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              <name>Title</name>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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                  <text>April 2017 - September 2018</text>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                  <text>Cork, Ireland, 1950s-2010s</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>English</text>
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                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
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&lt;p&gt;&lt;/p&gt;
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            <name>Title</name>
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                <text>Mary O'Sullivan: Orthopaedic Hospital, Working Life, Kitchen Staff</text>
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                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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                <text>Mary worked in the hospital kitchen for 35 years from 1973. &#13;
She describes the type of work that the  kitchen staff had to preform, from cooking in the kitchen to scrubbing the walls in the corridors. &#13;
Mary says there there would be 7 staff on per shift. The kitchen had separate menus for the staff and the patients.&#13;
&#13;
The kitchen staff worked from 7:30 am to 5:00 pm, this meant that every three weeks the staff would get a day off for withe extra hours worked. &#13;
&#13;
Mary explains that she would not have got the job in 1973 had she not accepted to live on the campus. Then she would go home to her parents on her days off. &#13;
&#13;
She describes her training in the College of Commerce as a cook. &#13;
&#13;
Mary has fond memories of her time in the hospital, even though tensions could boil over in the kitchen there was good comradery between the staff. &#13;
She describes how some patients might request a special meal which the kitchen would oblige.&#13;
&#13;
Mary describe the social aspect of work. They would go for drinks in the Cottonball or 'the Josh'( The Joshua Tree). The social club was very important. She also, mentions the lotto syndicate where they got five numbers and got fifty euro each.&#13;
&#13;
Mary describes Christmas time in the hospital, that in later years all the patients where brought to one building. And making sure the residence of Grove House got a nice homely cooking. &#13;
&#13;
Mary explains the communal element of the Orthopaedic Hospital compared to the other hospitals in the city.&#13;
&#13;
As a local Mary liked the hospital being in her community and used to take leisurely walks. And she is also excited about the new development of the campus. &#13;
&#13;
She then talks about Bill Twomey who was the gate keeper and lived in the gate lodge of the hospital. &#13;
&#13;
Mary then describes how students would work the summers.&#13;
&#13;
&#13;
&#13;
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                <text>9 June 2017</text>
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                <text>Interviewee: Mary O'Sullivan&#13;
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                <text>Cork, Ireland, 1970s-2000s</text>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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        <name>1970s</name>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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                  <text>April 2017 - September 2018</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3604">
                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
                </elementText>
                <elementText elementTextId="3605">
                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3608">
                  <text>Cork Folklore Project</text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
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              </elementTextContainer>
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              <name>Type</name>
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                  <text>Audio</text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
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                  <text>9 .wav Files</text>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Maura O’Connell: Orthopaedic Hospital, Working Life, Healthcare</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3688">
                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3689">
                <text>Maura was matron of the Orthopaedic Hospital for 20 years until her retirement in 1997. In this interview Maura recalls the various roles she had in the hospital prior to her being appointed matron. &#13;
Maura recalls that the nurses residents on the grounds of the hospital and comment that it was very upmarket for its day. &#13;
&#13;
Maura then talks about the first hip operation that took place in the hospital, that of a young woman  who was 'delighted to be able to wear Cuban heeled shoes'.&#13;
&#13;
She then focuses on her time as matron, where she was responsible for around 200 nursing staff. Maura thinks she would hate working today due to inadequate staffing numbers. &#13;
&#13;
Maura than reminisces about past patients, like the children who were severely disabled from contracting Polio.&#13;
She also mentions the likes of Joe Mac and The Dixies coming in on Christmas day to to entertain the staff and patients. &#13;
&#13;
Maura then describes the layout of the hospital and the campus. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6 June 2017</text>
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          <element elementId="37">
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="3691">
                <text>Interviewee: Maura O’Connell</text>
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                <text>Interviewer: Joanne McNamara</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3693">
                <text>CFP_SR00626_oconnell_2017</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="3694">
                <text>Cork, Ireland, 1960s-1990s</text>
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              <elementText elementTextId="3695">
                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
              </elementText>
              <elementText elementTextId="3696">
                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3697">
                <text>Cork Folklore Project </text>
              </elementText>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3698">
                <text>Cork Folklore Project Audio Archive</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3699">
                <text>Cork Folklore Project  </text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3701">
                <text>English</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3703">
                <text>1 .wav File</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4292">
                <text>Cork Folklore Project</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6271">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
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    <tagContainer>
      <tag tagId="34">
        <name>1960s</name>
      </tag>
      <tag tagId="35">
        <name>1970s</name>
      </tag>
      <tag tagId="157">
        <name>1980s</name>
      </tag>
      <tag tagId="158">
        <name>1990s</name>
      </tag>
      <tag tagId="150">
        <name>Christmas</name>
      </tag>
      <tag tagId="636">
        <name>Dunlop</name>
      </tag>
      <tag tagId="1085">
        <name>Ford</name>
      </tag>
      <tag tagId="233">
        <name>Gurranabraher</name>
      </tag>
      <tag tagId="1184">
        <name>Healthcare</name>
      </tag>
      <tag tagId="1191">
        <name>Joe Mac</name>
      </tag>
      <tag tagId="1188">
        <name>Maura O'Connell</name>
      </tag>
      <tag tagId="1190">
        <name>Nursing</name>
      </tag>
      <tag tagId="1189">
        <name>Polio</name>
      </tag>
      <tag tagId="1183">
        <name>St Mary's Orthopeadic Hospital</name>
      </tag>
      <tag tagId="429">
        <name>The Dixies</name>
      </tag>
      <tag tagId="156">
        <name>Working life</name>
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        <src>https://corkfolklore.org/archivecatalolgue/files/original/b4884aa8ebebd694fc903ca648b901c2.mp3</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3600">
                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="3602">
                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>April 2017 - September 2018</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                <elementText elementTextId="3605">
                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
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            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3608">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Audio</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>9 .wav Files</text>
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              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
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                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="3680">
              <text>Breda McShane</text>
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        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3681">
              <text>Joanne McNamara</text>
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          </elementTextContainer>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="3682">
              <text>42min 31sec</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3683">
              <text>HSE Drug and Alcohol Building, Kinvara House. Dublin Hill, Cork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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            <elementText elementTextId="3685">
              <text>24bit / 48kHz</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Breda McShane: Orthopaedic Hospital</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="3665">
                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Breda grew up in Dungarvan Co. Waterford. She moved to Cork in 1975 after getting a job as a clerical worker for the Southern Health Board. Breda moved to Hollyhill in 1980. Six years later she got a transfer to the Orthopedic hospital payroll department.&#13;
She talks briefly about the matron Maura O'Connell and her deputies.&#13;
She mentions that the attendants being very friendly, great on a night out and brilliant singers.&#13;
Breda describes the record keeping at the hospital. She also talks about the wages and the process of paying staff&#13;
Breda also describes the layout of the hospital campus and speaks of the strange numbering system on the buildings.&#13;
While she describes the campus as a peaceful place she does tell a story of young people picking magic mushrooms and getting chased off.&#13;
She says that it wasn't greatly suited for postoperative hip replacement patients due to the steps at the entrance to all the buildings.&#13;
Breda tells of a man who told her that there is a system of tunnels under the grounds.&#13;
Breda then explains the love of horses that some of her colleagues had. &#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3667">
                <text>30th May 2017</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Interviewee: Breda McShane</text>
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                <text>Interviewer: Joanne McNamara</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="3670">
                <text>CFP_SR00625_mcshane_2017</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="3671">
                <text>Cork, Ireland, 1970s-2000s</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="3672">
                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Cork Folklore Project  </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3674">
                <text>Cork Folklore Project Audio Archive</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3675">
                <text>Cork Folklore Project</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="3677">
                <text>English</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3679">
                <text>1.wav File</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4291">
                <text>Cork Folklore Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="6270">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
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    <tagContainer>
      <tag tagId="35">
        <name>1970s</name>
      </tag>
      <tag tagId="157">
        <name>1980s</name>
      </tag>
      <tag tagId="158">
        <name>1990s</name>
      </tag>
      <tag tagId="159">
        <name>2000s</name>
      </tag>
      <tag tagId="1186">
        <name>Breda McShane</name>
      </tag>
      <tag tagId="233">
        <name>Gurranabraher</name>
      </tag>
      <tag tagId="1187">
        <name>Magic Mushrooms</name>
      </tag>
      <tag tagId="1183">
        <name>St Mary's Orthopeadic Hospital</name>
      </tag>
      <tag tagId="156">
        <name>Working life</name>
      </tag>
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        <src>https://corkfolklore.org/archivecatalolgue/files/original/651b619f97b3f679d8618e9d2d08334a.mp3</src>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3600">
                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3601">
                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
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                  <text>April 2017 - September 2018</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3604">
                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                <elementText elementTextId="3605">
                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              </elementTextContainer>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
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              </elementTextContainer>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
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                  <text>Audio</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3614">
                  <text>9 .wav Files</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="3657">
              <text>Breda McNamara</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3658">
              <text>Joanne McNamara</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3659">
              <text>26min 35sec</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3660">
              <text>Knocknaheeny, Cork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3661">
              <text>.wav</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="3662">
              <text>24bit / 48kHz</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="16">
          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
          <elementTextContainer>
            <elementText elementTextId="4181">
              <text>&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.00.00 - 0.03.28&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Earliest memories&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda details her earliest memories. Her Maiden name was Hackett. She says her family moved to Templeacre when she was 1 or 2. There was not many houses around then. The houses were new and surrounded by lots of fields. The Orthopaedic Hospital was up the road in a field. They used to play by the shop up beside the Orthopaedic. It was called “Ann’s shop”. It was run by Ann and her husband john who lived upstairs with their family. She recalls moving from the Marsh about 65 years ago to a brand new house. She remembers they were never allowed near the Orthopaedic “the fear of God was put into them about the Orthopaedic”. She recalls there was a little house outside the gate and there would be a light on at night and it would be the only light you would see around the whole of the Orthopaedic. She says “she doesn’t know where they got the idea they were in there chopping legs and hands off. That’s what you went in there for, you went in there, you lost something, a hand or a leg, some part. It was very quiet hospital, you’d hardly see anyone going in or out there. Mostly people came from the country and they would come up on the bus and it would be a day out for them to see their person in there. Thank God we never had to go in there to see anybody for years and years”&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;CFP NOTE The Marsh is an area in cork also known as the middle Parish. It is located between the Coal Quay, Mercy hospital, the river and Washington St.&lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.03.28 - 0.06.25&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;More detail about the Orthopaedic&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda recalls that it was a very dark building with a few trees there. They always thought it was a haunted building, it looked like that. There was a family living in the house at the entrance to the hospital. She says it was “curiosity that drew them up towards the house and they would get up a bit of the way and you were hunted back down. A man would come out and hunt us away from the Orthopaedic. She clarifies the house at entrance was the Gate lodge of the Orthopaedic. The Interviewer ask about the walk up to the hospital from Bakers road which didn’t exist at that time Breda says she used to venture up towards the hospital when she was about 6 or 7. There was nothing except the shop up in the area. The credit union that is there now on Bakers road used to be in the basement of Gurranabraher church for years.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;CFP NOTE:  the credit union is now Baker's Rd credit union, Gurranabraher, Cork&lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.06.25 - 0.08.24&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Change of perceptions of the Orthopaedic&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;Breda recalls that her perceptions of the Orthopaedic hospital didn’t change for a “good many years” until she had children herself and the dental hospital moved into the Orthopaedic and she used to go down to the dental hospital. She does remember one occasion when a neighbour ended up in the Orthopaedic with a few broken bones. When she heard she said “O my God, He’s down that hospital” Breda says she had never been in there but she had to go down to see him because he was a neighbour and had no one belong to him. Breda recalls going into the hospital “with the fright of God in her and she couldn’t even sit down because she was so nervous, but he seemed ok and it seemed a normal hospital. It wasn’t like what they had made it out to be”. Breda’s neighbour got on fine there and the visit had gotten rid of a bit of fear. She says she went out the gate “on air”. It was her first time coming to that that “horrible place she thought it was” After that she got married and moved to Knocknaheeny and used to bring her children down to the dental hospital&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.08.25 - 0.10.26&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Different uses of the Orthopaedic hospital&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;The interviewer asks Breda what she knows about the different uses of the Hospital. It was known to be used as a fever hospital or for polio patients. Breda says she always knew that the fever hospital was in Blackpool in Leitrim St. Her mother talked about it for years. Breda says her and her brother were both in the fever hospital because they picked up scarlet fever. She says it wasn’t too dangerous when she got it but her mother’s sister died aged 21 from scarlet fever because they didn’t have any cures at the time. Breda she was in the fever hospital when she was 3 or 4 and her brother was only 11 months older than her. Breda says her mother always talked about having to go down to the fever hospital and having to walk up the long steps leading up to it. She says she never thought the Orthopaedic had anything to do with fever hospital. She thinks that people were in the orthopaedic with Polio but she is not too sure&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.10.26 - 0.13.02&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;More earlier memories&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;Breda says she got married in 1971 and moved from the family home in Templeacre to an apartment in Leitrim St for a number of years until she had her first two children. She got a new house in Harbour View Road in Knocknaheeny. It was surrounded by fields. “You would get up in the mornings and open the curtains and there would see a cow, so the kids were all excited about that” There was such a demand for houses they rushed people in. the pathways were not even finished. Breda says she didn’t mind waiting for a footpath or gate or railings. She was delighted to have the house. The new house was at the back of the Orthopaedic. The back of the house was the wall of the orthopaedic Breda says when her children were growing up “she still had the fear of the orthopaedic and brought it with her” and maybe gave it to her children as well. When she was getting them off their dummies (children’s soothers) she used to say the dummies had gone over the wall into the Orthopaedic and none of her children used to go near the wall. Breda says that was the end of the dummies and it “worked a treat”.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.13.02 – 0.16.44&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Closing of the Orthopaedic&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda remembers the closing of the hospital but can’t remember what year. She says it became a very busy and open hospital. It changed from that “Haunted place” they thought it was. People started getting jobs there, in the kitchen, the laundry. It gave employment to the Northside which was very badly needed, Breda says, because it was it was very poor up there. She says there was talk about it closing down which was terrible in her opinion. She says there was protests and people were going mad. A lot of the workers lived in Churchfield. Farranree, Templeacre and Bakers road. There would be a lot of families without wages. Breda says it was the start of a lot of things shutting down on the Northside. “It was in people’s minds that they were shutting down everything. It went from the Orthopaedic to the North Infirmary which was down the road and the dental that was across the road from the North Infirmary was all shut down. There were starting to shut down things on the Northside of the city. That was horrible” The interviewer asks Breda about the sense of loss of the after the Orthopaedic was closed down and Breda replies that it is a brilliant building and that it is being used for community purposes for doctors and an A&amp;amp;E. She says that it should be used as a hospital because they took the North Infirmary and the Orthopaedic, there should be something for the Northside even if it was only an ambulance bay. Breda says the urgent care centre that is there now is fabulous but it will take time for people to get used to it Breda is asked do people still feel that something was taken away from them with the loss of the hospital and no matter what is there people will still feel they should have a hospital. She says she does&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.16.44 - 0.20.29&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Development Of the Orthopaedic hospital&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda is asked about she knows about the redevelopment of the Orthopaedic. She says there will be community involvement. Doctors will be moving in and not much else except that the dental will be there and it will be great when it gets up and running. She says people miss the hospital. “There is a huge lot of land there, they could have had a hospital, they could have had the health care service, they could have had the dental, they could have had a lot up here. They take one thing and give another. But I think people still feel that we were robbed”. Breda thinks the new development will be fabulous but will be mainly for younger families, where the older people will think they took our Orthopaedic. The interviewer informs Breda about new services going into the site, GP practices, Dental etc. and asks her if it will change their feeling about the Orthopaedic. Breda says “they probably will when it all start happening but you can’t blame people either, all down through the years things were taken and shut down and lost jobs and all of that and people won’t see all this till it’s up and running and its happening. It’s hard to put belief into people… There will probably be great benefit for people”. Breda recalls going into the Orthopaedic after she had an operation to get her dressing changed. It saved here having to go into town. It was a good service and nice people&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.20.29 - 0.26.25&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Importance of the redevelopment &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Breda says a café would be important as a meeting place for locals and they should bring the local people in and show them what is there, there should also be a big opening day. Breda says access is another important factor, there should be pedestrian access from the Knocknaheeny side. Two different access roads that they were promised are now not happening. It leaves only one access road into the Orthopaedic and after putting all that money into it people probably won’t come down. Breda believes the planners are responsible and that another information session should happen and it could be advertised at mass because churches are starting to fill up again and people that hear it could go and spread it around the community. Breda says people don’t look at notice boards or buy papers anymore because of all the negative stuff on them. She also says put a leaflet into every house and give information that way. Also a credit union should put a leaflet into your deposit book. Breda feels there are positive things happening there, but she had heard “Doubting Thomas’s” (sceptical people) saying that will never finish they will run out of money. She says “you have that in the Northside because of stuff being taken from people. I now they gave a lot as well, a lot of people wouldn’t see that if they didn’t have children in schools... schools have everything, cos I worked there myself for 20 years, they have everything there great” altogether&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;End of interview&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3640">
                <text>Breda McNamara: Orthopaedic Hospital</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3641">
                <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3642">
                <text>Breda details her earliest memories. She says her family moved to Templeacre when she was 1 or 2. There were not many houses around then. The houses were new and surrounded by lots of fields. The Orthopaedic Hospital was up the road in a field. They used to play by the shop up beside the Orthopaedic. She recalls there was a little house outside the gate and there would be a light on at night and it would be the only light you would see around the whole of the Orthopaedic. &#13;
Breda recalls that her perceptions of the Orthopaedic hospital didn’t change for a “good many years” until she had children herself and the dental hospital moved into the Orthopaedic and she used to go down to the dental hospital.&#13;
Breda remembers the closing of the hospital but can’t remember what year. She says it became a very busy and open hospital. It changed from that “Haunted place” they thought it was.&#13;
Breda finishes by talking about the new development of the site into the Primary Care Centre</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3643">
                <text>4 May 2017</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3644">
                <text>Interviewee: Breda McNamara</text>
              </elementText>
              <elementText elementTextId="3645">
                <text>Interviewer: Joanne McNamara</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3646">
                <text>CFP_SR00622_mcnamara_2017</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="3647">
                <text>Cork, Ireland, 1950s-2010s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="3648">
                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                <text>Cork Folklore Project  </text>
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              <elementText elementTextId="3651">
                <text>Cork Folklore Project Audio Archive</text>
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                <text>Cork Folklore Project </text>
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            <name>Language</name>
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                <text>English </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 .wav File&#13;
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="4290">
                <text>Cork Folklore Project</text>
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                <text>Sound</text>
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        <name>1950s</name>
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      <tag tagId="34">
        <name>1960s</name>
      </tag>
      <tag tagId="35">
        <name>1970s</name>
      </tag>
      <tag tagId="157">
        <name>1980s</name>
      </tag>
      <tag tagId="158">
        <name>1990s</name>
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      <tag tagId="159">
        <name>2000s</name>
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      <tag tagId="1185">
        <name>Breda McNamara</name>
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      <tag tagId="233">
        <name>Gurranabraher</name>
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      <tag tagId="1184">
        <name>Healthcare</name>
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        <name>St Mary's Orthopeadic Hospital</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore:</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project.</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>April 2017 - September 2018</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey;</text>
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                <elementText elementTextId="3605">
                  <text>Interviewers: Joanne McNamara (8 Interviews): &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; (1 Interview)</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3606">
                  <text>&lt;strong&gt;Other Interviews in this Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00618_Dempsey_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="3607">
                  <text>Cork, Ireland, 1950s-2010s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3608">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="3609">
                  <text>Cork Folklore Project Audio Archive</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="3610">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3611">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3612">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3613">
                  <text>Audio</text>
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              </elementTextContainer>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3614">
                  <text>9 .wav Files</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="3615">
                  <text>&lt;strong&gt;Published Material&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
                </elementText>
                <elementText elementTextId="6737">
                  <text>&lt;strong&gt;Listening Events&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers.&lt;br /&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy"&gt;Kieran Murphy&lt;/a&gt; and &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener"&gt;James Furey&lt;/a&gt; at Hollyhill Library, 22nd August 2018  as part of Heritage Week&lt;/li&gt;
&lt;/ul&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;div class="element"&gt;
&lt;ul&gt;
&lt;li class="element-text"&gt;Listening Event by &lt;a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener"&gt;Kieran Murphy&lt;/a&gt; at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 &lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class="element"&gt;The Cork Folklore Project Audio Archive holds recordings of both these events.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element"&gt;&lt;/div&gt;</text>
                </elementText>
                <elementText elementTextId="6738">
                  <text>&lt;p&gt;&lt;strong&gt;Related Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;div class="element"&gt;
&lt;div class="element-text"&gt;
&lt;p&gt;The &lt;a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener"&gt;Grattan Street Stories: Memory of Place&lt;/a&gt; was also conducted in collaboration with the HSE. &lt;br /&gt;&lt;br /&gt;Many of the services from Grattan Street Health Centre were to move to the new &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher&lt;/span&gt; on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. &lt;br /&gt;&lt;br /&gt;There is thus some overlap in discussions related to the &lt;span&gt;St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</text>
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      <name>Oral History</name>
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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Noel Dempsey</text>
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          </elementTextContainer>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Joanne McNamara</text>
            </elementText>
          </elementTextContainer>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3635">
              <text>43min 37sec</text>
            </elementText>
          </elementTextContainer>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>HSE Drug and Alcohol Building, Kinvara House. Dublin Hill, Cork</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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          </elementTextContainer>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
            </elementText>
          </elementTextContainer>
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          <name>Time Summary</name>
          <description>A summary of an interview given for different time stamps throughout the interview</description>
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              <text>&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.00.00 - 0.03.07&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Connections with the Orthopaedic Hospital &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel speaks about his connection with the Orthopaedic Hospital where he was employed for a number of years. He outlines the various blocks and their uses at the hospital, including hip operations, physiotherapy, burns, the lady's ward, nursing home, men's ward etc. He explains that at the entrance to the hospital was a lodge which housed the caretaker and his family. When Noel began working at the hospital, the Twomey family lived in the lodge. He also explains that the nurses had their own quarters, as many were from Kerry and other counties.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel holds that the hospital was built in 1955 as a fever hospital (which is why the blocks were separate). After Sarsfield Court (St. Stephen's Hospital, Glanmire) took on the responsibilities for fever patients, the orthopaedic hospital was developed.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.03.07 - 0.06.54&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Early Memories &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel speaks about living close and working at the Orthopaedic Hospital. He recalls walking around the grounds of the hospital when he was a child, in an area known locally as 'the Woods'. He remembers how busy the hospital became in the 1970s and 1980s. He recalls the laundry operation at the hospital which catered for all other hospitals in Cork and affirms that there were many marriages which were based on relationships that began in the laundry.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.09.41 - 0.12.24&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Working at the Hospital &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel outlines his working life at the Orthopaedic hospital. He first worked as an attendant 'on the blocks' and outlines the nature of this work. Noel remembers being asked after a number of years if he would try working in Theatre. He outlines that the sister (Sr. Mary Agnes Buckley) who was in charge of theatre was reportedly 'very tough to get on with'. He speaks about subsequently working for many years in theatre where his wife also worked.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;He speaks about the many Sisters who were in charge of the various wards. Noel states that they seemed to have a different classification to other nuns and were always describes as 'Sisters'. Noel speaks about the various personnel that made up the hospital staff including laundry staff, physios, attendant, nurses, x-ray staff etc.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.10.45 - 0.13.45&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Patients &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel speaks about life for patients in the hospital, many of whom were long term patients. Refers to people with back problems who would be 'put on traction' which often meant six to eight weeks lying in the one position with weights hanging from their legs. He also recalls that there were a lot of bad burn victims in the hospital and recalls a bad car accident in which three Limerick men were badly burnt and ended up at the hospital. The hospital also treated patients with scoliosis and polio. Outlines the process of a 'frog plaster', which was used to treat children with hip problems.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Note:  A 'Frog Plaster' was a plaster of &lt;/b&gt;&lt;span style="color:#0000ff;"&gt;&lt;a href="http://www.encyclopedia.com/places/britain-ireland-france-and-low-countries/french-political-geography/paris"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="text-decoration:none;"&gt;&lt;b&gt;paris&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;b&gt; splint used to maintain the legs in their correct position after a congenital dislocation of the hip has been corrected by manipulation. &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.13.45- 0.17.33&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Work life &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel tells a story about his time working in the surgical theatre which reveals the process of bringing patients into the theatre while preserving the sterile environment. He recalls a humorous story about a young boy working as an attendant who had delivered a patient to the theatre door and was told by the Sister in charge to 'go for your lunch'. Noel reveals that it was 8.50am and the Sister meant for him to take his ten minute break. The young boy went home for an hour for his lunch to the confusion of his mother and the frustration of the Sister in Charge.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel outlines how young people got employment at the hospital. He explains that all you had to do was 'put your name down' for a job and after a time you could be called to cover an employee who was out sick. After a trial period Noel was kept on as an attendant and later a theatre technician.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.17.33- 0.27.06&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Theatre Technician &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;He outlines his work as a theatre technician which involved holding patients who may be having hips dislocated and removing plasters etc. Recalls the various surgeons including Fred Moore, Kevin Murphy and Senjan (sic.) O'Connor who operated on different days at the hospital.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about employment at the hospital and states that his brother Michael Dempsey who now works in Heather House, a nursing home.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Note: Heather House is situated on the north side of the city in a residential area about 2 miles from the centre of Cork city on the campus of St. Mary’s Health Camus (formerly St. Mary Orthopaedic Hospital in Gurranbraher).&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.21.06 - 0.31.07&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Night Shifts and Carrying Corpses &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about the nature of working night shifts at the hospital and the logistics around keeping the hospital heated with turf and coal etc. There was a Night Sister who was in charge of the whole hospital. At. 2.00am attendants would go through each ward (With the Night Sister) to ensure all patients were attended to and that everything was in order.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;'Everybody seemed to die in the night-time at their weakest'.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about deaths in the hospital. Speaks about carrying corpses in the hospital during the night to the mortuary. He recalls a young man who had just started working at the hospital when Noel and he were asked to bring a corpse to the mortuary. Noel explains how nervous the young man was about seeing a dead person for the first time. He recalls the various challenges of bringing the corpse to the mortuary and having to be accompanied by a nurse.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.28.50 - 0.31.42&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Variety in Work &lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;Noel outlines the varied nature of working at the hospital which ranged from making breakfast to regularly turning patients.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p style="margin-top:.49cm;background:#ffffff;"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.31.42 - 0.38.19&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Best Memories &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Noel reflects on his work at the hospital and affirms that leaving the job in the hospital to work as a builder was 'the biggest mistake I ever made in my life'. He recalls how fascinating it was to observe surgeons and the overall variety of work. He states that the rate of pay was very poor which led him to leave the job. Discusses briefly the wages and overall economy of his work life.&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm .19cm;"&gt;
&lt;p class="western"&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;0.36.15 - 0.43.37&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td style="border:1px solid #000000;padding:0cm .19cm;"&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;New Developments &lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;Speaks about the development of the Orthopaedic Hospital and the new Primary Care Centre. Speaks about the local devastation when the Orthopaedic Hospital was closed. Speaks about the community nature of the hospital declaring 'everybody knew everybody'. Explains the importance of the hospital before its closure.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;'It's fabulous to see it brought back to life again'.&lt;/b&gt; Noel speaks about the positivity associated with the new development locally but he does state that a lot of people don't seem to be aware of what the current development entails. Speaks about the potential positive benefits for the areas and outlines some of his concerns regarding traffic. Joanne McNamara concludes the interview by providing an overview of what the development will be with the new Primary Care Centre.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;"&gt;&lt;b&gt;Interview Ends&lt;/b&gt;&lt;/p&gt;
&lt;p class="western"&gt;&lt;/p&gt;
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                <text>The interview explores Noel's memories of working at the Orthopaedic Hospital, nature of work, Sisters in charge, surgeons, theatre work, night shifts, carrying corpses to the mortuary, reflections on working at the hospital, new developments.  &#13;
&#13;
Noel speaks about his connection with the Orthopaedic Hospital where he was employed for a number of years.&#13;
He recalls walking around the grounds of the hospital when he was a child, in an area known locally as 'the Woods'.&#13;
He speaks about the many Sisters who were in charge of the various wards. Noel states that they seemed to have a different classification to other nuns and were always describes as 'Sisters'.  Noel speaks about the various personnel that made up the hospital staff including laundry staff, physios, attendant, nurses, x-ray staff etc.&#13;
Speaks about the nature of working night shifts at the hospital and the logistics around keeping the hospital heated with turf and coal etc. &#13;
&#13;
Noel speaks about the development of the Orthopaedic Hospital and the new Primary Care Centre.  Speaks about the local devastation when the Orthopaedic Hospital was closed.  Speaks about the community nature of the hospital declaring 'everybody knew everybody'. Explains the importance of the hospital before its closure. </text>
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                <text>&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00622_McNamara_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00625_McShane_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00626_O'Connell_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00628_Osullivan_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00632_Curtin_2017&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00633_Sargent_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00648_Fitzgerald_2018&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener"&gt;CFP_SR000673_Twomey_2018&lt;/a&gt;;</text>
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                <text>&lt;strong&gt;&lt;br /&gt;Published Material:&lt;/strong&gt; &lt;br /&gt;MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2034">
                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="2036">
                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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              <name>Creator</name>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Barry Murphy </text>
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              <text>Stephan Dee</text>
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              <text>4min 35sec</text>
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              <text>Civic Trust House</text>
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              <text>.wav</text>
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              <text>&lt;p class="western" style="margin-bottom:0cm;line-height:100%;"&gt;&lt;strong&gt;C O C:&lt;/strong&gt; Would you like to state your name and give us your memory.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; My name is Barry Murphy I lived in this house for from the 1st of February 1959 to the 27&lt;sup&gt;th&lt;/sup&gt; of July 1970. I left here to go to the church to get married. Eh my two brothers and my first cousin also left here to go to the church to get married. Em the house was run by the Mrs Ryan’s there was Sissy, Monica, Mary and they had a brother Jack who was not well and they also had a brother Monsignor Ryan he retired to this he was in Plymouth but he retired to here. Eh his eh Ger I think his name was. I have many happy memories here like to me it was home from home it was because eh I was originally from Bantry and the home place was sold so this, this was my home.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; An we are talking about the Civic Trust House. What was the civic house trust when you lived here it was a&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; It was a boarding house. There was thirteen the maximum number that ever stayed here was thirteen, but em we very rarely that was she was trying to fit in some friends or other. But people who stayed here I only remember two people who came to stay here and left to change lodgings. We never changed.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Right&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; I suppose its location it’s near to town and em the people who ran it were generally very nice very nice people.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; An would have stayed friends with the people that you would have met?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; I did yes well like they were elderly ladies. I have a photograph of my em after, after we were married we called we passed by the house here an I have a photograph with the people of the house an our on the door step in our wedding gear and the family here as well. So em its.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; And has the house changed much now from what it was then.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Well I can’t say that much. This room has changed a lot because the fireplace is that’s a new fireplace that’s been fitted there that wasn’t like that, an there was a press there in the corner and also but I'm glad to see I was worried about the window. That stained glass window on the stairs. I was wondering what happened what happened to that. I was wondering was it removed by some engineer as a favour for a friend for some other house but thank god its still there. An I have many happy memories of this house.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Can you give me a picture of your kind of days here&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Well I was a shift worker so em we’d come down. This was our this was our communal room and we we em the students use to study in there own rooms but we came down here for meals and there was a radio there in the corner there was no television at the time and we had chairs around the place. We played forty forty five here or and em there was one man Michael O Callaghan he was a teacher above in the Cathedral school and he spent all his life here. He never married but he spent all his life here in this house and em so it’s em the room across the way that was the family room an the kitchen was in behind here and all the rest then were more or less bedrooms.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Ok and what kind of meals would have been prepared for ye.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Well ordinary meals breakfast you’d get a fry for breakfast you got your lunch and you got your tea.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; And what was dinner?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; An you got supper maybe a bit of sweet cake an if we didn’t we always went up to the Inchigeela Dairy’s or up to the Stad to get something to have with the cup of tea.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Em, em just questions we are asking em everyone that comes in. Em do you have any memories of Allotments in Cork.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; No you see I'm a native of Bantry not a native of Cork.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; O ok. Did you have any experiences of Bonfire night in the city?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Only horrible black clouds of smoke tyres no didn’t like it&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;C O&lt;strong&gt; C:&lt;/strong&gt; Well em Barry thank you for coming in and taking this interview.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:100%;"&gt;B M&lt;strong&gt;:&lt;/strong&gt; Thank you&lt;/p&gt;</text>
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                <text>Barry Murphy: Cork Civic Trust</text>
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                <text>Life History:</text>
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                <text>Barry Murphy, originally from Bantry Co. Cork. From 1959 until 1970 Barry lodged in the historic building that later became the home of Cork Civic Trust. He remembers the house and its inhabitants.</text>
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                <text>CFP00446</text>
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                <text>Interviewee: Barry Murphy</text>
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                <text>Interviewer: Stephen Dee</text>
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                <text>Cork, Ireland, 1950s-1970s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Cork Folklore Project </text>
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            <name>Publisher</name>
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                <text>Cork Folklore Project </text>
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              <elementText elementTextId="3433">
                <text>English</text>
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                <text>1 .wav File</text>
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                <text>Cork Folklore Project</text>
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                <text>Sound</text>
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        <name>1950s</name>
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        <name>1960s</name>
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        <name>1970s</name>
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        <name>Barry Murphy</name>
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        <name>Civic Trust House</name>
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        <name>Inchigeela Dairy</name>
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        <name>Pope’s Quay</name>
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              <name>Title</name>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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1 .mov File</text>
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              <text>Alice Delay</text>
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              <text>Stephen Dee</text>
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                <text>Alice Delay: Togher, Country Life, Childhood</text>
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                <text>Alice remembers visiting her grandmother in Togher, which was the country, and eating bread and home-made butter. Her grandfather was a farm labourer. The house had an earth floor, and a ceiling made of sewn flour bags. Someone described the house as a cow shed with a door. It had a lean-to for the hens.&#13;
Her mother used to knit jumpers after being given the wool, which was weighed afterwards to see if she had stolen any. Alice comments on social relations with better off Cork families.&#13;
Rasa used to be sold for a penny.&#13;
She mentions her family's involvement in the War of Independence and the Civil War. Alice also talks about her father working in London during the Blitz. &#13;
Alice describes the Lido Cinema as a fleapit. She recalls having to have a penny for the ‘black babies’ collection. She used to go slogging apples, and her mother would make an apple tart. She talks about bonfire night in her youth and in modern times.</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2034">
                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="2035">
                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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              <name>Creator</name>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Tony McGillicuddy</text>
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          <name>Interviewer</name>
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              <text>Stephen Dee</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>3min 03sec</text>
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              <text>Civic Trust House</text>
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              <text>.wav</text>
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              <text>&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Can you tell me your name and leave us your memory.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TMG: My name is Tony McGillicuddy. My memory is of Jack Lynch’s Ford Anglia. It was the first Ford Anglia that came of the line in Fords on the marina, and they presented it to Jack Lynch who was Minister for Industry and Commerce at the time. He wasn’t very fond of driving, Jack Lynch. So he arrived outside The Metropole where I worked for 42 years, one evening, parked the car and said to me ‘Get rid of the car’, he didn’t want it anymore. Because he was going on holidays, and he had a holiday home down round West Cork, don’t know exactly where, but he was on his way down there anyway I presume. He decided to drive but when he got to Cork anyway he was sick of driving so we parked the car for him anyway, he got his driver to drive him the rest of the way --- but it was an absolutely gorgeous car, everything was in it. It was a grey Ford Anglia. It’s like the photograph that’s in the, the one with John Kelleher there [referring to a photograph in the exhibition] it’s like that now but it was an absolutely gorgeous car. But that was Jack Lynch and his driving.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Do you know what happened to the car afterwards?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TMG Well, he got it taken away then, he got it taken away, and eventually after a fortnight or so someone came down and collected it, but I don’t know what happened to it after but it was an absolutely gorgeous car.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Can you tell me what about the exhibition sparked that particular memory?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TMG The one with John Kelleher now selling the papers in the middle of the street because John Kelleher used to supply The Metropole with papers for sixty years. He was in McCurtain Street and The Coliseum I would say he was nearly there for 70 years. He was yeah, but he’s an amazing character, that man.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;GoD And, Tony, are you a Cork local?&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;TMG I am. I’m born and reared on the Low Road.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD We’re asking everyone we interview certain questions, just if you have any memories of allotments in Cork&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG No I wouldn’t. No&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD What about bonfire night?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG I would have memories of Bonfire Night. You go around for a couple of weeks beforehand and start collecting stuff, and where it used to be on the Low Road was an old railway line that runs back, well The Arcadia is gone now, but it used to run along the back of The Arcadia, that’s where the bonfire on the Low Road used to be.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD And do you have any memories of the Pawn Shops in Cork City?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG I would. I would have memories of seeing them at the end of Shandon Street, and there was another around, I can’t think where it was but that would be a memory for me the one at the end of Shandon Street.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Do you remember going in there?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG No. I was never in there.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;GoD Well thank you very much Tony for the memory.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;TMG You’re welcome.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;line-height:150%;"&gt;End of interview&lt;/p&gt;</text>
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            <name>Title</name>
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              <elementText elementTextId="3383">
                <text>Tony McGillicuddy: The Low Road, Jack Lynch, Ford's</text>
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                <text>Life History:</text>
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                <text>Tony was born and reared in Low Road. He remembers a story about Jack Lynch who had been presented with a Ford Anglia car by the factory. Lynch hated driving and eventually gave it away.</text>
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            <name>Date</name>
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              <elementText elementTextId="3386">
                <text>27 August 2011</text>
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            <name>Contributor</name>
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              <elementText elementTextId="3387">
                <text>Interviewee: Tony McGillicuddy&#13;
&#13;
</text>
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                <text>Interviewer: Stephen Dee</text>
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                <text>CFP_SR00444_mcgillicuddy_2011</text>
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                <text>Cork, Ireland, 1960s-1980s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Cork Folklore Project </text>
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                <text>Cork Folklore Project Oral History Archive</text>
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                <text>Cork Folklore Project Audio Archive</text>
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            <name>Rights</name>
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                <text>Cork Folklore Project</text>
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                <text>Sound</text>
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        <name>1960s</name>
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        <name>1970s</name>
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        <name>Ford</name>
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      <tag tagId="674">
        <name>Jack Lynch</name>
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        <name>The Low Road</name>
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        <name>Tony McGillicuddy</name>
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              <name>Title</name>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <description>A related resource</description>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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              <description>A language of the resource</description>
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                  <text>English</text>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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1 .mov File</text>
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              <text>Tom Jones</text>
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              <text>Gearoid O Donnell</text>
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              <text>23min 20sec</text>
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              <text>Civic Trust House</text>
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          </elementTextContainer>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="3380">
              <text>.wav</text>
            </elementText>
          </elementTextContainer>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="3381">
              <text>24bit / 48kHz</text>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: My name is Tom Jones, and I’ve given a story before. It’s an incident and I just wonder how many people would actually remember this. It had to be, let’s see, somewhere between ‘50s and ’61. We were playing in what was called the field, at the bottom of Spangle Hill, and this helicopter and it really looked like it was flying low and of course just the fact that there was something in the air at that time was really dramatic. It was flying really low and it circles Spangle Hill, and every kid chased the thing. Eventually, it landed. There is an ESB power station right there between Mallow Road and Dublin Hill. It’s right there. It’s and ESB substation. It landed there, and of course every other kid rushed out to see this thing and I remember looking, when I got there, I remember looking back and there’s an indentation in the field there called Tuckers Field it’s directly opposite the main offices of Harrington’s paint factory. I remember looking across at that and seeing multitudes of kids cascading down there almost like locusts. Everyone wanted to get out there and see this helicopter. I guess years later, it just reminded me of the fact. It’s almost like the helicopter was our Moses. And all these kids were just swarming down there, as if this helicopter, this Moses was going to take them to the Promised Land. I know we talked about it a number of years later as we were kids. It’s just a simple incident and I just wonder how many people actually remember it. Cause there had to be, cause there was thousands of kids. I mean they were just flowing down from Spangle Hill, to get across to see this helicopter. That was quite an event. That’s basically it. I thought of that the other day as I left here. I wonder how many people would actually remember that incident.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: So, you’re saying it happened between ’58 and ’61.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Somewhere there. I would have had to be of course under the age of twelve. Somewhere between ’57 and ’62. I would have to have to place myself somewhere between ages eight and twelve at the time.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: And you think other people of that age, would, of course, have to remember something like that. Wouldn’t they. So maybe it’s something we should start asking for. So, where would you give the exact location. If you were saying to them. Would you remember the helicopter where it landed?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Yeah, it landed right in the substation?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: In the electricity sub station between the Old Manor Road and Dublin Hill.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Right. Actually, the road heads up to Murphy’s Rock. From the Old Manor Road, there’s a road that heads up to Murphy’s Rock where we used to play. And the Mallow Road. There’s an ESB sub station right there and that’s where the actual helicopter landed. I’ve no idea why or what. I’m sure it had some business.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: Obviously.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: To us, that would have pre the airport. Also hadn’t been opened.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: Sure, there’d have been nothing in the sky before then.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: Right. And that fact that it was a helicopter alone.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: It would probably have been the first time people even saw it.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;TJ: And this would have been pre-television.&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="3361">
                <text>Tom Jones: Shandon Street, Murphy’s Rock, Television</text>
              </elementText>
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                <text>Life History:</text>
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                <text>Tom is from Shandon Street. In this interview, he remembers a helicopter landing in a field, sometime in the late 1950s or early 1960s, which caused great excitement amongst the locals.&#13;
He mentions the arrival of televisions to Cork around 1963. Tom also describes how some children dammed some water at Murphy’s Rock to make a swimming pool.</text>
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            <name>Date</name>
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              <elementText elementTextId="3364">
                <text>27 August 2011</text>
              </elementText>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="3365">
                <text>Interviewee: Tom Jones&#13;
&#13;
</text>
              </elementText>
              <elementText elementTextId="3366">
                <text>Interviewer: Gearoid O Donnell</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>CFP_SR00443_jones_2011</text>
              </elementText>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="3368">
                <text>Cork, Ireland, 1950s-1960s</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="3369">
                <text>&lt;strong&gt;Other Interview With Tom Jones:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148" target="_blank" rel="noreferrer noopener"&gt;CFP00438&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>2010 - 2013</text>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="3354">
              <text>Patrick O'Brien</text>
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          <description>The person(s) performing the interview</description>
          <elementTextContainer>
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              <text>Gearoid O Donnell</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="3356">
              <text>7min 15sec</text>
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          </elementTextContainer>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Civic Trust House</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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          <description>Any written text transcribed from a sound</description>
          <elementTextContainer>
            <elementText elementTextId="4193">
              <text>&lt;p class="western" style="margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B&lt;/span&gt;: &lt;span style="font-size:large;"&gt;The Swan and Cygnet just around Patrick’s, where Black Tie&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;is now.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Oh right. Okay. And was that there, when did that close down?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: I’m trying to think. Eh Jim Clancy sold it in 1987, ’88 and I was there until Jim sold it and it operated for a bit after that but they were trying to transfer the license out to Victoria Cross and they weren’t able to do it. And eventually the place just closed as a pub.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Right. So what was the heyday like of it?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Ah stop, well ‘twould have been back probably before I started working there when there was lots of Ford’s and all them were going but like even when I started there in 1981, I think and the place used be packed. I mean ‘twas a small pub, very small pub, you could go in from Patrick Street or go in from, sure everyone knows that you could go in from the Quay and a roundy bar then, roundy bar inside. The place was very small like, very small.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Okay.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: But the money that they used be taking in there because you’d the buses, you’d the, you’d the, you’d the em, the statue was just across the road, you know the statue.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Em, yeah &lt;/span&gt;&lt;span style="font-size:large;"&gt;[word unintelligible]&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: And the buses used stop there like and so you have the busmen would be coming in. People coming into town, it’s the first stop when you get off, you go for a pint, you go into the Swan if you’re going up to the Northside at night, you get the bus outside the door, it’s the last place you go for a pint if you were heading out of town. Coming into town they all get off at the statue, Number two, whatever first place you go is across the road to the Swan. It was just a meeting place like. The place used be packed, packed but then when Dunlops closed and Fords closed and I don’t know things got quieter and it use not be as busy like.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Yeah.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: When I started there before on, on a Saturday night, four on a Friday night, you might have three on a Sunday night, you could have four on a Sunday night but before the place closed you’d have two. ‘Twas gone like, ‘twas gone.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: So was the bulk of their trade from kind of lads coming home from work in factories?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Oh Friday evening, you wouldn’t get in the door there. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Right.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: You wouldn’t get in the door there from three, four o’clock on you wouldn’t get in the door. Just and ‘twas great, great pint there. There was a cellar there, it was the first cold room in Cork.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Coal?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Cold room.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Oh, Cold room, oh right.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: It was the first cold room as far as I can remember now. It was the first cold room in Cork.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: And that was down in the cellar? &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: ‘Twas barrels in through the bar sliding down the stairs into the cellar below, and then pulled through and you going up through the floor. The draw took the short straw. Pint was, beautiful pint there because of the cold room and because of the short drop.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: I get ye, and the &lt;/span&gt;&lt;span style="font-size:large;"&gt;[word unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; obviously has a big effect on it.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Huge well I mean when you’re going like pulling pints all day like and I mean the short drop so there was, you the pipes were always clean and you know, ‘twas ah stop the place was unreal.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Must have been like you know what I mean.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Ah stop. I could write a book on the place. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: &lt;/span&gt;&lt;span style="font-size:large;"&gt;[phrase unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; You’ve enough material for a book. Is there any stories that you particular, any particular characters?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Ah stop, sure Jesus, most of ‘em, most of them are dead now. &lt;/span&gt;&lt;span style="font-size:large;"&gt;[laughs]&lt;/span&gt;&lt;span style="font-size:large;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Ah sure ‘tis grand. You can tell away then like. You know what I mean.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: There was em. There was, ‘twas closed then from half two to half three, the holy hour, you don’t remember that like but, everyday the pub would close from half two to half three, delighted used be brilliant like because you go in, I used go in, in the morning sometimes ten o’clock open up, get the place ready. You start working all day ‘till half two, then you close down, the other shift come on, you clean up then, the other shift come on then at half three to half seven, and half seven they close. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Would they close then fully up at half seven like? &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: No, no ‘twould open again at half past three.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Right. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: But closed for an hour.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Oh, I know that.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: From half two to half three. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’B: But closing time in the evening was half seven.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: No, no, no, no.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’B: No, no.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B; No the shift.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Oh sorry, sorry.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: The shift was from half three to half seven.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Get ye. And you’d be back on then again would ye? &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt; &lt;/span&gt;&lt;span style="font-size:large;"&gt;[phrase unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: &lt;/span&gt;&lt;span style="font-size:large;"&gt;[phrase unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; Could be on the morning shift, could be on the evening shift, could be on the night shift. They were the three shifts like, its just the time but it used close from half two to half three.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Sure that doesn’t happen anymore either.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: No, na, na, na.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: That’s lunchtime trade nowadays, isn’t it?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Yeah, yeah, yeah but it used close. There’d be nobody in there, nobody in there. Everybody out. And yes all go out then, go out to Blarney, out to Bishopstown, you’d have to go outside the city, outside the city bounds like.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Right.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Any pub in the city. If you were outside the city, you could serve away all day.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: That would be a bit of a long trek to go all the way out to Bishopstown and then back in again like. Know what I mean.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Well they go out to Bishopstown and they stay there. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Oh yeah, &lt;/span&gt;&lt;span style="font-size:large;"&gt;[phrase unintelligible]&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B; They go out to Blarney.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Yeah, right.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: You’d have, you’d have to get outside the city bounds. All the pubs inside then had to close from half two to half three.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: And that was obviously a religious thing was it?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: I don’t know what it was. &lt;/span&gt;&lt;span style="font-size:large;"&gt;[laughs] &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Holy hour yeah.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: I don’t think ‘twas religious. I don’t know.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: They just decided they’d like a break. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Well, ‘twas the law at the time. &lt;/span&gt;&lt;span style="font-size:large;"&gt;[word unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; That’s gone, its gone away, its done away with thanks be to God. Its just as well. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Like, do you remember, were there any particular characters used come in or was there such crowds?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Jesus, there was, there was, there was. Everyone went there. Like &lt;/span&gt;&lt;span style="font-size:large;"&gt;[word unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; sure who, there was loads like I don’t want to go naming names now but there were, the fellows that were barred were the ones you’d remember like. The people that were drinking there. No there was only Gallagher, Rory Gallagher there, I suppose.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Oh yeah. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: I was looking at. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Yeah.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Do you know Rory?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Yeah, of course I do yeah. He, &lt;/span&gt;&lt;span style="font-size:large;"&gt;[word unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; ‘twas Mick Moriarty wrote the article there, the baldy barber out in Blackpool. He used drink there. Mick. And he just wrote a bit there about Gallagher. That’s all I was looking at. And he said about the Swan and Cygnet so the girl there just came up to me and I said yeah I worked there.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;&lt;span&gt;GO’D: Yeah, Jesus. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:large;"&gt;[phrase unintelligible]&lt;/span&gt;&lt;span style="font-size:large;"&gt; sparking all manner of memories and stuff like that, you know what I mean. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Ah stop. Stop. And If you’re passing now right, if you’re passing, you know Black Tie.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Yeah.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Just below that right, I showed you, didn’t I, there’s a little or do you know what there’s a shoe shop or what below it right, in underneath it there’s a little concrete little plinth with Madra written across it right. Madra Irish for a dog. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Yeah.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: And the water used go into that or what I think was the rain water, I don’t know but all the stray dogs around the place, they could get a drink in Patrick Street, you have a look at that the next time you’re passing there right.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: And its between it and the shoe shop?&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Its just, its just, its just down the road from Black Tie, if you’re going down Patrick Street right. Madra is written on it. That’s just one thing I remember from standing outside the door.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;GO’D: Yeah. &lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;span style="font-size:large;"&gt;PO’B: Waiting for the bar to clear at night like.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;INTERVIEW ENDS&lt;/p&gt;</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3339">
                <text>Patrick O’Brien: Patrick Street, The Swan and Cygnet, Seamus Murphy</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="3340">
                <text>Life History: </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3341">
                <text>Pat talks about the Swan and Cygnet pub, Patrick Street, where he used to work. It served a beautiful pint because the barrels were kept in Cork’s first cold storage room. Pubs in the city closed between 2.30 and 3.30 for the holy hour. There was a special drinking trough for stray dogs in Patrick Street. </text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3342">
                <text>27 August 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3343">
                <text>Interviewee: Patrick O'Brien&#13;
&#13;
</text>
              </elementText>
              <elementText elementTextId="3344">
                <text>Interviewer: Gearoid O Donnell</text>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="3345">
                <text>CFP_SR00442_o'brien_2011</text>
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          <element elementId="38">
            <name>Coverage</name>
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              <elementText elementTextId="3346">
                <text>Cork, Ireland, 1970s-2000s</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/19"&gt;here&lt;/a&gt; to access Pat's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2040">
                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="2041">
                  <text>English</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
                </elementText>
                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Fergal Crowley</text>
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              <text>Gearoid O Donnell</text>
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              <text>21min 20sec</text>
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          <name>Location</name>
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              <text>Civic Trust House</text>
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              <text>.wav</text>
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              <text>24bit / 48kHz</text>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;FG: &lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;Yeah, I remember people used to come in with orders. It was a form of HP, and I remember the Shawlie ladies coming in and they were very decent people. Very straight to deal with. They were fine. We got a lot of country people then. Especially the church holidays were exceptionally busy. All the farmers would be in and they’d all be looking for bargains and all. I would remember. They also had a tailoring department then. They made clothes for the military. They had a military contract and everything. It was a fine store. It was an awful pity it went. But things changed. Trends, changing trends and fashions and everything.&lt;b&gt;&lt;b&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: when you were looking inside what sparked your memory, of any of the articles inside, reminiscences. What got you thinking of all these memories?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;FC: Yeah. The layout was. We had a very special hat department inside the door I’ll always remember. I spent most of my time in the men’s outfitting they called it. The layout was different. All the stuff was in drawers. Today stuff is on the racks. It is hanging everywhere. But that time, a person came in for socks or anything you had to pull out a drawer and they’d pick and choose. The display was different. And you had these long mahogany counters. And I remember the hat department. While you got some lovely customers, you’d get some, those days, you’d get some very troublesome people. Over the years they became known, and they became known from other shops. We’d see them coming along, maybe down the stairs or coming up the store and we could always duck into the hat department and get away from them. We had great hideouts. Sometimes we could even manage to duck the boss if we saw him on the war path. The layout was better from that point of view. Everything is more open now, you couldn’t get away with anything. There was more crack as well. There was more jokes and playing pranks on people than there is today.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;margin-bottom:0cm;line-height:150%;"&gt;My father, God rest him, told me a story that in the early days in the Arcade, well before my time now, or your time, of course, they used to sleep in there. They had a dormitory, especially for fellas coming up from the country. And they’d great fun when fellas would come up from the country. One fella, pretending to be a doctor and he’d be examining and you know and all this. But there was one story told, that they used to go to bed at night. And it was almost like a boarding school. The supervisor would come along with a torch to make sure they were all in bed. Apparently one night one fella ducked out to a dance, and the authorities didn’t know anything about it. They dressed up one of the dummies and put it into his bed in the dormitory. Your man came back from the dance, got into his bed and nothing was known about it. That was one of the funny stories I heard. So, that is as much as I can tell you.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;GoD: Ah, that’s brilliant. That’s great. Thanks ever so much.&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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            <name>Title</name>
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                <text>Fergal Crowley: Patrick Street, Munster Arcade, Black and Tans</text>
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                <text>Life History:</text>
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                <text>Fergal worked in the Munster Arcade, Patrick Street. He describes the shop. His father started work there in 1901. After the building was burned by the Black and Tans during the Burning of Cork, the British government paid to have buildings on one side of the street rebuilt.&#13;
He remembers and names all the old cinemas of Cork. There was a milk and cake shop near O’Sullivan’s Quay. During the Second World War, he was issued with a gas mask; rationing continued until 1951.&#13;
He tells a funny story about a Guard and not having a light on his bike. He notes that the city was safe, and contrasts it with today’s more violent society.&#13;
Fergal talks again about the Munster Arcade; how clothes were displayed. He tells a funny story about sleeping at work and one employee sneaking out to a dance.</text>
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            <name>Date</name>
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                <text>27 August 2011</text>
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                <text>Interviewee: Fergal Crowley&#13;
&#13;
</text>
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                <text>Interviewer: Gearoid O Donnell</text>
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                <text>Cork, Ireland, 1940s-2000s</text>
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                <text>&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;br /&gt;
&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/6"&gt;here&lt;/a&gt; to access Fergal's entry on the Memory Map&lt;/strong&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Cork Folklore Project</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="2041">
                  <text>English</text>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Patricia McCarthy</text>
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          <name>Interviewer</name>
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              <text>Cliona O'Carroll</text>
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          <name>Duration</name>
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              <text>40min 07sec</text>
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              <text>Civic Trust House</text>
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              <text>.wav</text>
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              <text>24bit / 48kHz</text>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;P McC: And of course, we had the fishermen there then on the quay. I mean they used put their boats there and their nets. You know we had.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;CO’C: And how many around would there have been?&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;PmcC; Well, they mostly the fishermen with families, they would go back the generations again, you know. The Flynns, they were mostly families even to this day now they fished down outside Blackrock. The Quilligans, they fish on Blackrock area, that’s their fishing rights now that’s going back generations.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;CO’C: And the men that you remember being out here, where would they have lived?&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;PmcC: Oh they’d lived on Witherington’s Hill or Cobbidge’s Lane. They’d have lived on the lanes around and they actually used have their little boats there and the nets then would be thrown over the quay wall.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;CO’C: Okay.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;PmcC: You know even in my time. But they were families then again. You know like the butchers were families. ‘Twas all kept within families, the trade, well the fishermen wouldn’t be trades but the trades were and you couldn’t get into them. So if you were, if you had nothing you couldn’t kind of get a trade because ‘twas closed shop. You know.&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:115%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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            <name>Title</name>
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                <text>Patricia McCarthy: Shandon Street, War of Independence, Trades</text>
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                <text>Life History: </text>
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                <text>Pat McCarthy (née Byrnes) is from Shandon Street. She grew up in Mahony’s Terrace, overlooking Pope’s Quay which she knew as the Sand Quay. Her father worked as a lorry driver. She remembers Shandon Street having bakeries and butchers. There were lanes off it, and she also recalls a house she calls “the Dolls’ House”, Batchelor’s Quay, which was later knocked down. She recalls Dillons’ milk and cake shop, and Nosey Keefe’s which sold chocolates and cigars.&#13;
She remembers her grandmother, who lost three brothers in the First World War, and who she describes as a strong, intelligent woman.&#13;
Pat describes the shawls women wore, one black, one cream. She tells a funny story about her sister being christened Valera, after Éamon de Valera. She talks about the power of the church and the issue of contraception. &#13;
Men fought in the war because they looked on it as a job; it was not for the British Empire; how they were frowned upon later by Republicans.&#13;
Houses were occupied by neighbours in the event that a family died out; there were no property deeds to houses.&#13;
There was an RIC barracks at the end of Shandon Street. A Black and Tan soldier called Charlie Chase ruled the area during the War of Independence.&#13;
She talks about the lives and status of women and girls.&#13;
Trades and skills were kept within families, such as fishing or butchering.&#13;
People kept chickens and pigs. She often saw sheep being herded down Shandon Street. A slaughterhouse might only be a field where animals were killed. A pig’s head was a traditional dish on St Patrick’s Day.&#13;
She remembers Cork character The Rancher and his getting married.&#13;
Skiddy’s Almshouse was a home for Protestants. She lived in the shadow of Shandon Church but never went into it until recently.</text>
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                <text>24 August 2011</text>
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              <elementText elementTextId="3299">
                <text>Interviewee: Patricia McCarthy&#13;
&#13;
</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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            <name>Identifier</name>
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                <text>CFP_SR00440_mccarthy_2011</text>
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                <text>Cork, Ireland, 1950s-2000s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/17"&gt;here&lt;/a&gt; to access Patricia's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project</text>
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                  <text>English</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Tom Jones</text>
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              <text>Cliona O'Carroll</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>24min 36sec</text>
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              <text>Civic Trust House</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;C O C: &lt;/b&gt;How did kick the can work?&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;T J: &lt;/b&gt;Kick the can was a – I believe someone threw the can and whoever called out the name, he had to stand there with the can and guard it and then everybody hid and he had to go looking for them. So if somebody – if he didn’t find somebody closer that were closer and they ran and kicked the can I guess he had to do it all over again. It was something like that, I’m not sure if I remember eh perfectly.&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;C O C: &lt;/b&gt;We used to do something called like called tip the can but we used to use a lamp post as the can and again it was you had to run in and if you tipped it while they were gone again, it started all over again or something.&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;T J:&lt;/b&gt; I’m sure somebody else mentioned it was the gambling game it was eh playing feck. where you throw h’appennies.&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;C O C: &lt;/b&gt;Oh, no I don’t know that.&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;T J: &lt;/b&gt;Well what it was was that you know first of all the eh – to determine who tossed first, meaning toss was to flip them in the air, there was a jack meaning a piece of a stick or a stone and you pitched and the nearest, the nearer one to that stone got there between the two.&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;C O C: &lt;/b&gt;And what were you throwing to the stone?&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;T J: &lt;/b&gt;Again, it would be I think it was eh I think H’appennies were still around. The farthings were gone in my time but the h’appennies were still there and it would be h’appennies that you pitched towards this eh stone or whatever and then the first one who – the nearest to that, what was called a jack em had a choice to pitch and how a winner was was that you had eh flick them in the ear and it had to come up two heads. If it came up two tails or two harps you eh lost, if it was a head and a harp or a head and tails then of course it was null and void. So then the other kids would, would bet again on his heads or his tails.&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;C O C: &lt;/b&gt;Right.&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;T J: &lt;/b&gt;Because when was the tails we were betting on – and of course that created some troubles throughout that. I’m sure there’s other people that have told you what the ways; when somebody dived in and grabbed the pot. If there was money on the ground and somebody was losing he would shout ‘all away’ and I think that was the word, which encouraged everybody to jump in, maybe grab what was there at their own, at their own risk obviously because at that time there was [word unintelligible] legs, everything else you know you just kick the thing and got a bit wild. But they were the basic things you know..&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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            <name>Title</name>
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                <text>Tom Jones: Shandon Street, Emigration, Childhood</text>
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            <name>Subject</name>
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                <text>Life History:</text>
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                <text>Tom was born circa 1950 in a building at the bottom of Shandon Street. &#13;
He remembers watching the Cork Opera House on fire in 1955. He recalls childhood games and explains the game of Kick the Can and Pitch and Toss. He talks about the nature of relationships between parents and children.&#13;
At  16 he went to London and began to educate himself, finishing up in America. He talks about how Cork has changed.  He remembers what the allotments were like, and collecting turf in a pram.&#13;
He explains how children could get into soccer games free if they pretended to be with a man, who was often a stranger. He recalls a shop called The Pantry, in Blackpool, where he had gudge cake and rasa [raspberry juice]. Youngsters caught tiny fish in bags and took them home.</text>
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            <name>Date</name>
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              <elementText elementTextId="3275">
                <text>24 August 2018</text>
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                <text>Interviewee: Tom Jones&#13;
</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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            <name>Identifier</name>
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                <text>CFP_SR00438_jones_2011</text>
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                <text>Cork, Ireland, 1950s-2000s</text>
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                <text>&lt;strong&gt;Other Interview With Tom Jones:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/152" target="_blank" rel="noreferrer noopener"&gt;CFP00443&lt;/a&gt;:&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;br /&gt;
&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/13"&gt;here&lt;/a&gt; to access Tom's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Cork Folklore Project</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>Cork Folklore Project</text>
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                  <text>English</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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              <text>Phil Corcoran</text>
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              <text>Cliona O'Carroll</text>
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              <text>13min 20sec</text>
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              <text>Civic Trust House</text>
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              <text>&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;line-height:200%;"&gt;&lt;span style="font-weight:normal;"&gt;COC:&lt;/span&gt; &lt;span style="font-weight:normal;"&gt;So what we’re doing is we’re going to, you saw the map inside, we’re going to put a version of it online. So, when you go online you can click on a certain point in the map and hear somebody, like you know some of the voices that we had playing.&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: Yeah, because I knew Geraldine from, I say, I used to work in Wilton and Geraldine used to come in for her cup of coffee.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: Oh, very good.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: And then, where the Butter Exchange is now used to be a hat factory a long, long time ago. It was O’Gorman’s Hat Factory. And my mother’s mother worked up there. But my grand-father, which would be my mother’s father, was a docker below in the quay but his mother used to sell second hand clothes in the Coal Quay.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And can you describe her to me?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: Well, well I mean since they were all heavy I could get one or two pictures, I’d say off my uncle and well it wasn’t like – my mother had curly hair and good looking. They used to say when – well my grand-mother used to say about her mother in law, she had an old coat or an old apron and the black shawl but she was taking all the coins and notes and they’d be going home at night they’d be [phrase unintelligible] straighten them out. But my grandmother’s father then was a docker below in the quay. That time then there was no [word unintelligible] for dockers below in the quay. Ands my grandfather, on my father’s side, worked for C.I.E. in the railway but his wife’s grandmother was from Chapelizod in Dublin you see. So they all came like, twas basically work with docks, C.I.E. and the whole lot like. My husband then is originally from Shandon Street.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And where did you grow up yourself?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: I grew up in the Low Road, em just below Water Street and we used to come up to get the chocolate crumb off the boats and the bananas. We used to get killed. [Laughter]&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And would you go in, go in up the quays looking for it?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: Go up the quay waiting for the chocolate crumb boat to come up and sure of course there was no sweets or you couldn’t afford sweets that time like. We’d get the chocolate crumb and you’d get the bananas and of course the bananas would be as green as grass and you’d have to wrap them in brown paper; put it in cupboards instead like right. Half the time I remember going down then where Silversprings now is. That used to be called Dwyer’s Wood and there was a lot of big houses that time like I mean to say. These were big houses now, they had maids and cleaners and they were big four, five storey houses. But one day we decided we’d go in slogging apples. Of course I caught on the fence coming over. I had two lovely spike marks, sure I got killed when I went up home.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And does Kyle, does your grandson know what slogging apples is?&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: You see, this is it, not the kids.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: You should explain it. Explain it to him now.&lt;/p&gt;
&lt;p class="western" style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: You see when you go out, you now like, she has an apple tree next door but you see that time we had no money. So we’d be sent off in the morning maybe a bread and jam sandwich and a bottle of milk and you’d be doing – go off for the day because that was – Dwyer’s Wood at the end of Silversprings, where the hotel is there now. We used to be big fools in fields and you’d be throwing off down then playing rounders and whatever was going for the day. And then, well on the way back you’d be feeling hungry and we’d go in and we’d rob apples. That’s what called slogging apples is.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;[Interrupted by grandson in interview]&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: He was saying what was that building behind the Maldron hotel. But that was the old North Infirmary.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: Yes. Yeah.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: I must say my father in law was a patient in there. And I mean to say like where you come out the back now where they have the car park you can see Shandon. And it took me to have a look at Shandon today and then out to the Skiddy’s Alms Houses. Because like you’d often see them and they’d be – I’m sure it’s a Cork Channel, it’s to do with the heritage above in Farrannree or something and they had a documentary about Skiddy’s Alms Houses and then of course I brought him out to see them and then I had to bring him down, Bobba Jones’ as we used to call it long ago. And there.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And tell me, when you were young growing up. What kind of games would you play?&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: Oh we’d have kick the can. You see I grew up in the Low Road. It’s like rounders and we used to have hide and seek and then we would play skipping and two balls and then with the roller skates, the old fashioned roller skates with the big rubber wheels. Sure we used to have a great time with them. We were grand didn’t we had no elbow pads or no knee pads. I often fell.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And eh, did you ever have bonfires on bonfire night?&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: I did, got rid of all the rubbish and tyres and big black smoke and you’d have the sausages on stick cooking on the bonfire.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC; And where would your bonfire be?&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: We had – there was a big quarry on the Low road. If you go along the train now to Cobh you actually had to pass through the quarry and we used to have great times down there because it – there was men, Mr. Googan [?], the Lord have mercy o him. His daughters were in school with me but he was a taxi driver and that time like taxi drivers, I’m going back now fifty five, so like I’m going back to then. And like having someone [phrase unintelligible] as a taxi driver oh that was a great thing. You were very wealthy, very well to do like. And eh we used to go in there in under the railway bridge play in the quarry and there was the eh, a little stream because you see Spring Lane as we used to call it – Silversprings was a fresh water spring and it used to run down Silversprings, the whole length of Silversprings and you could walk up Spring Lane from there, up to the top of Mayfield and you’d come out then by the Cotton Ball.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: Yeah, yeah.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: So, of course we used to have the fresh water and we had an old pond then below the porridge [?] we’d be in there swimming. That was our swimming pool. Or we’d go down, well tis’ a park now, tis the Cork Harbour Park in the Low Road, but that was Tivoli Scheme long ago and sure tis’ in there I learned how to swim.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: Oh right.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: And my grandmother, she could never swim but she used to row the ferryboat by the ferryboat inn, over long ago to the matches in Pairc Uí Chaoimh now but it was the Showgrounds that time – or over to the athletic grounds. And her brother, Georgie Garrett, was on the same team as Christy Ring; and he won an All-Ireland.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: Oh wow.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: And, like, things like that – I mean tis’ it’s. [Interrupted]&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And, your grandmother now, she’d, she’d go over as a passenger, was it, in the row boat.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: No she used to row the boys over in the ferry boat ‘cause she used to – she won a bracelet years ago and it would have been, kind of the equivalent of an Olympic medal ‘cause she rowed with Lee Rowing Club.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: Wow.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: They used to do the ‘em—there used to be [phrase unintelligible] and they used to be up and down the river like and she could never swim, but she used to row them. So like that’s where we learned how to swim. We used to go backwards and forwards.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC; Wow.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: My uncle threw me in, I was about six down in Tivoli Scheme. And I had to learn how to swim.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: I tell ya, in at the deep end that is.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: Oh by god you learned how to swim.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And what was the Tivoli Scheme? What was it?&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: It was – there was all oil factories that time, the Esso Oil Factory, and then there was em – they used to do a roofing product called Roof Broom. There were a multi-national company.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: And were you swimming in the river there?&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: Yeah.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: Yeah, yeah.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: Swimming in the River Lee, going out to sea.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;[Interrupted by Grandson]&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: But I remember the synagogue that time for the Jews in Cork, it was over in the Lee Terrace by the old Labour Exchange, where the Lee Garage is now, that’s where the old synagogue was. It’s just like when you be walking around –because Patrick Street is changed so much, Roches’ Stores is it used to be Roches’ Stores then above that, down where Merchant’s Quay – they were on actually -- Neil Prendeville out it on the other day about pubs, old pubs around Cork. There was the Queen’s, there was The Inisfallon along the other side by the back of the Metropole. There were so many old pubs – The Long Valley is – what’s the oldest, The Chateaux. They’re about the only two – The Swan and Cygnet, where Blacktie is there now, used to be the Song and Cygnet. But I mean to say like the – even Cork to the Cork I grew up in like it’s changed so much.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: I’d say so.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;PC: I mean to say where Burgerking is there now, that used to be Lipton’s fruit shop long ago, eh where Guiney’s was, was the five star supermarket. And in the old Roches’ Stores there was a laneway going between them and the old coffee shop and down there; there was a friend of mine used to work there, Jack Lyons’ tobacco shop, and they used to mix all of his tobacco for the pipe smokers. And then you had the Tivoli where the entrance, I suppose you could call it down to Marks and Spencers was a fabulous public restaurant. And across from that, now I even say the last day we used to love eh there used to be a greasy spoon I suppose you call it, the Uptown Grill on MacCurtain Street. Sure that’s gone now as well like. Change of faces.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;COC: So listen, thanks very much.&lt;/p&gt;
&lt;p style="margin-left:2.54cm;text-indent:-2.54cm;margin-bottom:0cm;line-height:200%;"&gt;[End of Interview]&lt;/p&gt;</text>
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              <elementText elementTextId="3250">
                <text> Phil Corcoran: The Low Road, Slogging Apples, Chocolate Crumb</text>
              </elementText>
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                <text>Life History: </text>
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              <elementText elementTextId="3252">
                <text>Phil grew up in Low Road, near Water Street. As a child Phil used to go to the quays to get chocolate crumb from some of the ships that came in. She also talks about slogging apples.</text>
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            <name>Date</name>
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              <elementText elementTextId="3253">
                <text>24 August 2011</text>
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                <text>Interviewee: Phil Corcoran</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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                <text>CFP_SR00437_corcoran_2011</text>
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                <text>Cork, Ireland, 1960s</text>
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              <elementText elementTextId="3258">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; 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&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="https://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/26"&gt;here&lt;/a&gt; to access Phil's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                <text>1 .wav File</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>2010 - 2013</text>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="2046">
                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
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              <text>Michael O'Callaghan</text>
            </elementText>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Cliona O'Carroll</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="3246">
              <text>8min 45sec</text>
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          </elementTextContainer>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Civic Trust House</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>.wav</text>
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              <text>24bit / 48kHz</text>
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            <elementText elementTextId="4195">
              <text>&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC: So, just to kick off there, you might tell me your name.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;M OC Michael O’Callaghan. I’m from Togher. My mother, my father and myself left Cork in 1960. I was only three. To go to London. Big adventure. I have strong memories of sailing on the old black and white Inishfallen from the quays below because it seemed a very very sad thing. Not like today, travelling. As the ship was leaving all the people would start singing, and the song still haunts me. They sing the song ‘now is the hour when we must say goodbye’. So, you could have a couple of hundred people because a lot of people getting on that boat weren’t going away for a weekend. They might never come back. And there used to be people wailing and crying on the ship. And my mother and me father, me mother especially, would be crying a lot. But the ship would go slowly down, and you could drive down Low Road in both directions, and there’d be cars following it down all the way. And then you had a long sea journey to Fishguard. You’d leave. I’d memories of leaving Cork about six o’clock in the evening, arriving in Fishguard in the middle of the night. A long wait then in the cold, and the smell of fish in Fishguard and someone told me it’s dead mullet. I know now, and also Bovril. If you mention to a lot of people Bovril, it seemed it was all you could get there. And I still to this day can’t. If I smell Bovril I can’t take it. Then you’d have a five or six hour journey by train from Fishguard to Paddington. And the other way round then, we’d come home every summer. My Grandmother lived in Glenabbey Street, and she hadn’t electric light. This was in the sixties. She actually hadn’t electricity, and I can still remember the gas lamps, the lamps would be lit. She’d cook on the fire. And I can still remember the food, and at night they’d just sit there talking for hours. I’d have been seven, eight, nine or ten. But I used to love it. With my grandfather and my grandmother. The house is still in Glenabbey Street. Now it’s rented accommodation. There’s students in there. But that black Inisfallen. I bought a photograph of it from The Examiner. It was a memory I’ll never forget that song and the smell of Bovril.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC That’s so vivid. Do you remember how the song went.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;M OC No. You can get it on the internet if you Google it. Now is the hour when we must say goodbye. Soon you will be sailing far across the sea. If you google it you’ll get the words. I don’t know. It’s an American/Irish singer but if you play that song I guarantee to anyone in their fifties and older, they’ll think of that. But then I can also remember we’d come home in the summer, the long train journey from Paddington to Fishguard, then you’d get on the ship but in the morning she’d pass Roche’s Point about seven o’clock in the morning, and I can remember coming up the river. I can remember passing the marina, in the morning, and people waving at the boat. That was a happy time. My mother would be up doing her make up, I can remember and all that. And the boat would come up to where the river splits there by, I don’t know the name of the quay there&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC The Port of Cork.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;M OC The Cork building. Just before that the boat would actually do a turn to be facing out to sea again. If I remember rightly we used to arrive on a Sunday morning but then she’d sail Sunday evening again. But it was a long slow journey. The boat stank as far as I was concerned. It was a floating pub. But they used to keep cattle underneath as well. And I’d be sick the day before we travelled with worry, and I’d be sick the day after we arrived having travelled. But the memories of that ship and that song. Get the song from Google, ‘Now is the hour when we have to say goodbye’. But it was like a coffin ship going off. And also arriving. When you arrived the Customs would go through your case. And a big lump of chalk would be plastered on the case, that was to get you through the security. If the chalk was on your case you were OK. So that’s me.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC Wow. Jeepers. Thanks for that. That’s really vivid.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;M OC It was a long way away at that stage. We used to ring home, now me mother used to write letters to my grandfather. And he’d write back and the letters would come religiously every week from him. Maybe once a fortnight from my mother. Not as quick. Things got a bit better then, we’d ring from a phone box to a phone box on the North side to my aunt, via operators. We’d be shoving in two bob bits and all the rest of it. I can remember he’d ring on a Friday night. There could be a queue at the phone box, or there could be a queue at the phone box in Farranree. So they’d be waiting at both ends. You’d ring and someone else would pick up the phone. London was a long way away then.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC Can you remember the first time that you came back for the summer and your impressions of Cork then after having been in London?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;M OC Yeah. I didn’t want to go back to London. Cause we were playing with relations in the North side and relations in Ballyphehane. In London it was a rather built up area where we lived. So we came back here. And I’d be gone in the morning and dragged in late at night, having been out playing football, kick the can, which I’d never heard of, and all those things. So I used to be depressed going back to London. It was just outdoor, always sunny. Red lemonade, I’d never seen. White vinegar I’d never seen. And Taytos. Rasa was a phrase. My Grandad used to take me to the pub. I didn’t realise he was getting it for nothing. You know, it was for half nothing that I’d be drinking Rasa. Also getting I’d be hanging my parents now [inaudible phrase], getting the bus to Crosshaven. We’d go to Crosshaven with my cousins. They’d go into the pub and myself and my cousins clung to the wall outside the pub, in the corner of Crosshaven for hours. We set our DNAs on that wall definitely. And then we’d come home in the evening and for years we used to talk about Crosshaven. And I’d say ‘sure there’s nothing there’. I didn’t think there was anything in Crosshaven. I just thought it was a square. Honestly. So in later years I brought my own children down there. I found Graball Bay [sounds like], and all those. But the bus to Crosshaven for the pub. Everyone did it. Stayed in the pub all day, and then got the bus back. That was the adventure. Also when I used to come I was the rich person from England. Choc Ices. My cousins still joke about Mick coming home with the Choc Ices. We’d go to the shop and I’d have money for Choc Ices, which they wouldn’t have got. We had some money but the lads here didn’t have as much. And two other things, I’ll bore you to tears. My aunts had televisions with slot machines in them. You’d put money in and that’s how they paid the rental on the television. The television shops in town. They couldn’t afford the rent on the telly. So there was a slot machine on the telly same as a ESB machine. So you’d be watching it, and the next thing the money would go and the telly would go. So someone would run looking for a shilling or two bob to put into it. You’d get an hour or two hours out of it. And the last one was they used to put blue plastic over the television trying to pretend it was colour. Honestly.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC Brilliant!&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;M OC I thought it was a wind up. But they did. But the slot machines for the television, I remember that now, just come back to me there. You might get an hour for a shilling or something. But in the middle of something it would go. I thought it was prehistoric. I’d colour telly in London at this stage. I thought it was totally prehistoric. And always one channel or two channels. But I loved it back here. I didn’t want to go home. We came home for good in ’74. Thank God. I was seventeen.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC What was that like now, arriving back from London at seventeen?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;M OC That was a little bit of a shocker because I’d settled down in London. I’d lots of friends there, but I settled down very quickly. And I took my father, [pause], we’d a big birthday recently. My daughter was twenty. I was fifty and my dad was eighty and I took him back to London for the first time since ’74. And we stayed near where we lived. Where we lived now is in the Kensington area. At the time it was a little bit run down, now it’s all millionaires there. It was just amazing to see it. But I had it for a few days. And I took my children there a few years before that to see where I went to school. School in London. It was nice to see it. It was nice to come home. London is grand for a week. But, everywhere we went in London was Irish, Irish, Irish. We’d often have Cork people staying in our house for a night or two, that had come over. And the Irish clubs, the Irish pubs full of Cork people. Everywhere. They were everywhere. That’s my memories of London now.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;C OC Well, thank you very much. Excellent.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;line-height:150%;"&gt;End of Interview&lt;/p&gt;</text>
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                <text>Michael O'Callaghan: Togher, Emigration, Summer Holidays, </text>
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                <text>Life History:</text>
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                <text>Michael was born in 1957. Originally from Togher. Michael’s family emigrated to London in 1960. He remembers the ship leaving Cork on the Inishfallen, and people singing and crying at the quayside. They sang the popular song “Now Is The Hour” [Bing Crosby, 1948]. The family came back to visit every Summer; he remembers his grandmother’s house still had no electricity in the 1960s. he contrasts life at home with life in London. Television sets had slots to put money into them to pay for an hour’s viewing.</text>
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                <text>24 August 2011</text>
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                <text>Interviewee: Michael O'Callaghan&#13;
</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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                <text>Cork, Ireland, 1960s-1980s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/7"&gt;here&lt;/a&gt; to access Michael's entry on the Memory Map&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2010 - 2013</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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              <description>A related resource</description>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Folklore Project Audio Archive</text>
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              <name>Publisher</name>
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                  <text>Cork Folklore Project</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Cork Folklore Project</text>
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              <description>A language of the resource</description>
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                  <text>English</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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1 .mov File</text>
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              <text>Mary Montgomery-McConville</text>
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              <text>Cliona O'Carroll</text>
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              <text>7min 41sec</text>
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              <text>&lt;p class="western" style="margin-left:1.27cm;text-indent:-1.27cm;font-weight:normal;"&gt;COC: You’re familiar with our project? So just any memory that was sparked?&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Well I remember in the Winter, Lavitt’s Quay was sloped and we’d come out and we’d throw water and we’d have eh skating down across – there was hardly any cars at that time but the footpath was kinda’ high and I don’t know how we weren’t drowned because we’d hit the car when we’d get down, the young fellas and the young girls – but we wouldn’t be out too late. But we’d swing over then across the path and turn around and also on Good Friday there was a crane just over there at the place between Brown Street and Harper’s Lane and they used to tie eh it was supposed to be Judas I think on the crane and they would set fire to him, you know. So.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: And tell me, tell me again where where it was that you grew up?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Em I, I was born in Shandon Street and I moved down to – and my born in Shandon Street in 1932, two years after me. And then the next thing I knew I was sitting up in eh there was the hall at the end of Brown Street and they used to have the scouts there and Legion of Mary and they’d be practising their choir singing you know at the weekend. And I was sitting on that step, there’s a bookshop there now called Collins’, and a nurse Ashton put her head out the window and she said I had a lovely baby brother and that was 1935. There was four of us there; two boys and two girls.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Oh wow. So all of that city centre area you’d know very well?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Yes, yes. Going to all the different picture houses, lots of them yeah.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: What eh, which ones would you – which was your favourite picture house?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Oh Savoy, Savoy. I used to be there Tuesdays and Mondays down, we used to call it Savoy Lane but that’s probably some other name. And the ones at the end would rush and they’d knock all of the ones that are on top of the – it was eh very popular thing going to the movies.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: What was it like inside the Savoy?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Very good, very good yeah. Very comfortable. We’d have Fred, Fred Preachman on the organ. Did you ever hear of him?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: I did indeed, yeah.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: So I can’t think, the more I go along the more I’m thinking of different things now. I was just reading out there the em one family boiling the potatoes in the pot. We used to do that too. They’d sort the potatoes up in the Coal Quay and they’d throw away the small ones and we’d go up, we weren’t even washing them. We’d run away with the salt out of our houses and we’d eat them but we must have had a – we never got sick you know? [Laugh]&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: And were they already cooked?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: No, no, no just sorted them and only kept the big ones and we’d boil them and eat them.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: And where were your parents from?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Em my dad was born in Edenderry and he’s – they went to Dublin then for a little while and they, as far as I know, they came from Dublin to Cork because my grandfather was a woodturner and they were doing the em – there was a French farm did some of the confessional boxes in Peter and Paul’s but they were also Irish. I think they, the workers, the Irish workers were kind of giving out because they weren’t getting work.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Wow. So you … [Interrupted]&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: And my mother was from Cork&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Right. Whereabouts in Cork?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Well it would have been around the laneways there now you know.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: So you can go into Peter and Paul’s and see your father’s handywork?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: My grandfather&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Oh your grandfather. Sorry.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: My grandfather.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Yeah, yeah. Fabulous.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Yes. That time they, like, the the work came down through families. Like my grandfather was a woodturner, my dad, my brother and my son. Now like you had to have – the family had to be in the trade to get in.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Yes, yeah. Fabulous. Great well em … [Interrupted]&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Em, I, what is it my own name or my….&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Your own name. What I’ll do is… [Interrupted]&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Yeah because my single name or my married name?&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: Em, sure you could give me both.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;MM: Well em I was Mary Montgomery and I’m Mary McConville now.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;COC: And I’ll put a date on this and what I’ll do is I’m going to give you one these blank to take away just so that you have your own copy and that you know how to get in contact with us. And I might get you to sign this.&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;b&gt;End of Interview&lt;/b&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;</text>
            </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3206">
                <text>Mary Montgomery-McConville: Shandon Street, Peter and Paul's Church, Coal Quay</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
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              <elementText elementTextId="3207">
                <text>Life History:</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3208">
                <text>Mary was born in Shandon Street in 1930. She talks about winter on Lavitt’s Quay. Mary also mentions an Easter custom where on Good Friday they would tie the figure of Judas to a crane and set fire to it. Her grandfather made the confessional boxes for Saint Peter and Paul’s church. She also makes a brief mention to cinemas in Cork.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3209">
                <text>24 August 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3210">
                <text>Interviewee: Mary Montgomery-McConville&#13;
&#13;
</text>
              </elementText>
              <elementText elementTextId="3211">
                <text>Interviewer: Cliona O'Carroll</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="3212">
                <text>CFP_SR00435_montgomery-mcconville_2011</text>
              </elementText>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="3213">
                <text>Cork, Ireland, 1930s-2000s</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="3214">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/24"&gt;here&lt;/a&gt; to access Mary's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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                  <text>58 .wav Files&#13;
1 .mov File</text>
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          <name>Interviewee</name>
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              <text>Joseph Lane</text>
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              <text>Cliona O'Carroll</text>
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              <text>20min 21sec</text>
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              <text>Civic Trust House</text>
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              <text>.wav</text>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;C OC: Do you remember what kind of clothes people would wear. Say your parent’s generation?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;JL: Well I suppose the women always had shawls. Moreso on the Northside than the Southside. They were ideal for keeping children warm. They kind of wrap them up in that. Were the men were concerned I suppose the suit of clothes would be used on Sunday for going to Mass and that would be put back into the pawn then again on Monday. Pawn played a very important role in people’s finances. But they were dreary places. Where we went to school there was a pawn broker next to the school and any time you’d go in there, there was always this smell of kind of musty clothes.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;C OC: Was that on Blarney Street?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;JL: That’s right.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;C OC: They must have been peculiar places to walk into?&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;JL: But people used them all the time. Now saying that next to the pawnbroker there was a bar, and it was known as The White Eagle, and then like he’d have been one of the first Polish people to come to Cork. He was married to a Kerry woman and he was well known, and he was known locally as Mr K. I always say to people, ‘do you remember the Pole that lived in Blarney Street’, and people forget it. And he came over after the Second World War, and settled down. There wasn’t that many Polish people in Cork.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;C OC: No, there wouldn’t have been.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;JL: And what he’d done. He painted the bar the same colour as Poland with the eagle and all. So we had that little bit of influence of European just by him being there. He was a small man. He always struck me like Hitler because he had a small little moustache. His son went on later to win the lottery , when the lottery started in 1986. There was thirty six numbers in the lottery, and he had a son called Stefan, and above in Scruffy Murphy’s in Dublin, they formed a syndicate and when it came up to a million they were able to do every accumulator and they won it.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;C OC: No way! Jeez.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;JL That has nothing to do with the past but like it shows you the Pole coming to Cork’s son won the lottery.&lt;/p&gt;
&lt;p class="western" style="margin-left:1.38cm;text-indent:-1.38cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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            <name>Title</name>
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                <text>Joseph Lane: Gurranabraher, Milk and Cake Shops, Pranks</text>
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                <text>Life History:</text>
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                <text>Joseph grew up in Gurranabraher. He remembers three pawnshops of Cork. When people left Ballymacthomas to move into new corporation houses, they left their old houses behind, still complete with furniture and fittings.&#13;
Joe recalls a childhood expression, “Up the Ux” which was used to claim the right to eat part of an apple. He remembers cinemas of Cork city including The Lido, Blackpool. There was a milk and cake shop in Cork until the 1970s. He remembers living conditions: without washing machines or fridges; and having an outside toilet. There was a prank they played called “Thunder up the alley”, where this lit paper in people’s drainage pipes. He remembers one of the first Polish people who came to Cork, after the Second World War. He remembers the ice cream sold in Cold Storage. He recalls two public baths in Cork.</text>
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                <text>24 August 2011</text>
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                <text>Interviewee: Joesph Lane&#13;
&#13;
</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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                <text>CFP_SR00434_lane_2011</text>
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                <text>Cork, Ireland, 1940s-2000s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2040">
                  <text>Cork Folklore Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2041">
                  <text>English</text>
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              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="2043">
                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
                </elementText>
                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
                </elementText>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="2045">
                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="2046">
                  <text>58 .wav Files&#13;
1 .mov File</text>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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              <text>Creenan O'Connell</text>
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              <text>Cliona O'Carroll</text>
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              <text>20min 42sec</text>
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              <text>Civic Trust House</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="3182">
              <text>.wav</text>
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          </elementTextContainer>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
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              <text>&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;                             COC: What kind of things would you play?&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;                             CC: Em there was a stream there and we used to make a dam and then we’d paddle in the stream and so you couldn’t go beyond the stream – the stream that’s right – you couldn’t go beyond the stream because that was the farmer’s fields and awh if he caught you, you’d be in trouble. But on – in Summer nights then they used to play, what was it called? Housey house then, it’s Bingo now. They’d all sit down on the field and the mam would call out the numbers and – I think it was a penny to play or something like that you know. And then there was em – what was that stall with Rasa [Raspberry Cordial], a penny a glass and Peggy’s legs and all that like, you know. So it was lovely, you really think the summers were good then that it was always sunny. [Laughter] And em, ere you know until about half-past nine then all the children would move off and go to bed like you know.&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;
&lt;p style="margin-left:3.81cm;margin-bottom:0cm;line-height:100%;"&gt;But I was just thinking there now that did anyone talk about the SAO? The School Attendance Officer. Nobody spoke about him, did they? And eh he was a Mr Stanton and he used to come up the road and I never saw him on the bike, he’d walk with the bike you know? And em, if you were away from school he’d call to the house to know were you away from school and I was away from school. One day my mother asked me to stay home, she probably wasn’t feeling very well and em so she sent me down Shandon Street for em messages and I met Mr Stanton and he said to me eh ‘Why aren’t you in school today?’ So I said ‘My mother is sick’. So anyway I came back home anyway and my mother said ‘Mr. Stanton called’. So I said ‘Oh did he?’. And she said ‘I told him you were sick in bed’. [Laughter]&lt;/p&gt;
&lt;p style="margin-left:3.81cm;text-indent:-3.81cm;margin-bottom:0cm;line-height:100%;"&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Creena O’Connell: Gurranabraher, Shawls, Allotments</text>
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                <text>Life History: </text>
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                <text>Creena was born in 1932. Her family were one of the first to get a house in Gurranabraher, an estate built in 1934. Her father was able to get part-time employment with Cork Corporation working on the roads; he died when he was 58.&#13;
She recalls a funny story about a School Attendance Officer calling to the house. She talks about local places where she used to play. Unemployed men were given allotments, called plots. She recalls Julie Healy’s milk and cake shop in Shandon Street.&#13;
She remembers her mother’s shawl and two shops where shawls were bought.</text>
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            <name>Date</name>
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                <text>24 August 2011</text>
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                <text>Interviewee: Creena O'Connell&#13;
&#13;
</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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            <name>Identifier</name>
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                <text>CFP_SR00433_oconnell_2011</text>
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                <text>Cork, Ireland, 1930s-2000s</text>
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                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Audio; Video</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="2043">
                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
                </elementText>
                <elementText elementTextId="2044">
                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="2045">
                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
                </elementText>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="2046">
                  <text>58 .wav Files&#13;
1 .mov File</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
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              <text>Brenda Stillwell</text>
            </elementText>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Cliona O'Carroll</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3158">
              <text>3min 37sec</text>
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          <name>Location</name>
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              <text>Civic Trust House</text>
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          </elementTextContainer>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="3160">
              <text>.wav</text>
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          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
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              <text>24bit / 48kHz</text>
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          <description>Any written text transcribed from a sound</description>
          <elementTextContainer>
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              <text>&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;B S: That’s when I came to Cork, when I came to Cork first.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C: Oh brilliant, so, eh, I’m Cliona O’Carroll, I’m with the Northside Folklore Project, and’ eh, so we’ll lash away, and, but first you might tell me your name?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;B S: Brenda Stillwell&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;C O C: Brenda Stillwell, welcome Brenda. So what, eh, just say, can you say first of all what kind of sparked this memory?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;B S: Well I was looking at the picture on the wall of Cork city, it was the very view that I had from my first ever flat, and first ever time living away from home, when I came down to Art College. And I was &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;looking at it, the, I was looking at the bottom of Richmond Hill, but on the top story of the house so I was able to see kind of North Cathedral, the Cathedral, the hospital that was there at the time, but it’s a hotel now. But every morning I used to walk into the Art College. I was only seventeen when I came to Cork first, that’s thirty years ago now, and I would walk past where &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;Whitaker’s Hatcheries &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;were, and across the way there was a garage, and every morning this young lad that was working in the garage would come out and ask me, ‘Are you jagging?’ [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C laughing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;]. And I had no clue what he was talking about, and I would just smile and keep walking. I’m sure he’d -- well I found out what the word meant, I’m sure he thought I was really stuck up, or very hard to get, or something, [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;laughter&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;] playing hard to get. But I had no clue what the word meant, and it was all very foreign and strange to me, coming to Cork. And around that little area there was a lot of Irish speaking people. That was em, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;&lt;i&gt;An Stad cafê&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt; and they would, I would hear them speak in Irish. And Inchigeela Dairy is where I’d go and get bread and milk, and I’d hear the customers and em, Mrs. Creedon,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;who was in the shop with her two Siamese cats, and that’s the first time I’d heard people converse in Irish, em, in their day-to-day living.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C: Did Inchigeela Dairy have a milk and cake shop as well, do you remember?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;B S: There was a grocery shop.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C: Ah, yeah, yeah.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;B S: And you just went in and got your regular groceries.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C: And tell me now, for, for the benefit of the, of the younger people listening to this, what does ‘jagging’ mean?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;B S: Are you dating anyone?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;C O C: Aah.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;B S: But it was a couple of years later before I found that out, just by chance, and I was like, Oooh, that’s what he was asking me [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;laughter&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;].&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;C O C: Aah, do you have any other kind of first impressions from Cork from when you first arrived?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;B S: Em, it’s always exciting I think for anyone moving away from home for the first time and realize you actually have to buy your own milk. [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C laughing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;] It’s one of the things, because we, I grew up on a farm and it was the first time I ever had to buy milk in my life. And thinking that you’d have loads of money in thirty euros a week, but half of it went in rent, and then you realize, oh actually, I have to buy my food. We walked everywhere, or cycled everywhere, that was, we didn’t even get on the bus, and, em, [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;Pause: 2 seconds&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;] just how you can survive on so little. And, em, [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;Pause: 2 seconds&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;] we used to go to a band every night. Sir Henry’s was a big venue at the time, and we used to go to a band every Monday night, The Hot Guitars, and they’re still going, and still playing and I would still go to see them thirty years on. And the lead singer is still as mad as ever, Joe Callahan, and at that time -- he still plays a lot of blues, harmonica and that kind of thing, but he used to dip his harmonica into the pint, into his pint, so, and he would play and it would just be beer spraying everywhere. [&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C laughing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;] And he was a real larger than life character on stage, but so shy off stage, and he’s still like that, this mad character. So that’s the connection from then, and now as well, that I would still go to see Hot Guitars.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-left:1.24cm;text-indent:-1.24cm;margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;C O C: Oh, lovely, oh, thanks very much. Does anything else occur to you before we finish up?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;&lt;span&gt;B S: That it’s, that Cork has just become my home thirty years on, and I love it dearly.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p class="western" style="margin-bottom:.35cm;line-height:150%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:small;"&gt;C O C: Oh, lovely, thanks very much.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Interview Ends&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="3140">
                <text>Brenda Stillwell: Crawford Art College, Irish language, Slang</text>
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            <name>Subject</name>
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                <text>Life History:</text>
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            <name>Description</name>
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              <elementText elementTextId="3142">
                <text>Brenda moved to Cork when she was 17, to go to Art College. She remembers hearing people conversing in Irish. She has lived in Cork for 30 years.</text>
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            <name>Date</name>
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              <elementText elementTextId="3143">
                <text>24 August 2011</text>
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            <name>Contributor</name>
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              <elementText elementTextId="3144">
                <text>Interviewee: Brenda Stillwell</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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                <text>CFP_SR00432_stillwell_2011</text>
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                <text>Cork, Ireland, 1980s-2000s</text>
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              <elementText elementTextId="3148">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/1"&gt;here&lt;/a&gt; to access Breda's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3149">
                <text>Cork Folklore Project </text>
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          <element elementId="45">
            <name>Publisher</name>
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              <elementText elementTextId="3151">
                <text>Cork Folklore Project</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3153">
                <text>English</text>
              </elementText>
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                <text>Cork Folklore Project Audio Archive</text>
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                <text>Cork Folklore Project</text>
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        <name>Crawford  Art College</name>
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                  <text>The Cork Memory Map Collection</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps.</text>
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                  <text>A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. &lt;br /&gt;&lt;br /&gt;In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. &lt;br /&gt;A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/).&lt;br /&gt;&lt;br /&gt;The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. &lt;br /&gt;The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017.&lt;br /&gt;&lt;br /&gt;Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For further description and discussion of the Cork Memory Map project, see:&lt;/strong&gt; &lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF &lt;br /&gt;&lt;br /&gt;Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65.&lt;br /&gt;&lt;br /&gt;To view the Cork Memory Map Click &lt;a href="https://corkfolklore.org/memory-map/"&gt;Here&lt;/a&gt;</text>
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              <name>Date</name>
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                  <text>2010 - 2013</text>
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              <name>Coverage</name>
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                  <text>Cork, Ireland, 1930s - 2010s,</text>
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                  <text>O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project Audio Archive</text>
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                  <text>Cork Folklore Project</text>
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                  <text>Cork Folklore Project</text>
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                  <text>&lt;strong&gt;Interviewees:&lt;/strong&gt; Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald</text>
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                  <text>&lt;strong&gt;Interviewers:&lt;/strong&gt; Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre;</text>
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                  <text>&lt;strong&gt;Catalogue Numbers:&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00431_newman_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014</text>
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              <text>Pete Newman (Duffy)</text>
            </elementText>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3135">
              <text>Cliona O'Carroll</text>
            </elementText>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="3136">
              <text>38min 29sec</text>
            </elementText>
          </elementTextContainer>
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              <text>Civic Trust House</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3138">
              <text>.wav</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Bit Rate/Frequency</name>
          <description>Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio)</description>
          <elementTextContainer>
            <elementText elementTextId="3139">
              <text>24bit / 48kHz</text>
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          </elementTextContainer>
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              <text>&lt;b&gt;&lt;b&gt;&lt;strong&gt;The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;&lt;/b&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;CO’C: What kinda things did people find hard say now of your parents’ generation?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;P D: Make ends meet. It’s only now I see it like, make ends meet like you know? I mean Jeez, the father's suit like could be goin’ into the pawn on a Monday like. And if there was somethin’ on, ‘twould be taken out on a Friday like, when the dole come in. And like in the end like, the father like or the pawn shop didn’t really know who ownded the suit like.I t went on so long and that’s was every family like, every family like. Which result in that, like, the suit could outlive the family because the suit was always kept it was a means of eh, of money like it was kept imperfect nick like you know? You know? That time like pawn shops were fascinatin’ places do you know eh, place was full o’ pawn shops like you know?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;CO’C: Do you remember any particular ones?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;P D: Well I remember the one down in Blarney Street next to the Blarney Street School an’ I remember eh, eh, there was one up on the end o’ Patrick’s Hill an’ I saw a watch inside in the window and at that time like you, you didn’t have choice of a dozen watches in your drawer like, a watch was a thing for life you know? So I saw this watch anyway and eh, Jesus the watch was fabulous, fabulous, I was thinking’ I could ha’ been a teenager that time. So I decided anyway I wanted the watch an’ so. Your man says eh, “I let ya pay by the week, so pay by the week an’ when you have it paid you’d get it out.” I dunno was it was it ten bob or somethin’ like that. In the end anyway, I couldn’t keep up the payments, I couldn’t keep up the payments for a ten bob watch like you know? So even now today like I’ve this watch now like, I’ve this watch now like for, I’ve it a good thirty-five years now. An’ I think, like in my mind like a watch is somethin’ for life. A watch is somethin’ you get an’ it’s somethin’ for life. I see people they change a watch every day now an’ that’s grand like but for me, a watch is somethin’ for life because like it was a possession I always wanted like you know what I mean? You know? So eh, eh, eh, it was all like, like, the majority o’ time ‘twas second-hand clothes like . Only chance like that when we, when we, we’d say once a year there was this scheme called the free boots and your mother would take you down an’ you, maybe down to Shandon Street or whatever an’ you’d get em, these free boots from the government like you know what I mean? And eh, they were supposed to last ya for the year then like you know? Otherwise, you’d be in rubber dollies in the middle o’ winter like you know? &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;CO’C: Yeah.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;P D: Canvas shoes like an’ no matter what the weather was like, you know? An’ everyone, everyone goin’ to school was in a short pants. You know?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;CO’C: What kinda things did your mother do say now to kinda stretch things a bit or to?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;P D: Well, em, at Christmas she went pluckin’. Yeah, all the women in our area went pluckin’. You know? Because o’ size o’, like other than the father bein’ on the dole it ended up the mother bein’ the, was bringin’ home the money like. She went pluckin’ and then for the rest o’ the year she went cleanin’ people’s houses. She’d do anything, you know I mean it was like the mother hen like, lookin’ after the family like. Eh, so, like that was the bonus in eh, in eh, Christmas they’d go pluckin’, pluckin’ the chicken and turkey and eh, like one aunt, she moved, she was over there in Middle Parish and she moved to eh, Leamington Spa after and eh, she was a, she was a dinger at the pluckin' like. She could turnout so many turkeys or whatever like you know? ‘Cos if, and the turkey would be clean because if they, if they tore the turkey they have to sow it, they’d have a needle and thread like. So I remember goin’ down, eh, with the food, down to the the mother and at that time that could ha’ been a bottle o’ tea.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;CO’C: Yeah.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="margin-bottom:0cm;line-height:100%;"&gt;&lt;span style="font-family:'Times New Roman', serif;"&gt;&lt;span style="font-size:medium;"&gt;P D: And a, a bottle o’ tea and eh, maybe a sandwich like I be go down, course she wouldn’t have to come back up then again. The turk, the place she used to pluck the turkeys was down in em, ‘cross from the Mercy Hospital ‘twas in that area. And eh, and goin’ in, and an’ all the women they had bibs on ‘em but they were all covered in feathers like you know? Whole place was feathers like you know? So that, she done things like that to make ends meet like. But she’d have done anything like you know? You know? Which, which they’d all have done like you know what I mean? You know?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;b&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/b&gt;</text>
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            <name>Title</name>
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                <text>Pete Newman: Shandon Street, Unemployment, Machoness, </text>
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                <text>Life History: </text>
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                <text>Pete Newman (also known as Pete Duffy) was born in 1945. He grew up in Orrery Road off Cathedral Road. His relatives came from Broad Lane and moved up to Gurranabraher.&#13;
Cyclists going up Shandon Street used to hold on to the back of buses, which pulled them uphill. He recalls that some men could step off a moving bus and land perfectly still on the road. He remembers as a child being in a convoy of steering cars.&#13;
Pete says 90% of men during the 1950s were unemployed. He talks about the lanes of Cork; many had cobblers in them who were disabled men from the World Wars. Idle men played cards at street corners. He recalls pawn shops, and trying to pay for a watch in one of them, and remembers the free boots scheme. Women earned money at Christmas by plucking turkeys. He remembers the music his parents liked and the arrival of American rock and roll music. The Northside was very close to the countryside and country people came into the Butter Market.&#13;
Pete makes a number of references to men’s macho behaviour: whistling, smoking, swearing.</text>
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            <name>Date</name>
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              <elementText elementTextId="3121">
                <text>23 August 2011</text>
              </elementText>
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            <name>Contributor</name>
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              <elementText elementTextId="3122">
                <text>Interviewee: Pete Newmans (Duffy)</text>
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                <text>Interviewer: Cliona O'Carroll</text>
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                <text>CFP_SR00431_newman_2011</text>
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              <elementText elementTextId="3125">
                <text>Cork, Ireland, 1950s-2000s</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="3126">
                <text>&lt;div class="element-text"&gt;
&lt;div class="element-text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Other Interviews in the Colection:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00387_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00388_sheehan_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00389_healy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00390_kelleher_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00391_crean_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00392_mckeon_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00393_twomey_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/108"&gt;CFP_SR00394_stleger_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/3"&gt;CFP_SR00395_speight_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00396_lane_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00397_obrienoleary_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00398_jones_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00399_saville_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00400_magnier_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/114"&gt;CFP_SR00401_marshall_2010&lt;/a&gt;;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"&gt; CFP_SR00402_marshall_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/116"&gt;CFP_SR00403_murphy_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/117"&gt;CFP_SR00404_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/118"&gt;CFP_SR00405_walsh_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00406_prout_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/120"&gt;CFP_SR00407_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00408_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00409_leahy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00411_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00412_newman_2010&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00413_finn_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00414_ohorgain_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00415_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00416_sheehy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00417_mcloughlin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00418_gerety_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00419_kelleher_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00420_byrne_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00421_cronin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00422_ohuigin_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00423_meacle_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00424_horgan_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00425_lyons_2012&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00427_goulding_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;CFP_SR00491_fitzgerald_2013. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Heritage Week 2011:&lt;/strong&gt; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00429_casey_201&lt;/a&gt;1; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00430_tomas_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00432_stillwell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00433_oconnell_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00434_lane_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00435_montgomery-mcconville_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00436_ocallaghan_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00437_corcoran_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/148"&gt;CFP_SR00438_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00439_ohuigin_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00440_mccarthy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00441_crowley_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00442_obrien_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00443_jones_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00444_mcgillicuddy_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00445_delay_2011&lt;/a&gt;; &lt;a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener"&gt;CFP_SR00446_murphy_2011&lt;/a&gt;; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Video Interview:&lt;/strong&gt; CFP_VR00486_speight_2014&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;Published Material: &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. &lt;br /&gt;&lt;br /&gt;O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. &lt;a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf"&gt;https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. &lt;br /&gt;&lt;br /&gt;The Curious Ear/Documentary on One (Cork City Memory Map) &lt;a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/"&gt;http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;br /&gt;&lt;strong&gt;To view the Cork Memory Map Click &lt;/strong&gt;&lt;a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener"&gt;&lt;strong&gt;Here&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click &lt;a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/15"&gt;here&lt;/a&gt; to access Pete's entry on the Memory Map&lt;/strong&gt;&lt;/div&gt;</text>
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