the resource In 2013, the Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss the Trinity Presbyterian Church, the National Sculpture Factory, the Custom House/Port of Cork, the Pavilion, the Masonic Hall, Triskel/Christchurch, Cork Vision Centre, South Presentation Convent, Elizabeth Fort, St. Fin Barre's Cathedral, UCC Crawford Observatory and Blackrock Castle Observatory. The overall built heritage project was continued throughout 2013 and 2014 in order to create an interview collection and DVD on the other buildings featured in Cork Heritage Open Day. Interviews about UCC Boole Library and Cork City Opera House, which were not featured in the first DVD, form part of this collection. The DVD was edited by Ian Stephenson, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by Mary O’Driscoll. The film contributed to Cork City Council’s Cork Heritage Open day, winning the Irish Heritage Council Heritage Week 2013 Award for the Best Interactive Event. A second DVD was produced by the Cork Folklore Project in 2015, drawing on further interviews carried out by Mark Wilkins, entitled If the Stones Could Speak. Support: this project was part-funded by Cork City Council. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Interviewees: Kitty McSweeney; John X Miller; Eibhlin Gleeson; Geraldine Healy; Mary McCarthy; Carmel Hartnett/Maeve O'Sullivan; Michael Holland; David Ryan; Ria O'Sullivan; John Faris; David J Butler; Patrick Walsh; Roger "Ronnie" Herlihy; Interviewers: Mark Wilkins; Ian Stephenson; Rights Information about rights held in and over the resource Cork Folklore Project Relation A related resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) <a href="http://corkfolklore.org/films/">Film</a> If the Stones Could Speak: More stories from Cork's heritage (2015) Links to: <a href="http://corkfolklore.org/archivecatalolgue/collections/show/12" target="_blank" rel="noreferrer noopener">Catalogue Collection</a> <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a> Format The file format, physical medium, or dimensions of the resource 13 .wav files Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/15">CFP_SR00505_healy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>; Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork city and surrounds. The 1700s to 2000s, with some reference to 500-1700. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Mark Wilkins Interviewee The person(s) being interviewed Geraldine Healy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24m 22s Location The location of the interview Cork City, Cork Ireland. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com MW What did -- the name, the Boole Library, where did the name come from? GH Well the Boole Library, the name of the Boole Library came from George Boole, the first professor of Mathematics in University College Cork. And eh this man, it is very fitting that his name was given to the new library in UCC in the eighties because his mathematical formulae have been the basis for modern computers like, for his algebra like has been the basis for a lot of like modern technology today and he’s a worldwide figure of world -- world renown. And he died I think at the age of forty-nine, a very early age, because he had walked from his home in Ballin-- Ballintemple eh into the college during a rainstorm and he developed pneumonia and he didn’t survive it, so he died very young, at a very young age. And then the Boole Library complex it, it, it took over the space that in the seventies had been -- and for the previous hundred years in UCC -- well I don’t know if it was actually active for the full hundred years but the area had been in use as the football pitch for a long, long time, the Quarry, and like in the old days, in the seventies you’d have your lunch in the old Rest and that used be a very -- it was a great place like, it was a great place like you’d see everybody and spotting people and seeing people and all the -- Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy: Boole Library, Cinemas, The Pavillion Cinema, Univesity College Cork, Subject The topic of the resource Cork's Built Heritage Description An account of the resource Geraldine talks about her time at UCC in the late 1970s and 1980s, and about the then new Boole Library. She mentions a superstition about walking on the grass of the quadrangle before graduation. (She reads aloud about the Crawford Observatory from the book The College, by John A Murphy.) She talks about going to the cinema and explains that there was a restaurant above The Pavillion cinema Note: this interview was conducted specifically for the DVD production, If The Walls Could Talk. Date A point or period of time associated with an event in the lifecycle of the resource 10 July 2013 Contributor An entity responsible for making contributions to the resource Interviewee: Geraldine Healy Interviewer: Mark Wilkins Identifier An unambiguous reference to the resource within a given context CFP_SR00505_healy_2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork City; Ireland; Built Heritage; 1770s-200Os; Relation A related resource If the Wall Could Talk: Stories Of Cork's Heritage Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/document/6">CFP_SR00492_herlihy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/7">CFP_SR00493_walsh_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/8">CFP_SR00494_butler_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/9">CFP_SR00495_faris_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/10">CFP_SR00496_osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/11">CFP_SR00497_ryan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/12">CFP_SR00498_holland_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/13">CFP_SR00499_hartnett&osullivan_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/14">CFP_SR00500_mccarthy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/16">CFP_SR00506_gleeson_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/17">CFP_SR00507_miller_2013</a>; Published Material: If the Wall Could Talk: Stories Of Cork's Heritage (2013) DVD If the Stones Could Speak: More stories from Cork's heritage (2015) DVD Related Material From the CFP Archive; As Interviewee: CFP_SR00389_healy_2010; CFP_SR00510_healy_2014; CFP_SR00523_healy_2014; CFP_VR00542_healy_2015; CFP_SR00700_healy_2019; CFP_SR00701_healy_2019; CFP_SR00709_healy_2019; CFP_SR00710_healy_2019: As Interviewer: CFP_SR00387_Sheehan_; CFP_SR00395_Speight; CFP_SR00421_Cronin. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Boole Library Built Heritage Cinema Geraldine Healy If the Walls Could Talk Material Culture St Patrick Street The Pavillion Cinema UCC University College Cork https://corkfolklore.org/archivecatalolgue/files/original/b770b2114e80969f3cb1bb37c35ab1e4.jpg 75f2800cffb5d6db4feb8300f87dbc13 https://corkfolklore.org/archivecatalolgue/files/original/bb7e519580a7f50b0fcdf4d63acbf533.mp3 5fdc53b7dd27db499dd90184b458a33b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Breda Sheehan Interviewee The person(s) being interviewed Geraldine Healy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 15min 66sec Location The location of the interview Rathmore Park, Cork. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com GH: Fitzgerald’s Park was quite near as well like, but we didn’t -- we weren’t allowed in there. My father didn’t like the thought of us being inside in the big park with -- not being supervised, you know, and now and then there’d be an expedition and we’d sneak in, because -- that only happened very rarely though because we, we knew we weren’t supposed to do it. But like the swings were in there, you know, and there were some fantastic they were -- swings to us, there were lower ones and then higher ones and then there was a big slide, and like it was a rite of passage as you got older, you were able to climb up to the top of the the slide, that was quite a feat because there would be people directly behind you and in front of you and you’d feel trapped when you’d stand up at the top of the high slide, to, to sit down then to go down the slide, so these sort of things. We had great fun on the occasions when we got in there, but we didn’t often get in there like. And a lot of people went out to the baths that were out the Straight Road. They were -- But we used to go away on a Sunday for a spin like, so we didn’t go out there. Swim, you know. But that was a place where -- that was very busy in the neighbourhood for children as well like. And em -- I can’t think about what else we used to do. Playing in neighbour’s gardens as well like you know, and you’d be safe there. And we had our own particular buddies. They were across the Western Road, one of the little houses was afterwards -- all those houses were sold to the college afterwards. But we used to go down playing down there, but the problem then was that you had to cross the Western Road and that was a bit hazardous like. You know, when we were small that was another embargo, you weren’t allowed to cross the Western Road until we got a bit older. So that was fair enough like, it was very dangerous. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy: Children's Games, Schooldays, Western Road, Subject The topic of the resource Life History: Description An account of the resource Geraldine grew up near the top of Western Road. She describes the area and comments on some changes that have taken place there over time. She talks briefly about her schooldays. Date A point or period of time associated with an event in the lifecycle of the resource 20 July 2010 Contributor An entity responsible for making contributions to the resource Interviewee: Geraldine Healy Interviewer: Breda Sheehan Identifier An unambiguous reference to the resource within a given context CFP_SR00389_healy_2010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-1970s Relation A related resource Interviews for Cork Folklore Project conducted by Geraldine: CFP00387; CFP00395; CFP00421; Interviews for with Geraldine as an interviewee: CFP00505; CFP00505; CFP00510; CFP00523; CFP00542; CFP00700; CFP00701; <div class="element-text"> Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1950s 1960s Children’s Games Crow’s Nest Pub Geraldine Healy Mardyke O’Leary’s Shop Schooldays St Brigid’s School Western Road White’s Pub https://corkfolklore.org/archivecatalolgue/files/original/6aea9c2d9cd1f2181258bd64b2df0f5e.jpg a7bbb022b0b590f9b9c169fe7115de9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy Description An account of the resource Geraldine Healy Portrait Photograph Creator An entity primarily responsible for making the resource Gráinne Magee Rights Information about rights held in and over the resource Cork Folklore Project https://corkfolklore.org/archivecatalolgue/files/original/d5ff93f6aaba10ef8f0bb18d0a189091.mp3 e5ba6fce0fc73a9cce7102c5df3b0a7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the Stones Could Speak: More Stories of Cork’s Built Heritage (2015) Subject The topic of the resource Built Heritage: Description An account of the resource 9 interviews with 8 people This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’. 9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film. <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">The film is available on the Cork Folklore website</a> The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by CFP Project Manager Mary O’Driscoll. Support: This project was part-funded by Cork City Council. Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Interviewees: Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan: Interviewers: Mark Wilkins (9); Annmarie McIntyre (3): Identifier An unambiguous reference to the resource within a given context CFP_SR00509_walsh_2014; CFP_SR00510_healy_2014; CFP_SR00511_cotter_2014; CFP_SR00512_herlihy_2014; CFP_SR00514_spengeman_2014; CFP_SR00523_healy_2014; CFP_SR00525_moraghan_2014 ;CFP_SR00526_byron_2014 CFP_SR00527_gabuzda_2014; CFP_VR00540_herlihy_2015; CFP_VR00541_lenihan_2015; CFP_VR00542_healy_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland: 1700s-2010s: Relation A related resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) Links to: <a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener">Catalogue Collection</a> <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource 9 Audio 3 Video Format The file format, physical medium, or dimensions of the resource .wav .mov Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Geraldine Healy Interviewer The person(s) performing the interview Mark Wilkins Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22min 33sec Location The location of the interview Suttons Buildings, Rathmore Park, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com I did a project about six years ago on the Jewish community in Cork and it was a subject that was very close to my heart because my maternal grandparents lived in 31 Geraldine Place in the heart of what the local people affectionately call Jew Town. As David Marcus said in his autobiography Buried Memories, no cartographer actually has it listed as Jew Town on a map of Cork but it’s a distinct place known to everybody just like Ballyphehane or Blackpool or anywhere like that and very close to my heart so I began writing about the Jewish community up at the Folklore Project. I focused in on the history of the Jewish people and their presence in Cork City and some prominent members of the Jewish community who contributed so much so much to Cork life because the Jewish community in academic, economic, social, political circles contributed greatly to the fabric of Cork life and society and also a little bit about their history as they dispersed after the War from Cork. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy: Jewish community in Cork Subject The topic of the resource Built Heritage: Description An account of the resource Geraldine shares her knowledge of the Jewish community in Cork. She describes how Jews arrived in two distinct waves in the eighteenth century and the nineteenth century, scattering after the Second World War. She describes the Cork synagogue and various Jewish religious traditions. This interview was recorded as an audio track for a CFP DVD entitled If the Stones Could Speak. Date A point or period of time associated with an event in the lifecycle of the resource 1 September 2014 Contributor An entity responsible for making contributions to the resource Interviewee: Geraldine Healy Interviewer: Mark Wilkins Identifier An unambiguous reference to the resource within a given context CFP_SR00523_healy_2014 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1700s, 1800s, 1900s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Relation A related resource As Interviewee: <a href="http://corkfolklore.org/archivecatalolgue/document/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/15" target="_blank" rel="noreferrer noopener">CFP_SR00505_healy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/167" target="_blank" rel="noreferrer noopener">CFP_SR00510_healy_2014</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/189" target="_blank" rel="noreferrer noopener">CFP_VR00542_healy_2015</a>; CFP_SR00700_healy_2019; CFP_SR00701_healy_2019; CFP_SR00709_healy_2019; CFP_SR00710_healy_2019: As Interviewer: CFP_SR00387_Sheehan_; CFP_SR00395_Speight; CFP_SR00421_Cronin. Type The nature or genre of the resource Sound Askenazi Jews Curraghkippane cemetery Geraldine Healy Jew Town Jews https://corkfolklore.org/archivecatalolgue/files/original/73a1dff59091d6548f936971f54b249b.jpg a7bbb022b0b590f9b9c169fe7115de9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy Description An account of the resource Geraldine Healy Portrait Photograph Creator An entity primarily responsible for making the resource Gráinne Magee Rights Information about rights held in and over the resource Cork Folklore Project https://corkfolklore.org/archivecatalolgue/files/original/a6130315a4f17b784ae1b20a7547a33e.mp3 13de7e3abcdc672d012249b35f80f4dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the Stones Could Speak: More Stories of Cork’s Built Heritage (2015) Subject The topic of the resource Built Heritage: Description An account of the resource 9 interviews with 8 people This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’. 9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film. <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">The film is available on the Cork Folklore website</a> The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by CFP Project Manager Mary O’Driscoll. Support: This project was part-funded by Cork City Council. Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Interviewees: Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan: Interviewers: Mark Wilkins (9); Annmarie McIntyre (3): Identifier An unambiguous reference to the resource within a given context CFP_SR00509_walsh_2014; CFP_SR00510_healy_2014; CFP_SR00511_cotter_2014; CFP_SR00512_herlihy_2014; CFP_SR00514_spengeman_2014; CFP_SR00523_healy_2014; CFP_SR00525_moraghan_2014 ;CFP_SR00526_byron_2014 CFP_SR00527_gabuzda_2014; CFP_VR00540_herlihy_2015; CFP_VR00541_lenihan_2015; CFP_VR00542_healy_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland: 1700s-2010s: Relation A related resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) Links to: <a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener">Catalogue Collection</a> <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource 9 Audio 3 Video Format The file format, physical medium, or dimensions of the resource .wav .mov Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Geraldine Healy Interviewer The person(s) performing the interview Mark Wilkins Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47min 09sec Location The location of the interview Cork. Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com I want to talk about Collins Barracks which is very close to the top of Patrick’s Hill and opposite the entrance to Collins Barracks is the entrance into the camp field of the, of the Barracks and the, this was a great amenity for the local people around Audley Place, Richmond Hill place, Suttons buildings and places and you know the army kindly allowed people over the decades to go in there and walk there animals and use them as a local private park nearly, and within the grounds of Collins Barracks of the camp field as it was known, there was a big green area there, I used to do three runs of it at one stage with a lovely big collie who is no longer with us now, but he was a bit, he was a wonderful dog and he, he loved his chase like sometimes he you know if anybody was moving he would love to run after them a little bit, oh he wouldn’t do anything to anybody but he was a wonderful, but it was a wonderful place to let him loose like, and the army kindly allowed all the locals and there was nearly a confraternity of people that knew one another, all bringing there animals at different times up there, and of course then there was a tennis club, club up there in earlier years and the pitch and putt club is still active and then the officers houses but it was, were within the camp field, and like all you had do was to wave over to the whoever was in duty at the front of Collins Barracks and they’ll allow you in like, there you know. So the army provided a great amenity for the local people, you know. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geraldine Healy: Personal memories of Cork in the 1960s, 70s & 80s Subject The topic of the resource Built Heritage: Description An account of the resource Geraldine Healy recounts her personal memories of going to the Everyman Palace Theatre in the late 60s, early 70s. She gives brief accounts of changes to the UCC campus from the mid 70s and early 80s. She mentions brief facts about Collins Barracks, Fitzgerald’s Park Museum, Murphy’s Brewery and City Hall. Date A point or period of time associated with an event in the lifecycle of the resource 1 April 2014 Contributor An entity responsible for making contributions to the resource Interviewee: Geraldine Healy Interviewer: Mark Wilkins Identifier An unambiguous reference to the resource within a given context CFP_SR00510_healy_2014 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1960s, 1970s, 1980s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Relation A related resource As Interviewee: <a href="http://corkfolklore.org/archivecatalolgue/document/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/15" target="_blank" rel="noreferrer noopener">CFP_SR00505_healy_2013</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/189" target="_blank" rel="noreferrer noopener">CFP_VR00542_healy_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/174" target="_blank" rel="noreferrer noopener">CFP_SR00523_healy_2014</a>; CFP_SR00700_healy_2019; CFP_SR00701_healy_2019; CFP_SR00709_healy_2019; CFP_SR00710_healy_2019: As Interviewer: CFP_SR00387_Sheehan_; CFP_SR00395_Speight; CFP_SR00421_Cronin. Type The nature or genre of the resource Sound City Hall Collins Barracks Everyman Palace Theatre Fitzgerald’s Park Museum Geraldine Healy Murphy’s Brewery Sean Dunne UCC https://corkfolklore.org/archivecatalolgue/files/original/d9e8b23ce26c81cae2381194d591dace.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/00611d15c6a7c443affe69e536fafff0.mp3 ebebfca83f1479eea47a404b7527898d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Helen Goulding Interviewer The person(s) performing the interview Louise Ahern Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28min 36sec Location The location of the interview Commons Rd, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com H G: We, for entertainment, when I got older then we used to go down to the Ark long go. And that was our night’s entertainment and you, there was an Uptown Grill down in MacCurtain Street, that was very popular and you go in there and have something to eat first if you were lucky enough, you had a few bob. L A: What age would that be then? H G: Oh, Oh I was about seventeen that time, sixteen, seventeen and you went down then to the Ark and you danced the night away. You, we often went to Majorca but I was never on, you got the bus down in Parnell Place or down in Grand Parade, ‘twould take you down to the Majorca but you wouldn’t get home then ‘till all hours and my mother, she never knew I was down there ‘cause she would never approve that was rough like. And always, [phrase unintelligible] there was a dancehall up by the Gaiety, up by the barracks, never go there ‘cause the soldiers were there. And you daren’t, we always thought soldiers were bad men, that’s in our, my time, now like and you weren’t allowed, I think I sneaked up there one time alright like [laugh] but that’s the way, do you know there was, we had no telly either, we had nothing. And then when we, father, I’d say we were the first in the road to get the, the telly and then were ‘twas, ‘twas up so high, you’d get a crick in your neck looking up at it [noise in background], [phrase unintelligible] and then ‘twas black and white. And then, this thing came out a sheet of paper, turquoise and God help us, we were innocent too like, you could nearly see the colour, sure you couldn’t colour in it but you thought you did like. But they were definitely better times because people knew one another and people were all happy. Do you know like, ‘twas only across the road there now and they were, they were great times. The men always went to the pub on a Saturday night and me father had em, permanent tickets for the Savoy, that was a big thing now like, and I often went into him. I often went in on a Saturday night with him, and I loved Doris Day. I can always remember her, Jesus I can’t remember the name of it now, Midnight Lace was it I think. And Freddy Bridgman would come up with the organ and I thought, I thought he lived down there, he’d come up and you’d say ‘God’ and all the, the songs would come up on the screen and you sang then, Freddy went away but I always, I was young at the time now , I just always thought that he lived underground, you know but they were, I have to say now they were, they were great people. And I remember my mother had twins when she was forty-six and that was a big thing and then when they were christened, we’d a long stool in the house and everyone in Barrack View was brought in. You’d get no drink like ‘twas just a cup of tea but there must have been cakes at it or something, me mother would have made or something like but there were memories now, I would still hold very close to myself because there were, ah there’s people, most of them have passed on now but I would know their daughters now and nieces and nephews and have to say would often laugh off the good times where your one have it at today. I don’t think you would anyway. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Helen Goulding: Shandon, Catholic Church, Childhood Subject The topic of the resource Life History: Description An account of the resource Helen, nee Bourke was born and reared in Barrack View near the North Cathedral. Her family later moved to Leitrim Street. She talks about her childhood. People had little but shared a lot. Boiled eggs were eaten at Easter time. Everyone was involved with the Catholic Church, with a confraternity or sodality. She remembers Cork characters Donie Murphy, Andy Gaw and Squeezy Lemon. Helen recalls how she had to do household chores while boys did nothing. She worked in the restaurant trade. Some houses in Barrack View were later demolished. Date A point or period of time associated with an event in the lifecycle of the resource 2 June 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Helen Goulding Interviewer: Louise Ahern Identifier An unambiguous reference to the resource within a given context CFP_SR00427_goulding_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-2000s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1950s 1960s Andy Gaw Barrack View Bonfire Night Cinema Cold Storage Dancehalls Dancing Helen Bourke Helen Goulding Pawn Shops Picky Shandon Street Squeezy Lemon Sunbeam Youghal https://corkfolklore.org/archivecatalolgue/files/original/6c6c769009507384b14c1386f6a32899.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/b4eeef84a93b0e2a22e3a4e955100c1d.mp3 ae448ca37fd343fdd9d7ab8c4367f2c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Helen Kelly Interviewee The person(s) being interviewed Helen Prout Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38min 34sec Location The location of the interview Nash's Boreen, Fairhill, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com H P: [laugh] But that was the way twas them times. H K: And like when it was during the War now, weren’t ye able to go out then at all or -- H P: You, you, you could, there, there was no signs up on the road or anything. All the signs were taken down. H K: Were they? H P: Yeah and all -- there was no signs telling you where you were going on the road, if you went down now at all the crossroads, if you were going somewhere now and you wanted to go to a new place [unintelligible 24:58]. H K: Did ye -- were ye afraid? H P: Yerra you wouldn’t -- you’d be used to it, you see. You see there was no War here but the result -- it resulted in the same thing, a ration book for everyone. And you couldn’t buy clothes or anything sure. You’d only so much stamps or whatever they are. H K: Ye’d get stamps, is it? H P: You’d get stamps or is it vouchers or something like that, ration books, we had ration books and then they’d stamp them or take out a page or -- H K: Oh you’d -- they’d take out some -- a stamp for each whatever you’d buy like. Clothes and all? H P: Yeah, and you’d have only so much for the for the week or the month and you couldn’t buy any more. H K: That must have been very hard when you had six children like. H P: Oh twas very hard. I mean they were very hard times. I remember them very well, a very hard time. We might have had -- we wouldn’t get oil then either, we’d [unintelligible 25:52] we wouldn’t have any electricity, you’d no electricity in the country in them days. Well I -- we had an electricity in Millstreet I remember but when we moved out to the country we had no electricity. H K: And ye couldn’t get the oil then to -- H P: We had an open fire. Often I did my lessons down by the fireside. And you coulnd’t get any oil for the lamp, there was only so much oil for the lamp. H K: So you had to do the homework in the dark? H P: And there were no candles, there were no candles available, you’d only get so much and that’s it. And you know what we used do, put like margarine into -- the butter was rationed too -- put a bit of margarine into a tin or lard and get a bit of twine and put it up at the corner of it and light. H K: Would that work, it would? H P: It does, yeah. H K: Go away. H P: That’s what we used have to do. H K: Go away. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Helen Prout: Fairhill, World War 2, Worklife, Subject The topic of the resource Life History Description An account of the resource Helen established the Cork Youth International Film, Video and Arts Festival in 1980 and has spent her life voluntarily teaching thousands of young people about film and the arts in workshops all over Cork. In this interview, Helen recalls life in Ireland during the Second World War, as well as various jobs during she did during her working life. Helen was born in Millstreet in 1930. She remembers having a responsible childhood, looking after her younger siblings. Her mother was from County Tipperary; she eloped with Helen’s father rather than agree to a match which had been made for her, and was disowned by her parents. She explains that her father came from a wealthy family. She describes life during the Second World War, particularly rationing. Neither foodstuffs nor household goods were easy to come by, and Helen tells a story about having to tell the time by looking at the sunlight on the floor because clocks were not available. She married her husband in England but did not like it there and came back to Ireland and lower wages. Before she got married she worked in hotels and then looked after a woman in a wheelchair. She describes how she got fed up with some jobs and quit them. Date A point or period of time associated with an event in the lifecycle of the resource 18 May 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Helen Prout Interviewer: Helen Kelly Identifier An unambiguous reference to the resource within a given context CFP_SR00404_prout_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, England, 1940s-2000s Relation A related resource Interviews with Helen Prout: CFP00271; CFP00305; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP00406</a>: <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1940s 1950s 1960s 1970s Cork Youth Film Video and Arts Group Employment Helen Prout Matchmaking Millstreet Millstreet Horse Fair World War II https://corkfolklore.org/archivecatalolgue/files/original/a11532598345f8e977141a89d38317b0.jpg 84ab4ede9d5baef4d8dbb60bb8e18e9a https://corkfolklore.org/archivecatalolgue/files/original/1b7cee42769e9cd60f2c0f54e9abad44.mp3 eb8fd51dd7aa874ab0adf81c0b72c982 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Journeys: Living Folklore in Ireland Today Subject The topic of the resource Life history interviews from the inhabitants of Cork city's Northside. Description An account of the resource 27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. Date A point or period of time associated with an event in the lifecycle of the resource 1996-2001 Contributor An entity responsible for making contributions to the resource Interviewees: Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne: Interviewers: Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1): Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland: 20th Century Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Helen Prout Interviewer The person(s) performing the interview Martin O'Mahony Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40m01s Location The location of the interview The Croppy House, Fairhill, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript relating to the audio extract above. Copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com MO’M: Tell us about the parades ye used to have for the film festival? H P: Oh sure that was another ordeal another event we used to organise we used to have filmmakers in from England and everywhere and from Yugoslavia and Denmark and America and they used to come yea and we used to have, we used to organise a parade like St. Patrick’s day parade I have it on video actually the whole parade I have and they would walk in the parade and we had the Civil Defence and all the Majorettes and we had them, who else had we em, the Cork Rose we had Roney Drew we had them all and em Cornel em whats his name Cornel Mc Lindon is it, I can’t think of his name now, he was the fellow that used to fix up the parade for me I think he’s from Wellington Road. MO’M: Glendon. H P: Glendon yea Major Glendon is it. MO'M: I think he was a Colonel I think he was yea. H P: But he used to organise the thing and we used to have St. Finbars pipe band and we used to have all the bands from Carrigaline and Ringaskiddy ea young peoples band we used to have all them buy ea it was great. MO'M: But why did it die off a bit then, ok the festival is still running I know that and it's still very strong because I was at it and I saw the turnout but like you wouldn't have that parade now today. H P: because it would be another event to organise and there wouldn't be enough people on the ground to do it and we used to hold the films in the cameo that them years as well and the place used to be packed and we had the people from the Irish film board down, and ea RTE came down and they came down to take a few minutes of the festival and they stayed for 4 days and filmed it all and ea we had a whole heap of things to do I don't know how we did them but we did. MO'M: Of course it's getting people to do it now today. H P: But it's all on a voluntary basis you know there's no pay. MO'M: And I suppose it's hard to keep people then is it? H P: No the people we have are so involved that they love it so much and when I see films they be some out there foreign and they have a camera and they get an event to film and they have upon it amateur video and that annoys me because it isn't shoddy because I says the word amateur for love of doing it. MO'M: That's true yea. H P: That's only a second-hand kind of a thing you know but em I said to the person behind the camera, actually it's the person behind the camera is the person thinking that makes the film and not the camera. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Helen Prout: Film-making, Cinema, Youth Subject The topic of the resource Life History; Description An account of the resource Helen recalls her life as an amateur film-maker, as a teacher of film-making in Cork, and her involvement in the film festival scene. Helen grew up in Millstreet, where her father’s cousin ran a cinema, through which she developed a love of film. She began making amateur films with a small camera. Her family moved to a farm in County Tipperary, but had to leave, and moved to Cork around 1950. Helen won a film competition in Cork in 1977, and she taught young people in Gurranabraher how to make short films. She and her son, Con, began to liaise with schools to encourage film-making among the pupils. She also set up a festival for showing young people’s film and video. She was awarded the title of Cork Person of the Year in 1980. Date A point or period of time associated with an event in the lifecycle of the resource 11 May 1999 Contributor An entity responsible for making contributions to the resource Interviewee: Helen Prout Interviewer: Martin O'Mahony Identifier An unambiguous reference to the resource within a given context CFP_SR00271_prout_1999 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; 1990s Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource .wav Type The nature or genre of the resource Sound Cinema Cork Person of the Year Film-making Gurranabraher Helen Prout Millstreet https://corkfolklore.org/archivecatalolgue/files/original/1ee6d07c7522df65432eb39a5f7b36e4.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/4df8c690190e79696d78aaa647bc5efc.mp3 d893899a7a7e455bd6ef5d81fbe02253 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Helen Kelly Interviewee The person(s) being interviewed Helen Prout Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31min 03sec Location The location of the interview Nash's Boreen, Fairhill, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com HK: And when you had children, Helen, did you have them at home? HP: No, I had them in St Finbarr’s. HK: Oh yeah. HP: And I rec-- and I recall one of the first, the first one that I had in St Finbarrs, I’ll never forget it. Twas the old hospital, I couldn’t, sure I didn’t know any different, I was only home from England and I thought twas a grand place to go in. Went in any way and you had this big long ward, and eh there must have been how many patients, could be 30 patients in there, and then there was a ward alongside of it, a TB ward, and the ward next to that, that was the unmarried mothers. HK: They were separate? HP: They had em all separated. HK: And what happened when they had babies then? HP: I don’t -- I don’t know what -- I used love to look into that room to see what was happening because it was behind closed doors. But that was alright anyway, when you went to wash yourself in the bathroom, and the whole bloody bath would be full of afterbirths and everything. HK: Oh God, that’s terrible. HP: And then you went to the labour ward and they had a radio up over the -- and at that time the song that was blaring out was The Tennessee Waltz. [laughs] HK: [laughs] In the labour ward. HP: [laughs] Oh God, I -- HK: You’d want to [unintelligible 13:52] I’d say. HP: You’d spend 9 days in there. HK: 9 days. HP: 10 days, 10 days the first time. HK: Really? HP: Yeah. HK: And would you have the child eh all the time? HP No. HK: You wouldn’t. And then you’d come home. Would you have the baby christened there or would -- HP: Yeah, you’d have her christened, you’d have the child christened, you would, they wouldn’t want you coming out at all because -- HK: Unless they were christened, they’d have to be christened first, is it? HP: Christened inside. And the mother wouldn’t be allowed to go to the christening at all that time. HK: She couldn’t go to the christening. HP: No. She wasn’t allowed go to the christening at all. So when June was born, that’s my daughter you know, I remember they brought her out to the christening and this priest, he was very, very cross, and they used baptize a whole row of babies together, and they’d give them all the names as they went along, and he got to June anyway and he said, “June, June Marian” and he stopped and he said, “What kind of a name is that to give a child?” Well, he nearly ate them. And Christy says to him -- He said, “There’s no saint named that.” And Christy said to him, “You’d never know, she might be a saint yet.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Helen Prout: Self-sufficiency, Childbirth, Film Making, Subject The topic of the resource Life History: Description An account of the resource Helen established the Cork Youth International Film, Video and Arts Festival in 1980 and has spent her life voluntarily teaching thousands of young people about film and the arts in workshops all over Cork. Helen talks about surviving economically in hard times. Dole benefits were not easily obtained. She had to raise 13 children. The family survived through self-sufficiency in food, including keeping 3 cows and selling or killing their own pigs. She tells a story about not receiving shoes under a government welfare scheme. She was keen on the radio and she bought a reel to reel tape recorder and recorded the voices of her family. (She says later that she made home movies.) She recalls the hospital birth and the christening of her first child, and tells a story about the priest objecting to her daughter’s name. She started entering films she made in competitions in the 1970s and won several. She went to work in St Finbarr’s Hospital as a nurse’s aid. Her children are all self-employed. Note: This is the last of 3 interviews with Helen; this one was done towards the end of her life, Date A point or period of time associated with an event in the lifecycle of the resource 28 June 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Helen Prout Interviewer: Helen Kelly Identifier An unambiguous reference to the resource within a given context CFP_SR00406_prout_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland,1940s-2000s Relation A related resource Interviews with Helen Prout: CFP00271; CFP00305; <a href="http://corkfolklore.org/archivecatalolgue/document/117" target="_blank" rel="noreferrer noopener">CFP00404</a>: <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Childbirth Cork Youth Film Cork Youth Film Video and Arts Group Croppy Boy Film Making Helen Prout Self-sufficiency Social Welfare Working life https://corkfolklore.org/archivecatalolgue/files/original/c657ffe1a5f8548e8264706663fd7326.jpg 50bef6c31c2570e056b0d49f345e2d2d https://corkfolklore.org/archivecatalolgue/files/original/ebfb35660b5dc18143180bff1985f31f.mp3 293937a56891312c7364a57260b8a412 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Shakespearean Company (The Loft) Date A point or period of time associated with an event in the lifecycle of the resource 2017-2019 Contributor An entity responsible for making contributions to the resource Interviewees: Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce: Interviewer: David McCarthy Identifier An unambiguous reference to the resource within a given context <a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland: 1920s-2010s: Relation A related resource Published Material: McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Subject The topic of the resource Arts; Theatre; Life History Description An account of the resource This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft". Founded in 1924 by Fr Christopher O'Flynn. The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Humphrey Twomey Interviewer The person(s) performing the interview David McCarthy Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com He speaks about memories of Spangle Hill. He recalls whenever a boat would come in to Cork the women from Spangle Hill would go down the hill with prams to meet their husbands or male relatives who were coming over from England and use the prams to transport their luggage back up the hill. On a big day you would see a lot of them pushing prams up the hill. He says they would also use the prams for bringing shopping home. He says speaks of how some local men would be over in Dagenham Ford plant during the War. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 98 minutes 39 seconds Location The location of the interview Mayfield, Cork Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Humphrey Twomey: Aloys Fleischmann, Murphys Brewery, Cork polio outbreak Subject The topic of the resource Arts; Theatre; Life History; Date A point or period of time associated with an event in the lifecycle of the resource 12 August 2019 Contributor An entity responsible for making contributions to the resource Interviewee: Humphrey Twomey Interviewer: David McCarthy Identifier An unambiguous reference to the resource within a given context CFP_SR00723_Twomey_2019 Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Description An account of the resource Humphrey talks about the Cork classical pianist Charles Lynch. Blackpool tenor William Dunlea. Ballet teacher Joan Denise Moriarty. He talks about Cork composer Aloys Fleischmann and his home on a lake in the Glen. Also speaks about Fleischmann's parents. This is the second of two interviews with Humphrey for The Cork Shakespearean Company (The Loft) collection. The first is <a href="http://corkfolklore.org/archivecatalolgue/items/show/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, 1800s, 1900s, 1920s, 1940s, 1950s, 1960s Relation A related resource <div class="element-text"><a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener">CFP_SR00639_Walsh_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a></div> Type The nature or genre of the resource Sound Buckley's Bar Cork Shakespearean Company Fr O'Flynn Frank O’Connor Goulding's Leitrim Street Ms Pat's Polio Queen's Old Castle SEan O'Faolain The Loft https://corkfolklore.org/archivecatalolgue/files/original/b42fa811c07bbabb2afe5c839f426d4c.jpg a0ca2c21fb6454a5238d6cc9b8238467 https://corkfolklore.org/archivecatalolgue/files/original/7a04b6135d9e8be8883b6ad532f33493.mp3 0344b5ad3c2c209ff6aa9ed24f3fac8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Shakespearean Company (The Loft) Date A point or period of time associated with an event in the lifecycle of the resource 2017-2019 Contributor An entity responsible for making contributions to the resource Interviewees: Patrick Sexton; Patrick Horgan; Patrick Gunn; Carol Dundon; Finbar McGrath; Humphrey Twomey; Kieran O'Leary; Musetta Joyce: Interviewer: David McCarthy Identifier An unambiguous reference to the resource within a given context <a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/215" target="_blank" rel="noreferrer noopener">CFP_SR00711_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland: 1920s-2010s: Relation A related resource Published Material: McCarthy, David(2018)'The Loft: Cork Shakespearean Company', The Archive 21:6-9. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Subject The topic of the resource Arts; Theatre; Life History Description An account of the resource This collection of twelve interviews with nine interviewees concentrates on The Cork Shakespearean Company, also known as "The Loft". Founded in 1924 by Fr Christopher O'Flynn. The theatre, up to the year 2000 was based out of the upper floor in Linehan's sweet factory John Redmond Street which is why it gained the moniker "The Loft". Since its inception, the group has put on a variety of Shakespeare's works in various theatres in the city including the Cork Opera House and the Everyman Theatre. All interviews in this collection were collected CFP researcher and ex Cork Shakespearean Company member David McCarthy. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Humphrey Twomey Interviewer The person(s) performing the interview David McCarthy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 90 minutes 09 seconds Location The location of the interview Mayfield, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com He mentions the Tenebrae ceremony. He speaks about fasting from midnight if you were going to communion the following day which he says was a very wrong thing to ask people to do. He says nearly every time you were at mass someone would faint especially if there was a large congregation. People would have to be led out of mass because they would get a weakness. He says the big fasting day would be Ash Wednesday. He tells by example a story of when he was teaching in Loughrea in Co Galway and he was staying in his digs in a hotel. He says a priest came down to speak to Humphrey and the other lay teachers staying there. He said to them that they didn’t have to fast for Lent but he couldn’t say that from the pulpit. Humphrey says the girls working in the hotel and kitchen would be looking for dispensation but they would not be given it. He speaks of the unfairness of this and the fact that teachers were regarded as scholars and therefore part of the Church but girls working in menial jobs were expected to fast. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Humphrey Twomey: Collins Barracks, World War 2, Cork Shakespearean Company Subject The topic of the resource Arts; Theatre; Life History; Description An account of the resource Humphery shares Further memories of moving with his family to Dillon’s Cross area aged 7. Memories of Collins Barracks and seeing the army on manoeuvres. The Emergency or World War 2. Army manoeuvres in Gouldings Glen in an area known as the Black Patch. Seeing searchlights late at night. How the Black Patch was also used by children for playing. The LDF and ARP. He speaks about talk of Rudolf Hess parachuting into Scotland and people wondering if Ireland would be bombed plus the Blitz. He speaks of air raid shelters on Patricks St. Memories of rationing and how hard it was to get tea. This is the first of two interviews with Humphery for The Cork Shakespearean Company (The Loft) collection. The second is <a href="http://corkfolklore.org/archivecatalolgue/items/show/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019</a> Date A point or period of time associated with an event in the lifecycle of the resource 11 April 2019 Contributor An entity responsible for making contributions to the resource Interviewee: Humphrey Twomey Interviewer: David McCarthy Identifier An unambiguous reference to the resource within a given context CFP_SR00711_Twomey_2019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, 1920s, 1930s, 1940s, 1950s, 1970s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Relation A related resource <div class="element-text"><a href="http://corkfolklore.org/archivecatalolgue/document/199" target="_blank" rel="noreferrer noopener">CFP_SR00596_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/203" target="_blank" rel="noreferrer noopener">CFP_SR00597_Horgan_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00598_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/207" target="_blank" rel="noreferrer noopener">CFP_SR00600_Dundon_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/208" target="_blank" rel="noreferrer noopener">CFP_SR00627_Gunn_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/209" target="_blank" rel="noreferrer noopener">CFP_SR00638_Sexton_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/collections/show/corkfolklore.org/archivecatalolgue/document/210" target="_blank" rel="noreferrer noopener">CFP_SR00639_Walsh_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/214" target="_blank" rel="noreferrer noopener">CFP_SR00687_McGrath_2018;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/216" target="_blank" rel="noreferrer noopener">CFP_SR00719_OLeary _2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/217" target="_blank" rel="noreferrer noopener">CFP_SR00723_Twomey_2019;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/227" target="_blank" rel="noreferrer noopener">CFP_SR00733_Joyce_2019:</a></div> Type The nature or genre of the resource Sound https://corkfolklore.org/archivecatalolgue/files/original/b6eb7006544fe1fb522f447dee3de52f.jpg 10248e94ef2f564f8895f44ceb9384f7 https://corkfolklore.org/archivecatalolgue/files/original/6d4c5036293e21d529400a9fc277bcb1.wav d4bcd0d0f116f70cadd70d3b5bdebe1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grattan Street Stories: Memory of Place Subject The topic of the resource Occupational Lore; Life History; Built Heritage; Health; Ireland; Cork; Middle Parish Description An account of the resource This collection focuses on a building on Grattan Street which has served as a Quaker Meeting House, a public Dispensary and as the Grattan Street Health Centre. The project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive HSE. The interviewees fall into two main groups: those who worked in the building and those who lived in the surrounding area and availed of the services provided in the building. This project follows on from the collaboration with the HSE in the “<a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a>”. There is a further connection between the two projects as many of the staff and services once provided in the Grattan Street Health Centre have now relocated to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. This topic of the relocation of services is also covered in some staff interviews. To date (October 2021) 13 interviews have been completed for the project. Interviewees discuss the Grattan Street building itself in terms of its historic significance, its benefits and drawbacks as a workplace. Broader themes related to or inspired by the building are also touched on including: personal relationship with the building, staff camaraderie, the problems with parking, memorable incidents at work, patient experiences and descriptions of the people and services for which the building catered. Healthcare professional interviewees detail their training, career progression and comparisons between Grattan Street and other workplaces. Their testimonies also provide a link with the community of patients they served giving further insight into attitudes to healthcare, diseases, vaccines, description of social conditions and the changes in medicine and technology in their working lives. Non-healthcare professional interviewees describe childhood experiences in or around Grattan Street (The Marsh or The Middle Parish), the social, cultural and economic conditions of the area, tenements, businesses, attitudes to and experiences of healthcare, vaccines, diseases, medicines and medical professionals as well as observed changes in these areas over time. Interviewees also reflect on the possible future uses of the Grattan Street building. Related Reference Sources <ul> <li>Barrington, R. (1987) Health, medicine and politics in Ireland, 1900–1970. Dublin: Institute of Public Administration.</li> <li>Butler D.M. (2004) The Quaker meeting houses of Ireland. Dublin : Irish Friends Historical Committee.</li> <li>Byrne, J. (2004) Byrne's dictionary of Irish local history. Cork: Mercier Press.</li> <li>Cooke, R. T. (1999) My Home by the Lee. Irish Millennium Publications: Cork.</li> <li>Dempsey, P. J. & White, L. W. ‘Childers, Erskine Hamilton’. Dictionary of Irish Biography [Accessed 18 October 2021]</li> <li>Harrison, R.S. (1991) Cork City Quakers 1655-1939: A Brief History. Cork.</li> <li>Houston, M. (2004). ‘Life before the GP’. The Irish Times. Available at : <<a href="https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599">https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599</a> > [Accessed 18 October 2021]</li> <li>Keohane, F. (2020) The Buildings of Ireland Cork City and County. New Haven and London: Yale University Press.</li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2019-2020 Contributor An entity responsible for making contributions to the resource Interviewees: Edith O’Regan, 'Mary', Sean Higgisson, Aoife O’Brien, Eileen Kearney, Imelda Cunning, Jane Ward, Liam Ó hUigín, Joe Scanlan, Mary Mulcahy, Philomena Cassidy, Don Morrissy, Derek O’Connell Interviewer: <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a>, (<a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a>) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1940s-2020s; Waterford, Ireland; Dublin, Ireland; Limerick, Ireland; Relation A related resource Exhibition Artist Edith O’Regan-Cosgrave (also an interviewee for the project) created a visual artwork based around the Grattan Street Medical Centre building itself, as a workplace and health centre. The artwork incorporated direct quotations from the oral history interviews conducted for the project, and also included brief historical paragraphs about the building researched, written and edited by the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. This exhibition was launched on 6th February 2020 in “St Peter’s” on the North Main Street where a “Listening Event” was also held to mark the occasion. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Grattan-Poster-for-Email-286-by-400.jpg" alt="Grattan-Poster-for-Email-286-by-400.jpg" /> Presentation and Listening Event To coincide with the launch of the Grattan Street Stories Exhibtion on 6th February 2020 a listening event and presentation of the history of the Grattan Street Medical Centre building and description of the project was given by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/427A7714-1.jpg" alt="427A7714-1.jpg" /> Presentation In 2019 at the OHNI conference the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy discussed social media and oral history which included audio excerpts from the Grattan Street Stories Project along with photographs of the building. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Kieran-OHNI-e1634041838937.jpg" alt="Kieran-OHNI-e1634041838937.jpg" /> Audio Visual Presentation An audio-visual slideshow was produced featuring oral testimony from the Grattan Street Stories Project and combined with suitable images of Grattan Street and from Edith O’Regan-Cosgrave’s exhibition. This was created by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <a href="https://www.youtube.com/watch?v=RnjEtQeOb3I&t=1s&ab_channel=CorkFolklore" target="_blank" rel="noreferrer noopener">Audio Visual Presentation Available to listen and view here.</a> Health and Vaccines Oral History Research Many of the interviews conducted for the Grattan Street project formed an integral part of the testimonies and research for the innovative <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener">'Catching Stories' of infectious disease in Ireland </a>project funded by the Irish Research Council. <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener"><img src="http://corkfolklore.org/wp-content/uploads/2021/05/Catching-Stories-Poster.jpg" alt="Catching-Stories-Poster.jpg" /></a> Social Media Numerous suitable audio excerpts from the oral history interviews have been edited and shared on CFP's social media channels. <a href="https://twitter.com/corkfolklore/status/1139167201582288901" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1139167201582288901</a> <a href="https://twitter.com/corkfolklore/status/1140909542240391168" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1140909542240391168</a> <a href="https://twitter.com/corkfolklore/status/1141264486768238592" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1141264486768238592</a> <a href="https://twitter.com/corkfolklore/status/1189872295923376133" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1189872295923376133</a> <a href="https://twitter.com/corkfolklore/status/1228322700415860736" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1228322700415860736</a> Orthopaedic Hospital Cork Folklore Project in collaboration with the HSE conducted an oral history project focussing on the Orthapaedic Hospital in Gurranabraher. Many of the staff and services once provided at the Grattan Street Health Centre site were moved to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. <a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a> Swimming Article Kieran Murphy and James Furey co-authored an article about <a href="https://tripeanddrisheen.substack.com/p/swim-city?s=r" target="_blank" rel="noreferrer noopener">Swimming in Cork</a> which appeared in the online magazine Tripe + Drisheen. This article features a number of interview extracts collected as part of the Grattan Street Stories Project. Related Interviews CFP_SR00756_Quilligan_2019; CFP_SR00758_Broderick_2019; CFP_SR00670_OShea_2018; Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav Files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Imelda Cunning Interviewer The person(s) performing the interview Kieran Murphy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 103 Minutes 3 Seconds Location The location of the interview Grattan Street Medical Centre Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td> 0.00.00 - 0.02.27 </td> <td> Background and House Grew up in Bathgate between Edinburgh and Glasgow in Scotland, mom is from Cork. Spent time in Cork as child granny from Greenmount. Great-grand parents lived in James Street. Granny from Barrack Street lived in Whitegate, married to a guard [Garda] from Cavan. 2 sisters and 2 brothers. 3 weeks in Cork, and holiday in October. Old house and moved to estate where lots of people to play with. Then moved to house on main road where lots of older people. </td> </tr> <tr> <td> 0.02.27 - 0.04.23 </td> <td> Children’s Games Hide and Seek, chap door run (run away knock), elastics, skipping, marbles, kiss cuddle and torture (boys chased the girls and if you were caught you got to decide between as kiss, cuddle and torture), British Bulldogs (someone always got hurt doing it). </td> </tr> <tr> <td> 0.04.23 - 0.14.27 </td> <td> Memories of Granny (Grand Mother) Impact on family still, had a saying for everything. Saw funny side of things even though she had a hard life. Getting Imelda to go back to the butchers claiming “those aren’t four lean chump chops” Freedom of spending time in Whitegate, playing in Trabolgan- archway supposedly haunted by a duke. Granny’s house was rented, beside the barracks, had four bedrooms. Mattresses for them when they called over. Granny would cook scones, custard, stews. She played piano and sang. Loved music, had record of James Last. One of granny’s sayings: “Throw a bit of lipstick on brighten yourself up” She was small, wore glasses, long-sighted. She was a milliner and dress-maker. Annamae Aherne was a woman from the village who told Imelda her granny had made her first ball gown for her first dance. She did alterations for people. She had a Singer Sewing Machine with a foot pedal. In her 80s granny’s eyesight was going but she would work the foot pedal and Imelda thread the needle and guided it. Granny crocheted as well. She had lodgers. Eddie Tucker meteorologist at Roches Point lodged with granny for 25 years. Tony Cotter (meteorologist) lodged there for a while (Silvia was his wife). Headmaster at local school lodged with her for a while. Liam Cotter walked her dog in the rain and when he returned she had a warm towel ready for the dog not Liam! </td> </tr> <tr> <td> 0.14.27 - 0.18.18 </td> <td> Granny’s House in Whitegate Scotsman piper as a knocker on her front door. Beautiful view from her front door of the sea across to Cobh. There was a garage next door and she would sit and chat with Gerry O’Connell. Spent time on Corkbeg beach where the refinery and holding tanks are now. There was a ballroom there. Spent all day on the beach. Dad and granny would bring the stews and potatoes from the house to the beach. Inch beach, even if it was raining. In and out of the water all day. Inch had good waves to dive into. Cousins there as well. Lanagan cousins from Dublin, Gibson cousins from Leixlip. She loved Cork because it had better weather than Scotland. </td> </tr> <tr> <td> 0.18.18 - 0.22.25 </td> <td> Stories from her Granny Granny said she heard a banshee the night before her husband died. Heard a noise at the door and opened it and there was no one there. Grandfather stationed in Blarney before Whitegate. Thinks her granny “liked to play the field a bit” and had arranged to meet different men and she had to send her sister to meet one and cancel one of the meetings. Granny’s sister cut off her granny’s long plaited hair. Imelda’s granddad used to cycle from Whitegate to Cavan to see his family and would get as far as Mullingar on the first day. Great grand parents lived on James Street Mary Ellen and Jeremiah Ahern, buried in Ballyphehane cemetery. Learned about them from great-aunt in Greenmount Buildings off Barrack Street. Dad was Scottish and had sense of Irishness but his mother didn’t as they left Northern Ireland as Catholics in a predominantly Catholic area. Imelda’s mom went back and did her “highers” exams the same year Imelda was doing hers. </td> </tr> <tr> <td> 0.22.25 - 0.24.50 </td> <td> Grand-Aunt Grand-aunt was funny and had funny sayings like “drinking your tears” with laughter. A sideboard was where you kept dishes, condiments, sugar bowl, drawers with cutlery. Dish for the salt rather than salt shaker. </td> </tr> <tr> <td> 0.24.50 - 0.31.26 </td> <td> School In Scotland: mixed school, state schools, catholic school. St Mary’s primary School Bathgate. Dad’s sister was a teacher and she came to that school when on her placement. Mistress of the infant school would dye her hair a different colour every week pink and blue. Some of the teachers psychologically unhinged. Nun who slapped people with a hoover slap and would run her knuckles down pupils’ spines. There was a mine underneath the school to train the boys how to work in a mine. It had good sports facilities. At Christmas they had a Ceilidh, which Imelda had at her wedding and everyone loved. She liked English and History. It annoys her that they weren’t taught Scottish history. Says there is a difference between rebellion and uprising. Very little Irish history on their curriculum in Scotland. She feels Scottish but has an affiliation with Ireland. She’s been in Ireland over 20 years and doesn’t think she will lose her accent. </td> </tr> <tr> <td> 0.31.26 - 0.33.13 </td> <td> Family Tree Great grandfather was apparently good with horses and was a coachman in Ballymena House although there is no record of him in the archives. He lived until his nineties. And he was a gardener too. Worked in garden in Ayrshire. Granny didn’t speak about Northern Ireland at all and considered herself Scottish. </td> </tr> <tr> <td> 0.33.13 - 0.36.33 </td> <td> Choice of Career and Career Path Didn’t know what she wanted to do in school, thought about optics but didn’t like physics. Applied for Podiatry in Edinburgh and Glasgow. Got a place in Glasgow and enjoyed it. Opened a practice in Bathgate, family involved in medicine. Dad was optician, sister dentist and sister optician. Moved to Dublin when she was going out with a man from Drogheda and worked in Inchicore and then moved back home when they split up. Got a job with greater Glasgow health board. And worked in Lothian. Shettleston in Glasgow. Job came up for diabetic unit in CUH, Dr O’Halloran looking for a podiatrist which she didn’t get but was second on the panel but didn’t understand what that meant. Later a job came up in the community and she took it, back in 1999. </td> </tr> <tr> <td> 0.36.33 - 0.39.54 </td> <td> Choosing Podiatry for University & career. Dad’s influence Had been thinking about different options but couldn’t come up with anything better and felt pressurised to make a choice. Hated Podiatry after the first year as it was mostly revision for her and she was bored. She began to enjoy it in second year when there was more patient interaction and became more challenging. Her dad had a formula for all the children in school for which subjects they did. He thought that if you have a vocational job that you will always be employed, didn’t want them to be hired by large corporate companies where they could be fired. Her brother did law, brother is GP, sister dentist, sister optometrist. Thinks her dad was a bit closed to other occupations. It wasn’t bad advice but she won’t be using that approach with her children. A nephew doing economics and another doing architecture and they love them. Family is all fairly artistic but it wasn’t an option at the time. </td> </tr> <tr> <td> 0.39.54 - 0.42.00 </td> <td> Father’s Optician Practice Imelda and family worked there. She could write prescriptions for lenses and repair glasses. Dad worked five days a week and two evenings as well. Didn’t have much time off. He had five kids had to work hard. He retired at 67. Still enjoys his whiskey. He’s very sociable, people would wait for two hours to go to see him. He would be buzzed for the next patient but he would still be talking to the previous one. Teachers in her school would know what Imelda was doing because they would have heard from her dad. </td> </tr> <tr> <td> 0.42.00- 0.44.15 </td> <td> Living in Glasgow and College Loved people from Glasgow who are friendly and warm more so than Edinburgh. 17 when went to college, she had done 6 years in secondary school. Claire, a friend from school, did podiatry as well. But they picked a flat to live which was a “dry area” where no alcohol was served. Ski club in college. Imelda says if you can ski in Scotland you can ski anywhere because it’s dangerous and icy and with exposed rocks. </td> </tr> <tr> <td> 0.44.15 - 0.48.06 </td> <td> Training Small college not affiliated with university, and it was a diploma. Not a degree and affiliated with Queen Margaret University in Edinburgh and Caledonia in Glasgow. On Crookston Road in a prefab where the clinics were. Because it was free everybody came and they could cater for 40 or 50 people. A podiatry school was established in Ireland about 6 years ago (2013) it’s in NUIG Galway University. Cork put in a bid for it but didn’t get it. [Whispers that Cork should’ve gotten it!] thinks that they bought the curriculum and course content from Glasgow. Glasgow was a small place so you got to know the lecturers well. Training was 9-5. Over the summer clinical set had to be done over the holidays because patients needed to be seen. 2 or 3 days of lectures and 2 or 3 days of clinics as well. Lots of hours of clinical training which she thought was good to get the practical experience as podiatry is a job that requires dexterity. She thinks the focus now in training is more on the background, and that a lot of people graduating now cannot treat a corn because they haven’t been shown properly or haven’t been exposed enough to it. Focus is also now more on wound care. Focus on wound care in high risk patients means you lose skills in other things like biomechanics and nail surgery. </td> </tr> <tr> <td> 0.48.06 - 0.52.38 </td> <td> Role of Podiatrist Not about cutting toenails. They do cut toenails if there is something wrong with them. Holistic view of the patient. Look at the patient from the waist down. Biomechanics is the way people walk and the alignment of the joints and muscles. Hen toed and bow-legged. Some things can be corrected if seen early enough. Most of her patients are older, they are diabetics or have neurovascular disease or other neurological issues which you are not correcting just offloading to prevent ulceration. Diabetes on the increase and its complications can cause terrible things with feet- ulcers, gangrene etc. Wound care is a big part of what she does. Including removing skin, tissue and bone from wounds. Focus on wound care may not be what they should be doing. Issues with nail surgery. Hopes it will be sorted when State Registration comes in. 4 staff when Imelda started 20 years ago and there are 6 now. She thinks there should be over 60 now in her Cork area based on the population. There were 96 podiatrists in Glasgow when she worked there. Biggest population in HSE South. Fighting fire all the time not doing any prevention. </td> </tr> <tr> <td> 0.52.38 - 0.57.00 </td> <td> Typical Client or Patient All high risk. Greater risk or have had ulceration, infection, amputation, gangrene. Active means they currently have one of those issues. Those with potential to develop problems may have problems with circulation, sensation or underlying medical conditions. Should be getting the moderate risk people and helping them from developing into Never-ending ‘like painting the Forth Bridge’. [colloquial expression for an unending task] Lots of diabetics. Majority of those with foot diseases are vascular because the vascular team doesn’t have a foot team. Mainly over 65s. But have people under 65 and have a few children too. Frustrating to only by offering a limited services because of lack of staff. </td> </tr> <tr> <td> 0.57.00 - 0.58.28 </td> <td> Nail surgery Podiatrists enjoy doing nail surgery. When local anaesthetic issue is cleared up they will have to be retrained in nail surgery in NUIG (National University Galway). Not legal under Irish Medicines Board to use and buy and store anaesthetic. Could use it now if they could get a patient group directive going. </td> </tr> <tr> <td> 0.58.28 - 1.01.50 </td> <td> Podiatry in Glasgow More of a general podiatry service. More structure in the services. Specialist clinics with pathways. A wider range than in Cork. Range of things that should be seen in Cork but were seen in Glasgow. Worked with foot care assistant. Did a biomechanics clinic. Did a nail surgery once a month to keep up to speed. Doing the same thing in Cork becomes monotonous and boring a bit of variety is more interesting and challenging. </td> </tr> <tr> <td> 1.01.50 - 1.05.26 </td> <td> Impression of Grattan Street Thought it looked like Colditz because of the bars on the windows. Was feeling quite despondent about it. Thought “oh my god what have I done” Marion O’Donovan founded the podiatry service in 1967 in Greenmount Community Centre. Imelda had been working in Bishopbriggs in Glasgow seeing 30 patients a day- which was lunacy. Worked with foot care assistant and it was like a conveyer belt. She used a scalpel for the debridement [the removal of damaged tissue or foreign objects from a wound.] When she started with Marion they had 4 patients in the morning. Marion was very kind to her and didn’t want to scare her by giving her too many patients at the beginning. Told Marion “you could book in a few more!” Marion was very nice and ‘mothered’ </td> </tr> <tr> <td> 1.05.26 - 1.08.06 </td> <td> Big Changes of Staff Speech and language were there and left before Imelda started. Secretarial staff- there has been a huge turnover of staff from Admin support. Aisling who is the current agency staff is great. Imelda, Marion, Helen, Vicky were in Podiatry. Marion is retired. Helen has been there the longest. Helen does 2 days a week, Vicky does 3 days a week, Imelda does 4 days a week. PHNs change a lot, AMOs change a lot and admin staff has changed as well. Lots of people coming through Grattan Street and so Imelda knows a lot of people from different areas- a good form of networking. Good that she knows who to contact, especially about patients. [Phone Rings. Interview Paused] </td> </tr> <tr> <td> 1.08.06 - 1.09.31 </td> <td> [interview restarts] Dislikes Unsuitable Grattan Street Building Never thought it was a nice building. Bars on the windows. Hasn’t seen it painted. Money has not been spent on it. It’s a clinical environment which has not been well maintained. Imelda will not be sad when Grattan Street closes. Substandard. Holes in the wall. Will miss the camaraderie. </td> </tr> <tr> <td> 1.09.31 - 1.10.42 </td> <td> Parking in Grattan Street and relations with Colleagues Parking has been a nightmare. There has nearly been fisticuffs about it. May have to move your car ten times when with a patient. Lucky to have free parking. On the whole got on well with colleagues, except for a few who were hard to get on with due to odd personalities. </td> </tr> <tr> <td> 1.10.42 - 1.12.00 </td> <td> Patients’ Perspective of Grattan Street Imelda tries to get patients to complain about the holes and cracks in walls. People don’t want to complain but they are happy with the service and the people. </td> </tr> <tr> <td> 1.12.00 - 1.15.30 </td> <td> Grattan Street vs a Different Environment St Mary’s Would like pleasant surroundings for the workplace where people spend so much of their time. Imelda describes Grattan Street as a kip. 20 years working in that environment is not good. Hopes that in St Mary’s the services can be expanded. Set up an ad hoc foot care clinic in Mayfield and it was a way of saving HSE money as patients were being prescribed bespoke footwear from GPs which is expensive and may not often be needed. Imelda can insert insoles into stock shoes which helps the patients and saves the HSE money. No shelves have been put in to stock the shoes. St Mary’s will have a space for storing shoes, there will be a workshop, a state-of-the-art sterilisation room and four clinical rooms. They are also going paperless. They will have a new computer system. This is possible because they are such a small unit. There are 8 filing cabinets in podiatry in Grattan Street and there will not be space in St Mary’s for these. Hopes that the camaraderie of Grattan Street will continue in St Mary’s, although she has heard the canteen is small and it’s hard to get to the kettle. </td> </tr> <tr> <td> 1.15.30 - 1.21.12 </td> <td> Grattan Street, Attitudes to Migrants and Refugees Imelda started in Grattan Street in 1999 there had been a brain drain going on in Ireland with people leaving. Since there was no school of podiatry in Ireland they were relying on people from the UK coming to fill positions. One of Imelda’s first patients was very angry that an Irish person couldn’t be found to do her job. She told him not someone as good as she was! This patient had had a few children who had to leave to get work and he couldn’t understand how Imelda came in and got a job and they weren’t able to. Around this time refugees started to come into Ireland. Imelda was surprised by the racism of the over mainly 65 year old patients and what they thought it was acceptable to say. Imelda thinks it would be worse if she were black. She heard a lot of hatred towards immigrants because so many people had to leave Ireland to get work. Imelda pointed out that Irish people had to be accepted in places that they went to. People were suspicious of her coming into the country possibly because they weren’t used to people coming into the country. People would say things about immigrants taking “our jobs”. Wouldn’t expect to hear people say that so openly in Glasgow as a much more diverse city. Imelda doesn’t hear those kinds of comments now. She thinks that new graduates get a hard time from patients at first, because they are new, younger and it is almost a rite of passage. It can be hard for patients having been used to one clinician to switch to a new one. </td> </tr> <tr> <td> 1.21.12 - 1.23.50 </td> <td> Change in Patients Imelda knows of a woman from Africa whose foot was put into a fire. She survived but the deformity she has is horrific. [1:22:23 phone rings and Imelda says she has to move her car] Woman was only 13 when this happened to her. Many similar stories and stories from older people of sexual abuse. Imelda feels ill-equipped to deal with it. If Imelda hears of it she has to report it, but the patients don’t want her to report it and just want to tell her in confidence. They have maybe never spoken to anyone about it before. They tend to open up as they see the same person repeatedly so they build up trust. [Pause Interview for Imelda to move her Car] </td> </tr> <tr> <td> 1.23.50 - 1.25.20 </td> <td> [Interview Restarts] Helping Patients beyond Podiatry In Imelda’s role she feels she is a bit of a social worker as well. Refers people to counselling services which are free in North and South Lee. For sexual abuse, deaths etc. Quite a few patients do take that help but you have to almost make the phone call for them. </td> </tr> <tr> <td> 1.25.20 - 1.28.45 </td> <td> Future of Grattan Street Imelda doesn’t know exactly what is happening with Grattan Street but thinks other services are moving in. Thinks work will have to be done on the building if it is to keep functioning for the HSE. There was bucket in canteen collecting water every time it rained for a years. No one should have to work in an environment like that Imelda thinks. Imelda just feels that about Grattan Street that she will “close the door” and “put it behind me”. Hates the canteen and the building thinks it’s horrible, dirty and filthy. Thinks people like it because it’s small and lots of people know each other from having worked there together for a long time. She thinks that people will miss the people not the building. The building used to be the Dispensary which provided free healthcare she thinks. Her patients when she started used to tell her that. They told her the doctors were in the dispensary, she thinks it was free health care. They used to come to get medicine. Quaker meeting house before that, and they left it to the HSE. Marriage registry is also in Grattan Street but Imelda doesn’t know why anyone would want to get married there- thinks it’s horrendous! Sees people getting married and taking photographs while she is working and has to wait for them to finish. </td> </tr> <tr> <td> 1.28.45 - 1.29.15 </td> <td> Grandmother Grandmother’s name: Eileen Ahern maiden name who became Eileen O’Reily when she married. “Drinking her tears” grand mother’s saying. </td> </tr> <tr> <td> 1.29.15 - 1.32.23 </td> <td> State of Podiatry in Ireland and the Option of Private Practice Thinks that Grattan Street podiatry is the best podiatry service in the country, maybe outside of Galway because the school is there. Cork was the first place in the country to provide a podiatry service run by the HSE. Services need to be expanded. They could retain staff if there was more scope- unless someone is interested in wound care they will enter private practice rather than staying in Grattan Street. Imelda has been tempted to enter private practice. Imelda has done private practice as well in the past. Imelda is now a manager and misses being a clinician because she thinks that is what she does best. There was a podiatrist in Grattan Street while a patient had a cardiac arrest and the podiatrist got an ambulance and he/she was in such a flap and gave the patient’s home address and not the address for Grattan Street! Patient survived thankfully. And Grattan street now has an AED (Automated External Defibrillator). </td> </tr> <tr> <td> 1.32.23 - 1.33.10 </td> <td> What makes a good podiatrist. Have to be a good people person and be able to do a bit of social work. Have to be versatile. So many diverse different kinds of people come in. You have to adapt and try to relate to them as best you can. Good communication skills. </td> </tr> <tr> <td> 1.33.10 - 1.37.21 </td> <td> Would Imelda choose podiatry again? Thinks she would but then doubts herself. Has enjoyed being a podiatrist. Doesn’t think there is anything that she would prefer to do. Podiatry takes a toll on your back partly due to poor posture and not having the correct equipment. Remembers some of her old patients who were great characters. There was a man who lived across the road and was washed out of his house. During the flood Imelda was in Neptune inoculating children against swine flu. Fiona Kelly was the secretary at the time and her husband’s car was swept away. People in the houses nearby had to live in a hotel for a while. One of the patients would call her Miss Imelda and the other clinician Miss Vicky. Learned that this area was the Middle Parish and funny that her great grandparents were born just up the road in James Street. [Interviewer does the final outro here but there is another part to the interview which follows] </td> </tr> <tr> <td> 1.37.21 - 1.43.03 </td> <td> Past Diseases and Vaccines Imelda didn’t see rickets in Cork even though she had seen a lot of it in Glasgow. “every second person who came into you had the wee bandy legs”. Lack of sunshine in Glasgow due to tenements and high rise. Polio and TB were big in Cork. But TB was a bit comparable to Glasgow. Her dad had TB and her uncle in Dublin had TB as well. People don’t remember what some of the diseases that can now be vaccinated for were actually like. Polio can have long term effects such as deformity, muscle wastage, smaller limbs, leg length difference which requires large platform shoes to make up the difference in the leg length. Debilitating diseases so important to get vaccinations as a child. Especially for TB which Cork did not do regularly you had to request it which she did with her own children. Her dad talks about when he got TB a lot because he missed a year of school due to it. He had to go to an asylum but his siblings didn’t get it. Imelda still has patients who had polio. Shoe adaptations or splints are needed for them. It is debilitating and unnecessary. Imelda thinks that some of her colleagues would have a different view to vaccinations than she would have. Thinks that to encourage people to get vaccinated they could be shown pictures of things that can happen as a result of not getting your child vaccinated. If that’s the choice between a small chance there might be side effect versus an epidemic of children getting polio. It’s no contest. Some colleagues might have sort of anti-vax [anti-vaccination] views. They may focus on the side-effects but not on the effects of getting the disease. She thinks it’s reasonable to weight up the facts and see that inoculation is safer. Thinks people have their free choice, although points out that there is talk of making it compulsory. Not certain that she agrees with whether it should be made compulsory or not. But thinks that new mothers have not seen any of these diseases and that they need to see them in action to realise that they do not want their children to have the disease. Doesn’t agree with taking away freedom of choice. Cannot operate as a dictatorship. [Interview Ends] </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Imelda Cunning: Grattan Street, Healthcare, Working Life Identifier An unambiguous reference to the resource within a given context CFP_SR00714_Cunning_2019; Relation A related resource Other Interviews in this Collection <a href="https://corkfolklore.org/archivecatalolgue/items/show/240" target="_blank" rel="noreferrer noopener">CFP_SR00696_O'Regan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/242" target="_blank" rel="noreferrer noopener">CFP_SR00704_Collins_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/243" target="_blank" rel="noreferrer noopener">CFP_SR00706_Higgisson_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/244" target="_blank" rel="noreferrer noopener">CFP_SR00712_O'Brien_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/245" target="_blank" rel="noreferrer noopener">CFP_SR00713_Kearney_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/247" target="_blank" rel="noreferrer noopener">CFP_SR00717_Ward_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/248" target="_blank" rel="noreferrer noopener">CFP_SR00727_OhUigin_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/249" target="_blank" rel="noreferrer noopener">CFP_SR00728_Scanlan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/250" target="_blank" rel="noreferrer noopener">CFP_SR00729_Mulcahy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/251" target="_blank" rel="noreferrer noopener">CFP_SR00732_Cassidy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/252" target="_blank" rel="noreferrer noopener">CFP_SR00760_Morrissy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/253" target="_blank" rel="noreferrer noopener"> CFP_SR00762_OConnell_2019</a>; Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 7 May 2019 Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource 3 .wav files Creator An entity primarily responsible for making the resource Cork Folklore Project Description An account of the resource Imelda grew up in Bathgate between Edinburgh and Glasgow in Scotland. Her mother was from Cork so Imelda spent time in Whitegate in her youth where she enjoyed the relative freedom she had there playing children’s games and spending time on beaches like Corkbeg and Inch. Describes her Cork grandmother Eileen O’Reilly née Ahern who always saw the funny side of things. She was a milliner and dressmaker and took in lodgers, usually meteorologists working at Roches Point. She also claimed to have heard the banshee the night before her husband died. Speaks of her humorous grand-aunt who lived in Greenmount and describes her home including the sideboard and salt dish. “Drinking her tears” was one of her sayings. Imelda refers to her schooldays in Scotland including corporal punishment administered by nuns. Her school had a mine beneath it to train the boys to work in mines when they were older. Was not sure of her career when she was in school but she came from a medical family. Her father chose their school subjects with a view to them acquiring vocational jobs rather than corporate jobs where they could be fired. Discusses her father’s optician practice and how she and her family worked with him there writing prescriptions and repairing glasses. Speaks about moving to Glasgow for college, finding the people friendly and accidently living in an alcohol-free part of the city. Enjoyed the college ski club. Describes her podiatry clinical experience in Scotland. Explains that podiatry requires dexterity. Podiatrists work on a range of issues including biomechanics, diabetes, gangrene, neurovascular disease, wound care, ulcer prevention and more. Mentions the Irish Medicines Board regulatory issues surrounding podiatry nail surgery in Ireland at the time of interview. Explains that the typical podiatry patient in the Grattan Street Medical Centre is usually high risk. States that podiatry services need to be expanded so they deal with more moderate risk patients in order to catch early problems and thus prevent them becoming serious issues. Says that her first reaction to the Grattan Street building in 1999 was that it was like Colditz prison because of the bars on the windows. Explains that she does not share other staff’s love of the Grattan Street Building because of this and further criticises the leaky roof, holes in the walls, dirtiness of the canteen, and its general unsuitability as a clinical environment. Imelda encourages patients to complain about the conditions in the building but they don’t wish too as they are satisfied with the service. She has had positive experiences with other staff in spite of the building not because of it. She will miss the people not the building. Mentions a patient’s negative opinion of refugees arriving in Ireland in the past, but says that it’s no longer a common opinion. Expresses positivity in relation to the move to St. Mary’s Primary Care Centre Gurranbraher. Hopes that the services can be expanding and the workplace will be greatly improved including storage space, a computer system, space for filing cabinets. Remembers that her older patients spoke of the dispensary in Grattan Street where they received free medicines and doctors’ appointments. Expresses surprise that someone would want to get married in the Grattan Street marriage registry office as she does not like the building. Mentions that podiatry work requires you to adapt to people and situations and also negatively affects your back. Speaks of patients telling her things in confidence that go beyond podiatry and her attempts to assist them such as encouraging them to contact counselling services due to sexual abuse and bereavement. Recalls some incidents during flooding events while at work. Describes how she saw many cases of rickets in Glasgow but none in Cork, while Cork had a higher rate of patients with long-term effects from polio, including the need for shoe adaptations or splints. Speaks about vaccines and how to encourage people to take them. Suggests that the success of vaccines in suppressing diseases has meant that many parents haven’t seen any cases of these diseases and thus do not appreciate the risks they pose. Administration Alcohol Amputation Area Medical Officer Ballyphehane Beach Biomechanics Camaraderie Canteen Car Park Car Parking Career Childhood Children Children’s Games Christmas Client Clients Community Cork Corkbeg Corkbeg Beach Counselling Course Deformity Diabetes Disease Diseases Dispensary Doctor Edinburgh Employment Family Feet Flood Floods Foot Foot Care Gangrene Glasgow GP Grand-aunt Grandfather Grandmother Grandparents Grattan Street Grattan Street Medical Centre Greenmount Gurranabraher Health Health Career History Curriculum Holiday Holidays HSE Illness Inch beach Infection Irish History Irish Medicines Board Job Marriage Registrar Marsh Medical Medicine Middle Parish Music Nail Surgery Nails Neurovascular Disease Optician Optometrist Parking Patient Patients Playing Podiatry Polio Prescription Quakers Refugees Rickets Roches Point School Scotland Sickness Ski Skiing Speech and Language St. Mary’s Primary Care Centre Staff Surgery Swine Flu TB Teacher Teachers The Marsh The Middle Parish Trabolgan Training Tuberculosis Ulcer University Vaccination vaccine Vaccines Whitegate Work Work Environment Working life https://corkfolklore.org/archivecatalolgue/files/original/b7e23c740d028cf79c4dd7a0d4755868.jpg 81d41a8d2cb00e7ec7075b3f50bb5f7f https://corkfolklore.org/archivecatalolgue/files/original/a4f0e404a57787cbde84cc57182aa1b0.mp3 2b74bdb3ded0e14322967e88ed89fb3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Dolores Horgan Interviewee The person(s) being interviewed Isobelle Sheridan Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51m 08s Location The location of the interview Cork City, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com D.H: So we’ll speak about the English market, you can tell me about it, what prompted you to take a stall in the market? I.S: Actually it’s all circumstances: I never meant to take a stall in the Market, except I met French people who had a stall there previously who were making cheese, and they wanted to, they had a big stall, now it was in 1991 no ‘92. In ‘92 the English Market wasn’t the way it is now – it was getting not kind of not a very good reputation in Cork, and you know like the stall had been let down a bit, there was loads of empty stalls, and nobody wanted them, and those French people came in there, and I was laughing at them, and I said is not like the market in France, you know, this market isn’t going to bring you anything, that was the time. And eh and they said you’ll see, you’ll see, you’ll see, you’ll see, you see this is going to change right. And I said right, ok and they brought me to share their stall and they were doing cheese at the time so I was going to do charcuterie which is a cooked meat, and pates, and cured meat, it’s usually based on pork meat, you know, so I said why not, and then I started importing those, and then I started making my own, and eh and then they left, but it was very, very hard at the beginning because there were very few people interested in the kind of product we were doing, and the condition of the market was actually was also difficult, you know. And then year by year it improved, and the other stall came in, and the other cheese stall came in, and then after a few years then we had the Café Centrale, and then I moved to a bigger stall, and that makes a big difference, and the market is now running so well, it is so bright there is a diversity of product, and still what makes it very special is the mixing of old and new Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Isabelle Sheridan: English Market, Food, Culture Subject The topic of the resource Life History Description An account of the resource Isabelle Sheridan is from a suburb outside Paris called Le Pleine de Mont Esson. She moved to Ireland in 1986 and eventually established the well-known charcuterie called ‘On the Pig’s Back’ in the English Market in Cork. She discusses her childhood in France, differences between France and Ireland, and some of the social nuances of running her market stall. Isabelle started ‘On the Pig’s Back’ artisan food company which began as a stall in The English Market in the early 1990s. Isabelle grew up in an apartment block in a village called La Plaine de Montesson, a suburb near Paris, where vegetables were grown and mushrooms were farmed underground. She has two younger sisters. Her father was an engineer and her mother was a painter. She remembers going to the opera and museums in Paris, as a treat, with her godmother. Isabelle is married with three children. Her husband is from Mayo. She states that there were fireworks everywhere on the 14th of July and in the area where Isabelle grew up they had a Village Day where local villages came together to host parades, barbecues, and have fireworks. They celebrated Saints Day, La Toussaint, around Halloween, which was a day of dedication for the dead when they went to the cemetery to visit family graves. At Christmas, they would all go to mass on the 24th, which was followed by a family meal at midnight. She made her communion twice. The boys and girls all wore the same rented white robes. Isabelle describes her love of food and cooking as a child. Her father taught her to identify cheese and cut it properly. She talks about the culture of French food and wine and how having dinner with others was a social occasion. Every house had a wine cellar. Her grandfather’s cellar held up to 800 bottles of wine. Isabelle came to Ireland as a purchaser in a new factory, initially for six months. Then, having met her husband, she stayed. Isabelle describes her wedding in Nantes and the differences in the civil ceremony experience as compared to Ireland. Isabelle offers a good description of the differences between French and Irish working practices. She highlights that French people commuting in and out of Paris would not have had the time, upon arriving home, for much else than cooking and eating dinner. In Ireland, she states there is enough time, upon arriving home, that you almost have a ‘second day’. Cork has a large French community which meets regularly mainly for children centred activity. Isabelle gives good detail on the development of The English Market, the types of traders and the food stalls available there and how she set up her own charcuterie stall. She began importing French food and eventually set up the well-known brand ‘On the Pig’s back’. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 9 September 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Isobelle Sheridan Interviewer: Dolores Horgan Identifier An unambiguous reference to the resource within a given context CFP_SR00335_sheridan_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; France; 1980s - 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 1980s 1990s 2000s Agriculture Alcohol Catholicism Celebration Childhood Games Christmas Community Cork 2005 Culture Diet English market Festivals Festivities Food French Culture French Food Holidays Holy Communion Isabelle Sheridan Paris School Snow Vegetables https://corkfolklore.org/archivecatalolgue/files/original/b4c9bbb32d410d6ac4e7758f0ac954b7.jpg 84ab4ede9d5baef4d8dbb60bb8e18e9a https://corkfolklore.org/archivecatalolgue/files/original/ec2b7f98a1468a5cde9d07d425990ea1.mp3 c4a9c6a1d59e2e1423bc33ec2e0c3533 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Journeys: Living Folklore in Ireland Today Subject The topic of the resource Life history interviews from the inhabitants of Cork city's Northside. Description An account of the resource 27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. Date A point or period of time associated with an event in the lifecycle of the resource 1996-2001 Contributor An entity responsible for making contributions to the resource Interviewees: Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne: Interviewers: Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1): Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland: 20th Century Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Jack Byrne Interviewer The person(s) performing the interview Stephen Hunter Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 93min 48sec Location The location of the interview Grange, Douglas, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Transcription Any written text transcribed from a sound S H: And I suppose you saw Christy Ring play on many occasions. J B: Many, many occasions. S H: What do you think, do you think he was one of the greatest of all hurlers? J B: He was, no doubt, he was, he was simply a marvel. But there were many other great players too. Ring had -- S H: Did you meet him? J B: Funny, I met him once and, an unusual occasion, one famous match in Thurles in 1944 and there was no transport in Ireland during the War. And we went to Thurles, we cycled to Thurles, three of us, the two chaps I told you about earlier and myself, three of us cycled to Thurles. We left Cork early Saturday afternoon at 2 o’clock and we stayed in Cashel that Saturday night, on to Thurles on Sunday morning. And one of these chaps, Sean Norton, he’s still alive, he was working in Suttons. Suttons had a big store on the South Mall at the time. And Christy Ring was driving a lorry for Williams in Midleton, and he used to come into Sutton's collecting stuff or delivering stuff, one or the other, probably both, but Sean knew him from coming into Suttons, and we were in Thurles on that Sunday morning and we met Christy Ring. J B: And we were only 18, 19, Christy was a couple of years older. And Sean knew him and we spoke to Christy Ring on that Sunday morning and just for five, ten minutes and he went away from us then. And that same day he scored a marvellous goal to win the game for Cork. J B: He did, he did. and he ran fifty yards solo run and scored a great goal. S H: And what do you think were his greatest attributes as a player? J B: Well he was an unusual man. Every game he played, no matter what the occasion, big or small, I would say every fibre of his being went into that game. J B: No matter what it was. And he was more determined than anybody else. And of course, he excelled in all parts of the game then you know, striking, lifting, hitting, everything, he excelled in everything, he was a truly marvellous man. But it was his, just his grim determination to get the ball you know, I think that singled him out above everybody else. S H: Yeah. Did he have a great tactical sense of the game? J B: Oh he had. He had. But that came with advancing years then. But there were three different Christy Rings. His career spanned a long time and for the first eight, nine years he was a beautiful young hurler, truly a joy to watch, and he suffered a lot in that time from close marking and by close -- I would say nasty marking. And then for the second period, he was a hard man, he gave back what he got, just as hard as he got he gave back and these were his great days, he was a truly marvellous man then. And then for his third period he to use your rugby cliché, he got his retaliation in first. J B: Yeah. He was, he was -- S H Turned mean? J B: Mm, he was. You had three different Rings. And I mean you hear older people now, of course, only old people remember Ring now, and depending on what county you came from or what club you supported, they remember the Ring that suits their own point of view. S H: Yeah. J B: But there were three. S H: And do you think despite that like obviously he had to develop a certain level of aggression to survive I suppose but, and succeed, but was he basically a fair player? J B: Oh he was, he was. S H: A clean player? J B: He was. God, I saw him doing some wonderful things. In his dying days, you might say when he was on his last legs I saw him and the way he could chase after. I saw him doing this --- a ball going into the corner and he would chase after a fullback and the fullback would be younger and faster and the fullback would reach out and Ring would race out and then just 15 yards before the fullback got to the ball Ring would suddenly vary away from the ball and the fullback would get to the ball and he’d hit it out and Ring would be waiting out 15 yards to catch the fullback’s and score, and I saw him doing that on a couple, what, on at least two occasions. S H: Yeah? Just on instinct really Ability to read the play? J B: Twas, 'twas the look on the fullback’s face. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jack Byrne: Blackpool, World War Two, Sports Subject The topic of the resource Life History; Description An account of the resource Jack talks briefly about life history and remembers local sporting heroes such as Christy Ring. Jack (born circa 1926) grew up in O’Connell Street. His parents were both Northsiders. His father worked for the Post Office. His mother was born in 1888 and grew up on Scoura Hill. (Jack believes the term is a corruption of an Irish word, translating as Hungry Hill.) His father’s mother had a shop at Wherland’s Lane until 1922. He mentions the Bride River and a walk along it called Debtor’s Walk where people who owed money could travel without being seen. He talks briefly about the ghost known as the Foxy Lady, which may have been the image of a young woman killed by machinery in the Sunbeam flax mill. His father served in the British army and he says his neighbourhood had many ex-servicemen; he muses on people’s attitude to the Second World War, and on Irish neutrality. He liked hurling and soccer and recalls cycling to Thurles in 1944 to see a match, and meeting Christy Ring. He describes Ring’s playing. There was no car or public transport during the war, and he recalls that 10,000 Cork people cycled to Fermoy for a match in 1943. After school, he was unemployed for a year before finding work at the Sunbeam plant. Jack retired in 1988. Date A point or period of time associated with an event in the lifecycle of the resource 20 May 1999 Contributor An entity responsible for making contributions to the resource Interviewee: Jack Byrne Interviewer: Stephen Hunter Identifier An unambiguous reference to the resource within a given context CFP_SR00264_byrne_1999 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; 1900s Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource .wav Type The nature or genre of the resource Sound Christy Ring Debtor’s Walk Emigration Foxy Lady Hurling Jack Byrne Scoura Hill Sunbeam The Emergency World War II https://corkfolklore.org/archivecatalolgue/files/original/d94a43c85512c76e21fd630524588787.jpg f1fb10522c73c329dbbd036a035b4605 https://corkfolklore.org/archivecatalolgue/files/original/66a0e60788850f595effed8ecfb5cbde.mp3 e581e62ba0589968febd8de540005d7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stonemason Oral History Project Subject The topic of the resource Life History; Occupational Lore; Trades; Description An account of the resource This collection consists of 14 interviews with 12 people (11 male stonemasons and one female family member). It was carried out between November 2015 and April 2017 and documents the experiences of stonemasons based in Cork throughout the twentieth century. The interviews were carried out by CFP Researcher Michael Moore, himself a qualified stonemason. The collection explores the occupational and social context of stonemasonry; work practices, the social context, occupational lore, the secret language Bearlager na Saor and family ties. Most of the interviews are focused on the mid to late twentieth century with some stories and histories dating back to the eighteenth century This project’s second interviewee, Jim Fahy of the Cork Mason’s Historical Society, was inspired to include an oral history element to his ongoing research and documentation of stonemasonry, and this material is being accessioned to the CFP. Michael Moore characterized the project as an attempt to capture a snapshot of the lives and voices of stonemasons and ‘to record their insular world for posterity’, pointing out that ‘There is a need to document the living tradition of stonemasonry by recording people who work or have worked in masonry, particularly those born into it as part of familial ties.’ (Moore, 2016: 8). Date A point or period of time associated with an event in the lifecycle of the resource 2015-2017 Contributor An entity responsible for making contributions to the resource Interviewer: Michael Moore Interviewees: Murty O'Sullivan; Jim Fahy; Joe Fahy; John Steele; Dan Jones; Joseph Fahy; Mary O'Sullivan; Jack Johnson; Mary O'Sullivan; Thomas Lysaght; Patrick Varian; Patrick Cooney; Tom McCarthy; Edward Buckley. Identifier An unambiguous reference to the resource within a given context <a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener">CFP_SR00565_osullivan_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/179" target="_blank" rel="noreferrer noopener">CFP_SR00566_fahy_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener">CFP_SR00569_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener">CFP_SR00570_steele_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener">CFP_SR00574_jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener">CFP_SR00577_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener">CFP_SR00581_osullivan_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/185" target="_blank" rel="noreferrer noopener">CFP_SR00583_johnson_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener">CFP_SR00589_lysaght_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener">CFP_SR00590_varian_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener">CFP_SR00595_Jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener">CFP_SR00609_Cooney_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener">CFP_SR00610_McCarthy_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener">CFP_SR00611_Buckley_2017:</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; 1700s; 1800s; 1900s; 2000s Relation A related resource Published material related to the collection: <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener">Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10. </a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English; Bearlager na Saor (Stonemasons Language) Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 14 .wav files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Jack Johnson Interviewer The person(s) performing the interview Michael Moore Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 113min 06sec Location The location of the interview Cork City Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit/48kHz Time Summary A summary of an interview given for different time stamps throughout the interview 0.00.00 - 0.03.07 Family background in the mason trade and his beginnings as a mason. Jack starts by speaking about his family’s background in masonry and how this led to him taking up the trade. He states that his Father, Grandfather and Great Grandfather before him were masons and that at that time you had to be the son of a mason before you could be taken into the union. He states that he started as a mason on the 20th of August 1945. He states that he lived in Monkstown close to the river and describes how himself and his Father, in order to get to work he used to row a boat across the river to Rushbrook and get the Cobh to Cork train and then walk from the station to Hartlands Avenue by the Lough. He says it would be gone past seven in the evening by the time he got home on account of there being no busses, this being at the end of the war. He says his working week was five and a half days for tuppence an hour which was seven and ten pence a week. Jack says he might have had half a crown for spending money which he states at the time was considered “a fair share” 0.03.09 - 0.04.08 Dances and social events at The Arc club. Jack describes The Arc (Arcadia) club by the railway station in Cork and how it cost a shilling at the time of him starting as a mason. He says he used to cycle there which would take him just over half an hour. He speaks of his enjoyment of the dances and how there used to be a lot of English bands playing there and how they used to mainly play jazz, tangos, slow waltzes and old-time waltzes. 0.04.12 - 0.05.15 Growing up in Monkstown and schooldays. Jack says he went to school in Monkstown till he was about 15 and then he went to The Passage Tech where he learned metalwork, woodwork, drawing etc. He states how he used to love working with his hands and how he always got 100 marks for the three aforementioned subjects. 0.05.21 - 0.06.38 Working at threshing. Jack describes how before he started as a mason when he was roughly 16 he used to work two and a half days at threshing which involved taking 200 weight bags of wheat from the thresher to the store. He describes this as the hardest work he ever did. He says he got this job through farmers who were family friends, The Callaghans of Millstown. 0.06.45 - 0.09.00 Starting as a mason. Working for Powers and injuring his finger. Jack states how when he started he worked for Powers Brothers. He remembers a Wednesday when he was dreaming of a football match that was due to be played for The County Final in Douglas that night when he was sent to cut a hole for the overflow in a sink unaware that a plasterer had put a stone into the open joint and plastered over it resulting in Jack injuring his finger with a four-pound hammer when his chisel struck the stone. He explains how Powers his employer came out and applied a makeshift bandage to his finger using a sheet and because Jack had no money he gave him a shilling for the bus. This injury resulted in him being out of work for three weeks and in his first week back he states that when he received his wages he had been docked a shilling. He says how at that time there was no wet time and if it was raining it meant you did not get paid. 0.09.03 - 0.10.16 Working for Pat Shea “The Gangster”. Co-worker John Falvey joining the British Army and being killed in Cyprus. Jack goes into detail about working for Pat Shea who was nicknamed “The Gangster”. He was working on a garage belonging to Pat Shea’s brother which was located by the old exchange. There was another mason by the name of John Falvey working with him there and when they took an hour off because of rain they were docked tuppence each. Because of this, John Falvey joined The British Army and he was killed one morning coming off sentry duty in Cyprus. This affected Jack and he used to state “He lost his life over tuppence”. Note: This was most likely to have been during the “Cyprus Emergency” of the ’50s. 0.10.26 - 0.13.32 Jack fired for standing up to foreman. Jack tells how he was working for “P.J.” at night helping in the building of a factory. He explains that he was the shop steward for the masons. He explains that they were having their break sometime in the middle of the night when the foreman Jimmy Donovan “came running around” and shouted at them to return to work. Jack pointed out that the break time was not up yet and admonished him for running around and giving out. Jack says that at first Jimmy Donovan denied it but in the end admitted it. Jack states that the following night he went down again and the following morning Jimmy Donovan told him he wouldn’t be going back to work that night and that the following day he would be starting a job in Togher. He says he was there three or four days before he “got the push”. He says he was sacked for standing up to the foreman because at this time “you couldn’t look crooked at them”. Jack thinks this happened in the early 50s. He also says that the masons who were there did not stand up for him because it was every man for himself and “God for us all” 0.13.30 - 0.16.10 Working in Dwyer’s factory. Masons “Bronco” Welsh and Joe Dynahan.” Bronco’s brother “The Whistler” and his part in 1916. Jack goes on to talk about working in Dwyer’s factory which was located on The Commons Road. He thinks the bricks he was working on here came from Holland and they were a foot long and about two and a half inches high. He goes on to talk about some of the other masons such as Jamie “Bronco“ Welsh and Jim Dynahan. Bronco was a brother in law to Murdered Lord Mayor McCurtain. Jack goes on to describe how Bronco, who was at least 70 years of age at the time and Joe were having an argument. He details how Bronco jumped down off the scaffold, took off his boots and called Joe Dynahan down to fight it out. In the end, they did not fight. Jack does not recall how Bronco got his nickname. He does recall that Bronco had a brother who was known as “The Whistler“ and who “fought in the post office in 1916“ in Dublin during the Easter Rising and is buried in the republican plot in St Finbars Cemetery. Jack does not know what Whistlers real name was and does not know any further details on his role in 1916. He says that Bronco never spoke of it. Jack does say that they were related to him 0.16.15 - 0.20.48 On Bronco making and selling tools. Masons pawning tools. Having a set of chisels stolen Jack goes on to say that Bronco used to make spirit levels which were about three feet long which he used to sell to other builders. He used to also make what was known as a “skutch“ which was a brick hammer with teeth. The teeth could be bought and slipped onto the hammer which was for dressing brick. Bronco used to make them out of the springs of a car. Jack says he never saw him making the tools and does not know if he had a shed or where he made them. The levels he made from timber and would buy the bubbles and put them in putty. Jack describes them as makeshift and that they might not last long but they’d “do a job for you“. Jack says this would have been the early 50’s. Jack goes on to describe how some masons he knew would pawn their tools on a Friday night and get them back again on a Monday morning which he says they did for money. He says that some of them would leave them there and Jack says he bought a “beautiful set of chisels“ plus other tools including a mallet which had been left in a pawnshop. He says he had them in his toolbox and somebody stole the set of chisels. He believes it was another mason who stole them. Note: Interview is interrupted by noise from the dryer leading to the door being closed. 0.20.50 - 0.23.18 Working for Crowley. Jack goes on to talk about his time working for a builder called Crowley who was based on Copley St. He describes when he was building a fireplace at the Boat Club in Blackrock. He says the bricks were six inches long by three inches by two inches and the bricks for the arch were all bullnosed. Jacks says he set up a banker for dressing the brick and that the bricks had to be slightly cut to follow the contour of the arch and Crowley came up to him and said that there was no need for that and to just put them in as they are. Jack replied to Crowley that he wanted that he would have to get someone else to do it and that he would not do a job like that and have thousands of people coming in and asking what “kabog“ [fool] did that. Crowley told him to carry on and walked away waving his hands and shaking his head. Jack goes on to recount that a few mornings later he almost had it finished and was brushing it down when Crowley came in with the engineer who asked to inspect the work and after doing so turned to Jack and told him it was a job he could feel proud of.Jack looked at Crowley and he could see him smiling but he didn’t say a word. He goes on to say that Crowley could be gruff at times and at other times he could have a heart of gold. 023.20 - 0.26.55 Injuring his foot on a job. On being told there was a big job coming up by Crowley. Jack describes a time when he was doing a job on a bank in Buttevant working for Crowley. It was a rainy day and he was knocking up a big gauge of concrete. The foreman Joe Ryan asked him to pack the concrete which he says was his job at the time. He went up to the top and the bucket of concrete was hauled up with a pulley. As he took hold of the bucket he stepped on a four-inch nail on an inch latte and it went through his foot. He pulled his leg off and blacked out, he was falling over the edge when the foreman caught him. He was seen to that night by the doctor who was staying in a nearby pub. The following morning Crowley came down, drove him home and came out every morning to drive him into the hospital for three days. Jack says this is something that wouldn’t happen now. He says that the doctor gave him an injection which took away the pain but when that wore off it was “torture“ when he was in bed with the clothes down on it. Jack goes on to recount when he was on a job on The Lower Road hanging a pair of sliding doors on a garage. He was there a couple of days and had it finished when Crowley asked him to stay there as he had nothing on at the moment but there was a big job coming up. Jack says he was there nearly six weeks without doing a stroke of work and in the finish, someone was sent to tell him he had to go as Crowley hadn’t gotten the job. Jack agrees that Crowley had a lot of time for him. He believes he worked for him for about a year. Note: At this point interview is interrupted after Jacks dog enters the room. 0.27.40 - 0.34.33 Crowley giving out about the quantity of work. On taking pride in his work and the low standards of today’s builders. On the importance of sewer work. Recalling sewer work jobs. Working on his own sewer. Jacks pride in his reputation as a mason. Jack describes how on a Monday morning how he was working on Pope Brothers garage Showroom on The Quay where there was a “big concrete head“ over the windows and he was building a block wall on top of it. He says Crowley came up and “was giving out stink“. Jack asked if there was something wrong with his work to which Crowley replied that “Oh no! “. “The quality is excellent but the quantity isn’t enough“. Jack replied that if he wanted quantity why didn’t he hire the mason whom he had working on the wall around the dog track who left so much mortar on the ground that it was necessary to have a man with a wheelbarrow to go around picking it after him. He compared this with his own work and said that there was not a trowel of mortar to be found on the ground where he was currently working. Crowley went off after that and a short while later the foreman told Jack to not take any notice of him and because he was the first person he met that morning and he just had to let off steam. Jack insists that he always took pride in his work. He says that nowadays builders have “cash registers for eyes“ and all they want is money. He says their attitude is to “throw it up and walk away“. He remembers going on a job where the houses were built and the sewers, manholes and garden walls were not done. He says he believes the sewer work was always the most important part of the house. He recalls a sewer job he did on a college in Rochestown where there were twelve urinals and twelve toilets going into the one manhole. He was doing another sewer job on Lovers Walk where the ground was very steep. He goes on to describe the sewer as being cascaded and there was a footfall in twenty feet with four-inch pipes. He says the manholes were fourteen feet deep. He says at the back of the manhole was a T-pipe, one part was going into the manhole and the other down behind it into the sewer. He says at that time the corporation would smoke test the sewers. He says the tests were carried out by a plumber named John Starkey who found three leaks which were in the T-pipes which were highly glazed. Jack mentions that he also did his own sewer at this time and sent out for it to be checked. The tester asked Jack if it was his job to which Jack replied that it was. The tester did not bother to test it as he did not deem it necessary. Jack describes this as an example of the esteem his work was held and says this made him very proud. 0.34.40 - 0.36.30 Building his own fireplace. Jack speaks of his fireplace which he built himself. It is described as having an arched brick. He says he was working in Irish Steel and he says they used firebricks in the ladles. The ladle he describes as being like a big cup and it would take about twelve hundred brick and could hold ninety ton of steel. He got the firebricks here. He cut them with a saw to fit in the arch. He says the three windows in his porch are bullseyes. He says while he was working on this one Sunday two masons came down and asked him how he did it. He told them to go back to school and learn how to do it. 0.36.35 - 0.37.58 On working with different materials. Jack says he worked with some stone, not too much. He says he did a fair bit of monumental stonework which involved broken pieces that came out of a stone yard. He says he worked on a wall in Lovers Walk and would a few bits of stonework now and then. He says out of brick, block and stone he liked working with brick the most. Jack goes on to say he liked stone but to his mind the people weren’t satisfied because it (the work) was too slow. 0.38.24 - 0.46.10 More on growing up in Monkstown. On ambitions of being a shipwright. Building an altar for Monkstown School. More on using the ferry to get to work. More on his father. Local priest Father Butts. Jacks red setter dog. Jack mentions that when he was growing up his main ambition was to become a shipwright like his Uncle. He says they were closer than any Father And Son. He says he did not get the job but someone else got it in the dockyard at Rushbrooke. He goes on to describe the job of shipwright as being a ships carpenter. Jack says he used to love working with timber. Returning to his time at Passage Tech he says he made an altar for The Monkstown School as a teacher wanted it for demonstration purposes for the religious half hour. He thinks that it still there in the school. He says he loved working with his hands. Jack returns to the subject of rowing to work in the ferry where they would row across every morning. Returning at night he would stand and shout and the ferryman would come over. Jack says he lived by the water until he was about 25. He goes on to describe a time when his father was doing a job on the house on The Strand Road in Monkstown where there lived a sister of General Michael Collins. A big ladder was needed and there were only two ladders in Monkstown that would do the job. One was Whites and their ladder was like “goalposts cut in two“ and the rounded at the sides. The other ladder was owned by the local priest Father Butts who had a two-piece ladder. Jacks father decided that this was lighter than Whites so that they would try him. Jack adds that he was not working at this time, he went along with his father to ask the priest. According to Jack what his father got was “a sermon“ on what would happen if he broke the ladder, who would pay for it, what would happen if he fell off and so forth. By the end, Jack says he could see his father get a bit edgy and adds that he was the kind of man who spoke his mind and it didn’t matter who he insulted or who he hurt “he said it out straight and that was it and that was it“. Jack’s father asked the priest “Father could you tell me what your sermon was last Sunday morning? “ Father Butts replied that at that moment he couldn’t. “Well, I’ll tell you. It was on charity and you have eff all of it“ was Jacks father’s reply. Jack says if the ground had swallowed him up he would have been happy and laughing, adds that they didn’t get the ladder. On being asked was it a big deal to stand up to a priest in those days Jack says it was “terrible“ and jokingly adds that in those days a priest could “turn you into a dog“. Jack goes on to recount another time he was at home and at this time they had a red setter dog and “there wasn’t a dog in Ireland would come near the place“ and “I never saw two cats like em“ [Jack may have been talking about two dogs they had]. He says there were two doors in the front of the house. The front door which was always open and a side door leading onto a small hallway. He describes this door opening, hearing a patter of feet followed by a howl. Father Butts then walked in and said: “I suppose I should have left the dog [his own] outside“. “You should Father” replied Jack “and you should have knocked before you came in, “ He said he thought his mother would drop dead. Jack goes on to say that Father Butts didn’t have much time for the working people and that if you had money “you were sound“. 0.46.18 - 0.47.30 Jack’s mother. Relations in West cork. Going to England. Jack talks a little about his mother who was from Dromore, Aughaveale just outside Bantry. He says they had relations, Driscoll’s who had a pub in Aughaveale. Jack moves on to say he went to England in 1956 at the age of 27. The reason he knows that is that his brother Ted was working there for a Canadian firm called Tiersons. [?] Note: At this point the interview is interrupted as Michael Moore is rung by Jim Fahey. 00.39-03.40 Part two of the interview: Starts after a 10 to 15-minute break. The beginnings of Jacks interest in fishing. Jacks membership of fishing clubs and representing Ireland in Germany. Jack speaks about fishing with his father from the age of eight from Monkstown Pier. He describes a shortcut to the pier through the wood which was owned by the manager of “The docks in Scotland”. He goes on to say how he joined three or four fishing clubs and he used to participate in The Cobh International every year which would be held on the first week of September and would draw people from as far as France Belgium Wales and England. He participated in this completion for a good many years. He joined a fishing club called Celtic in Cork City. In 1979 he won the Master Angler in the club. In 1980 He fished for The Master Anglers Of Ireland and came third. This got him onto the Irish Team and in 1981 went to Germany with the team. He says they came third in the European Championships being beaten by a point into second by Yugoslavia. 03.46-10.50 Fishing on the pier. Night fishing and methods of attracting fish. The time Jack caught a record fish. Jack talks about two men from Cork Dan Busby who was a barber and Ernie Corem who used to be down every week fishing on Monkstown pier. He describes how on the pier there were nails every four or five feet on the outside planker of the pier and the two men would have a jampot with a candle inside and twine around it. This they would lower down till it was just above the water and they would leave it hang from the nail. This Jack says would attract the fish. He says he may have done night fishing up to 11 or 12 O Clock. Jack talks about a record 180-pound fish which he jokingly says “nearly killed him”. It took him three-quarters of an hour in 200 foot of water to land the fish. The fish was a common skate which he says attach themselves to the bottom. He goes on to describe his effort to land the huge fish. He says he had it up half ways but the fish took off for the bottom again. He says the fish surfaced thirty yards from the boat and he describes it looking like “a big sail”. After finally landing the fish it was photographed and then released as it was a protected species. He caught this fish off Cahersiveen Co Kerry. He says there were two English visitors on the boat with him one of whom said it was the best days fishing he ever had even though he caught nothing. The following night at the prize giving this man there was with his wife and when Jack came in he bought him a double brandy. 11.03-17.20 On how he became so good at fishing and his methods. On the lack of overall fishing among Monkstown residents. Being caught in a storm off Ballycotton. Working the drift on a trawler. A near miss with another boat. Giving up boating when his eyesight became bad. On being asked how he became so good at fishing Jack supposes it was through dedication. He goes on to add to say it’s all in the “feel of the hand’s and describes how different fish bite. Some such as the Conger Eel will pull hard but others will suck at the bait and describes how he plays the line to entice them into biting. He says he got his fishing interest from his father and adds that Monkstown was not a fishing community as such. He says that other than himself and his father plus a few others who used to come down from Cork no one else in Monkstown used to do any fishing at that time when he was young before the clubs came along. He says drink and water do not mix because “a person that’s not afraid of the water is stupid”. He goes on to recall a time when he was fishing in either The Harbour Championships or The Munster Closed Boat and was off Ballycotton. He says they were anchored about a mile or so off the shore when at three O Clock he noticed the sky changing. He says he told the skipper that the weather was going to get worse and they should start finishing up to which the skipper only laughed at him. Jack says the skipper was not laughing when they got in. It took them nearly two hours to get in and the boat was “pitched from post to pillar”. He says it was a lesson learned for the skipper who had just recently bought the boat. Another near miss Jack speaks about is when he was on a large trawler off either the Waterford or Wexford Coast working “The Drift” where the trawler would follow the drift. He goes on to describe a frightening incident when they had just finished working the drift in roughish weather Jack saw a boat in front of him which was owned by Johnny Geary from Cobh. He says that they were almost on top of the boat and the skipper of Jack's boat could not see them as the prow was so high. Jack says he saw a crewmember of the other boat taking off his rubber boots and preparing to jump. He says they were not two feet away when they just passed him. Jack said, “the closest thing I ever saw”. Jack goes on to add that once he started developing problems with his eyesight he would get sick every time he went out as he was unable to focus so he had to give up going out on the boats. 17.34-19.35 More on building work and Pat Shea “The Gangster”. On being left short in his wages Jack returns to the subject of building and working for Pat Shea “The Gangster”. He speaks of working on Pat Shea’s niece's house when come Friday he discovered he had been left ten shillings short in his wages. He says this was a lot of money at the time. He spoke to the foreman about it who told him he should speak to the boss. He went to Pat Shea’s office which was located at the Top of the (South) Mall. He spoke to Pat Shea who said he should speak to the foreman, Jack, in turn, said that the foreman said he should speak to him. In the end, Jack said he began “giving out” to him to which Pat Shea stated “when I was a boy if I spoke to a man like that I’d be thrown into the river” to which Jack retorted “do you think you’d qualify for that job now?”. At this point, Pat Shea relented and gave Jack Ten pounds. Jack thinks this was at the end of the Forties or start of The Fifties. 19.45-20.19 Jack on the changes he’s seen. His dislike of the new look Patrick Street. On being asked about what changes he has seen in Ireland down the years he expresses his dislike of the changes to Patrick Street. He says the new street lights are horrible and they remind him of the jib of a crane. 20.22-23.15 Moving to England to find work. Jack talks about moving to England to find work in 1956. His brother Ted was already working there and he wrote to ask if there was any chance of getting work there as there was nothing back home. He says he arrived at Paddington Station on a Saturday noon and he was working at one O clock. Ted was working on a house belonging to the mother of the actor “Michael Keane” which was a big three-storey house on Colchester Terrace. He says the tilers who were assigned the job refused to work weekends and the kitchen and bathroom were yet to be done. Ted asked Jack could he do the tiling and he agreed. He worked on the bathroom and kitchen over the Saturday and Sunday. He was still working on it Monday morning when it wasn’t quite finished. The tiler foreman came in with the general foreman and asked him if he wanted to work with them and stay on as a tiler. Jack said that he was not intending to stay on and he had a wife and family at home. The general foreman told him that he could get him a house over there. Jack says it was tough being in England with his family at home. He says he kept in contact with them via letters. 23.08-25.00 On the infamous criminals Reginald Christie and The Kray Twins. Jack says that where he was working was very close to where the infamous serial killer Reginald Christie lived. Jack talks about how he was caught, how after he left his house a “coloured family” moved in and after taking paper down from a wall there was discovered a cupboard which contained three bodies. Jack says they were “girls of the street” and further bodies were found buried in the back garden. He says that one of them was an Australian (though looking up the case it appears she was Austrian) and was identified through her dental records. Jack also briefly mentions that he saw gangsters The Kray twins though does not add any specific detail about them. It is unclear if he means he saw them in person or if he is referring to second-hand accounts. 25.09-31.20 On his wages in England. More on the work he did. The differences between working on sites in England and Ireland. His father working for Kennedy -Callaghan and clashing over breaks. His father being removed as foreman. Jack says his wages in England were nine pounds a week which he had to divide between himself and sending home to his family. On being asked did he enjoy England he says he did and he didn’t and that he enjoyed the work. The work he did was brickwork. He talks about an extension to a house he was working on where they were using a Flemish bond. On being asked was there a difference between working on sites in England and Ireland he says the main one he remembers was that in England there would be a man-call around at ten O clock with a big tea urn and some biscuits and you would get tea or a pint of milk and biscuits and the same would happen at three. Jack says that this would never happen over here (Ireland) and they had more breaks in England. The subject of tea breaks leads Jack on to tell a story of his father when he was working for Kennedy-Callaghan. He says his father could not take hot tea and at this time there was no ten O clock break allowed. Jack says it was done “on the qt” and was not made law till 1952 when the wording stated any ten minutes between ten and half past. Jack says his father was the foreman and the two of them were working “up in the shaft” and he describes the gallon container that the tea was made in which he says was like a tin mug about six inches high. Jacks father had it on the scaffold next to him and would take a sup of tea from time to time and he was just taking a sup when Kennedy -Callaghan crossed underneath. Kennedy -Callaghan said was ten minutes not enough. Jacks father replied that he could not drink hot tea and he would have it next to him to take a sup from now and again. Kennedy-Callaghan “gave out” to Jacks father and an argument followed which resulted in Jacks father throwing the container of tea down at him followed by a half block. The boss went away and after about half an hour the word came that Jacks Father was wanted in the office. He packed his tools and went to the office where told Kennedy-Callaghan told him to forget all about it and “it never happened”. His father was a good mason Jack says. Jack agrees to the suggestion that there was always tension between workers and bosses. Jack goes on to recount how a deputation came out from the union and Jacks father was asked to step down as foreman as the position was for a city mason and he was living three miles outside it. 31.28-40.33 On working with his father. When he started working at the beginning. Talking about his brothers and sisters. Jack says he served three years working under his father which he describes as the hardest three years of his life. He says that no matter he did it was always wrong even if it was perfect it was always wrong but Jack adds that it paid dividends in the end. On being asked was it tough working with family he says the work was hard but his father was fair. He always made sure Jack did his work correctly no matter what it was. Jack says when he started working first it rained nearly every day for the first month, the end of August and start of September. He started on the footing of a pair of houses which is working on the floor down to the foundation. Jack goes on to speak about his siblings. He speaks of his Brother Ted who is now bedridden. He mentions another brother Michael who lives in Australia and was a “pencil pusher” with what Jack says was the biggest steel company in the world. Jack cannot recall the name of this company. He says Michael at first went to Baldoyle College and then another which he says he can’t remember [Note: This is likely to be O Connells College going on his follow up comments] and then training to be a Christian Brother. Jacks mother had a cousin who was a Christian Brother. He was the head man in O Connells School in Dublin and he advised her to take Michael out as he was studying too hard and it might affect him. Jack says Michael came home and was so caught up that he wouldn’t even listen to the radio. After three months “sold his soul for a dance”. He went off to England and became a male nurse. After he was there for a bit he went off to Australia. He was there for five years and it cost him 10 pounds to get over there at that time which was part of a special scheme for people wanting to move to Australia from England. He did an exam for the post-office but his right eye failed him for the position of inspector. He went back to London and he was a manager of a ships chandlery, Waring & Gillow. He met his future wife, a nurse whom he had known while working at the hospital though according to Jack they had “never took any notice of each other”. They got married in England and there for a year or so before going off to Australia and had four children. One became a psychiatrist another a chemist and the other two according to Jack were “harem scarems”. Michael now is over ninety and he and his wife are in a nursing home for the last year. Jack says they are as happy as Larry and have their own apartment type room. Jack goes on to speak of his only sister Betty who is two years older than him and is now resident in Moneygourney Nursing Home in Douglas. She wanted to go there herself because according to Jack she thought she could do everything for herself and was at home on her own as one of her sons who were unmarried was in the house but he was working late nights in a “computer place out on Ballincollig” and she found she couldn’t cope so according to Jack she is now in the home “as happy as Larry”. However, two weeks before the interview she fell and burst her elbow resulting in her staying in the hospital for three days however after she got out she fell again and broke her elbow and burst open the wound. At the time of the interview, she was back in the home again. 40.41-42.54 Friends Jack made on the sites. Characters on the sites and their nicknames. Jack speaks of friends he made on the sites such as Eddie Madden and his brother Paddy. He also speaks of Jerry Madden (unrelated to Eddie and Paddy) who had the nickname “Born Drunk” who Jack had on the dry for six weeks and then “broke out” ie went back on the drink. He then went off to England and Jack never heard from him again. There was another Madden, Dick Madden in Douglas who was known as “Salty Bits” and was a small man whom Jack describes as “a cranky little divil”. His son worked in The Corporation afterwards and Jack says he was a tall man. 43.00-43.43 On being christened John and how he came to be called Jack. Jack says that the name he was christened under was John. He goes on to say that he was in his mother’s arms as a baby on the train from Glenbrook to Cork and a priest got on. He was asking his name and at the time there was a famous boxer called Jack Johnson and the priest called him Jack which then stuck. 43.55-47.25 Jack tells a story about his grandfather. On the mason's language The Barlog. Jack relates a story his father told him about his father, Jack’s grandfather. He was working in Mallow to where he and the masons he was working with had to walk from Cork. They were staying in the house of a widow. At this time Jack says the masons could speak the mason language “Barlog” which Jack says was first spoken in The Tower Of Babel. The masons were having tripe and drisheen for their dinner and Jacks grandfather said of his meal to the mason next to him in Barlog that you could sole a pair of shoes with that it was so tough. Instantly the woman of the house “blew the ears off him” in Barlog. It transpired that unknown to Jacks Grandfather and the others she was the wife of an old stonemason who knew The Barlog and she had learned it from them. Jack goes on to speak some phrases in Barlog himself. He says his father could speak a bit of it. It has died out according to Jack. He says a Mason who was known as Block Long was reckoned to have a book on it. He thinks that there were two books on it, one in the possession of Block Long and the other belonged to the College. He says he does not know Block Longs real first name. 47.35-50.05 On mason family tradition. “Sharkey Madden”. Jack says you had to be a mason’s son before you could become a mason when he started, and you had to do seven years. Returning to the subject of characters he worked with Jack speaks of “Sharkey” Madden also known as “The Shark” and recalls a time he was working with him on the catholic church in Carrigaline. They were building the tower and the foreman Billy Madden who was a first cousin of The Shark came at lunchtime and told The Shark that he was being let go and would be finishing up that night. The Shark said nothing and returned to work and laid about two dozen bricks inside out and built “as hard as he could go” up on top of them again. Jack says The Shark got his own back that way. His work had to be undone and taken out as the bricks were rustic brick which had grooves so the rain would run off them, he had placed them in such a way that the smooth side was facing out. 50.30-52.58 Working in Irish Steel. Jack speaks of his time working in Irish Steel. He worked there for about fifteen years and says he loved working there. He used to build and repair the furnaces and says the ladles would last maybe a week or less as they would burn out. They would then be stripped down and rebuilt. The inside of the ladle was molten steel about ninety ton. Jack says the firebrick is so tough because of the silica in the material. Note:[51.53-52.15] at this point Jacks son John enters the room and there is a short discussion Returning to the subject of Irish Steel Jack says he was there as an apprentice around 1946 or 47. He names a few masons who were there such as Billy Hogan and his brother Tommy plus Jimmy McCarthy who were all from Cobh Note: At this point, John Johnson re-enters the room and there is a break in the interview. 0.14-2.13 Part three of the interview. Working with Billy Hogan on the roof of the open-top furnace. The effect of the bricks on his hands from the lack of gloves. Jack recounts when he was an apprentice and was building the roof of an open cast furnace with Billy Horgan. He says there was five thousand eight hundred and eighteen brick in the roof. He goes into detail about the hard work and says that every night when he went home his mother would have to open the buttons of his shirt as his thumbs and fingers were red-raw and the brick “would tear the fingers off you” because as Jack says “there was no gloves that time”. The weather was cold he says even though they were inside a big shed. He describes the buckets of clay kept in an old barrel over a fire to keep the frost from it. He says they used to go by boat from Monkstown pier to the island, the Hogans would go from Cobh by boat. He says now there is a bridge from Ringaskiddy to the island. Note: At this point, the reversing signal for a bin lorry is heard outside causing Jack to inquire as to what it is. He then realises what it is and the interview continues. 2.20-8.23 Jack speaking about seeing two men killed at Haulbowline and accidents there. Jack confirms that the island was Haulbowline. He then says he saw two men killed there. He describes the first incident thus. The man worked in the foundry Jack describes the moulds which were two-foot square and about six foot high tapering up. He says the mould was being lifted by a crane but there was just one lug holding it, normally there were two but the other one was broken. The one lug in use broke and the mould came down on the shoulder of the man and as Jack says it went “right through him”. Jack says that this man had just handed in his notice as the shift work was interfering with his ballroom dancing. He describes another fatality which happened in the rolling mills. The sheets of steel would be stacked when they cooled then brought to soaking pits. They would be heated up and put through rollers where they would get smaller and longer. At the last one, a man with tongs would catch the length of steel and turn it around. At this point a bit of a fork on the steel bar struck a steel plate and the red hot bar flew up in the air and down on top of the man and went “right through him like a knife through butter” Jack says the priest was called from The Navy dept and he was in Jacks words “as sick as a dog” when he saw the scene. Jack says his remains were collected in a cardboard box and the rest was water which was hosed down. Jack says this man was about 25 or 26. Jack goes on to describe another fatality, a man from Ringaskiddy. There was a big bath of acid for the making of corrugated iron and this man fell into it. He was brought to the hospital but Jack says there were only bones left and he was burnt to a cinder. Jack says they all went home after these fatalities but he does not know if anyone quit work over it. Despite it all, he says he enjoyed working there. 8.27-11.13 Working in the gasworks. The retorts for making coke. Jack talks about working in the gasworks building and repairing the retorts where the coke was made. There were six in a bed as it was called. The retorts were twenty-foot long and sixteen inches wide. There was a door at each end. One door would be closed and a machine would blow the coal in the other. Jack says he was working with a man called Gerald Keefe. A repair was going on and another mason whose name Jack can’t recall but Jack thinks was one of the Falveys came in. Jack says you had to crawl inside the retort and the inside was lined with coarse bags stitched together for protection as it was still hot. Jack says the furnace man would insert a lighted match inside for the gas so it wouldn’t explode but some didn’t bother. This man Falvey did this and the gas exploded. He got such a fright he went off without his tools and was never seen there again 11.19-12.34 On developing problems with his sight. End of interview. Jack says that six or so years ago he developed problems with his eyesight and as a result became claustrophobic. He says he went into the hospital and had to go in a lift to the third or fourth floor. He says he got to the lift door and couldn’t go any further. He says it had never happened before. The interview concludes at this point. Michael thanks Jack for his participation. End of interview. Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com JJ But then when I worked with I started with Powers brothers and I remember I was, t,was of a Wednesday and I was dreaming of a football match we were playing in the semi-final of the County or whatever it was in Douglas that night and I was sent down to cut a hole for the overflow for a sink and we had left an open joint but the plasterer put a stone into it and plastered over it and it struck the exact spot and flattened my finger up against the wall the chisel went through. T,was a four pound hammer I was using and flattened the finger. I had no money so Powers he came out with a bag of salt a dish of water and a sheet he threw it on me bandaged my hand anyway and he gave me a shilling for the bus so I went down and I came back then again of course and I had to wait then till Dan was going home. I was three weeks out and the and the first week back when I got me wages he stopped a shilling. That’s Gospel truth. MM He was a hard man so was he? JJ Oh they were they were. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jack Johnson: Masonry, Fishing, Working Life Subject The topic of the resource Stonemasons: Occupational Lore: Description An account of the resource Jack begins by describing his family background in the mason trade and his own beginnings as a mason. He then talks about social events and going to dances at The Arcadia club. Jack then mentions his growing up in Monkstown and schooldays. Working at threshing. Starting as a mason and injuring his finger. Jack talks about his time working for Pat Shea “The Gangster”. Also, a Co-worker John Falvey joining the British Army and being killed in Cyprus. Jack fired for standing up to foreman. Working in Dwyer’s factory. Masons “Bronco” Welsh and Joe Dynahan.” Bronco’s brother “The Whistler” and his part in 1916. On Bronco making and selling tools. Masons pawning tools. Having a set of chisels stolen. Jack then talks about taking pride in his work and the low standards of today’s builders. On the importance of sewer work. Recalling sewer work jobs. Working on his own sewer. Jacks pride in his reputation as a mason. On working with different materials. Jack then speaks of his mother. And relations in West cork. The beginnings of Jacks interest in fishing. Jacks membership of fishing clubs and representing Ireland in Germany. Fishing on the pier. Night fishing and methods of attracting fish. The time Jack caught a record fish. On how he became so good at fishing and his methods. On the lack of overall fishing among Monkstown residents. Being caught in a storm off Ballycotton. Working the drift on a trawler. A near miss with another boat. Giving up boating when his eyesight became bad. Jack mentions the changes he’s seen. His dislike of the new look Patrick Street. Moving to England to find work. 1956. and on the infamous criminals Reginald Christie and The Kray Twins. On his wages in England. More on the work he did. The differences between working on sites in England and Ireland. His father working for Kennedy -Callaghan and clashing over the breaks. His father being removed as foreman. On working with his father. When he started working at the beginning. Talking about his brothers and sisters. Friends Jack made on the sites. Characters on the sites and their nicknames. Jack tells a story about his grandfather. On the masons language The Barlog. Working in Irish Steel. Jack speaking about seeing two men killed at Haulbowline and accidents there. Date A point or period of time associated with an event in the lifecycle of the resource 11 August 2016 Contributor An entity responsible for making contributions to the resource Interviewee: Jack Johnson Interviewer: Michael Moore Identifier An unambiguous reference to the resource within a given context CFP_SR00583_johnson_2016 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1940s -2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English, Béarlagair na Saor (Masons Language) Format The file format, physical medium, or dimensions of the resource 3 .wav files Relation A related resource From Stonemason Collection: <div class="element-text five columns omega"> <a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener">CFP_SR00565_osullivan_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/179" target="_blank" rel="noreferrer noopener">CFP_SR00566_fahy_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener">CFP_SR00569_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener">CFP_SR00570_steele_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener">CFP_SR00574_jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener">CFP_SR00577_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener">CFP_SR00581_osullivan_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener">CFP_SR00589_lysaght_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener">CFP_SR00590_varian_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener">CFP_SR00595_Jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener">CFP_SR00609_Cooney_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener">CFP_SR00610_McCarthy_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener">CFP_SR00611_Buckley_2017:</a> </div> Published material related to the collection: <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener">Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10. </a> Type The nature or genre of the resource Sound Bearlager na soar (Masons Language) Dances Emigration England Family Life Fishing Monkstown Nicknames Stonemasons The Arcadia Trades Working life https://corkfolklore.org/archivecatalolgue/files/original/b263c34085afa8b5d23cb27a6bc5d955.jpg fa8b6eafa8848bd662be79c0d3666648 https://corkfolklore.org/archivecatalolgue/files/original/60d3e96b4e94aa24ed86297779b7a849.mp3 b3f8f1220f68df5bf4e3a87c716af965 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Gráinne McGee Interviewee The person(s) being interviewed Jim McKeon Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 117min 19sec Location The location of the interview Bishopstown, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com J M: Oh yeah, yeah, the old Mangle Field was, was, I think the Mangle Field was a huge part in my life. You know there was so many things happened there. Like it was the centre of my life, really. You know it was just a dirty old -- there was nettles at the side of it, a big hole in the middle, but we just were there day and night, whatever sport was in, rugby, cycling whatever like. The Mangle Field was huge. They would be huge. I mean all the, all the right-hand side of Gurranabraher like, which is all houses now, they were all fields. There was, opposite my house was a place called the dump. There was a flat field on top of it and then going up then in stages, tiered, there were two or three em fields which where -- everybody was playing football and hurling all the time. Now Leary’s Field is still there, that’s up further in the top of Fairhill, like the right-hand side of Churchfield, eh that’s still there, yeah. The Fairfield is there still, yeah. That, that was always there, because that’s how obviously Fairhill got its name. ‘Twas a huge hill, on up the Fairfield. Eh it’s not used that often really. The other ones would be em [pause] it’s hard to say. The only other thing with all the boxing clubs and things like that, they’re all gone now a long, long time, you know? Em, the only other thing that we missed was em, we called it Bonty’s, ‘twas kind of a big bog, boggish field. Eh where Valley Drive is now, past where my house was, there was all em plots. Em we were all given plots by the corporation, you’d have a little plot you know and you grew spuds there. ‘Twas a very -- it has come back in again now actually. And I remember on a Saturday, I would bring up a em, what they -- a gally, a billy can of tea to my father and a couple of slices of bread, and he’d be, he’d be digging the spuds or, or I’d be helping him you know. But they were all em, that’s all plot land and there was all water seeping, it’s still seeping down there, coming up along the side of the road, because that stream was coming all the way down. The stream, the same stream, well it came out where we learnt to swim and where all the rats and bottles and dead pups were, you know? It flows all the way down underneath Fairhill, down onto the Watercourse Road and out under by the, by the, by the Opera House. It comes out there and that joins up with the Watercourse Road then coming in from Blackpool. Eh with the Watercourse Road again, that’s why ‘twas named em -- that’s all completely gone now like, all Churchfield, all the right-hand side of Gurranabraher, Columcille Road, all em, all em -- I’m saying new houses, the new houses are probably there fifty years, you know? That’s all gone. There was a lot of playing fields around the place, the North Monastery is still there, I think anyway. Although I, I have a feeling those fields are gone now, they’re taken up by, by clubs like St Vincents and, and eh Maybe Father O Leary’s and em Castleview soccer team, I think they’re all taken up. ‘Cause they were belong to the North Monastery. There was maybe eight or ten hurling pitches. G M Right. J M I’ve a feeling they’re all gone, you know? So like I mean, it was, where I lived was practically out in the country. ‘Twas on the verge of the country anyway, you know when you come up to Wolfe Tone Street there, the start of Fairhill, there was fields all over the place you know that’s -- F-Fairhill ended the city if you know what I mean. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James 'Jim' McKeon: Northside, Sport, Writing, Subject The topic of the resource Life History: Description An account of the resource Jim (b. 1940s) remembers that his father worked for the railways and had a tied cottage in an area known as Kilbarry Cottages, or Railway Cottages. Then the family moved to Paddock House, Fairhill. The house was at the top of Washbrew Lane, and came with 2 or 3 acres. Jim remembers the Eucharistic Procession, when the fire brigade hosed down the lane and women scrubbed the street clean. There was a well at the top of the lane called Fahy’s Well. He tells another story about a woman who called into a shop to borrow a wedding ring on her wedding day. How animals were maltreated. Boxing was a popular sport because there was no costs involved. They played all sorts of sports and games, including “kiss and torture” and “spin the bottle”. He describes a pervasive fear of authority. He loved school and won a prize every week there. He went to school in Blackpool and appreciated his teacher, Cal Herlihy, who instilled a love of theatre and astronomy. He was very shy as a child and young adult. He was working in the Post office, but he developed a love of theatre and became an actor and writer. Jim talks about the writing process. His love for the work of Frank O’Connor and his writing a biography of him. Working as a telegram boy for the Post Office. In the Post office you could secretly do other activities. Youghal as a holiday destination. Areas of the Northside that have changed over time. His mother wrote and read letter for Travellers. He talks about two “shop houses” (or house shops), where a room in an ordinary house was used as a small shop for essential goods. His mother’s house shop sold “brus”, a confectionery mixture made from broken sweets. The difficulties of learning painting; of writing and of performing. Working life at the Post Office. Handling large sums of money, with no security. He talks about the character of Cork and Cork people. Date A point or period of time associated with an event in the lifecycle of the resource 28 July 2010 Contributor An entity responsible for making contributions to the resource Interviewee: Jim McKeon Interviewer: Gráinne McGee Identifier An unambiguous reference to the resource within a given context CFP_SR00392_mckeon_2010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s-2000s Relation A related resource <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a> Click <a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/11">here</a> to access Jim's entry on the Memory Map Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1930s 1940s 1950s 1960s 1970s 1980s 2000s Animals Brus Cal Herlihy Cork Eucharistic Procession Fahy’s Well Frank O’Connor House Shops Jim McKeon Kilbarry Cottages Northside Paddock Hill Paddock House Travellers Working life Youghal https://corkfolklore.org/archivecatalolgue/files/original/0799810b32a752b6584e42af704415fe.jpg e245f89b3e8cbbb2c200a3033ee23a69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grattan Street Stories: Memory of Place Subject The topic of the resource Occupational Lore; Life History; Built Heritage; Health; Ireland; Cork; Middle Parish Description An account of the resource This collection focuses on a building on Grattan Street which has served as a Quaker Meeting House, a public Dispensary and as the Grattan Street Health Centre. The project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive HSE. The interviewees fall into two main groups: those who worked in the building and those who lived in the surrounding area and availed of the services provided in the building. This project follows on from the collaboration with the HSE in the “<a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a>”. There is a further connection between the two projects as many of the staff and services once provided in the Grattan Street Health Centre have now relocated to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. This topic of the relocation of services is also covered in some staff interviews. To date (October 2021) 13 interviews have been completed for the project. Interviewees discuss the Grattan Street building itself in terms of its historic significance, its benefits and drawbacks as a workplace. Broader themes related to or inspired by the building are also touched on including: personal relationship with the building, staff camaraderie, the problems with parking, memorable incidents at work, patient experiences and descriptions of the people and services for which the building catered. Healthcare professional interviewees detail their training, career progression and comparisons between Grattan Street and other workplaces. Their testimonies also provide a link with the community of patients they served giving further insight into attitudes to healthcare, diseases, vaccines, description of social conditions and the changes in medicine and technology in their working lives. Non-healthcare professional interviewees describe childhood experiences in or around Grattan Street (The Marsh or The Middle Parish), the social, cultural and economic conditions of the area, tenements, businesses, attitudes to and experiences of healthcare, vaccines, diseases, medicines and medical professionals as well as observed changes in these areas over time. Interviewees also reflect on the possible future uses of the Grattan Street building. Related Reference Sources <ul> <li>Barrington, R. (1987) Health, medicine and politics in Ireland, 1900–1970. Dublin: Institute of Public Administration.</li> <li>Butler D.M. (2004) The Quaker meeting houses of Ireland. Dublin : Irish Friends Historical Committee.</li> <li>Byrne, J. (2004) Byrne's dictionary of Irish local history. Cork: Mercier Press.</li> <li>Cooke, R. T. (1999) My Home by the Lee. Irish Millennium Publications: Cork.</li> <li>Dempsey, P. J. & White, L. W. ‘Childers, Erskine Hamilton’. Dictionary of Irish Biography [Accessed 18 October 2021]</li> <li>Harrison, R.S. (1991) Cork City Quakers 1655-1939: A Brief History. Cork.</li> <li>Houston, M. (2004). ‘Life before the GP’. The Irish Times. Available at : <<a href="https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599">https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599</a> > [Accessed 18 October 2021]</li> <li>Keohane, F. (2020) The Buildings of Ireland Cork City and County. New Haven and London: Yale University Press.</li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2019-2020 Contributor An entity responsible for making contributions to the resource Interviewees: Edith O’Regan, 'Mary', Sean Higgisson, Aoife O’Brien, Eileen Kearney, Imelda Cunning, Jane Ward, Liam Ó hUigín, Joe Scanlan, Mary Mulcahy, Philomena Cassidy, Don Morrissy, Derek O’Connell Interviewer: <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a>, (<a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a>) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1940s-2020s; Waterford, Ireland; Dublin, Ireland; Limerick, Ireland; Relation A related resource Exhibition Artist Edith O’Regan-Cosgrave (also an interviewee for the project) created a visual artwork based around the Grattan Street Medical Centre building itself, as a workplace and health centre. The artwork incorporated direct quotations from the oral history interviews conducted for the project, and also included brief historical paragraphs about the building researched, written and edited by the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. This exhibition was launched on 6th February 2020 in “St Peter’s” on the North Main Street where a “Listening Event” was also held to mark the occasion. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Grattan-Poster-for-Email-286-by-400.jpg" alt="Grattan-Poster-for-Email-286-by-400.jpg" /> Presentation and Listening Event To coincide with the launch of the Grattan Street Stories Exhibtion on 6th February 2020 a listening event and presentation of the history of the Grattan Street Medical Centre building and description of the project was given by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/427A7714-1.jpg" alt="427A7714-1.jpg" /> Presentation In 2019 at the OHNI conference the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy discussed social media and oral history which included audio excerpts from the Grattan Street Stories Project along with photographs of the building. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Kieran-OHNI-e1634041838937.jpg" alt="Kieran-OHNI-e1634041838937.jpg" /> Audio Visual Presentation An audio-visual slideshow was produced featuring oral testimony from the Grattan Street Stories Project and combined with suitable images of Grattan Street and from Edith O’Regan-Cosgrave’s exhibition. This was created by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <a href="https://www.youtube.com/watch?v=RnjEtQeOb3I&t=1s&ab_channel=CorkFolklore" target="_blank" rel="noreferrer noopener">Audio Visual Presentation Available to listen and view here.</a> Health and Vaccines Oral History Research Many of the interviews conducted for the Grattan Street project formed an integral part of the testimonies and research for the innovative <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener">'Catching Stories' of infectious disease in Ireland </a>project funded by the Irish Research Council. <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener"><img src="http://corkfolklore.org/wp-content/uploads/2021/05/Catching-Stories-Poster.jpg" alt="Catching-Stories-Poster.jpg" /></a> Social Media Numerous suitable audio excerpts from the oral history interviews have been edited and shared on CFP's social media channels. <a href="https://twitter.com/corkfolklore/status/1139167201582288901" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1139167201582288901</a> <a href="https://twitter.com/corkfolklore/status/1140909542240391168" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1140909542240391168</a> <a href="https://twitter.com/corkfolklore/status/1141264486768238592" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1141264486768238592</a> <a href="https://twitter.com/corkfolklore/status/1189872295923376133" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1189872295923376133</a> <a href="https://twitter.com/corkfolklore/status/1228322700415860736" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1228322700415860736</a> Orthopaedic Hospital Cork Folklore Project in collaboration with the HSE conducted an oral history project focussing on the Orthapaedic Hospital in Gurranabraher. Many of the staff and services once provided at the Grattan Street Health Centre site were moved to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. <a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a> Swimming Article Kieran Murphy and James Furey co-authored an article about <a href="https://tripeanddrisheen.substack.com/p/swim-city?s=r" target="_blank" rel="noreferrer noopener">Swimming in Cork</a> which appeared in the online magazine Tripe + Drisheen. This article features a number of interview extracts collected as part of the Grattan Street Stories Project. Related Interviews CFP_SR00756_Quilligan_2019; CFP_SR00758_Broderick_2019; CFP_SR00670_OShea_2018; Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav Files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Jane Ward Interviewer The person(s) performing the interview Kieran Murphy Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 126 Minutes 10 Seconds Location The location of the interview St Mary’s Primary Health Care Centre Gurranabraher Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td> 0.00.00 - 0.00.28 </td> <td> intro </td> </tr> <tr> <td> 0.00.28 - 0.02.41 </td> <td> Growing Up in County Dublin Grew up in Balbriggan County Dublin, seaside town between Dublin and Drogheda. When growing up she was allowed to Drogheda to shop by herself but not to Dublin because Drogheda was considered a safer town. [Jane mentions that Drogheda is not considered safe at present this is an allusion to drug gang related violence in Drogheda which was in the news around the time of the interview.] Also mentions Skerries as a seaside town in County Dublin. Went to school in Loreto Convent in Balbriggan at 4 and finished when 17 and refused the nuns’ offer to stay another year. Stayed in the same school for primary and secondary school, the benefit of which is having the same people with you. Had a school reunion about a year previously. Some of her classmates she didn’t recognise, but some of their names she also didn’t recognise. Says she loves Balbriggan. </td> </tr> <tr> <td> 0.02.41 - 0.04.28 </td> <td> Moving House as Child Balbriggan and Skerries were just 4 miles apart, moved to Skerries when a teenager but considers herself to be from Balbriggan. Rivalry between the two towns and Skerries is considered to be nicer. Balbriggan was more “Wavin pipes”, more industry, Skerries was more for tourists. There was a holiday camp called Red Island that people in Dublin used to go to in Skerries. It was like the holiday camp in Dirty Dancing. [3:27-3:33 Aoife O’Brien who had been interviewed for the Grattan Street Project previously walks into the room at this point.] Skerries would have considered itself snobby as it has a rugby and sailing club. Even though she moved to Skerries she still went to school in Ballbriggan which was “not the done thing”. Her brothers went to school in Skerries and are married and live in Skerries. Bracken Court Hotel in Balbriggan which has been there forever and she remembers going there for her Holy Communion breakfast. </td> </tr> <tr> <td> 0.04.28 - 0.07.13 </td> <td> Holy Communion Day It was a small group making their holy communion in the convent church rather than the town church. It was special in the sense that there were few children making their communion. Kathleen Gavin was given the wrong time for the communion and turned up an hour late and “the nuns ate her” and the nuns wouldn’t admit that they gave her the wrong time and she had to bring it in the next day to prove it to them. Kathleen still tells that story and is traumatised by it. She had to make her first holy communion by herself. It was a lovely sunny day and they all stood on the steps of the convent for a photograph. Confirmation was made in town. Now people will have a meal out after a communion or confirmation but in Jane’s time that was not always the case. But her aunt who lived next door brought her to the Grand Hotel (now the Bracken Court Hotel Balbriggan) for a lunch/brunch after the ceremony. And this was “a huge deal” because it was not a common occurrence at the time. For confirmation there were a few schools being confirmed at once. And there was a line of boys and a line of girls being confirmed at the same time in the church. All the girls wanted to be kneeling beside John Conway a boy who everyone fancied. </td> </tr> <tr> <td> 0.07.13 - 0.10.15 </td> <td> Games when growing up She wasn’t big into sport. Lived in a big old haunted house which her grandmother left to her mother. It was near the sea. As children they were allowed onto the rocks by themselves. She played basketball in school but was not very good at it. Didn’t like that kind of confrontation. Played by the sea, it wasn’t a beach but rocks. Picnics and playing. Her dad built a ship in the garden, with a deck and sails. She was a big fan of Enid Blyton books as a child, especially the Secret Seven and the ‘Famous Five’ books. Her dad build them a Secret Seven type hut in the garden. As children they “went on mysteries”. They followed one man in imitation of the Enid Blyton books and decided that he was a smuggler. And they followed him up to a Martello Tower where he happened to be going to urinate. They had more freedom then, allowed to leave in the morning and return in the evening. That was the norm and there wasn’t the supervision that is present today. </td> </tr> <tr> <td> 0.10.15 - 0.16.01 </td> <td> Old Family House Fancourt: big Georgian house. She hated leaving the house as a child. It was very expensive to keep the house and there were also rates to pay. In addition there were fees to pay for the convent school and there was five children going to school. So they moved to a smaller house in Skerries. Fancourt: Three storey, basement and land attached to it but there was more but it was sold to try to keep the house. Discusses the house and its jointly owned green area with the neighbouring houses. Haunted house: where priests were staying which was her sister’s bedroom- she saw a ghost of a monk. Other stories of ghosts including knocking on doors and foxhunters. Regrets the old furniture was sold, including servants bells. Jane is interested in auctions. </td> </tr> <tr> <td> 0.16.01- 0.17.08 </td> <td> House in Skerries Small, terrace house. Skerries nice place to live by sea. Brother lived in Brambles estate and bought new house on the skerries terrace. </td> </tr> <tr> <td> 0.17.08 - 0.23.13 </td> <td> Secondary School Loved school. Regrets being too good and not being bold. Wore green uniform. No street lights and was too far from town to meet friends after school at Loreto Convent. Loved the nuns though they were tough. Grateful to her parents for her education. Loved her friends, the school and its old building. Felt safe. Describes herself as average student not into sports. Few jobs for women when they finished school. English was her favourite subject. Would love to be librarian. Prefers physical books to E-books/Kindle. Pressure on students today at exam time. Criticises the Leaving Certificate points system where students opt for high points courses rather than one they are interested in. Importance of working at something you like: “Hard work won’t kill you but work you hate will” </td> </tr> <tr> <td> 0.23.13- 0.26.36 </td> <td> Nursing Training & Hunger Strike Incident Jane’s mother had been a nurse. When she finished school there was a shortage of nurses. The applied directly to hospitals for nursing. But hospitals wanted trained staff rather than students. Trained in Jervis Street Hospital where the shopping centre is in Dublin now was a general hospital. Saying about nurses and Dublin hospitals: “Vincent’s snobs, Mater ladies and Jervis Nurses” Recalls riots due to Hunger Strikes. A man pulled a gun on her on O’Connell Street. Night duty on ward on her own, 20-25 beds. 24 rioters and 1 Garda were in the same ward. </td> </tr> <tr> <td> 0.26.36 - 0.31.48 </td> <td> Wanting to be a Nurse & Early Nursing Experience Played hospital as a child. Always wanted to work in nursing. Has enjoyed much of it. Would not advise anyone to do nursing. Recalls seeing a confused naked man on her first day. Worried crying about giving the wrong medication to patient. Nurse students were also staff. Loved Irish nurses in America when she was their because their training was very practical. Enjoyed her time in St Mary’s Hospital New Jersey USA. Film “FX Murder by Illusion” features the hospital she worked in. </td> </tr> <tr> <td> 0.31.48 - 0.34.50 </td> <td> Hospital in USA and Differences in Immigrants’ Intention AIDS was a big issue in the hospital in USA Observes that most immigrant groups in USA wanted to stay there but Irish people wanted to return to Ireland. Impact of Irish on the world St Patrick’s Day Parade. Thinks Irish people are patriotic abroad and keen to return home. </td> </tr> <tr> <td> 0.34.50 - 0.37.43 </td> <td> Discipline in Hospital Difficult senior nurses. The sense of hierarchy. Demeaning and mocking way junior nurses were spoken to was accepted. Jane was referred to as an “anencephalic”, a baby born without part of its head which will soon die. When you knelt down your uniform had to touch the ground. Ward sister demanded to see under Jane’s uniform to see she was wearing a slip under her uniform. Nurses were allowed to wear a cardigan at night but had to take it off in the morning. A nurse went to Saudi Arabia where she was murdered. Thinks they were strict about stupid things. Discipline was important. No one thought to question it. </td> </tr> <tr> <td> 0.37.43 - 0.40.58 </td> <td> Story of nurses boycotting nursing event Did midwifery in Rotunda. The Scottish matron didn’t hire any of the students but hired Scottish nurses. Jane & fellow midwifery students boycotted the graduation event in protest at this. Matron spoke to them individually. A brave nurse refused to answer any questions unless her union representative. Jane’s class is the only one not to have a group photo because of the boycott. People didn’t defy superiors at the time. </td> </tr> <tr> <td> 0.40.58 - 0.42.32 </td> <td> Effect of the Strict Discipline Some staff were panicky and nervous about making a mistake. May have incentivised people to cover up mistakes to avoid the repercussions instead of working something out. Matron could make personal remarks about nurses without repercussions: telling a nurse to fix her crooked teeth. </td> </tr> <tr> <td> 0.42.32 - 0.44.22 </td> <td> Religion in Hospitals No MRSA in those days. Nuns ran a very clean and efficient hospital. Jervis was a Catholic hospital. Rotunda was a Protestant hospital, most of the staff were Catholic and they went to mass, then the Protestants went to service and were given tea and biscuits. </td> </tr> <tr> <td> 0.44.22 - 0.50.00 </td> <td> Working as a Nurse in USA: differences to Irish system Had to sit an exam before working as a nurse in USA. VISA dependant on passing the exam. Irish nurses were not used to multiple choice exams at the time. They were also required to sit an English language examination to work as a nurse in the USA. Rented houses were arranged for the nurses. Jane had a car and dated a man in Washington at the time. An exciting time. Maximum was 2 patients to a room in USA vs larger wards in Ireland. In USA their reports were taken on a tape recorder rather than written. Patient’s doctor would still be their doctor once they went to hospital. DRG Diagnostic Related Grouping which was related to how many days insurance would be paid per patient per illness. Good life and money in USA which allowed Jane to do the Public Health course in UCD. </td> </tr> <tr> <td> 0.50.00 - 0.56.20 </td> <td> Public Health Nursing Desire to come home. Discusses her relationship with a reporter/journalist in USA which ended when she returned to Ireland. Began work in Ballyfermot - highlight in public health career. Started a needle exchange for drug addiction. Dynamic and progressive area. Rough area but felt you were making a difference. Didn’t feel the same way when she moved to Cork. Public Health vs Hospital: In hospital you pass the patient to the next shift, but in Public Health you are responsible for all of your cases. Once her camera was stolen from her car when visiting a patient. </td> </tr> <tr> <td> 0.56.20 - 1.00.49 </td> <td> Coming to Cork Came to Cork because husband was working there. Had to do an Irish oral exam to get the Public Health job in Cork. November 1992 got job in Grattan Street Health Centre. Got married January 1993. Staff had a lunch and cake in before her wedding, and a present even though she was only there for a month. Admires architecture of Queens University Belfast, where she could have gone to work in the 1980s. Remarks on the small decisions than influence one’s life and career. </td> </tr> <tr> <td> 1.00.49 - 1.06.59 </td> <td> Impressions of Grattan Street Health Centre Work as Public Health Nurse Parking problems in Grattan Street. Met director in base Abbey Court House. “The one thing you learn in Grattan Street is how to park!” There was more space before the school [Educate Together] Grattan Street was a welcoming place. Public Health Nurse in Blackpool flats now demolished. There was a brothel in one. Fantastic people. Once left handbag behind in Blackpool. Mixed work in Ballyfermot but all child welfare in Cork- visiting houses. Discusses one case of child with broken leg where mother hadn’t done anything about it. So a social worker and Garda were needed to get the child to hospital. Jane had to go to court. The child was returned to the mother. Jane then had to still work with that mother subsequently. </td> </tr> <tr> <td> 1.06.59 - 1.09.02 </td> <td> Impression of Danger in Some Areas Worked with St Vincent de Paul in Knocknaheeny. Never felt threatened. Privileged to get into flats that people would let no one else into. If she saw suspected stolen goods she and they knew that she was not interested in anything other than child welfare. </td> </tr> <tr> <td> 1.09.02 - 1.11.35 </td> <td> Story of very Difficult Patient Hospitals can discharge patients but as PHN the patient can live in your area for decades. Nurses shared a rota to look after this man because the heavy workload. Digression to story about writing wrong date in calligraphy on a colleague’s wedding album. </td> </tr> <tr> <td> 1.11.35 - 1.15.30 </td> <td> What makes a Good Public Health Nurse Get on with people. Make people relaxed. People need to trust you. Have to be honest. Not trying to be someone’s friend. Assessment of patient is important. Patients can become dependent on a particular PHN. Privilege to enter other people’s homes, especially when they won’t let other people into their homes eg social workers or Gardaí </td> </tr> <tr> <td> 1.15.30 - 1.19.30 </td> <td> Training and Meaning from Job Training didn’t prepare her for PHN. Compares it to jumping off a chair to train for parachute jump. End of career now. Disappointed at choices she made. She is now doing more management and less hands-on. Recalls times she felt she made a difference: making a joke with a terminal patient, assisting a family who had brought their father home to die to care for him when they were overwhelmed. Doesn’t feel like she is making a difference any more. </td> </tr> <tr> <td> 1.19.30 - 1.21.20 </td> <td> Regrets the Management side of the Job As she was promoted she was had to do more management which she regrets. Is considering retiring or changing career. Would love to be a librarian or work with antiques or books. Discounts it as silly at this stage of her life. Is unhappy with her current work. Her staff say she makes a difference but she is not sure. She took a career break and her staff missed her. Feels too far away from where she started. </td> </tr> <tr> <td> 1.21.20 - 1.26.40 </td> <td> Promotion to Vaccine and Management Role 1999 nursing strike. Jane was on strike committee. Picketed Abbey Court House on Sulllivan’s Quay. Meeting with management to decide whether the strikers could use the toilets and canteen. Outcome of the strike was that new job for a specialist in immunisation, vaccine. Jane was stabbed by a syringe by accident one day. Overnight Jane became Assistant Director, and colleagues at same grade insisted on calling her Senior Public Health Nurse which was the previous title. Recalls an Assistant Director who was victimised in a more severe way to Jane which went to mediation. It went away but it was nasty at the time Jane says. Jane was never invited to the Assistant Director Christmas lunch for years </td> </tr> <tr> <td> 1.26.40 - 1.29.26 </td> <td> Change from Clinical to Managerial Role Her role was a clinical role with no staff, vaccines following up on defaulters. Croke Park and Haddington Road agreements changed her role. Swine Flu vaccinating 1000 people a day in Neptune Stadium. School public health nurses were backbone of system. And the management system was at cross purposes. These nurses eventually came under her remit. Realised that she didn’t like management- doesn’t like taking responsibility for the mistake of others. Describes her management style as “Do it, do it, do it!” and she shouldn’t have to give a reason. </td> </tr> <tr> <td> 1.29.26 - 1.33.20 </td> <td> Building in Grattan Street compared to Gurranabraher Loves the building. Old Quaker Meeting House. Graffiti of penis and scrotum that her elderly aunt was trying to figure out. Would have preferred to stay in Grattan Street. Recalls the old ventilation holes where pigeon droppings would land on your desk. Location of Grattan Street is good for the public and services. Grattan Street building requires work to maintain it. Unsure if it’s a positive move for services to Gurranabraher. Useful to be near Edel House [women’s shelter] and the Share Houses. She has 7 staff but the new office is for 4 people which she thinks is insulting. Doesn’t believe hot desking works. They are on a “room allocation review list” </td> </tr> <tr> <td> 1.33.20 - 1.35.09 </td> <td> Benefits of Grattan Street Health Centre Close to town- shops and the bank. Part of the community in Grattan Street. Close to Mercy Hospital. Building has a good feel. Felt at home there. Lots of history. The only thing people don’t miss in Grattan Street is the parking. Everyone went to the Grattan Street Christmas party. </td> </tr> <tr> <td> 1.35.09 - 1.40.06 </td> <td> Relationship with community in Grattan Street Animosity is with neighbours regarding parking. Story about getting kitchen done by a man from Grattan Street and being concerned about parking. School next door- issue with parking- children don’t live in the area. Tricky relationship with the school. Story of previous principal of the school trying to get clampers to clamp all the cars belonging Grattan Street staff. Other stories about the difficulties caused by parking and the uneasy relationship with the school. </td> </tr> <tr> <td> 1.40.06 - 1.40.55 </td> <td> Other Stories Mentions that there are stories about affairs in Grattan Street but doesn’t want to tell them. Says Grattan Street was a good place to work. </td> </tr> <tr> <td> 1.40.55 - 1.44.55 </td> <td> Vaccine Storage Fridges Temperature Control Vaccines have to be kept in fridges between 2 degrees and 8 degrees. The Cold Chain- ensures that the vaccines are at the right temperature including when transported. Vaccines have to be monitored and recorded twice a day. Some people think Jane is over the top with her care of vaccines. She doesn’t think so. Vaccines are very expensive and important when going to school. Found it hard being responsible for the vaccines even when not at work. Story that she called about the vaccines from a Gondola in Venice is not true! Hundreds and thousands of euro worth of vaccines at a time when Order through United Drug. She sees the price every time that she orders which is stressful to see the cost. </td> </tr> <tr> <td> 1.44.55 - 1.44.55 </td> <td> Difficulties Moving Vaccines to Gurranbraher Dreaded moving the vaccine in Grattan Street because there’s no lift. Complications of moving vaccine fridges and the required procedure. </td> </tr> <tr> <td> 1.44.55 - 1.44.55 </td> <td> Funny story about Monitoring Electricity for Vaccine Fridges during Storm Electricity was to be cut off due to replacing telegraph poles. Needed generator to keep electricity on for the vaccine fridges. Jane had asked many times for a back-up generator but never received one. Was asked by superior to protect the vaccine fridges from a storm, which had never been asked before. Generator set up in Grattan Street yard. Jane inquired how the back-up would be physically changed if the power goes out? The solution was that the toilet light was to be left on and the electricity workers would see driving past if the power failed. </td> </tr> <tr> <td> 1.49.55 - 1.51.51 </td> <td> Moving Vaccines during Floods Older man told Jane that Grattan Street is in a depression and so there are never any power cuts. One problem during big floods in Grattan Street when wall near Mercy broke. Jane was doing vaccines for Swine Flu in Neptune at the time. With steps up to Grattan Street Health Centre and vaccines on top floor Jane thought they were safe. She was informed an amphibious craft was to come to move the vaccines. A Ford Fiesta arrived. They were put in St. Finbarr’s Hospital for the night. </td> </tr> <tr> <td> 1.51.51 - 1.54.25 </td> <td> Future of Vaccines Takes the vaccine care very seriously so that it’s both safe and effective. In third world vaccine storage is more complicated. Tyndall Institute is developing a patch that will deliver vaccines rather than needles. Makes comparison to Star Trek. </td> </tr> <tr> <td> 1.54.25 - 2.01.07 </td> <td> Vaccine Take Up and vaccination policies Is very pro-vaccine Mentions problem with social media spreading misinformation about vaccines. And the damage that can cause. Doesn’t argue with vaccines with friends and family. Following up with child who had only received some of the required vaccine, the mother brought the child to an area with a measles epidemic. Thinks more education is needed and PHNs need to be very positive about vaccines. Thinks the HPV vaccine is a no-brainer. Need to dispel vaccine myths. Approximately 1500 euro to vaccinate a child fully. Wonders whether the fact the vaccination schemes are free of charge makes some people take it for granted and not value it. Some countries have a no vaccination no school policy. Minister for Health at the time Simon Harris had been discussing a similar policy in Ireland. In some countries there are penalties for not getting vaccinations eg withdrawal of Child Benefit. In Ireland the decision is left to the individual. Some parents think that because all other children are vaccinated that their child will be safe. Story of an unvaccinated child whose mother with only let the child play with vaccinated children! “Every vaccine is a little victory” </td> </tr> <tr> <td> 2.01.07 - 2.01.54 </td> <td> Opportunity for Interviewee to say anything not yet mentioned Describes the interview as better than a counselling session. Reiterates that she has gone far away from where she started out in her career and it may be time to step back. </td> </tr> <tr> <td> 2.01.54 - 2.05.57 </td> <td> Hopes for Future of Grattan Street Doesn’t believe Grattan Street can be sold. There was lots of pressure on them to move, which Jane felt was unnecessary. Jane’s preference was to move in the summer when the schools are closed because there would be no need to do vaccinations, but they were forced to move during term time. Is not sure what services are remaining in Grattan Street. Mentions a piece of furniture that she would love to have from Grattan Street. Hopes the future of Grattan Street will benefit the community. Discussion about Grattan Street being opened for heritage week or an open day but it never happened. </td> </tr> <tr> <td> 2.05.57 - 2.06.10 </td> <td> Outro. Interview Ends. </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jane Ward: Grattan Street, Healthcare, Working Life Identifier An unambiguous reference to the resource within a given context CFP_SR00717_Ward_2019; Relation A related resource Other Interviews in this Collection <a href="https://corkfolklore.org/archivecatalolgue/items/show/240" target="_blank" rel="noreferrer noopener">CFP_SR00696_O'Regan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/242" target="_blank" rel="noreferrer noopener">CFP_SR00704_Collins_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/243" target="_blank" rel="noreferrer noopener">CFP_SR00706_Higgisson_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/244" target="_blank" rel="noreferrer noopener">CFP_SR00712_O'Brien_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/245" target="_blank" rel="noreferrer noopener">CFP_SR00713_Kearney_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/246" target="_blank" rel="noreferrer noopener">CFP_SR00714_Cunning_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/248" target="_blank" rel="noreferrer noopener">CFP_SR00727_OhUigin_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/249" target="_blank" rel="noreferrer noopener">CFP_SR00728_Scanlan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/250" target="_blank" rel="noreferrer noopener">CFP_SR00729_Mulcahy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/251" target="_blank" rel="noreferrer noopener">CFP_SR00732_Cassidy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/252" target="_blank" rel="noreferrer noopener">CFP_SR00760_Morrissy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/253" target="_blank" rel="noreferrer noopener"> CFP_SR00762_OConnell_2019</a>; Language A language of the resource English Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource 2 .wav files Date A point or period of time associated with an event in the lifecycle of the resource 4 June 2019 Creator An entity primarily responsible for making the resource Cork Folklore Project Description An account of the resource Jane grew up in Balbriggan and Skerries County Dublin. Describes her love of the Georgian house her family lived in and her love of old buildings and antiques before they moved to a smaller home. Recalls her first holy communion where one girl arrived late and had to experience the ceremony on her own. Speaks of some childhood games and playing and picnicking by the sea. Enjoyed school at Loreto Convent Balbriggan even though the nuns were strict. English was her favourite subject. Talks about her desire to become a nurse and her experiences in Dublin hospitals. Describes the strict discipline and hierarchy in hospitals including the way superiors exercised power over how nurses were required to dress and commented on their physical appearance with impunity. Jane outlines the negative impacts of this culture including fear of making a mistake and the incentive to cover up of mistakes. Outlines a rare challenge to authority when nurses boycotted a graduation ceremony. Mentions the role of religion in hospitals. Outlines her time spend nursing in USA, a romantic relationship and her emigrant experience there before returning to Ireland to pursue Public Health Nursing (PHN), which she prefers as it feels she is making a difference. Discusses moving to Cork and her early positive impressions of Grattan Street Medical Centre and its staff. Speaks about the Grattan Street building itself, including its sense of history, graffiti on its outside walls, and its convenient location in the city centre and proximity to other services. Describes the problems with car parking and the resulting tensions with neighbours. Jane speaks of her PHN work in Blackpool and a court case involving a child and social worker. Outlines the characteristic of a good PHN, and how much of the role is learned through experience. Regrets the turn her career has taken towards management and away from dealing with patients. Discusses the 1999 nursing strike which lead to a new role for an immunisation specialist which she was hired for. Describes how colleagues insisted on referring to her by her previous title, refusing to acknowledge her promotion and equal status. Describes her role including overseeing Swine Flu vaccinations. Explains the vaccine cold storage system, the sense of responsibility for ordering them and overseeing them. Tells stories of when vaccines were relocated during a flood to protect them, and when the electricity was monitored during a storm in case the power was cut to the vaccine fridges. Mentions vaccine policies, myths and technological developments. Outlines her preferred time to move services from Grattan Street to St Mary’s Primary Healthcare Centre Gurranabraher. Abbey Court House America Antique Antiques Apartments Balbriggan Ballyfermot Belfast Blackpool Books Boycott Broken Leg Buildings Built Heritage Car Park Car Parking Child Childhood Games Childhoood Children Children’s Health Christmas Party Co Dublin Community Confirmation Cork County Dublin Court Croke Park Agreement Discipline Drogheda Dublin Edel House Emigrant Emigrant Experience Emigrants Emigration Enid Blyton Family Flats Games Garda Georgian ghost Ghosts Graffiti Grattan Street Grattan Street Health Centre Gurranabraher Haddington Road Agreement Haunted house Health Hierarchy Holy Communion Holy Communion Breakfast Home Hospital House Housing Hunger Strikes Hygiene Industry Injection Irish Language Jervis Street Hospital Knocknaheeny Management Martello Tower Matron Medical Medicine Medicines Mercy Hospital Midwife Midwifery MRSA Needle Needle Exchange Neptune Stadium Nun Nuns Nurse Nursing Nursing Training Parking PHN Playing Public Health Public Health Nurse Public Health Nursing Quaker Meeting House Quakers Queens University Belfast Reading Regret Regrets Religion Religion in Hospitals Rent Renting Rotunda Sea Seaside Shops Siblings Skerries Social Work St. Finbarr’s Hospital St. Vincent de Paul Storm Swine Flu Teenager The Cold Chain Trade Union Trade Unions Trades Union Union Unions USA Vaccination vaccine Vaccine Fridge Vaccine Myths Vaccine Storage Vaccines https://corkfolklore.org/archivecatalolgue/files/original/abb95f6ae17edd7b2abc04a73abf26f5.jpg 561d156eba09cd0265d7af6441b56726 https://corkfolklore.org/archivecatalolgue/files/original/98d126ffed23138fddb618f8b6439333.mp3 9a4c7de44c80d2724df059197dd5d297 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stonemason Oral History Project Subject The topic of the resource Life History; Occupational Lore; Trades; Description An account of the resource This collection consists of 14 interviews with 12 people (11 male stonemasons and one female family member). It was carried out between November 2015 and April 2017 and documents the experiences of stonemasons based in Cork throughout the twentieth century. The interviews were carried out by CFP Researcher Michael Moore, himself a qualified stonemason. The collection explores the occupational and social context of stonemasonry; work practices, the social context, occupational lore, the secret language Bearlager na Saor and family ties. Most of the interviews are focused on the mid to late twentieth century with some stories and histories dating back to the eighteenth century This project’s second interviewee, Jim Fahy of the Cork Mason’s Historical Society, was inspired to include an oral history element to his ongoing research and documentation of stonemasonry, and this material is being accessioned to the CFP. Michael Moore characterized the project as an attempt to capture a snapshot of the lives and voices of stonemasons and ‘to record their insular world for posterity’, pointing out that ‘There is a need to document the living tradition of stonemasonry by recording people who work or have worked in masonry, particularly those born into it as part of familial ties.’ (Moore, 2016: 8). Date A point or period of time associated with an event in the lifecycle of the resource 2015-2017 Contributor An entity responsible for making contributions to the resource Interviewer: Michael Moore Interviewees: Murty O'Sullivan; Jim Fahy; Joe Fahy; John Steele; Dan Jones; Joseph Fahy; Mary O'Sullivan; Jack Johnson; Mary O'Sullivan; Thomas Lysaght; Patrick Varian; Patrick Cooney; Tom McCarthy; Edward Buckley. Identifier An unambiguous reference to the resource within a given context <a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener">CFP_SR00565_osullivan_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/179" target="_blank" rel="noreferrer noopener">CFP_SR00566_fahy_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener">CFP_SR00569_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener">CFP_SR00570_steele_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener">CFP_SR00574_jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener">CFP_SR00577_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener">CFP_SR00581_osullivan_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/185" target="_blank" rel="noreferrer noopener">CFP_SR00583_johnson_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener">CFP_SR00589_lysaght_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener">CFP_SR00590_varian_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener">CFP_SR00595_Jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener">CFP_SR00609_Cooney_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener">CFP_SR00610_McCarthy_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener">CFP_SR00611_Buckley_2017:</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; 1700s; 1800s; 1900s; 2000s Relation A related resource Published material related to the collection: <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener">Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10. </a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English; Bearlager na Saor (Stonemasons Language) Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 14 .wav files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Jim Fahy Interviewer The person(s) performing the interview Michael Moore Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43min 15sec Location The location of the interview Minnane Bridge, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit/48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com JF The thing about it is now I’m the last of my family as a mason, once I die there’ll be no one to take it up after me and that’ll be the end of my family’s time in the masons trade which goes back generations, and it’s sad thing really at the end of the day like because I would have loved my 2 sons like 1 of em even to take it up but they had no interest in it like, and I feel like as if you know and that’s the reason I’m so hooked up with historical side of things now is that what’s there I’m trying to preserve it and not only that I want to promote it as well, so like that’s the reason I’m so involved in it now and getting the banner restored now and things like that you know. It’s really important and not only that I’ve managed to save a lot of the records of the plumbers, the carpenters, the electricians, all these things were left in bags inside in carpenters hall, just abandoned and left there and the next thing for the them you know yourself a black plastic bag the next thing that was going to happen to that was it was going out in a skip. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jim Fahy: Masonry, Apprenticeships, Emigration Subject The topic of the resource Stonemasons: Occupational Lore: Description An account of the resource Jim Fahy is a stonemason who was interviewed in 2015 by Michael Moore from the Cork Folklore Project, also a stonemason. Jim Fahy comes from several generations of stonemasons on both sides of his family. He describes the ‘closed trade’ system, which would have given him entrance into the profession due to his family lineage. When the system ‘opened’ he was required to do formal training despite the fact that the mason’s traditional rule gave him the right to enter without formal training, through apprenticeship. He started his apprenticeship or training in 1975. He vividly describes the hard working conditions and the skill of the stonemason. He describes the union customs such as ‘paying their script’ and being brought to ‘the green table’ in the mid-1970s until the Recession in 1981. He laments the current state of the profession and fears that properly trained tradesmen will soon become extinct. Both Jim's Cousin and Uncle were also interviewed for the project: <a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener">CFP_SR00569_fahy_2016;</a> & <a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener">CFP_SR00577_fahy_2016;</a> Date A point or period of time associated with an event in the lifecycle of the resource 3 December 2015 Contributor An entity responsible for making contributions to the resource Interviewee: Jim Fahy Interviewer: Michael Moore Identifier An unambiguous reference to the resource within a given context CFP_SR00566_fahy_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1960s -2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English, Béarlagair na Saor (Masons Language) Format The file format, physical medium, or dimensions of the resource 2 .wav Files Relation A related resource From Stonemason Collection: <div class="element-text five columns omega"> <a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener">CFP_SR00565_osullivan_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener">CFP_SR00569_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener">CFP_SR00570_steele_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener">CFP_SR00574_jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener">CFP_SR00577_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener">CFP_SR00581_osullivan_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/185" target="_blank" rel="noreferrer noopener">CFP_SR00583_johnson_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener">CFP_SR00589_lysaght_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener">CFP_SR00590_varian_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener">CFP_SR00595_Jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener">CFP_SR00609_Cooney_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener">CFP_SR00610_McCarthy_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener">CFP_SR00611_Buckley_2017:</a> </div> Published material related to the collection: <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener">Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10.</a> Type The nature or genre of the resource Sound 1960s 1970s 1980s 1990s Apprenticeship Bearlager na soar Celtic Tiger Dry Stonewall Association of Ireland Emigration Inis Oírr Jim Fahy loco library (Kent Station) Nicknames Patrick Jones (poet mason) Recession (1981) Stonemasons Tom McCarthy Trade Union Trades Unions