8 20 249 https://corkfolklore.org/archivecatalolgue/files/original/90e162617b89a83b15b37c13a83b9207.jpg 0e450d9ac3d0d739da835eacb1f24031 https://corkfolklore.org/archivecatalolgue/files/original/2e6e686efd833dc152ec76f06ddd8b78.mp3 c7884d020780b1b899576b7d6777c26e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Margaret Newman Interviewer The person(s) performing the interview Grainne McGee Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43min 22sec Location The location of the interview Farrancleary, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com <p style="margin-left:1.5cm;text-indent:-1.5cm;margin-bottom:0cm;border-top:none;border-bottom:1px solid #000000;border-left:none;border-right:none;font-weight:normal;line-height:150%;padding:0cm 0cm .07cm 0cm;">MN: Now I remember long go when we were young Woolworths now there em it was the five an ten time I in America t’was in England too we had it here too Woolworths. T’was between Marlboro street, on Cook's street and Patrick's eh sorry and my mother, would say nothing but she’d take us in. Now she had three of us and she we’d go in an I loved the black dolls. And she’d we’d go into Woolworths an they’d be all there and she’d say ye have to tell eh Santa Claus now what ye want for Christmas because he’ll come in here like and he’ll order them he’ll order em whatever he can and Mary use ta say but how do you know mam well she said ye can shout it up the chimney. Tell Santa what ye want an I used to like the black dolls with the big earrings an then I started getting ones where their eyes could open an shut. If I had them today I have made a load of money and em my brother might say he’d want a train an that was grand and she my mother just we write it in a bit of paper and we’d put it into the fire and we’d leave it burn and t’would go up the chimney an he’d know. But I mean to say we were we were nine and ten years of age that time and we knew what was right an what was wrong. We, we, we, knew when, when our mothers had Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Newman: Sunbeam Factory; Christmas, Nicknames, Subject The topic of the resource Life History: Description An account of the resource Margaret Newman was born in 1922. She explains that before the Sunbeam factory there was a flax mill, which employed some children in the late 1800s. How children ordered their presents from Santa. Note: This is one of 4 interviews conducted with Margaret. Date A point or period of time associated with an event in the lifecycle of the resource 19 August 2010 Contributor An entity responsible for making contributions to the resource Interviewee: Margaret Newman Interviewer: Gráinne McGee Identifier An unambiguous reference to the resource within a given context CFP_SR00411_newman_2010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1920s-2000s Relation A related resource Interviews with Margaret Newman: <a href="http://corkfolklore.org/archivecatalolgue/document/120" target="_blank" rel="noreferrer noopener">CFP00407</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/121" target="_blank" rel="noreferrer noopener">CFP00408</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/124" target="_blank" rel="noreferrer noopener">CFP00412</a>: <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1800s 1900s 1930s 1940s 1950s Christmas Flax mill Margaret Newman Nicknames Sunbeam Sweet shops https://corkfolklore.org/archivecatalolgue/files/original/6ce6114221f25ff783d31c0266874048.jpg 84ab4ede9d5baef4d8dbb60bb8e18e9a https://corkfolklore.org/archivecatalolgue/files/original/cb580bbb28e7f672e29ad435a75e3580.mp3 77985106d952cd2678690fc55d82cb86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Journeys: Living Folklore in Ireland Today Subject The topic of the resource Life history interviews from the inhabitants of Cork city's Northside. Description An account of the resource 27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. Date A point or period of time associated with an event in the lifecycle of the resource 1996-2001 Contributor An entity responsible for making contributions to the resource Interviewees: Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne: Interviewers: Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1): Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland: 20th Century Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Maria Lopez Interviewer The person(s) performing the interview Stephen Hunter Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44min 50sec Location The location of the interview NCE Ltd, Sunbeam Industrial Estate, Mallow Road, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript relating to the audio extract above. Copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com SH So what really brought you to Ireland? ML Okay from the practical point of view it was to improve my English because I did a degree you know after dropping my medical studies. I did a degree in English philosophy to become a secondary teacher and then by the time I finished I..my marriage was not going very well whatever you know and a few circumstances were together you know and I wanted to leave the country definitely then. My choice could be an English speaking country and because one of my best friends in Madrid was married to an Irish man from Cork you know she recommended to me that Cork would be an ideal place and everything. I came here and I’m here. I just came for 10 months and now it’s been almost 4 years since I came. SH And what do you think of the relative living standards between the two? Cork and (?) would they be similar standard of living or expectations? Would one be better than the other one? Or what would be some similarities or differences? ML That’s a hard question because I don’t know. There are many differences regarding you know as simple things as times for meals you know? That is kind of a big issue when you first move here you know? For me, it was really difficult to think about having my dinner at 6 when in Spain we never have it before 9 or 10 or if you go out for a dinner even later you know than some it kind of a big difference but I would say that nowadays we could just go towards … there are not so many differences. Most people try to be happy to get a living from their work and to improve their situation. SH Would you think that Irish people had a similar amount of money, disposable incomes, spending power or a bit more? ML No, I would there are more money in Spain because I don’t know how it works but most people that I know they are in debt. That some Irish people have rents in Madrid for example if you consider a teacher married to a nurse lets say their standard of living would be better in Spain than here. I don’t know exactly why maybe the tax system is stronger here or wherever and definitely things like food are much more expensive here than they are… the bare essentials not much you know? They are expensive. SH What about the poorer people do think they would be better off here or the welfare state would be more inclusive here for them? ML Definitely the welfare state is better here you know? They have more support from the state then they will have in Spain but for example, if you think people here they have kind of benefit employment or whatever but the thing is that if you go onto some kind of work in the black market it’s much better paid in Spain then here you know? Then I think that makes the difference because definitely Spain is the country in Europe with the highest rate of unemployment but people are surviving. They are so happy if you go to a disco it’s full of people. If you go to a restaurant it’s full and then I don’t know how people can manage but definitely they are managing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maria Lopez: Galica, Language, Superstitions Subject The topic of the resource Life History: Description An account of the resource Maria was born in Galicia, in Spain, in 1958. She talks about differences between Galicia and Madrid. Maria talks briefly about ghosts and superstitions of Galicia and about the Galician language. She sees similarities in Ireland and the Irish and Galicia. Maria came to Cork to learn English, on the recommendation of a friend. She talks about the importance of Christmas in Galicia as a family time and the importance of the Feast of Santiago in July. Maria is happy to continue to live in Ireland and neither she nor her family have experienced any antipathy. Date A point or period of time associated with an event in the lifecycle of the resource 17 August 1998 Contributor An entity responsible for making contributions to the resource Interviewee: Maria Lopez Interviewer: Stephen Hunter Identifier An unambiguous reference to the resource within a given context CFP_SR00228_lopez_1998 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; Spain; Galicia; Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English; Format The file format, physical medium, or dimensions of the resource .wav Type The nature or genre of the resource Sound Galicia Maria Lopez Spain Supernatural https://corkfolklore.org/archivecatalolgue/files/original/622606e654723fbb3cf8f6dbb3a8a2aa.jpg fec23f4e1419e4f8f9fc3eb0ca343cc2 https://corkfolklore.org/archivecatalolgue/files/original/1d4aa2454317a2b5c047cfc8310e697b.mp3 a80b42c0166feb26dd4e1f92bcf67785 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Gearoid O'Donnell Interviewee The person(s) being interviewed Marie Crean Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47min 19sec Location The location of the interview High Street, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com G O’D: Thinking back to the street you grew up on, are there, are there any kind -- are there many kind of major landmarks or streets and lanes nearby, that have since been demolished or got rid of? M C: Well, I suppose there was Jackson’s Terrace which is now gone. It was off Langford Row. That’s the one that sticks out. I remember as a child saying when I was bigger I’d cross Langford Row and go over and see the -- I thought they were spectacular houses. Sure the poor people probably didn’t think -- they were two-storey houses and a narrow kind of entrance to them and obviously like, the distance between their front doors was very little and I think there was a toilet down at the end, a communal. But they used to say it was beautifully kept, you know. The people kept the place very well. But there was -- like you couldn’t -- you’d only get a bicycle in between the, the houses but I thought it was -- you know, as a child. And I was going to cross the road and see those houses, and by the time I was ready to cross the road, Jackson’s Terrace was knocked and ‘tis the apartments there in, in -- it was a garage afterwards and then ‘tis an apartment in Langford now. And I suppose like, that whole community at the end of High Street, like there was about seven houses, like cottages in Langford Row, which was, you know, whole families. And then there was Mrs Donnelly and Curtin the bookie, and Fitzgibbon’s and Cosgrave’s and Curtin’s and Dorgan’s shop, all taken, and at the other side of the road then, there was Houston’s pub and all the houses in Summer Hill South, their gardens were shortened to make the road wide. So ‘twas a -- and then there was a whole -- there was as many more, there was about five or six houses in Summer Hill South taken as well, small houses. So ‘twas like a whole community just for progress but it was a whole community removed, you know. G O’D: Mm, and where were they -- would they have -- where were they re-settled then? M C: Well it -- if the people owneded the houses they just were compensated and they bought houses elsewhere, and if they didn’t they were housed in different places, mostly in Ballyphehane. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marie Crean: South Parish, Cinemas, Black and Tan’s Subject The topic of the resource Life History: Description An account of the resource Marie was born (in the 1950s) and reared in High Street, in the South Parish, off Douglas Street; she thinks the street was formerly Quarry Lane. Some of her area was altered to make a new road. She went to school in South Presentation. She recalls picking blackberries and slogging apples. There were few cars and everybody walked everywhere. As a child, she travelled a lot with her family on the train. She talks about her early working life. She worked for Hanlon’s fish merchants. Marie remembers her old neighbourhood and how some of it was demolished, both houses and shops, particularly Jackson’s Terrace. Some men in her neighbourhood were involved in the War of Independence and the Civil War. She tells the story of the Black and Tan’s searching for them at a funeral. Young people went courting on the disused Bandon railway line. She worked making altar breads, with the Reparation Nuns. She tells a funny story about how a corpse was washed and the water was thrown after the hearse afterwards. She mentions several cinemas in Cork and recalls that The Savoy cinema had a great organist. Date A point or period of time associated with an event in the lifecycle of the resource 28 July 2010 Contributor An entity responsible for making contributions to the resource Interviewee: Marie Crean Interviewer: Gearoid O'Donnell Identifier An unambiguous reference to the resource within a given context CFP_SR00391_crean_2010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1910s-2000s Relation A related resource <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a> Click <a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/4">here</a> to access Marie's entry on the Memory Map Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s Alfred Street Bandon railway Black and Tans Blackberry-picking Cinema Civil War Courtship Douglas Street English market Funerals; Hanlon’s High Street Jackson’s Terrace Marie Crean Sayoy Cinema Sisters of Reparation Sunbeam Trains Transport War of Independence Williamson’s Windmill Road https://corkfolklore.org/archivecatalolgue/files/original/35d83d23e8b8f4eca9a246f1d0b09d73.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/46eb6388bc12700347ba14eb59a2d7e6.mp3 1669fa4a749aacfad369ed6cd8c75671 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Marie Finn Interviewer The person(s) performing the interview Helen Kelly Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39min 57sec Location The location of the interview Friars Walk, Cork. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">H K: What about milk and cake shops? Did ye?</div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">M F: Yeah, there was one on Barrack Street down on the left-hand side of Barrack Street called Ciste Milis, Ciste Milis yeah. Now when we were younger all we did was look in because we couldn’t, we wouldn’t have the money to buy the cakes you know. Eventually, then you might get – you’d go in and you’d buy maybe one cake and a glass of milk.</div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">H K: What kind of cakes were they?</div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">M F: Em, they were like they were Thomson’s Cakes mostly at the time. Beautiful now: pastries and snowballs, éclairs, em you’d be very lucky if you bought the cake; ‘twas like looking into fairyland I suppose with all the beautiful cakes and then there was another on in Sullivan’s Quay called Mrs Mac’s. You could go in there and sit down and the one thing – time that stands out in my mind before my father went to England. He brought me up to the dogs on the Western Road, the greyhound track, and all I can remember is I couldn’t see a bit with all the people in front of me but he must’ve won anyway and we came home in a sidecar and he brought me into Mrs Mac’s below for cakes and milk.</div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">H K: And what? How would they keep the milk fresh then, it wouldn’t be pasteurised now like, you know.</div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">M F: Oh no, it was only just in big jugs. </div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">H K: And where would you get that from? </div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">M F: Well the milkman used to come around even to the -- you know you’d buy it eh they used to come around. There was a shop down here not too far away from us and they used to bring the churns in and they’d just pour it from the churns into jugs. They used to have big enamel jugs. There was a milk shop on Barrack Street called Gill’s, we used to get the milk there; just go up with your jug and get a half pint or a pint.</div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;line-height:100%;">H K: They’d fill your jug?</div> <div style="margin-left:3.81cm;text-indent:-3.81cm;margin-top:.42cm;margin-bottom:0cm;border-color:#000000;border-style:none none solid;border-width:medium medium 1px;line-height:100%;padding:0cm 0cm .07cm;">M F: They’d fill the jug for you. Yeah and I can remember now going to that shop down there, we were going down to school, and my brother was very young, he was only after starting school. My sister and myself walked ahead and we looked back for him and he was after</div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marie Finn: Barrack Street, Blackberry-picking, Catholic Church, Subject The topic of the resource Life History: Description An account of the resource Marie (b. 1938) grew up in Barrack Street. She left school at 16 and started working. She talks about the games she played as a child and recites part of a rhyme. You could pick blackberries and sell them to a sweet-makers. Oranges and bananas as rare fruit. Rationing after World War II. A family in Barrack Street kept pigs, sometimes in the house. There were two house-shops, selling sweets from front rooms. Marie’s grandmother could make sheets from boiled flour bags. Felt hats could be remodelled at McKechnie’s. Her father worked in England and came home twice a year. Marie explains that life under the Catholic Church was one of fear. Going to dances organised by the nuns; the dancing stopped for The Rosary. She became a singer in three choirs. She describes the milk and cake shops. Marie describes how children were washed and nappies were cleaned. Also covered are pubs of Cork, and pubs with snugs where women could drink. Date A point or period of time associated with an event in the lifecycle of the resource 6 September 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Marie Finn Interviewer: Helen Kelly Identifier An unambiguous reference to the resource within a given context CFP_SR00413_finn_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1940s-2000s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1940s 1950s 1960s 1970s Barrack Street Blackberry-picking Catholic Church Childhood Games Dancing Food Marie Finn McKechnie’s Milk and Cake Shops Pubs https://corkfolklore.org/archivecatalolgue/files/original/988c17758553437d09ea7b9f9e0fb2d4.jpg b54fdda9bd6ce79fd7c5fd460dbdf45e https://corkfolklore.org/archivecatalolgue/files/original/eae89be2d0f9d35133a14bdf2341a467.mp3 6efdd1b93d01b19086747c800293fa03 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ballyphehane Oral History Project Subject The topic of the resource Life history interviews with the inhabitants of the Cork City suburb of Ballyphehane about life in the area pre and post city corporation development. Description An account of the resource In June 2016 Contact was made by the<a href="https://19162016committee.org/" target="_blank" rel="noreferrer noopener"> Ballyphehane 1916 Centenary Commemoration Committee</a> with the Cork Folklore Project to establish an oral history project to coincide with the events in Ballyphehane marking the centenary commemoration of the 1916 rising. The goal was to collect the memories of the residents and have a night in the community centre where these interviews would be played for the community. Ballyphehane is a suburb in the Southside of the city between Turners Cross and Togher. It was built between the 1940s and 1960s and inhabited by families rehoused from the city centre, much like Gurranabraher and Knocknaheeny in the north side. The significance of the 1916 rising to Ballyphehane is that the streets are named after the leaders of the rising. It was decided that CFP researcher and Ballyphehane resident, James Furey, would head up the project and assist volunteers in technical training and interview techniques: all interviews were carried out under the auspices of the the CFP. This interviewing project is ongoing, and there have been a number of community listening events in 2017 and 2018. Interviews have been carried out by CFP staff James Furey and David McCarthy, and by Ballyphehane resident Arnie O'Connell. Date A point or period of time associated with an event in the lifecycle of the resource 2016 and ongoing Contributor An entity responsible for making contributions to the resource Interviewees: Hilary Lyons; Arthur Walker Snr; John Chute; Marie McAllen (with contribution from Liam Ohúigín); Elizabeth 'Lizzie' O'Sullivan; Tom Falvey; Kieran Edwards & Noreen Crowley Interviewers: James Furey; Arnie O'Connell; David McCarthy; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/72" target="_blank" rel="noreferrer noopener">CFP_SR00586_lyons_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/73" target="_blank" rel="noreferrer noopener">CFP_SR00587_walker2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/76" target="_blank" rel="noreferrer noopener">CFP_SR00592_chute_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/77" target="_blank" rel="noreferrer noopener">CFP_SR00617_mcallen_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/79" target="_blank" rel="noreferrer noopener">CFP_SR00643_osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/80" target="_blank" rel="noreferrer noopener">CFP_SR00665_falvey_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/84" target="_blank" rel="noreferrer noopener">CFP_SR00672_EdwardsCrowley_2018</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ethnographic interviews carried out with inhabitants of Ballyphehane detailing their lives pre and post corporation development (ca. 1930s to 2018). Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 7.wav Files Relation A related resource Furey, Jamie (2018) ‘Boxcars, broken glass and backers: A Glimpse at the Ballyphehane Oral History Project’, The Archive 21: 24-25. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a> Listening Events Library Lane Café Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/search?query=jamie+furey&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=Collection&submit_search=Search" target="_blank" rel="noreferrer noopener">James Furey</a> and <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> 15th June 2017 Tory Top Library Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/search?query=jamie+furey&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=Collection&submit_search=Search" target="_blank" rel="noreferrer noopener">James Furey</a> Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview James Furey Liam O'hUigín Interviewee The person(s) being interviewed Marie McAllen Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44m 21s Location The location of the interview Doyle Road, Turners Cross Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Interview Format This field should hold one of the following values; audio, video. Audio Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com JF: So could you describe the workings of the fields and stuff around here? MMC: All market gardening or orchards. They were all market gardening. The first house as you go down into Lower Friars Walk, there was Carney's, a Guard lived there. It was John Coughlan, owned the house, it was rented to Carney, a Guard. And then you went on, there was another house, John Barnett, a builder, was living in it. But it was a Michael Halloran who owned the house, it was rented as well. And then you hit the Hurley's, and the house we lived in Friars Walk was Tim Hurley's. It was rented. And Tim Hurley had a market garden behind our house in Friars Walk and he had four daughters. Three went away to be nuns and there was one got married. And then you went on again, and in Hillview you had three houses, one was the grandmother of the Hurley's, there was Horgans and there was another Hurley lived there, they had nine, there was nine in the family. I think they were them Hurley's. I can go right down to the Tramore Road and tell you who lived there. JF: Do. No that'd be very interesting. It'd be good to MMC: So you went all down then, and you had Scannels and there was more Market Gardening. And then you went on and then you had Hosford's, that was an orchard and they were Protestants. And then you went on there was a Cotter and there was a Coughlan living in the next house. That was the end of the houses then at the left hand side. It was all wall and they were all market gardening grounds you know? But then at the right hand side LOH: Where the church is now Marie is it? MMC: On the right hand side now, that was the left hand side. The right hand side then was Jim Barrett lived and Joe Barrett, two Barrett's. And there was an O'Connorr lived there and then you went on to William Halloran, our grandmother's brother. He was on the hill now facing Hillview. LOH: Where the church is now? Just before you go down MMC: No. They did not have the church at all. This is before the church. LOH: Before the church was on that side? MMC: It was down at the side of the church. And you had his daughter was married to a Paddy Foley. And he lived in a house below them and they were market gardeners as well. The whole lot was. And then you went onto the orchard, the Halloran's. So there was kind of a gate, a small gate, and there was a little small house which my aunt lived in, because Halloran's reared them. My grandmother had six daughters and one son. And it was her mother and father reared one of her daughters. And then you had the Halloran house and they had a daughter that never married, Katie, and she was living in the little house. And that's where the church is today. Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.00.00 - 0.04.01 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Background information, House on Friars Walk, Doyle Road and eventually Ballyphehane. Father did not want to return to the house he built on Doyle Rd after Marie's Mother Died, instead choosing to be housed in new corporation house in Ballyphehane even though that meant paying rent. Mother was from Middleton, Father born and raised on Friar’s walk. He went to the model School on Anglesea St. Like to hunt with dogs. Marie went to the South Presentation convent till she was eleven when she move to Guildford, England to her aunties for three month, returned to Ballyphehane but grandmother sick so Marie never returned to school. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.04.01 - 0.06.35 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Ballyphehane in her childhood. All country, spent her days out in the Well Field by the snotty bridge. Pack jam sandwiches, going swimming in the stream and a well for drinking water. Her child hood house on Friars road was the last house on the road. After that it was all dirt road. It would have been across form where the Marian Pharmacy is now. Across the road was tory top lane (not to be confused with Tory top road). The other street (now Reendowny Place) they called ‘the lane’ but when her friend’s boyfriend the captain of the Innisfallen came looking for her one day he called it First Avenue which subsequently stuck. When her friend married the captain they got VIP treatment on the Innisfallen. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.06.35 - 0.09.27 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Layout of Lower Friars walk. Market Gardens, all of Ballyphehane was market gardens. First house in lower friars walk lived in By a guard by the name of Kearney, he rented from Gerry Coughlan. Next house John Barrett the builder rented from Michael Halloran. The house Marie lived in was Tim Hurley’s, he had a market garden all around the house. He had four daughters, three became Nuns. One got married. There was hill view which was three houses, one was grandmother of Hurley’s, one was Horgan’s, and the other was another Hurley which had nine of them living in it. The next family was the Scannell’s who had a market garden. Then Hosford’s a protestant family who had an orchard. Next was Cotter, the last house on left hand side was Coughlan’s. On the Right hand side of Lwr Friars walk. Jim Barrett and Joe Barrett, then you an O’Connor. The next was William Halloran Marie’s Grandmothers brother. His daughter was married to Paddy Foley and they lived in the house below, also market gardeners. Next was Halloran’s orchard where the church is now. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.09.28 - 0.10.18 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Halloran’s orchard. Small gate through to a small house, Marie’s aunt lived in. Halloran’s (Marie’s great Grandparents) reared her. Marie’s grandmother had six daughters and one son. Further in was the Halloran house, they had a daughter that never married called Katie and she was in another house. Nat the back of the orchard you had Crowley’s and they had an orchard too. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.10.18 - 0.11.57 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> After the Halloran’s Orchard you had Riordan who was involved in the I.R.A. Marie is unsure of the exact details but remembers prisoners being released from England came looking for Riordan, Marie’s grandmother sent them to another Riordan who lived in the big house. Then sent word to the real O’Riordan to get out. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.11.57 - 0.13.33 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> After his house there was a lane way to Pouladuff Road. Donovan lived there, they called him ‘Murder the Loaf’ and his son ‘slice pan’. Then the next family was Daly’s on Tramore road in a cottage and that was the end of Friars Walk going down. They Called Tramore road Tramore road, but was also known as Hangdog road. Marie’s Grandmothers brother lived where Healy’s cleaners is which was called low lands, In a big house. Marie was caught kissing her Husband Gerry (her then boyfriend) in the ‘Confessional boxes’ (concrete cubicles) by the priest, Who asked if they ‘had anything better to do?’ </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.13.34 - 0.15.14 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Halloran’s Orchard. Marie doesn’t remember her great grandparents having it, it was her uncle paddy who ran it. Massive orchard went all the way to Pouladuff rd., with many people employed to pick apples. After Marie’s grandmother got married first she work in the orchard, her husband was a plaster. Originally grandmother was meant to marry a farmer from Ballygarvan, but she was already going out with what would turn out to be her husband and had no intention of marrying famer her parents had matched her with. Great-grandfather told her that all she would get from him in that case is a pair of grey horses to pull her carriage on the wedding day and nothing else. Never got her dowry. So she was the poor one of the family. But it came to her later, one of the Halloran’s that lived by the park died without a will, he was never married, to sell his property every member had to sign, grandmother told not to sign but said ‘what my father never gave me I don’t want’ and she signed it. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.15.14 - 0.17.08 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The city was a million miles away to them, only went in to get shoes and they mostly came from England or hand-me-downs. England had better way of getting things even though it wasn’t too much different there. Marie’s grandaunt was a very holy person, the night Cork city burned they left the animals from the mart loose, which led to a bull going own Friars walk with its chains hanging and rattle, Marie’s Grandaunt thought it was the devil coming out of hell. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.17.09 - 0.22.40 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> There was loads of children on Friars walk, they all played down Friary gardens. The Davis’ had nine girls and for boys, the Duggan’s had ten. All big massive families all Marie’s age, all played together. Games they played: Gobs a game with stones, flick stones/pebbles in the air and catch them on back of hand, the gobs had names ska one and ska two, Marbles or glassy alleys, Picky, and skipping. Recites some skipping rhymes. Loads of rhymes like that. I the summer they would be in their bare feet. Marie thinks they had better childhood than today, better memories than looking at a phones and tablets. Marie thinks Those devices aren’t good for kids, but they need to use them for school. They would play with twine and make pattern from twisting, like the gate and baby’s cradle. Her uncle in Midleton was a tailor, he saved all the reels for her, she would put four tack in them and put thread around and keep flicking them over the tacks and you would have a big rope. Collecting scraps was also big. There would be murder over them, robbing them and everything. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.22.41 - 0.23.00 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Marie had two older brothers, Teddy died of cancer at forty three, and the other is still alive and is eighty, he thought out in C.I.T </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.23.01 - 0.00.00 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Food growing up. They saw meat on Sunday, maybe a shoulder of bacon. Plenty of potatoes, vegetables and rice. They could make rice pudding some days. They would have porridge in the morning. You would have to be sick top get an egg. They would eye up the top of the fathers boiled egg and fight over it. Mother would get the bones out of the butcher on Saturday, boil them with vegetables and make a big pot of soup, which would last a few days. Back bones, her husband was never given back bones or bodice because they were country people, so when Marie married her father told her to get back bone with tail, Gerry came in from work he turned his nose up at it. He came round. Bought pigs head convinced husband to eat it, not too convinced, her father kept saying the ear is crispy. Tongue was delicious. Tripe and Drisseen, tripe cooked in milk and onions for a long time, drissenn on the other hand cooked very fast. It’s very good for your stomach. Children wouldn’t touch it. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.25.45 - 0.27.01 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Marie’s Husband, was from Ballincollaig out the country side in a cottage. He moved to Blackrock and they met in the boat club at a new year’s eve dance. Liam went to school with Marie’s husband Gerry in St. Joseph’s. Gerry’s mother wouldn’t send him to Blackrock because she would see the pupils smoking over the wall by the house and see said ‘you’re not going down there, you’ll only learn to smoke down there’ so he had to go to the mardyke all the way from Blackrock. They had to be left off early for lunch so they could get home on the 12.15 bus and back in to school after lunch at 1.30(7km each way). . </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.27.01 - 0.36.25 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Friars Walk cont. Tory top lane ran at the side of the where the Marian chemist is now. The ex-servicemen’s cottages were in friary gardens. At the end where the bungalows are is where the lane turned off. Johnny Crowley had a market garden there and fed pigs. Bella Dunne her mother Kitty Paul and their donkey was so hungry that it ate the door of the shed. Where Connolly road side of the park was called the field, they played there. Barbed wire divvied it from the graveyard, little bit down was McCloughan’s cottage, then Neville’s slaughter house next to another Halloran. By the front of the graveyard there was a big red brick building with toilets and a water font. All countryside, no house after that. Barrett’s on friars walk off Derrynane Rd? Big house in playing field (tory top park) Catharine Mahoney called Catherine ‘snowballs’. And Noel ‘the goat’ and his wife’s mother nanny Callaghan they used to sit her out in a chair Marie thought she was ‘dotie’ thinking about it now she had dementia, they used light paper and put it in the chute to torment them (they called it thunder up the alley), he would come out in his long johns, and they used to call him the ‘devil out of hell’. There was a pump outside their house. House in the park was used as community centre. Then was ‘First Avenue’(now Reendowny Place) at the end of the houses you crossed a field to pouladuff, Noel Halloran lived in the first house, he was killed down in Dunlop’s, a man Meaney, Callaghan’s, Leary, Fitzgerald’s Harris’. They used to call this area the cross, friars walk with ‘first avenue’ and tory top lane being the other roads. Mrs Harris had teeth that were always coming out, Marie’s brother told Marie that they were the father’s teeth. Paddy the milk man , the grandmother used to make Marie get a sup for the cat off him. CMP dairy not on tramore road at time it was a big house. And where Vita Cortex factory is was Ballyphehane House, which was used a school while Coláiste Chríost Rí on Capwell was being built. The woman who lived by there used to wash the football teams jerseys she was call Mag ‘the Whalloper’ she moved to murphy’s lane , they called her husband ‘Hollywood’ because of his immaculate dressing. All bog down there by Mercier park. Turners cross pitch was all bog. The train line ran passed it. Also the Tramore river from the ESB pitch and putt was all open but no a lot is piped over. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.36.25 - 0.39.55 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> The Building of Ballyphehane. Marie’s brother worked on it. Big change, her house was taken to they could build houses. Brother was sent to Skerry’s college (civil service training) but after 2 months it was discovered that her brother was just hanging out in Fitzgerald’s park and not attending college. So he was marched to Leaders for a bib and brace sent to Ballyphehane and learnt his trade on the house facing the graveyard. Marie was thirteen when the development started, she loved it, it modernised her life and luxuries such as Lennox’s Chipper and everything else, very positive. On the cross they would have a huge Bonfire every year and put new potatoes in the corner of fire and all eat spuds. No traffic, only horse and carts, they used to ‘lang on’ (hang on) the back of the ‘floats’ (flatbed carts) that brought the men back from the docks. She wouldn’t say she made friends with the new people moving in, but she was at the age where she was chasing fellas so she welcomed the new arrivals. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.39.55 - 0.40.59 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Haunted house or scary stories. . Scanlon’s house where one of them hung himself, another then was put in to the mental home on the Lee road. They had that kind of tendency in the family. Marie used to go to graveyard where Fr Matthew’s grave was a you could see a coffin in a sarcophagus that made them run away. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.41.00 - 0.42.50 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Say’s she had a fabulous upbringing in her youth, freedom, not like now. On her school holidays they used leave the house go to the well field with their togs, no towel and stay out till five in the evening, no worries. Couldn’t do that today. That house Marie lives in now on Doyle rd was built entirely by her father 80 years ago. All the tradesmen help each out. Marie’s daughter lives on Derrynane rd and was brought in to the neighbour’s house to be shown signatures of the tradesmen that worked on the house and Marie’s fathers was there. </td> </tr> <tr> <td style="border-top:1px solid #000000;border-bottom:1px solid #000000;border-left:1px solid #000000;border-right:none;padding:0cm 0cm 0cm 0.19cm;"> 0.42.51 – 0.44.21 </td> <td style="border:1px solid #000000;padding:0cm 0.19cm;"> Revised the Black and Tans story, all names of people living in house was written behind door and they’d check if it matched. INTERVIEW ENDS </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marie McAllen: Ballyphehane Subject The topic of the resource Life History: Ballyphehane; Market Gardens; Childhood Description An account of the resource Marie was born and raised in Ballyphehane, before and after development of corporation housing. Her Mother’s family name was Cronin and her grandmother was Halloran who owned Halloran’s orchard where the Ballyphehane Church now stands. Date A point or period of time associated with an event in the lifecycle of the resource 26th April 2017 Contributor An entity responsible for making contributions to the resource Interviewee: Marie McAllen Interviewers: James Furey and Liam O’hUigín Identifier An unambiguous reference to the resource within a given context CFP_SR00617_mcallen_2017 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ballyphehane; 1930s-2000s Relation A related resource <div class="element-text"><a href="http://corkfolklore.org/archivecatalolgue/items/show/72" target="_blank" rel="noreferrer noopener">CFP_SR00586_lyons_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/73" target="_blank" rel="noreferrer noopener">CFP_SR00587_walker2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/76" target="_blank" rel="noreferrer noopener">CFP_SR00592_chute_2016</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/77" target="_blank" rel="noreferrer noopener">CFP_SR00617_mcallen_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/79" target="_blank" rel="noreferrer noopener">CFP_SR00643_osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/80" target="_blank" rel="noreferrer noopener">CFP_SR00665_falvey_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/84" target="_blank" rel="noreferrer noopener">CFP_SR00672_EdwardsCrowley_2018</a>:</div> <div class="element-text"> Furey, Jamie (2012) ‘Boxcars, broken glass and backers: A Glimpse at the Ballyphehane Oral History Project’, The Archive 21: 24-25. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf">http://corkfolklore.org/wp-content/uploads/2018/08/Archive21-WebEdition-1.pdf</a></div> Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource .wav Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound Ballincollig Ballyphehane Ballyphehane House Black and Tans Blackrock Bodice Burning of Cork Capwell Childhood Games Coláiste Chríost Rí Connolly Road Doyle Road Dunlop Food Fr Theobald Matthew Friars Walk Games Glassey Alleys Gobs Halloran’s Orchard Hangdog Road Haunted house I.R.A Innisfallen Leaders Clothing Shop Liam ÓhUigín Marbles Market Gardens McAllen Nicknames Pouladuff Road Reendowny Place Rhymes Ska Skipping St Joseph's Cemetery St. Joseph’s Cemetery Tory Top Lane Tramore Road Tripe and Drisheen https://corkfolklore.org/archivecatalolgue/files/original/2e67d980463cfdff30e4f55f8feabcd0.jpg 9d3b927df0c1d307eec396c4bc6eddc2 https://corkfolklore.org/archivecatalolgue/files/original/ea7631bb00f671a7b5c78dca256943dc.mp3 21d51908b4e23e89605fa9bbfc02827e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Dolores Horgan Interviewee The person(s) being interviewed Marie-Annick Desplanques Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34m 25s Location The location of the interview Farrinferris, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com M-A D I arrived in Cork then twenty-four hours late, and Seamus was working and I was basically exploring the City and getting lost and lost and lost because of the bridges, so I went from one bridge to another, and then I walked in the city not knowing where I was, then within that week I decided – we were living in the North Side at the time in St. Luke’s – and I kind of decided that I looked at the city from the South side, and I decided that’s grand, now I decided that I am going to walk from Sunday’s Well into St. Luke’s, and I didn’t realise that there was Blackpool in the middle, I thought I was going to be uphill, on a hill all the time, so I remember the steps, the famous steps of the old Fever Hospital, I remember them, because that was the only way to go back up the other side, so that would be my first memories. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marie-Annick Desplanques: Brittany, Breton, Coiffe, Crêperie, Foodways, France, Children's Games. Subject The topic of the resource Life History Description An account of the resource Marie-Annick Desplanques grew up in Brittany, west France. She moved about frequently as a child because her father worked on the railways. She discusses food, games, Christmas in France as well as moving to Ireland from Newfoundland and the development of Cork City between 1988 and 2004. Marie-Annick Desplanques spent her early childhood in Brittany, west France. She has three younger brothers, two of whom emigrated to England and Canada. Her father worked on the railways and she lived with her grandparents until she was five or six years old. After this, she moved around with her parents frequently: she mentions that she may have attended as many as twenty schools. Her earliest memory is of going with her grandmother to the ‘Lavoir’, in the local village to wash clothes, as well as going to the beach. She recounts various children’s games such as rolling tyres, a kind of skipping elastic game, and marbles. She remembers older women in Brittany that dressed in black and wore a ‘coiffe’, a traditional headdress that gave them difficulty getting in and out of cars. Her grandmother ran a shop that also kept wine under the table for customers who wished to stop in and chat. She recalls her grandfather telling stories as well as catching what he called ‘Japanese Chickens’ by putting glue on trees. The family diet would have been mainly fish, potatoes, and chicken. The village in which she lived would have been quite poor and Marie-Annick recalls getting an orange for Christmas as well as a wooden train made by her father. When asked about moving to Ireland, Marie-Annick discusses the close connection between Breton villages and Ireland. She discusses moving from Newfoundland, where she met her Irish husband, to Cork in 1988 and relates that her arrival in Cork was delayed by twenty-four hours because she was searched at Heathrow Airport due to her husband having a similar name to someone serving in Portlaoise prison. She mentions getting lost in Cork after her arrival, as well. Marie-Annick then observes that it was easy to make friends due to the fact that both she and her husband are musicians. She also discusses meeting with French people in Cork and makes mention of the creperie in French Church Street as well as Isabelle Sheridan’s stall in the English Market. She remarks on the growing ease of getting certain food ingredients as the city develops but relates some disappointment at the way the smaller community areas of the city are being built over in favour of bigger spaces. Marie-Annick Desplanques was the Research Director of the Cork Folklore Project from its inception in 1996 until 2010. Date A point or period of time associated with an event in the lifecycle of the resource 5 August 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Marie-Annick Desplanques Interviewer: Dolores Horgan Identifier An unambiguous reference to the resource within a given context CFP_SR00333_desplanques_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; Brittany; France; New Foundland; 1960s - 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound 1960s 1970s 1980s 1990s 2000s Brittany Childhood Games Christmas Cork 2005 Customs Folklore Foodways France Marie-Annick Desplanques Newfoundland https://corkfolklore.org/archivecatalolgue/files/original/2a784ec5b03463b6dfb884aaf7cdd52e.jpg 84ab4ede9d5baef4d8dbb60bb8e18e9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Journeys: Living Folklore in Ireland Today Subject The topic of the resource Life history interviews from the inhabitants of Cork city's Northside. Description An account of the resource 27 oral history interviews focusing on the life of Cork city's Northsiders. This interviews in this collection were used in the Cork Folklore Project's (then the Northside Folklore Project) first book; Life Journeys: Living Folklore in Ireland Today. The book, published in 1999, was compiled and edited by former Cork Folklore Project researcher Stephen Hunter. Date A point or period of time associated with an event in the lifecycle of the resource 1996-2001 Contributor An entity responsible for making contributions to the resource Interviewees: Willy Good; Margaret Farmer; Eileen O'Sullivan; Tina Noonan; Michael Murphy; Sheila Dalton; Eibhlis deBarra; Denis P. Long; Catherine McCarthy; Helen Donovan; Billy McCarthy; Maria Lopez; Nicholas Hennessy; John Connolly; Liam Foley; John Collins; Jack Byrne; Thomas McCarthy; Rev John Farris; Brother Higgins; Mary Healy; Helen Prout; Eddie Daly; Alan Kennefick; Kay Dunne; George Glendon; Colin Rynne: Interviewers: Stephen Hunter (16); Caroline Crowley (4); Caroline Cronin (3); Lorraine Cahalane (1); Catherine Fray (1); Valarie Kelly-Curtain (1); Liam Hurley (1); Martin O'Mahony (1): Identifier An unambiguous reference to the resource within a given context CFP_SR00002_good_1996; CFP_SR00104_farmer & osullivan_1997; CFP_SR00127_mccarthy_1998; CFP_SR00134_noonan_1998; CFP_SR00140_murphy_1998; CFP_SR00154_dalton_1998; CFP_SR00176_debarra_1997; CFP_SR00177_long_1998; CFP_SR00181_farmer,mccarthy & donovan _1997: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland: 20th Century Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource .wav Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary Healy Interviewer The person(s) performing the interview Stephen Hunter Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 82min 79sec Location The location of the interview Cork Arts Theatre, Knapp's Square, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Healy: Theatre, Gilbert & Sullivan, Society Subject The topic of the resource Life History; Description An account of the resource Mary was born circa 1958, to parents who were both involved in the theatre. Her mother was a professional costume designer. Her father was a stage manager and an actor. She appeared on stage for the first time at the Opera House when she was 7 years old. The family moved to Douglas when she was 4. She talks about her parents’ involvement in theatre. They met while members of a Gilbert and Sullivan group, and another group, Theatre of the South, that put on Summer Revels. She comments that people often joined theatre groups for the social more than the thespian aspect. She herself became involved with Blackrock Players. She comments that Cork people go to shows which reflect both Cork and themselves as Cork people. She talks about the Everyman theatre then based in Father Mathew Street. Most theatre groups are amateur and part-time. She feels that theatregoing was more popular with Cork people in the past and that an audience for plays has been lost. Mary talks about the superstitions associated with theatre, such as not whistling in the dressing room. She recalls a story about a ghostly figure in a showband ballroom. She talks about the fire which burned down the original Opera House building. The opera house site had previously been occupied by the Munster Hall, and then by the Atheneum. She talks about earlier, forgotten theatres of Cork dating from the 1700s, and about The Loft and Father O’Flynn. Her own career has moved from acting to directing to administration. She discusses changes in women’s lives in Irish society. Date A point or period of time associated with an event in the lifecycle of the resource 15 June 1999 Contributor An entity responsible for making contributions to the resource Interviewee: Mary Healy Interviewer: Stephen Hunter Identifier An unambiguous reference to the resource within a given context CFP_SR00269_healy_1999 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; 1900s Relation A related resource Published Material: Hunter, Stephen (1999), Life Journeys: Living Folklore in Ireland Today, Cork: The Northside Folklore Project. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource .wav Type The nature or genre of the resource Sound Billa O’Connell Cork Opera House Father O’Flynn Feminism Gilbert & Sullivan Mary Healy The Everyman Theatre Theatre https://corkfolklore.org/archivecatalolgue/files/original/422a8f8d01c94416d3212c6820910c3b.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/091d60186f1a4c0fa1a5abc513248caa.mp3 ce71e8f3efb884ec62212e382b851221 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Breda Sheehan Interviewee The person(s) being interviewed Mary Marshall Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30min 17sec Location The location of the interview Gardiner's Hill Hill, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com B S: I only want you to think about this now but is there any chance that you could sing that song for me, because I’d say your father is the only person that would have passed down that song to our generation and the generation coming after us who’d have never heard of it, and your father memorised that ballad about Scoura Hill. You don’t have to do it. You can do it later. M M: Well, Scoura Hill now was the old Ballyvolane Road and when I was a child there were a couple of houses still there. Quinna now lived in one and his brother. The rest would have been ruins and they’d have been at the side of what were known as the Glen and he used to sing that on a Sunday night, Scoura Hill, and we’d have great fun singing it. If I can remember it Breda, I might get mixed up. B S: It doesn’t matter if you get it mixed up, you know. It’ll just give a general idea. M M: Oh the Jew and plough, a lively trade up in Scoura Hill For all have bought but few have paid up in Scoura Hill And when the Jew men come each day They’re paid their debts in the quickest way There’ll be a couple of the houses burned each day up in Scoura Hill A policeman he came up last night up to Scoura Hill He swore to teach us to do what’s right up in Scoura Hill But when the officer began to roar The officer shouted ‘Get inside doors’ He was struck on the nose with a stale back bone up in Scoura Hill Oh the military they came up last night up to Scoura Hill They swore -- Oh I’m wrong -- to teach us to do what’s right up in Scoura Hill But when the officer began to -- I’m mixed up Breda. I have to go back to when the policeman came up. [Pause] I’ll sing it another time for ya. B S: Polly Riordan and the rent M M: Oh Polly Riordan never gets her rent up in Scoura Hill For when she calls, the money is spent up in Scoura Hill Polly Riordan says she won’t call again She’ll fetch the military tonight at ten There’ll be a couple of the houses burned down then up in Scoura Hill Oh the military they came up last night up to Scoura Hill They swore to teach us to do what’s right up in Scoura Hill But when the officer began to roar -- <p style="margin-left:1.27cm;text-indent:-1.27cm;margin-bottom:0cm;border-top:none;border-bottom:1px solid #000000;border-left:none;border-right:none;font-weight:normal;line-height:200%;padding:0cm 0cm .07cm 0cm;"> He was struck on the nose with a stale back bone up in Scoura Hill Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Marshall: Blackpool, Childhood, Hunting, Subject The topic of the resource Life History: Description An account of the resource Mary grew up in Thomas Davis Street, Blackpool. Both her parents were from Blackpool. Her mother liked to use Grand Parade library, and her father was an avid reader who told stories from Greek mythology. At the time the area bounded onto the countryside and there were many country people there. She mentions some shops and businesses in the area, such as Mrs Tobin’s shop, Molly Howe’s pub, May Rogers’ shop, Edwards’ dressmakers and a neighbour who repaired radios. She played in Dan Duggan’s field. Her father kept dogs and used to go otter hunting. As a child she moved from Saint Vincent’s school to the North Presentation. The family of Gypsy Lee, a fortune teller, lived nearby; she used to make paper flowers. During the 1950s animals used to be herded through the streets. Alice Fray collected household waste for pigs. Jackie Cremin, of Spring Lane, had a piggery. After hunting everybody would go back to the pub (pubs closed at 7 o’clock then). She sings a song that her father used to sing, called ‘Scoura Hill’. Date A point or period of time associated with an event in the lifecycle of the resource 1 September 2010 Contributor An entity responsible for making contributions to the resource Interviewee: Mary Marshall Interviewer: Breda Sheehan Identifier An unambiguous reference to the resource within a given context CFP_SR00401_marshall_2010 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s-1960s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1930s 1940s 1950s Blackpool Childhood Childhood Games Goulding’s Goulding’s Glen Gypsy Lee Hunting Mary Marshall Otter hunting Piggeries Tomas Davis Street Traditional Songs Welsh’s Lane https://corkfolklore.org/archivecatalolgue/files/original/6783c0036940ebe83126dbf443a1f183.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/4a34cabd731b00a228a54d262aa223aa.mp3 78bd4d3dd109f7b537f03d3c8300e46c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary Montgomery-McConville Interviewer The person(s) performing the interview Cliona O'Carroll Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 7min 41sec Location The location of the interview Civic Trust House Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound COC: You’re familiar with our project? So just any memory that was sparked? MM: Well I remember in the Winter, Lavitt’s Quay was sloped and we’d come out and we’d throw water and we’d have eh skating down across – there was hardly any cars at that time but the footpath was kinda’ high and I don’t know how we weren’t drowned because we’d hit the car when we’d get down, the young fellas and the young girls – but we wouldn’t be out too late. But we’d swing over then across the path and turn around and also on Good Friday there was a crane just over there at the place between Brown Street and Harper’s Lane and they used to tie eh it was supposed to be Judas I think on the crane and they would set fire to him, you know. So. COC: And tell me, tell me again where where it was that you grew up? MM: Em I, I was born in Shandon Street and I moved down to – and my born in Shandon Street in 1932, two years after me. And then the next thing I knew I was sitting up in eh there was the hall at the end of Brown Street and they used to have the scouts there and Legion of Mary and they’d be practising their choir singing you know at the weekend. And I was sitting on that step, there’s a bookshop there now called Collins’, and a nurse Ashton put her head out the window and she said I had a lovely baby brother and that was 1935. There was four of us there; two boys and two girls. COC: Oh wow. So all of that city centre area you’d know very well? MM: Yes, yes. Going to all the different picture houses, lots of them yeah. COC: What eh, which ones would you – which was your favourite picture house? MM: Oh Savoy, Savoy. I used to be there Tuesdays and Mondays down, we used to call it Savoy Lane but that’s probably some other name. And the ones at the end would rush and they’d knock all of the ones that are on top of the – it was eh very popular thing going to the movies. COC: What was it like inside the Savoy? MM: Very good, very good yeah. Very comfortable. We’d have Fred, Fred Preachman on the organ. Did you ever hear of him? COC: I did indeed, yeah. MM: So I can’t think, the more I go along the more I’m thinking of different things now. I was just reading out there the em one family boiling the potatoes in the pot. We used to do that too. They’d sort the potatoes up in the Coal Quay and they’d throw away the small ones and we’d go up, we weren’t even washing them. We’d run away with the salt out of our houses and we’d eat them but we must have had a – we never got sick you know? [Laugh] COC: And were they already cooked? MM: No, no, no just sorted them and only kept the big ones and we’d boil them and eat them. COC: And where were your parents from? MM: Em my dad was born in Edenderry and he’s – they went to Dublin then for a little while and they, as far as I know, they came from Dublin to Cork because my grandfather was a woodturner and they were doing the em – there was a French farm did some of the confessional boxes in Peter and Paul’s but they were also Irish. I think they, the workers, the Irish workers were kind of giving out because they weren’t getting work. COC: Wow. So you … [Interrupted] MM: And my mother was from Cork COC: Right. Whereabouts in Cork? MM: Well it would have been around the laneways there now you know. COC: So you can go into Peter and Paul’s and see your father’s handywork? MM: My grandfather COC: Oh your grandfather. Sorry. MM: My grandfather. COC: Yeah, yeah. Fabulous. MM: Yes. That time they, like, the the work came down through families. Like my grandfather was a woodturner, my dad, my brother and my son. Now like you had to have – the family had to be in the trade to get in. COC: Yes, yeah. Fabulous. Great well em … [Interrupted] MM: Em, I, what is it my own name or my…. COC: Your own name. What I’ll do is… [Interrupted] MM: Yeah because my single name or my married name? COC: Em, sure you could give me both. MM: Well em I was Mary Montgomery and I’m Mary McConville now. COC: And I’ll put a date on this and what I’ll do is I’m going to give you one these blank to take away just so that you have your own copy and that you know how to get in contact with us. And I might get you to sign this. End of Interview Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Montgomery-McConville: Shandon Street, Peter and Paul's Church, Coal Quay Subject The topic of the resource Life History: Description An account of the resource Mary was born in Shandon Street in 1930. She talks about winter on Lavitt’s Quay. Mary also mentions an Easter custom where on Good Friday they would tie the figure of Judas to a crane and set fire to it. Her grandfather made the confessional boxes for Saint Peter and Paul’s church. She also makes a brief mention to cinemas in Cork. Date A point or period of time associated with an event in the lifecycle of the resource 24 August 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Mary Montgomery-McConville Interviewer: Cliona O'Carroll Identifier An unambiguous reference to the resource within a given context CFP_SR00435_montgomery-mcconville_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s-2000s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a> Click <a href="http://corkfolklore.org/cmm/neatline/fullscreen/cork-memory-map#records/24">here</a> to access Mary's entry on the Memory Map</div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav FIle Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1930s 1940s 1950s 1960s Cinema Coal Quay Lavitt's Quay Mary Montgomery-McConville St Peter and Paul's Church The Savoy https://corkfolklore.org/archivecatalolgue/files/original/e93f364b532c7cedf1fd0711b50425c6.jpg 9a25f4817c8a142c3ffe1979e69ff98f https://corkfolklore.org/archivecatalolgue/files/original/6cdc027b4cd508cd791d512db6560d05.mp3 6f378d18b37146db62d69205867fdf30 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary Morgan Interviewer The person(s) performing the interview James Furey Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1 Hr 3 mins Location The location of the interview Glasheen Road, Cork City Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td> 0.00.00 - 0.09.30 </td> <td> On Mary’s childhood. Her birth in West Cork and her family. On how the threshing of corn in particular was a big social occasion. Mary spent her early years in Kilmichael before moving to Cork city with her sisters, who owned a number of pubs. Mary was born in Kilmichael on the 18th of March 1922. Her family were farmers. There were eight children. Five girls and three boys. Mary was the third girl. Her mother’s maiden name was Mary Hurley and she was from the same area. Her fathers name was Patrick Murphy. She describes her childhood as very happy. They lived at a crossroads and kept a very open house. Every night people came to play cards. Mary’s mother played the concertina. There was no electricity in the house and no running water, only a well down the road. Despite this, Mary says they were very happy for a long time. The first bad thing Mary remembers is the Economic War. They couldn’t sell their cattle and money became scarce. Mary always had an interest in the farm and worked on it until she got married. They had a lot of land, a hundred and something acres. A lot of it was rough land. The threshing of corn every year was a big event. Usually there would be dancing and singing in the house afterwards. In the summer the men would cut turf from the bogs. Mary remembers bringing tea and sandwiches to them. Two of the turf cutter’s dogs started fighting and their owners nearly came to blows over the dogs. Two of her older sisters worked in a local shop. Another sister worked in Bandon with an aunt who owned a shop and a pub. Later they all came to live in the city and opened pubs themselves. The Gables in Douglas was one of the pubs. The Phoenix was another one. A third sister had a pub on the quays called the Green Bow. That was sold and her sister bought a shop on the Western Road, opposite Jury’s Hotel. Mary worked in the Gables for a bit before her mother died. Back then you could put up a notice saying ‘No Ladies Served’ but you can’t do that nowadays. One of her brothers stayed home on the farm. Another brother worked in the County Hall but then left for Dublin to lecture in the college. He’s only dead with a year. </td> </tr> <tr> <td> 0.09.51 - 0.13.33 </td> <td> Mary talks about the Economic War and how that made it difficult for her own family to sell their cattle. Despite the Economic War, her father was still a supporter of Fianna Fail, while most of the other nearby farmers supported Fine Gael. She talks about how WWII meant better prices for farmers. Mary’s son Pat entered and after some introductions, Mary continued to talk more about the Economic War. Most of the farmers, especially the big farmers, were very opposed to Fianna Fail. Mary’s describes her father as a rabid Republican. Only a few of the other nearby farmers would have supported Fianna Fail. The local priests were going mad over Fianna Fail and comparing them to Bolsheviks. One of the priests, Canon Goold, used to ride around on a horse and often argued with Mary’s father over his support for Fianna Fail. Despite DeValera being responsible for the Economic War, Mary’s father still blamed England for the tariffs on cattle. Mary remembers being down in Ballineen selling cattle with her brother. Mary’s father had two heifers for sale but had trouble selling them. Mary was terrified of going home to her mother without money. The heifers ran off and Mary got them back, eventually being able to sell them for £6 each. In 1939 when the tariffs were removed, prices on cattle went up again. Mary remembers her father later selling two heifers to a buyer at home for £40. After that life became comfortable again. 1933 to 1939 were hard years according to Mary. </td> </tr> <tr> <td> 0.13.33 - 0.17.37 </td> <td> Mary talks more about her parents and how they survived the flu epidemic of 1918. The beginnings of the War of Independence and the use of safehouses in the area by the IRA. On some of the local men who were arrested on suspicion of IRA membership. During the First World War and just after, farmers got great prices for everything. Mary’s parents married in February 1918 and were able to live comfortably because the war meant they were able to sell anything. Mary’s parents both contracted the Spanish Flu while her mother was expecting her first child in 1918. The child had been due in February but arrived early in December. Because the flu was so contagious, people were terrified to enter the house to help. Both Mary’s parents survived. The two brothers renting the farm next door died from the flu. A local doctor told Mary that anyone who contracted the flu didn’t live to be old because it damaged their hearts. Straight after that, the trouble started according to Mary. A nearby house was used as a safe house by Republicans. Mary remembers her mother telling her how the Republicans would bring in straw and spread it all over the floor in the upper room. One night ten men slept there. Scouts stood by the windows and would tap with their guns if they saw anything. Mary’s son Pat points out a photo of a group of IRA suspects in Dunmanway Workhouse. Mary knew one of the men in the photo, Tim Buckley, who went to live in the United States. The other men in the photo were Richard Donovan, William Bohane and Jim Donovan. Tim Buckley married in the United States but his wife died from tuberculosis. They had one child. Tim came back to live in Ireland with his child because they couldn’t afford to live in the United States. He used to work on Mary’s farm sometimes. The day Tim Buckley was arrested he was carrying turf across the bog. The police had local information that he was helping the IRA but he wouldn’t have been very active in the IRA. They took him and others to the barracks in Cappeen. The Donovan’s weren’t with them because they weren’t local. William Bohane had no connection to the IRA but any young man found at home was suspected of being in the IRA. There was another young man who was a shoemaker, arrested at home in bed after being drunk. The Tans began questioning Tim Buckley and one of them hit him with his rifle in the mouth, knocking out his front teeth. </td> </tr> <tr> <td> 0.17.50 - 0.20.25 </td> <td> On Mary’s paternal grandmother and their connections to Republicanism. How one of her cousins was almost caught by the Black and Tans and how some help from a local shopkeeper and the quick thinking of Mary’s mother saved them. Mary’s paternal grandmother was from beyond Macroom and there might have been a Fenian tradition on that side of the family but not from her grandfather’s side. Her grandmother’s maiden name was also Murphy. Her neighbours fought against the Black and Tans near Macroom. Mary’s first cousin on her father’s side, Jim Murphy and another man named Charlie Brown came into Cappeen in a horse and trap with revolvers in their pockets and drove into a place full of Black and Tans. Even though the two men nearly died of fright they had to keep going. They tied up the horse and pretended to be going shopping. The shopkeeper saved their lives. Mary describes the shopkeeper as being well in with the Tans. Because of the shopkeeper, the Tans never searched the two men and let them go. They drove back up to Mary’s house and were met by Mary’s mother, who warned them that the Tans had just gone up the road. That was where they arrested Timmy Buckley. When Jim Murphy and Charlie Brown heard about the Tans, they tied the horse up and Mary’s mother put on her jacket, pretending she was going somewhere with the horse. The two men ran off down the fields. The Tans never came down as far as the house but instead went back the way they originally came because they had arrested Tim Buckley and the other men. They kept Timmy Buckley and the Donovan man for a week but let William Bohane go home. They must have had local information that William Bohane wasn’t in the IRA. They knew who was in it and who wasn’t. </td> </tr> <tr> <td> 0.20.26 - 0.25.33 </td> <td> More on the War of Independence and the Civil War. Living not far from Kilmichael when the ambush took place. How a local man was suspected by the IRA of informing against them but later released thanks to information supplied by a local postmaster. On how fear of the IRA made people give them shelter. Mary’s grandmother gave shelter to the IRA but also had a daughter married to a member of the RIC. According to Mary, her parent’s house was never raided by the Tans. But it did get raided by the Free State soldiers during the Civil War. Her father had guns hidden under the hay and got a fright. There was a heavy shower and the Free State soldiers took shelter with the hay. They were sitting on top of the guns but never realised. The reason the Tans never raided the house was because they didn’t like going down the narrow roads if they could avoid it. It was too dangerous for them. The house was only a few miles away from where the Kilmichael ambush took place and Mary’s father heard the guns going off. There was an old notebook found on one of the Tans and Mary bought it off the Southern Star. She still has it in the house somewhere. After the Truce, when the British troops were evacuating Dunmanway, an Irishman took a diary out of a Tan’s pocket. The notebook contained information about the local IRA. Where they slept at night, how many guns they carried and descriptions of them. One man was arrested by the IRA on suspicion of being an informant and kept him for three days. His mother was searching the area, worried the IRA had shot him. A cousin of Mary’s father saved his life. He worked at the post office in Cappeen and knew who was really informing because he read the letters going to the Tans. Most of those letters were confiscated by the postmen. Mary thinks it was a woman who was informing. While most people in the local area weren’t Republicans, they still wouldn’t inform on them. Mary’s very near neighbours were more interested in making money and putting it into big farms. But there were some nearby who were very pro-IRA. People had no choice but to keep the IRA if they came because they would be afraid of them as well. Mary’s grandmothers house was further up into the hills and was also used as a safehouse by the IRA. One of her daughters was married to an RIC man in Dublin. But he had died before the War of Independence and she was living at home. One time, her husband’s brother, who was also in the Dublin Metropolitan Police, wrote to her asking could he visit for a holiday. He was fed up in Dublin and wanted to get away for a bit. Her grandmother wrote back to say he was welcome but he might have to share the house with people he wouldn’t agree with. He sat in the parlour with his hat on the table and a revolver under it, while IRA men ate in the kitchen. He didn’t say anything. Many of the RIC were sympathetic but still had to do their jobs. A lot of them didn’t want the Tans around either. </td> </tr> <tr> <td> 0.25.35 - 0.28.44 </td> <td> On hearing stories about the War of Independence when she was young and trying to get relatives to talk about it. On a man who used to come into her sisters pub who told her about his involvement in killing three British soldiers. Mary remembers hearing these stories when she was young. When Timmy Buckley came back from America, he was always telling stories. Mary’s cousin, who was involved in ambushes during the War of Independence, never spoke about it. Mary tried to get him to talk about it. He was arrested during the Civil War and sent to Cork Gaol. He was among those who broke out of the prison. Mary thinks those who were very involved with the fighting didn’t want to talk about it. She thinks they hated what they had to do. Jim Murphy was involved in an attack on the Kilmurray barracks but they didn’t succeed. The barracks was burned down later. There was another man who used to come into her sisters pub and he was also very involved in the War of Independence. She thinks he shot a lot of people. One day, Mary was alone with him and kept asking him to talk about it. He told her about the Tans killing some people at a match in Glanmire and how the IRA were told to kill a British soldier for each person killed by the Tans. He described the three soldiers that they shot. They took the soldiers out to Blarney and shot them there. Mary thinks it had an awful effect on the man. He talked to himself a lot and was a bit daft from it. Mary thinks Ireland would have been worse off under England because we would have been bombed during WWII. </td> </tr> <tr> <td> 0.28.45 - 0.37.47 </td> <td> Mary talks about going to school until she was 15 and the stories she would have heard at home. She recalls the local tailor and how the children would play with the empty reels. Mary’s father was a big believer in hospitality and often welcomed tinkers to stay in exchange for them making household items. Tramps were also invited to stay, although Mary’s mother didn’t approve. Some of these were WW1 veterans dealing with shellshock. There was a story about a farmer down in Kerry who murdered his wife and tried to cover it up. Mary attended school until the age of 15. There wasn’t much talk about the War of Independence period in school. One teacher might have talked about it. Mary would have been hearing the stories at home around the fire and she considers her home to have been a ‘rambling house’. John Hennessy, the shoemaker, along with a tailor, another shoemaker, a carpenter and a harness maker would all come to visit. The harness maker would come every few years to do the harness and would spend the day stitching up different things. They would take their shoes over to be repaired and getting new soles put on them. The tailor would make her fathers suit. The tailor has his own house up the road. The table took up the entire kitchen and there were big reels of thread on it. He kept all the empty reels for the children and they would put twine through them to make horses. Tinkers used to come and stay during the summer. Mary’s father would never refuse anyone. They would bring straw down from the haggart and put it into the trap. A big family would sleep in it for a week. The Tinkers would make tins, cups, jugs and milk containers to sell around. Mary thinks they had a place in Dunmanway. Around twenty years ago, Mary’s brother was at home one day. A big heavy woman came into the door. She wanted to show her son, who was home from England, where they used to spend their summer holidays. The house she used to stay in was gone. It was on the side of the road and had been knocked. It had been a big, long open shed. Mary’s father would never refuse anyone and he kept a lot of tramps. He didn’t like to see anyone else without a bed. These people would never come into the house, except the girls at night. Mary’s mother didn’t like them playing with the girls but her father encouraged it. Mary’s father felt you should be as nice to the tramp as you would be to the Bishop. Everyone should be treated equally. He wasn’t afraid of anyone. A man came one night, just after WW1, and a lot of them were suffering from shell shock. Mary’s mother refused to allow him to sleep in the house. They set up a mattress for him in the barn. He had a box of matches in his pocket and he spent the night cracking matches. The floor was covered in burnt matches. There was thunder and lightning during the night. Mary’s mother woke up and seeing the lightning, thought the man had set fire to the barn. She looked out and could hear him singing at the top of his voice at the thunder and lightning. Mary’s mother went off to mass the next morning, leaving her father and the young children at home with the man. He sang for them. Mary recites the words of the song. Mary’s father took an interest in everyone and they would all tell him their stories. Mary’s not sure if it’s fair to repeat some of the stories, in case these people have descendants in the area. Mary tells a story about a murder down in Kerry involving a very wealthy farmer. It was rare to hear about a murder in the paper back then. This farmer murdered his wife and tried to pretend that she died attempting to rescue a turkey from the well. But he was charged with the murder. A tramp came to Mary’s house and it was his aunt who was the murder victim. The tramp’s father was another wealthy farmer but the he left home because his father beat him when he was 16. He went down to a nearby town and enlisted in the British army. He described the Battle of the Somme. He began to smoke opium as a way of coping with the horrors of war and became addicted. When he was discharged he was offered either a pension or a lump sum. He took the lump sum and spent it all on drugs. That’s how he ended up going from door to door. Mary’s father would sometimes offer to give the tramp a shilling but he refused to take it. Mary doesn’t know what happened to the tramps. One tramp nearly died at their house but the ambulance came and took him away. They brought him to Clonakilty where he died there. Many of the tramps were very neglected. A lot of people would feed them. Some of the tramps would demand food. One of them was an ex-teacher who had fallen on hard times. </td> </tr> <tr> <td> 0.37.52 - 0.39.07 </td> <td> On reading a book about Brendan Behan by Ulrick O Connor Mary was reading a book about Brendan Behan written by Ulrick O Connor. According to the book, Brendan Behan saved the farmer who murdered his wife from the gallows. He was to be hanged but Brendan Behan drove him mad. Behan used to torment the man in the exercise yard of the prison. One day the man got so mad that he had an epileptic fit. He was taken away in an ambulance and sent to hospital. </td> </tr> <tr> <td> 0.39.14 - 0.42.33 </td> <td> Despite Republican connections in the family, there was no involvement with Cumann na mBan. On some aunts who were married to men in the Dublin Metropolitan Police. On how one of Mary’s aunts helped an IRA member get out of police custody by pretending he was her brother. She had to leave Cork afterwards and return home to West Cork until the Troubles ended. None of Mary’s family was involved in Cumann na mBan. One of her aunts was married to a member of the Dublin Metropolitan Police. Another aunt was also married to another DMP member but he left it because his family’s shop was being boycotted. If he didn’t quit the police the shop wouldn’t survive. Her aunt Peggy married in Cork at the same time as her mother. One of Mary’s uncles went to live in America and Mary’s mother was delighted with this. One day, Mary’s aunt was visiting other cousins who were also in the IRA and met with Charlie Brown. She thought he was the image of her brother Willie, who was in America. A few weeks later, Charlie was arrested and he gave Willie’s name and address, claiming that he was Willie and was working in Fords in Cork. He was brought to the barracks in Cork. Mary’s aunt was married in Cork at the time. She was a very small woman, only 5’1 or 5’2 and expecting her second baby. She got word from the IRA to go to the barracks and identify her brother. Charlie Brown wrote a book about it afterwards and mentioned how this brave little woman came to get him out and saved his life. Speaking to Mary about it years later, her aunt said she was a terrified little woman. She was as terrified of refusing the IRA as she was of doing it. They were very nice to her in the barracks and promised not to do any harm to her. They allowed her to talk to her ‘brother’. The ruse worked and Charlie Brown was released. He was supposed to report to the barracks every week but he didn’t. Mary’s aunt had to flee Cork city as a result. Her baby was born at Mary’s house. She stayed there until the Troubles ended. The Truce was signed not long afterwards. She was lucky because the police could have found out who she was. Charlie Brown was very involved with the IRA in Macroom. </td> </tr> <tr> <td> 0.42.39 - 0.43.42 </td> <td> On moving up to Cork city when she was 24, working in her sister’s pub and helping out on the farm at home. Mary moved to Cork city when she was 24. Her sister had opened a pub on Douglas Street. Mary was there for about a year, coming in and out. She went home again when her mother died. She helped out on the farm with the hens, duck, geese and turkeys. This was in the late 1940s. Her mother died in 1948. Her father had died in 1944. Mary’s eldest brother took over the farm. </td> </tr> <tr> <td> 0.43.47 - 0.46.30 </td> <td> Encounters with the Blueshirts in the 1930s. Going to watch Platform Dances in Glan on a Sunday. There was an agreement between Republicans and Blueshirts that no political symbols would be worn, but the Blueshirts broke the agreement. This led to a fight and the end of Platform Dances in the area. Mary remembers the Blueshirts from when she was 14 or 15. Mary wasn’t allowed to go dancing but they were allowed to go looking at people dancing at the platforms. There were dances in different places on a Sunday afternoon and someone playing music. Nuala and Mary were allowed go back to Glan to see the dancing but weren’t supposed to do any dancing themselves. They went down on a Sunday. At the time there was a lot of animosity between different groups, Republicans and Blueshirts. They had an agreement that no political signs of any description were to be worn, like badges or blue shirts. It was a place for dancing and fun and not for politics. The following Sunday, they went down again and there was one girl there with a Blueshirt. Later, Mary saw 20 men wearing blueshirts and black ties coming down the road on bicycles. It was all arranged that the girl would be there and one of the Blueshirts started dancing with her. The minute they started dancing the music stopped and they started arguing about the no politics agreement. The next thing they were all beating each other. Nuala and Mary ran away home. While walking up the road, they met a girl who took a wrench from her bicycle repair kit and went down to join in the fight. One fella was carried away in a stretcher afterwards. That was the end of the platform dancing. Mary was too young to be allowed dance as she was only 14. Once they got older they were allowed dance. </td> </tr> <tr> <td> 0.46.32 - 0.50.10 </td> <td> On whether the War of Independence was worth it and getting the Treaty Ports back. On Irish not being spoken widely when she was young. An Irish poem her father used to recite. Two of her nieces became teachers. May remembered learning about the Famine when she was in school and an elderly neighbour who had lived through it. Mary thinks Irish independence was hard won but the best thing was when Ireland got the Treaty Ports back. Otherwise, Ireland would have been bombed during the war. She believes if Ireland had still been under English rule Germany would definitely have dropped a few bombs on us. The Irish language would definitely have been gone, although Mary doesn’t know if that would be a good or bad thing. She doubts the English would have allowed it to be so prominent. Mary didn’t have Irish when she was young, although her father had some. They weren’t allowed teach it in schools. Her father spent months trying to learn it. He had one little poem out of a schoolbook he liked to recite. The tailor living nearby was from Ballyvourney and a native Irish speaker. Mary says they didn’t appreciate the language. If the children were making noise they would be scolded in Irish. Mary picked up some Irish over the years, especially when she was in school. Two of her nieces are teachers. They attended boarding school in Fermoy. Prompted by her son, Mary mentions learning about the Famine while at school. One of her neighbours, Mrs Barrett was in her 80s and remembered the Famine. But she didn’t want to talk about it out of pride. Mary realised she had put her foot in it. Mrs Barrett remembered people who didn’t have food and being slapped by her mother for giving bread to those on their way to the workhouse in Dunmanway. Before the Famine there were eight houses up past Cappeen and most of them were gone after the Famine. Only the farmers survived and a lot of the cottier people died. </td> </tr> <tr> <td> 0.050.11 - 0.55.35 </td> <td> Talking about some of the poetry she wrote herself but not wanting to read it out for the recording. On adjusting to moving from the countryside into the city. On being driven up to Cork in a lorry and her first impressions of Douglas Street. No cars on the street at the time, just donkeys and ponies. The vegetable dealers who used to sell on the street. Discussing her nephew, Liam Ó Muirthile. On opening up a shop on Tramore Road and eventually deciding to move to Glasheen. On attempting to sell their shop a few times. Mary writes poetry herself but isn’t comfortable reading it out for the recording but offers to read it out after the interview. Mary moved to the city and met her future husband, Tom. She also had a boyfriend in the country at the time. When she first started in the Gables, Mary missed the freedom of being able to walk out and run down the field. She was fascinated by all the people walking along. At night she would sit at the window looking at all the people walking along. She eventually came to like living in the city. Her very first day on Douglas Street, she came up in a lorry from Cappeen. The owner of the lorry drove her all the way up to the door. Douglas Street was covered in donkeys and small ponies. There were no cars to be seen. There were tables for vegetable dealers up at the top from the Market Gardens. They would come into the pub for a drink in the morning after selling their goods. It was a very busy pub in those days. The Gables was always a good sized pub. It was home to her sister and most of her children. One of her sister’s sons is the poet Liam Ó Muirthile. Mary has an article about him that was in the Examiner. He lives out in Douglas now. When she married, Mary and her husband opened a shop on Tramore Road, off Togher Road. She was worn out from working in the shop and looking after young children. Mary’s brother lived nearby in Glasheen. Where the houses are now there were still fields. One night Mary was playing cards with her brother, who was living in Glasheen at the time and they were building houses in the nearby field. Mary said to her husband they would give up the shop and buy one of the houses. Mary couldn’t do it any longer. They put the shop up for sale. The man who bought the shop came and spent a day working behind the counter with them. He gave out sweets to all the children and told them he would be the new shopkeeper. The next day he rang Mary and told her he had decided not to bother. At the time there was a woman who used to help in the shop and she offered to rent it from them. They rented the shop to her and came to live in Glasheen. Later, the lady renting the shop wanted to give it up because her daughter got married. Mary and her husband took back the shop and still have it. </td> </tr> <tr> <td> 0.55.50 - 1.01.47 </td> <td> On being asked about Tom Barry and his connections to Kilmichael. Although Mary never remembers Tom Barry ever being in their house, his wife Leslie Price did have tea with them once. On large scale emigration due to lack of work. All of Mary’s uncles emigrated. One was a Christian Brother in New Zealand and the others went to America. One of her uncles was a bus driver in New York for a few years but after getting in an accident he moved to Boston. He died young because of the flu. More of how Mary’s parents contracted the Spanish Flu in 1918 and almost died. Her sister being born premature and how her grandmother and aunt marched down to the priest to get her baptised. On the custom of ‘Churching’. Being from Kilmichael, Mary has a few stories about Tom Barry. Tom Barry married Leslie Price and she had tea in Mary’s house. Mary’s mother was told to make a special tea because there was a very important person coming, Ms Price. Mary’s mother was a bit dicey about the IRA because she came from a different kind of a crowd. Mary’s mother claimed Ms Price didn’t thank her very much. Mary’s mother didn’t think much of her. Mary doesn’t think Tom Barry ever came into their house. Mary’s mother was from Kilmichael parish as well, only up the road from where they lived. Mary’s grandmother came from beyond Macroom. They were the ones with the IRA connections. The farm is still there but Mary’s family sold it. They called there one time and the farmer was clearing out a sand pit. He knocked out a big lot of ammunition. His two brothers went to America. They all had to emigrate then. There was no work in Ireland, even on the roads. The new Irish government favoured their own and Fianna Fail were the same. Emigration had a big part to play in Mary’s family. All her uncles went away. One uncle, Jim, was a Christian Brother, he ended up in New Zealand for 40 years. He came back to Ireland and died in Dublin, in the O’Brien institute. He was at Mary’s brothers wedding. He died suddenly from heart failure. The other two uncles went to America and they have families still there, Mary’s cousins. One lot of them came to visit Ireland once. One of the uncles came back to die in Ireland but he was a bit gone in the brain. Mary had a neighbour who visited them in America. They were living in Boston. Mary’s uncle Willie was in New York first, working as a bus driver. He had an accident with the bus. Mary found out about it from a neighbour. He was in America illegally and had to go away to avoid being found out. He travelled down to Boston. He married an Irish girl and had a family in Boston. He lived there all his life but died very young. He died from the flu and had it even worse than Mary’s parents. Mary’s older sister was born prematurely, when her parents were suffering from the flu and the weather was terrible. Mary’s grandmother and aunt were the only ones who would go into the house. They still took the baby down to be christened in case she died. She lived to be 83. She was the sister who owned the Gables Pub. Mary has a number of stories about her grandmother. She was a very tall woman, nearly 6ft. The rest of the family were small but her grandmother’s people were very tall. A number of them had been in the RIC. According to Mary, very few Catholics were accepted in the RIC, but they were so tall an exception was made. When her grandmother went down to the priests house to get Mary’s sister baptised, his housekeeper answered the door and told them they had to wait because the priest was having his dinner. Mary’s grandmother elbowed the housekeeper out of the way and marched into the room and told the priest to baptise the child. There were other traditions at the time such as Churching. Mary did it herself but it’s not done anymore. </td> </tr> <tr> <td> 1.01.47 - 1.03.31 </td> <td> Remembering some Halloween traditions when she was young and hearing ghost stories from some of the old men in the area. Mary and her sister weren’t allowed listen to the stories but would try to sneak back in to hear them. She learned other poems from some of her neighbours. Mary says they didn’t have many Halloween traditions when they were very young. That didn’t happen until they were older and started going to school. It wasn’t even mentioned much. They would have had old men telling ghost stories. Of all the locals, John Tom told the scariest stories. Mary and her sister would be terrified going to bed after listening to his stories about all the dead people. Mary’s mother tried to put the children out when she saw him coming. She had a horror of any sort of nasty talk. Mary would try to sneak back in to hear his stories. The Buckleys were the same. They would teach Mary old poems that weren’t very nice. Mary had a talent for picking things up. She promises to read out some of her own poems after the interview. End of interview. </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Morgan Subject The topic of the resource Life History; Description An account of the resource Mary Was born in west Cork near Kilmichael in 1922, her parents were small farmers. Their house and that of her grandmothers were ‘safehouses’ during the war of independence and civil war. In her twenty’s she moves to the city to work in public houses run by her sisters (The Gables on Douglas St, The Phoenix on Union Quay, and another unnamed bar on Patrick's Quay.) In the city she met her husband and subsequently opened a shop in Togher. Soon after she took up residence in her home in Glasheen where she raised her family and still resides today. Mary Morgan talks about her childhood and memories of growing up in West Cork. Her parents surviving the Spanish Flu of 1918 and her oldest sister being born prematurely. She remembers the impact of the Economic War in the 1930s. She recounts some of the stories she heard about the War of Independence and Civil War. Arrests by the Black and Tans and some lucky escapes by IRA members. Tom Barry’s wife having tea at their house. On her father’s belief in hospitality. Recollections of moving up to Cork city and working in pubs owned by her sisters, before marrying and opening a shop of her own. Hearing a first-hand account of the Famine from a neighbour. Clashes between Blueshirts and Republicans at Platform Dances in West Cork. Her first impressions of living in Cork city and how it differed from the countryside. On family who emigrated to America and other parts of the world. Running a shop and eventually moving to Glasheen. Remembering hearing ghost stories from the old men in West Cork. Date A point or period of time associated with an event in the lifecycle of the resource 31 October 2017 Contributor An entity responsible for making contributions to the resource Interviewee: Mary Morgan Interviewer: James Furey Identifier An unambiguous reference to the resource within a given context CFP_SR00642_Morgan_2017 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; Kilmichael; 1920s-2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource wav Relation A related resource Mary's story on the Spanish Flu was included in our 'Catching Stories' project on infectious diseases <a href="https://corkfolklore.org/health/spanish-flu" target="_blank" rel="noreferrer noopener">https://corkfolklore.org/health/spanish-flu</a> Black and Tans Blueshirts Churching Civil War Economic War I.R.A Pubs Republicanism Shops Spainish Flu The Famine The Great Famine Tom Barry War of Independence https://corkfolklore.org/archivecatalolgue/files/original/5a12a13477964b25b69f75f2bb25cb9f.jpg 92941d1f36ec70e22d111e1ae6bd8aaf https://corkfolklore.org/archivecatalolgue/files/original/ded71df4ad3ab331b0cf5c7251f30b49.mp3 fd09d477a4cf5b7b759b54b399f2493c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grattan Street Stories: Memory of Place Subject The topic of the resource Occupational Lore; Life History; Built Heritage; Health; Ireland; Cork; Middle Parish Description An account of the resource This collection focuses on a building on Grattan Street which has served as a Quaker Meeting House, a public Dispensary and as the Grattan Street Health Centre. The project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive HSE. The interviewees fall into two main groups: those who worked in the building and those who lived in the surrounding area and availed of the services provided in the building. This project follows on from the collaboration with the HSE in the “<a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a>”. There is a further connection between the two projects as many of the staff and services once provided in the Grattan Street Health Centre have now relocated to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. This topic of the relocation of services is also covered in some staff interviews. To date (October 2021) 13 interviews have been completed for the project. Interviewees discuss the Grattan Street building itself in terms of its historic significance, its benefits and drawbacks as a workplace. Broader themes related to or inspired by the building are also touched on including: personal relationship with the building, staff camaraderie, the problems with parking, memorable incidents at work, patient experiences and descriptions of the people and services for which the building catered. Healthcare professional interviewees detail their training, career progression and comparisons between Grattan Street and other workplaces. Their testimonies also provide a link with the community of patients they served giving further insight into attitudes to healthcare, diseases, vaccines, description of social conditions and the changes in medicine and technology in their working lives. Non-healthcare professional interviewees describe childhood experiences in or around Grattan Street (The Marsh or The Middle Parish), the social, cultural and economic conditions of the area, tenements, businesses, attitudes to and experiences of healthcare, vaccines, diseases, medicines and medical professionals as well as observed changes in these areas over time. Interviewees also reflect on the possible future uses of the Grattan Street building. Related Reference Sources <ul> <li>Barrington, R. (1987) Health, medicine and politics in Ireland, 1900–1970. Dublin: Institute of Public Administration.</li> <li>Butler D.M. (2004) The Quaker meeting houses of Ireland. Dublin : Irish Friends Historical Committee.</li> <li>Byrne, J. (2004) Byrne's dictionary of Irish local history. Cork: Mercier Press.</li> <li>Cooke, R. T. (1999) My Home by the Lee. Irish Millennium Publications: Cork.</li> <li>Dempsey, P. J. & White, L. W. ‘Childers, Erskine Hamilton’. Dictionary of Irish Biography [Accessed 18 October 2021]</li> <li>Harrison, R.S. (1991) Cork City Quakers 1655-1939: A Brief History. Cork.</li> <li>Houston, M. (2004). ‘Life before the GP’. The Irish Times. Available at : <<a href="https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599">https://www.irishtimes.com/news/health/life-before-the-gp-1.1158599</a> > [Accessed 18 October 2021]</li> <li>Keohane, F. (2020) The Buildings of Ireland Cork City and County. New Haven and London: Yale University Press.</li> </ul> Date A point or period of time associated with an event in the lifecycle of the resource 2019-2020 Contributor An entity responsible for making contributions to the resource Interviewees: Edith O’Regan, 'Mary', Sean Higgisson, Aoife O’Brien, Eileen Kearney, Imelda Cunning, Jane Ward, Liam Ó hUigín, Joe Scanlan, Mary Mulcahy, Philomena Cassidy, Don Morrissy, Derek O’Connell Interviewer: <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a>, (<a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a>) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1940s-2020s; Waterford, Ireland; Dublin, Ireland; Limerick, Ireland; Relation A related resource Exhibition Artist Edith O’Regan-Cosgrave (also an interviewee for the project) created a visual artwork based around the Grattan Street Medical Centre building itself, as a workplace and health centre. The artwork incorporated direct quotations from the oral history interviews conducted for the project, and also included brief historical paragraphs about the building researched, written and edited by the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. This exhibition was launched on 6th February 2020 in “St Peter’s” on the North Main Street where a “Listening Event” was also held to mark the occasion. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Grattan-Poster-for-Email-286-by-400.jpg" alt="Grattan-Poster-for-Email-286-by-400.jpg" /> Presentation and Listening Event To coincide with the launch of the Grattan Street Stories Exhibtion on 6th February 2020 a listening event and presentation of the history of the Grattan Street Medical Centre building and description of the project was given by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/427A7714-1.jpg" alt="427A7714-1.jpg" /> Presentation In 2019 at the OHNI conference the <a href="https://corkfolklore.org/community-oral-history-outreach-officer/" target="_blank" rel="noreferrer noopener">CFP Community Oral History Outreach Officer</a> Kieran Murphy discussed social media and oral history which included audio excerpts from the Grattan Street Stories Project along with photographs of the building. <img src="http://corkfolklore.org/wp-content/uploads/2021/10/Kieran-OHNI-e1634041838937.jpg" alt="Kieran-OHNI-e1634041838937.jpg" /> Audio Visual Presentation An audio-visual slideshow was produced featuring oral testimony from the Grattan Street Stories Project and combined with suitable images of Grattan Street and from Edith O’Regan-Cosgrave’s exhibition. This was created by <a href="https://corkfolklore.org/community-oral-history-outreach-officer/">CFP Community Oral History Outreach Officer</a> Kieran Murphy. <a href="https://www.youtube.com/watch?v=RnjEtQeOb3I&t=1s&ab_channel=CorkFolklore" target="_blank" rel="noreferrer noopener">Audio Visual Presentation Available to listen and view here.</a> Health and Vaccines Oral History Research Many of the interviews conducted for the Grattan Street project formed an integral part of the testimonies and research for the innovative <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener">'Catching Stories' of infectious disease in Ireland </a>project funded by the Irish Research Council. <a href="https://corkfolklore.org/health/about" target="_blank" rel="noreferrer noopener"><img src="http://corkfolklore.org/wp-content/uploads/2021/05/Catching-Stories-Poster.jpg" alt="Catching-Stories-Poster.jpg" /></a> Social Media Numerous suitable audio excerpts from the oral history interviews have been edited and shared on CFP's social media channels. <a href="https://twitter.com/corkfolklore/status/1139167201582288901" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1139167201582288901</a> <a href="https://twitter.com/corkfolklore/status/1140909542240391168" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1140909542240391168</a> <a href="https://twitter.com/corkfolklore/status/1141264486768238592" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1141264486768238592</a> <a href="https://twitter.com/corkfolklore/status/1189872295923376133" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1189872295923376133</a> <a href="https://twitter.com/corkfolklore/status/1228322700415860736" target="_blank" rel="noreferrer noopener">https://twitter.com/corkfolklore/status/1228322700415860736</a> Orthopaedic Hospital Cork Folklore Project in collaboration with the HSE conducted an oral history project focussing on the Orthapaedic Hospital in Gurranabraher. Many of the staff and services once provided at the Grattan Street Health Centre site were moved to St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher, the former site of the Orthopaedic Hospital. <a href="https://corkfolklore.org/archivecatalolgue/collections/show/10" target="_blank" rel="noreferrer noopener">HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic)</a> Swimming Article Kieran Murphy and James Furey co-authored an article about <a href="https://tripeanddrisheen.substack.com/p/swim-city?s=r" target="_blank" rel="noreferrer noopener">Swimming in Cork</a> which appeared in the online magazine Tripe + Drisheen. This article features a number of interview extracts collected as part of the Grattan Street Stories Project. Related Interviews CFP_SR00756_Quilligan_2019; CFP_SR00758_Broderick_2019; CFP_SR00670_OShea_2018; Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 16 .wav Files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary Mulcahy Interviewer The person(s) performing the interview Kieran Murphy Location The location of the interview <div class="element"> <div class="element-text">Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street</div> </div> <div class="element"></div> Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Time Summary A summary of an interview given for different time stamps throughout the interview <table> <tbody> <tr> <td> 0.00.00 - 0.00.21 </td> <td> Intro </td> </tr> <tr> <td> 0.00.21 - 0.02.56 </td> <td> Tenement Life and Friendships Mary grew up in 44 Grattan Street. Despite there being tenements it was a magic experience. It was one big happy family, everyone knew and helped one another. All the children played and went to school together. 6 families lived in 44 Grattan Street, all had lots of children and still friends and went to each other’s marriages. Tenements today would be apartments. All had separate entrance but one main toilet in the yard. It was tough but they knew no other experience and everyone was the same. There was one family which was a bit better off than them, but they received the same treatment from them as everyone else and never interfered with their friendship. She still knows where all her neighbours are, and for going to funerals. </td> </tr> <tr> <td> 0.02.56 - 0.04.08 </td> <td> Typical Day Get up, have breakfast go to St Maries of the Isle school [Bishop Street Cork], and most of Middle Parish went to that school at the time. Came home for lunch and returned to school at 2pm. And finished school at 3pm. Then went home, did the homework and went to play on the street. There were no cars on the street but there was an occasional horse and cart. Played all their games on the street: skipping and pickey. One of Mary’s happiest time because all the children were at the same level- no one was looking down on them. </td> </tr> <tr> <td> 0.04.08 - 0.09.58 </td> <td> Children’s Games Skipping and Piggey Skipping and piggey with a piggey box or a shoe polish box taken from someone’s house. Mary’s sister-in-law once did not have any chalk to draw the boxes for piggey (or picky or pickey) [hopscotch] and she broke the finger of her mother’s holy statue of the virgin Mary and used it instead of chalk. Mary describes it as innocent, there was no harm involved. The statue was on the landing. They didn’t have the money to buy chalk. Still laugh about that story today. Release- game. Boys and girls were involved. 6 or 10 children all in a square drawn on the ground. One appointed to stay in the box. Someone would shout “Release” and everyone would scatter and hide. And the person in the square had to try to find them. Cat and Dog- game Place a small stick which is pointed a both ends at the edge of a kerb. Then take a bigger stick and hit it so it would fly into the air. The person who hit their stick the furthest would win. It was simple but very enjoyable. Hide and Go Seek- game [doesn’t give a description] Thunder up the Alley- game Lighting papers and put them up the drainpipe/chute and the draught took it up the chute. Mary says they should not have done that but they did, and says that they were bored. Playing Shop and Playing House- game Used the tombstones in the Protestant graveyard [St Peter’s on Grattan Street] They put all their “googles”? [8:10-8:20] on the tombstones and their friends came to “buy” them. They used coloured glass for sweets. Played with neighbours boys and girls. Run Away Knock-game People would claim they would tell Mary’s parents about playing this game but they never did because they knew it was innocent. Reminisces about childhood with friends now. </td> </tr> <tr> <td> 0.09.58 - 0.11.21 </td> <td> Compares her childhood with that of today Things that she did people might frown on eg. playing on a tombstone. Mentions having a picnic on a gravestone on holidays. Contrasts this with deliberate vandalisation of graves. Wasn’t afraid of graveyard because her mother said mother said that “The living are doing the harm the dead can’t do anything to you”. </td> </tr> <tr> <td> 0.11.21 - 0.12.48 </td> <td> Food and Meals Porridge for breakfast sometimes called gruel. They had tea and could toast bread in front of fire, no toasters. Doesn’t think there were cornflakes at the time. Simple life but great happiness. “everybody was on the same level” “we had nothing but we had everything” “we had love, happiness, peace and there’s no money can buy these things”, “If you hadn’t it you did without it.” </td> </tr> <tr> <td> 0.12.48- 0.15.09 </td> <td> Pawn Shops There were loan offices available but Mary said they would try to avoid those because they couldn’t afford it. There was only one man’s wages coming into the family. Pawn shops were “rampant” at the time. Suits for Sunday mass were sent to the pawn on Monday morning and on Thursday when you got your wages you would get the suit back out from the pawn. “that was living in my time”, “no shame in it” People had to survive and get food for their children, and wages were small. “We managed”. Her brother doesn’t agree with her that they were the happiest days of their lives. If they got something it was like Christmas. “We made do with what we had.” </td> </tr> <tr> <td> 0.15.09 - 0.16.32 </td> <td> A Sunday Treat A penny on Sunday from her father for sweets. There was shop across from where they lived. They could get bonbons and other sweets. 4 farthings in a penny. You could get change from a penny! Thinks most people were happy at the time. </td> </tr> <tr> <td> 0.16.32 - 0.18.58 </td> <td> Clothes: Repairs and Hand-me-downs Fathers would repair shoes. They would buy leather form Davisons Shop [16:40 or Davidsons?] shop on North Main Street. Used a strip of leather to put heels on shoes using a “Last” [cobbler’s last- a tool similar to the shape of a human foot used to make or repair shoes] tacked leather onto the shoe Used paring knife to remove excess leather. And then “Blackened it with the polish”. Repaired both shoe heels and soles. It was expensive to send them to the shoemaker and they couldn’t afford it. Tough times but great times. </td> </tr> <tr> <td> 0.18.58 - 0.22.57 </td> <td> Father’s work in the Munster Arcade and his family bringing him Lunch Father, mother 6 children 4 boys and 2 girls lived in one floor of a 5 floor tenement. Dad worked as porter in the Munster Arcade. His job involved work around the shop and delivering parcels. Munster Arcade and Cashes were the best shops in Cork, very expensive. His children used to help their dad. Galvanised pot for tea and bread and butter brought to his work for his lunch. Everyone did something similar for lunches at the time. Couldn’t afford to buy ham. No such thing as going to a café for them. Munster Arcade was an elite shop for people who had big jobs. The staff were very lovely. </td> </tr> <tr> <td> 0.22.57 - 0.29.30 </td> <td> Father having to Deliver a Tie. Attitude of the Elite. Once a woman from Montenotte or St Luke’s bought a tie for her husband and Mary’s father had to deliver the tie at 5.30pm when he was due to finish at 6pm. Father often spoke, cribbed and cursed about that incident. “That’s the way people lived at that time like. They were up there like and we were down here.” She puts this attitude down to ignorance. “They wanted to be up there looking down on us” but “We were better off because we had what they couldn’t buy: love and contentment.” Describes a world of the haves and have nots. Feels sorry for people who have to pretend that they are well-off rather than being themselves. Describes her thinking as old-fashioned. </td> </tr> <tr> <td> 0.26.04 - 0.29.30 </td> <td> Change of Attitudes to Work today. Positive Change in role of men in Housework. Thinks everything is “put on a plate” for people- that everything must be done for them and people are not grateful for what they have. Thinks it’s degrading to tell people “but that’s your job.” Men were never expected to do housework or look after children in the past and now it’s changed and she is glad. Fathers would take children for walks, fishing or to matches. But everything else was done by the mother. Is glad that her children turned out well, thinks it was worth her effort raising them when she thinks back. Recalls a recent news story of a 10 year old drunk and questions the role of parents today. </td> </tr> <tr> <td> 0.29.30 - 0.30.45 </td> <td> Pub Culture Then and Now Describes how when men were paid their wages they would go to the pub, and how women and children were not allowed in pubs. Believes children were not allowed in pubs then. Thinks now women are worse than men from what she hears as regards drinking behaviour. Believes this is unfair on children. </td> </tr> <tr> <td> 0.30.45 - 0.33.48 </td> <td> Mother bringing them on Trips, Youghal, Swimming Describes parents as salt of the earth. Had to be home at a certain time. Could play on the street as there was very little traffic. They were taken to Fitzgerald’s Park or Lee Fields for an outing One Sunday in August would be trip to Youghal. Train to Youghal. Thousands of people like cattle there. Train stopped near the beach. And came home at 6pm in the evening. People wouldn’t believe you had been to the beach unless you got sunburned. Swam in Youghal. No bathing togs! Sandwiches on the beach. Learned to swim in Youghal. Her children went to the lifesaving clubs. It was essential that time </td> </tr> <tr> <td> 0.33.48 - 0.45.47 </td> <td> Mother and Making Ends Meet: Pawns, Meals, Food Shopping Mother pawned father’s suit to make ends meet. And not ashamed of it. It was the thing to do to feed the children. Remembers her mother cooking stews and potatoes. Big bowl of potatoes in the centre of the table and everyone for themselves with butter on them! Tripe and Drisheen- good for the stomach. Beautiful dish. The dug of the lamb. Milk, onions, mushrooms, thicken with white sauce, and add potatoes. Mary still makes it as a winter dish. Her sons like it but not her daughters or daughter in laws. It’s still sold in O’Reilly’s in the English Market which was only around the corner from Grattan Street. Kidneys- skirts and kidneys. Kidneys referred to as “sheep’s pooley bags” [pooley: urine cf Sean Beecher Cork Slang: https://corkslang.com/pooley] Offal and offal bones, liver. The main dishes for the working classes. They were not able to afford steak. Today people are too squeamish about offal. English Market: The Chicken Inn. O’Reilly’s Tripe and Drisheen. Everyone had their own butcher. English Market was very basic when Mary was younger. Coal Quay was brilliant on a Saturday. Cornmarket Street used to be full of stalls, clothes, people, tinned food. Annie Punch half way down Cornmarket Street a big woman and a Cork character- “The Mother of the Coal Quay” blond, happy-go-lucky and funny person. Selling second-hand clothes at the time, although now they sell new clothes. It was very popular at Christmas. There’s snobbery about going into the Coal Quay today. Shop on corner Twomeys was popular. People would buy their Christmas Trees and decorations- Annie Punch was the main dealer for these. Saturday morning farmers would come to the city to sell their vegetables. There were also local shops that they supported. </td> </tr> <tr> <td> 0.45.47 - 0.48.26 </td> <td> Christmas Might not have had a Christmas Tree but Santa Claus always came. They had chicken for Christmas dinner couldn’t afford a turkey Christmas Eve night her own children were frightened by her husband dresses as Santa Clause outside the window. They made their own fun back then. </td> </tr> <tr> <td> 0.48.26 - 0.53.02 </td> <td> Singsongs and Music Singsongs after the pub which they could hear in bed a night. O’Callaghan’s Pub for the sing song. And opposite the protestant graveyard was the parting place at the end of the night. “Bill Bill” played the trumpet in The Workingman’s Band used to play it at 1am after the pub. The Workingman’s Band The Workingman’s Band played various wind instruments. They would meet in the club and march up Grattan Street and they were meant to turn left up to Patrick Street but one man turned right and people discovered he wasn’t playing his instrument! “They were very happy days” Songs at the singsong: “Mother mo Chroí”, “Kathleen Mavourneen”, “I’ll take you Home Again Kathleen”, “South of the Border- Down Mexico Way” Saturday night was the singsong and they would all make mass on Sunday morning in the Confraternity in St Peter and Paul’s Church for 8am mass or in St Francis church. Mary admired that they all stuck together. The men used take their pint but they never abused or neglected their families. </td> </tr> <tr> <td> 0.53.02 - 0.57.46 </td> <td> Dancehalls and Father’s Strict Timekeeping Dances were held from 8pm-11pm in St. Francis Hall on Sheares Street. If they arrived home late her father would say: “I said 11 not five past” wouldn’t be allowed go the following week. Feels lucky that they were disciplined in this way. Her father was very strict but that all parents were like that at the time. Gresham Rooms on Maylor Street off Patrick Street was another place for dances, which their father was reluctant to let them attend as it was further away than St. Francis Hall. The Arcadia was an enjoyable place for dances. At dances the men were on one side of the room and women on the other. Women would run to the ladies toilet if an undesirable man came across the dancehall to ask them for a dance. “What a scatter!” Ladies choice: halfway through the night the women would have to ask the men for a dance. You could be reported and removed from the hall for refusing a dance. Lists some bands and singers: Victor Silvester, Clipper Carltons, Joe Mac and the Dixielanders. Terry McCarthy had died the week of this interview was a great singer. </td> </tr> <tr> <td> 0.57.46 - 1.00.43 </td> <td> Funeral and Memories of Terry McCarthy and Music in Churches Beautiful funeral mass even better than that for a bishop! Large crowd at the funeral. Well organised and felt like being in heaven. When Mary was 80 her family invited Terry McCarthy to sing for her and he sang great old songs not pop music. Thinks that pop music is unsuitable to play at funerals and masses. </td> </tr> <tr> <td> 1.00.43 - 1.08.51 </td> <td> Dancehalls: Rules, Learning, Locations and no Dances at Lent You couldn’t refuse a dance at a dancehall. And you couldn’t dance unless you were asked. A “legger” was a bad dancer. Types of dances: tango, quick step, foxtrot, and waltz. Learned how to dance at the dancehalls from each other and from a dancing partner at the dance. They would practice dancing at home with the sweeping brush! People would help and teach you when dancing. Some of the men were very proud of their dancing and would be showing off. Could get a glass of milk and buy tea and cake later on. Dance Halls: The Arcadia was the main ballroom in Cork was open 9pm until 2am, near Kent Station. Gresham Rooms. Dance near [Collins] Barracks and near Tivoli. Cork Boat Club on the Marina dancing finished at 2am and then they had to walk home. Once a friend Pauline from the Marsh who was an opera singer sang on the way home from the Marina but a Garda arrived and asked them to leave. Mary describes herself as a “chorus girl” rather than a solo singer! No dancing or dancehalls during Lent. So they met at the same time and went for a walk out the Lee Road. No vandalism at the time. “We made our own enjoyment” They would talk about fellas or sing while on their walk. They all went and came back as group from the Marsh/Middle Parish. </td> </tr> <tr> <td> 1.08.51 - 1.12.23 </td> <td> Illnesses Measles, whooping cough, scabies, diphtheria- which 3 in her family had, Mary was the carrier. Puts it down to lack of hygiene. Diphtheria was the killer disease aside from TB. Her 3 family members were isolated in St Finbarr’s Hospital. Doctor told her mother to put her uninfected daughter into the hospital with the others to catch diphtheria and recover from it. Mary spent much of her time crying while in isolation and having to look out the window at her parents. It was sad. There were many medical tests. Recalls a neighbour who had polio. </td> </tr> <tr> <td> 1.12.23 - 1.15.48 </td> <td> Dispensary Grattan Street: Doctors and Medicines There were 6 doctors in the local Dispensary on Grattan Street. each area had its own doctor. People from the Marsh/ Middle Parish had Dr Cagney. Dr Cagney was very strict, very cross, “what else can I give you now beside a car?!” he said to Mary’s mother. Dr Cagney was a big man and elderly at the time and his son became a doctor too. [Dr Michael Cagney was his son, see: <a href="https://corkfolklore.org/archivecatalolgue/items/show/253">CFP_SR00762_OConnell_2019</a>] Parishes Food it was like a tonic. Everyone liked the taste of it. You didn’t need a prescription for it. You brought an empty bottle to the dispensary after having visited the doctor who gave you a note with details of your required medicine and your bottle would be filled up accordingly in the dispensing unit. Cod liver oil was also recommended and was got in the Dispensary. Recalls giving her children cod liver oil with an orange to improve the taste. </td> </tr> <tr> <td> 1.15.48 - 1.21.08 </td> <td> Queuing in Dispensary for Doctor. Pharmacist and Caretaker Had to queue up on benches for up to 2 hours. There were 6 doctors, Dr Cagney was theirs. You’d get a prescription and then hand that to the dispensing unit on the way out. Thinks she recalls there being a Dr Fennell there as well. No appointments you just queued up. Beautiful atmosphere in there. She would know people there. Mentions 2 caretakers who lived on site. She knew is as “The Quakers” although she never met them but was aware that they had once lived there. Beautiful courtyard. Two families lived there either side of the front entrance: Morrissy’s (the dispenser) and Lucey’s or Healey’s were there caretakers. The daughters of the Morrissy’s would have been friends with Mary. [see also <a href="https://corkfolklore.org/archivecatalolgue/items/show/252">CFP_SR00760_Morrissy_2019</a>;] Would see their neighbours in the waiting room. Couldn’t afford a private doctor. Different doctors there for different parts of the city. The Cagney’s were very popular, Dr Cagney’s son Michael took over. </td> </tr> <tr> <td> 1.21.08 - 1.26.50 </td> <td> The Waiting Room could be very full with people. if the 6 doctors were present. Convenient living in Grattan Street as they were across the road. Very few chemists at the time. Everyone hoped they would get Parishes Food illnesses Polio and diphtheria. They weren’t afraid of the diseases, would be sometimes delighted to get sick to avoid school. Whooping cough and chickenpox were normal diseases. Treatment for whooping cough was mostly rest. There was an old saying “we got over the measles” Her brother Paddy was seriously affected by diphtheria. Symptoms of diphtheria You felt like your throat was coming up through your mouth. Thinks about how her parents coped with having children in St Finbarr’s isolation ward when they had no transport. </td> </tr> <tr> <td> 1.26.50 - 1.32.00 </td> <td> Christmas Party and ‘Simple Living’ of the Past There was a Christmas party for all the children with a bottle of watered down rasa/raza (raspberry cordial) and sweets. Everybody was on the same level except for a few who were slightly better off but they All going to the same school St Mary’s of the Isle. Great neighbourliness. Thinks they were very lucky and that their parents kept them “on the straight and narrow”. Says there was a lot of problems alcohol and drink but not in her family- suggests some people may not have had enough money to pay for food due to alcoholism. John O’Shea [likely the same O’Shea interviewed CFP00774] wrote a book about the “Red City” the Northside of Cork. Much of the book Mary agreed with and identifies with eg. box cars, collecting wood and making bundles out of it to sell it. “What we had to do to make a couple of bob” eg the Pawn shops. People were happy to live that way she thinks. Simple living. </td> </tr> <tr> <td> 1.32.00 - 1.33.25 </td> <td> Quakers and Grattan Street The Quakers did live in Grattan Street, it was their religion. Mary says her daughter-in-law is working in Grattan Street. It was a lovely building. </td> </tr> <tr> <td> 1.33.25 - 1.34.19 </td> <td> School behind Dispensary St. Francis Boys School was at the back of the dispensary. “Rowdy Boys College” was what it was called at the time. Thinks that there is a private school in there at the moment. </td> </tr> <tr> <td> 1.34.19 - 1.35.04 </td> <td> Happiness and Gratitude Reiterates that they were the happiest days of her life games as children, made their own enjoyment and is grateful for her good parents. And feels sorry for people today who aren’t as lucky. </td> </tr> <tr> <td> 1.35.04 - 1.36.31 </td> <td> LDF Local Defence Force Recalls the LDF (Local Defence Force) marching and as being part of the army and they wore berets. </td> </tr> <tr> <td> 1.36.31 - 0.00.00 </td> <td> Attitude towards the dispensary Dr Cagney lived on Summerhill North. His son took over. Mark Cagney the radio presenter is related to that family. Dr Cagney looked after Mary’s mother Mary. Says Dr Cagney senior was abrupt but had respect for the elderly which is not always the case today, thinks that sometimes elderly people can be treated as just a number. </td> </tr> <tr> <td> 1.39.20 - 1.44.48 </td> <td> The Franciscans They were friendly, spiritual and gave people time. People knew the Franciscans personally they weren’t snobs and you could invite them into your house for tea. The Franciscans were out more. Many people in Grattan Street were in the choir in St Francis. They also hosted a Christmas party for the children. Recalls them being funnier and more down to earth than regular priests. Went to mass in St Francis. St Peter and Paul’s was their parish church to which they went once a month for the confraternity meeting for rosary and prayers on Monday night and the following Sunday there was a confraternity mass at 8am on Sunday. Had to be fasting from the night before to receive holy communion. They had breakfast then after mass. On some Sundays they might have a rasher and egg- their father would get priority for a good breakfast. On Sunday would do their homework, go to Fitzgerald’s Park, Lee Fields to the outdoor baths. </td> </tr> <tr> <td> 1.44.48 - 1.48.22 </td> <td> Religion: Fasting Rules and Rejecting Man-made Religious Rules Today Fasted before Holy Communion and for Good Friday, they didn’t eat meat which was easy as they didn’t have much meat, but it is harder now for her to abstain from meat. Doesn’t fast on Good Friday anymore, she would eat meat. She has “no scruples” anymore about eating meat on Friday. “It don’t bother me” She feels she has “did my bit” and “we did more than our bit”, they didn’t have to do what they did. She considers these rules and restrictions to be manmade laws. She decides for herself now whether to eat before communion or on Fridays. Would prefer to go back to a basic, simple religion which would include going to mass and a few prayers at night, but without all the dogmatic things and novenas. Thinks that some people in the past probably didn’t bother following all those rules. People felt they were guilty of sin and felt it and went to confession. </td> </tr> <tr> <td> 1.48.22 - 1.55.12 </td> <td> Confession: Unfair on Children and Story of a Lenient Priest Mary used to teach young “itinerant” or traveller children for their First Holy Communion. Brought them for their first confession to the North Cathedral. The children were speaking so loudly that she could hear their sins and recalls one of them saying “I stucked out me tongue at me nanny” and thinks it was wrong that children were made to feel guilt and sin about something so small. People would say “you’d go to hell”. She thinks this was very wrong. She thinks that she took these rules to heart and Jesus never expected people to behave as they were required to. “Everything we did was a sin” “We went to confession shaking” “We came up the hard way, we were guilty of stupid things.” And says that their parents were the same way. They were chastised at home. Kissing a boy was considered to be a sin, but she doesn’t believe it was a sin in retrospect. Priest in North Cathedral who was reputed to say “God bless you my child” in response to any confessed sin no matter how grave. There used to be queues for this Fr Hart. Says that she would know herself whether something was wrong or right. Some people took sins too far, and some people would stay away from confession for years because they were so afraid of what their sin was even though it was not that serious. People went to Fr Hart in the North Chapel/ North Cathedral because of his easier approach. </td> </tr> <tr> <td> 1.55.12 - 1.56.22 </td> <td> No Sex before Marriage There was “very clean living before we got married”. There was never sex involved before her marriage. And she believes this was the right way. </td> </tr> <tr> <td> 1.56.22 - 2.01.24 </td> <td> First Holy Communion and Children Understanding Religion Was teaching the Northside traveller children in St Mary’s Cathedral (North Cathedral) as she was in the Legion of Mary on Brown Street. Doesn’t think that children really understand their religion when they are so young so they should wait until they are older, maybe 12 years old before they make their first holy communion. Recalls her own First Holy Communion as being very serious. Got dressed and had a veil and went to a photographer on Windmill Road. Everything was so respectful and disciplined. Mary returns to discussing the funeral mass for Terry McCarthy to compare the beauty and respect of that mass. Her own communion dress was made for her, as most people did at the time. Visited all her cousins for her First Holy Communion and “got the few bob” received money from family members and went home to count it on the table. She gave her parents some of the money. Thinks today that children make about 1,000 euro on their First Holy Communion and that this has become its real purpose and meaning. The church is full for Holy Communion day but the next Sunday they are not present. Mary made her own communion in South Chapel because she was going to St Mary’s of the Isle School. </td> </tr> <tr> <td> 2.01.24 - 2.07.46 </td> <td> Grateful for her Happy Memories and Good Friends Recalls her happiness and friends from school. Friendship, respect for parents, teachers and friends were her memories of the past. Still in contact with those old friends. Sincere friendships and bonds. “Always keep your friends” is what Mary recommends. She meets her friends to reminisce and recall things that she might have forgotten. She would never dismiss anything that happened years ago. [02.04.10 ] “I’ll tell you something now like” when she can’t sleep things from the past come back to her and she thinks about them for hours. Feels lucky she has these lovely memories to fall back on. Very simple living and they shopped locally. </td> </tr> <tr> <td> 2.05.16-2.07.55 </td> <td> Shops, Sweets, Candy Apples on Gerald Griffin Street The milk emporium the daily lived second-next-door to them and they sold milk and eggs, butter. Tuckshop was underneath for sweets. There were shops on every corner, you could go into “Candy apples was a big thing at the time” There was a place near the North Cathedral on Gerald Griffin Street where a woman would stick a lollipop stick into an eating apple, cover it in sugar and put it into a holder to sell it. Bullseyes, clove rocks, bonbons were the sweets “we were reared on” and they are all coming back. They never had chocolate. Mary says that she didn’t expect to have been speaking for so long. Mary asks the interviewer what time it is, he responds that it’s after 1pm. One son calls to her for dinner but he will “help himself”. </td> </tr> <tr> <td> 2.07.46- 2.07.55 </td> <td> Outro </td> </tr> <tr> <td> 2.07.55 </td> <td> Interview Ends </td> </tr> </tbody> </table> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Mulcahy: Grattan Street, Healthcare, The Marsh Identifier An unambiguous reference to the resource within a given context CFP_SR00729_Mulcahy_2019; Relation A related resource Other Interviews in this Collection <a href="https://corkfolklore.org/archivecatalolgue/items/show/240" target="_blank" rel="noreferrer noopener">CFP_SR00696_O'Regan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/242" target="_blank" rel="noreferrer noopener">CFP_SR00704_Collins_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/243" target="_blank" rel="noreferrer noopener">CFP_SR00706_Higgisson_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/244" target="_blank" rel="noreferrer noopener">CFP_SR00712_O'Brien_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/245" target="_blank" rel="noreferrer noopener">CFP_SR00713_Kearney_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/246" target="_blank" rel="noreferrer noopener">CFP_SR00714_Cunning_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/247" target="_blank" rel="noreferrer noopener">CFP_SR00717_Ward_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/248" target="_blank" rel="noreferrer noopener">CFP_SR00727_OhUigin_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/249" target="_blank" rel="noreferrer noopener">CFP_SR00728_Scanlan_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/251" target="_blank" rel="noreferrer noopener">CFP_SR00732_Cassidy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/252" target="_blank" rel="noreferrer noopener">CFP_SR00760_Morrissy_2019</a>; <a href="https://corkfolklore.org/archivecatalolgue/items/show/253" target="_blank" rel="noreferrer noopener"> CFP_SR00762_OConnell_2019</a>; Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource Audio Date A point or period of time associated with an event in the lifecycle of the resource 1 August 2019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork Folklore Project Creator An entity primarily responsible for making the resource Cork Folklore Project Description An account of the resource Mary grew up on in a tenement on Grattan Street where there was a toilet in the yard strong sense of community. She attended school in St. Maries of the Isle as most children from The Middle Parish did and Came home for lunch. Played children’s games on the street including: skipping, piggey, release, cat and dog, hide and go seek, thunder up the alley, playing shop, playing house, runaway knock Speaks of enjoyment and happiness in simple things even in the straightened economic circumstances that prevailed in the communities of her childhood. Discusses the prevalence of pawn shops on how they were relied on. Recalls joy as a child when they got money for sweets as a treat. Explains how her father like other men at the time would repair their shoes at home. Her father worked in the Munster Arcade and the family took it in turns to bring him lunch there Discusses the differences in social class at the time Speaks about the positive change in men’s role in housework today Describes an annual family day trip to Youghal for swimming and a picnic. Talks about shops and the stalls and sellers in the English Market and Coal Quay where food was bought for typical meals including stews, potatoes, tripe and drisheen, skirts and kidneys, offal, offal bones and liver. Mentions some Christmas traditions in her family. Remembers hearing men having a regular parting singsong while leaving the pub at night. Recounts a humorous story about musician in the Workingman’s Band pretending to play his instrument in a parade. Remarks on parents’ strict time keeping in her childhood which was a useful skill as an adult. Describes what dances in dancehalls were like, especially St. Francis Hall. Gives description of the rules and functioning of the dances as well as learning to dance. Outlines common diseases in her childhood, including diphtheria which she contracted. Describes symptoms of diphtheria spending time in hospital isolation to cure diphtheria. Remembers GP Dr Cagney in the dispensary on Grattan Street and the medicines available on site from the pharmacist including Parishes Food. Further describes the dispensary, its waiting room and how the caretaker and pharmacist lived in the building. Talks about religious devotion, mass going, the rosary, fasting prior to holy communion and confraternity meetings in St. Francis church. Criticises aspects Catholic religious practice such as fasting (which she describes as manmade), confession and whether children can comprehend their First Holy Communion . Humorous story of priest in the North Cathedral who gave lenient penances for confession. Describes candy apples made and sold on Gerald Griffin Street. Alcohol Baths Candy Apples Children’s Games Christmas Class Class Attitudes Coal Quay Confession Cork Boat Club Diphtheria Division of Housework Drinking Elite English market Fasting Fitzgerald’s Park Food Franciscans Friends Friendship Funerals Gerald Griffin Street Gratitude Grattan Street Gresham Rooms Happiness Happy Memories Health Holidays Illness LDF Lee Fields Lent Local Defence Force Marriage Massgoing Medicine Memories Middle Parish Neighbours North Cathedral Offal Philosophy of life Polio Pub Culture Pubs Quakers Religion Religious Observation Role of Men Role of Women Routine Sanitation School Sex Sheares Street Shopping Shops Showbands Singing Skirts and Kidneys Slang Songs St Francis Church St Francis Hall St Maries of the Isle St Peter and Paul’s Church St. Francis Hall Sweets Swim Swimming Tenements The Arcadia The Marsh Traffic Train Transport Tripe Tripe and Drisheen Work Working class Youghal https://corkfolklore.org/archivecatalolgue/files/original/3cfe9fa74130807324427a6b8776ec34.jpg 9e614d0569c64b5ffbacd28a9407a152 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic) Subject The topic of the resource Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore: Description An account of the resource This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project. Date A point or period of time associated with an event in the lifecycle of the resource April 2017 - September 2018 Contributor An entity responsible for making contributions to the resource Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey; Interviewers: Joanne McNamara (8 Interviews): <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> (1 Interview) Identifier An unambiguous reference to the resource within a given context Other Interviews in this Collection <a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener">CFP_SR00618_Dempsey_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener">CFP_SR00622_McNamara_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener">CFP_SR00625_McShane_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener">CFP_SR00626_O'Connell_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener">CFP_SR00628_Osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener">CFP_SR00632_Curtin_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener">CFP_SR00633_Sargent_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener">CFP_SR00648_Fitzgerald_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener">CFP_SR000673_Twomey_2018</a>; Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 9 .wav Files Relation A related resource Published Material MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive. Listening Events Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers. <ul> <li>Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy">Kieran Murphy</a> and <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener">James Furey</a> at Hollyhill Library, 22nd August 2018 as part of Heritage Week</li> </ul> <div class="element"> <div class="element-text"> <div class="element"> <ul> <li class="element-text">Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 </li> </ul> </div> <div class="element">The Cork Folklore Project Audio Archive holds recordings of both these events.</div> </div> </div> <div class="element"></div> Related Collection <div class="element"> <div class="element-text"> The <a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener">Grattan Street Stories: Memory of Place</a> was also conducted in collaboration with the HSE. Many of the services from Grattan Street Health Centre were to move to the new St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. There is thus some overlap in discussions related to the St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself. </div> </div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary O'Sullivan: Orthopaedic Hospital, Working Life, Kitchen Staff Subject The topic of the resource Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore: Description An account of the resource Mary worked in the hospital kitchen for 35 years from 1973. She describes the type of work that the kitchen staff had to preform, from cooking in the kitchen to scrubbing the walls in the corridors. Mary says there there would be 7 staff on per shift. The kitchen had separate menus for the staff and the patients. The kitchen staff worked from 7:30 am to 5:00 pm, this meant that every three weeks the staff would get a day off for withe extra hours worked. Mary explains that she would not have got the job in 1973 had she not accepted to live on the campus. Then she would go home to her parents on her days off. She describes her training in the College of Commerce as a cook. Mary has fond memories of her time in the hospital, even though tensions could boil over in the kitchen there was good comradery between the staff. She describes how some patients might request a special meal which the kitchen would oblige. Mary describe the social aspect of work. They would go for drinks in the Cottonball or 'the Josh'( The Joshua Tree). The social club was very important. She also, mentions the lotto syndicate where they got five numbers and got fifty euro each. Mary describes Christmas time in the hospital, that in later years all the patients where brought to one building. And making sure the residence of Grove House got a nice homely cooking. Mary explains the communal element of the Orthopaedic Hospital compared to the other hospitals in the city. As a local Mary liked the hospital being in her community and used to take leisurely walks. And she is also excited about the new development of the campus. She then talks about Bill Twomey who was the gate keeper and lived in the gate lodge of the hospital. Mary then describes how students would work the summers. Date A point or period of time associated with an event in the lifecycle of the resource 9 June 2017 Contributor An entity responsible for making contributions to the resource Interviewee: Mary O'Sullivan Interviewer: Joanne McNamara Identifier An unambiguous reference to the resource within a given context CFP_SR00628_osullivan_2017 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1970s-2000s Relation A related resource <a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener">CFP_SR00618_Dempsey_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener">CFP_SR00622_McNamara_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener">CFP_SR00625_McShane_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener">CFP_SR00628_Osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener">CFP_SR00632_Curtin_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener">CFP_SR00633_Sargent_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener">CFP_SR00648_Fitzgerald_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener">CFP_SR000673_Twomey_2018</a>; Published Material: MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1970s 1980s 1990s 2000s Christmas Gurranabraher Mary O'Sullivan St Mary's Orthopeadic Hospital Working life https://corkfolklore.org/archivecatalolgue/files/original/6453131606b9d5bd846208cd94698229.mp3 5a9eedfbf2e282ba7a009e26d6150a4c Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary O’Donovan Interviewer The person(s) performing the interview Catherine Fray Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43m51 s Location The location of the interview Cara House, Redemption Road, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Cassette Transcription Any written text transcribed from a sound Sample of Transcript: C F: Did you have your children at home Mary? M O D: I had mine at home. C F: All of them M O D: All of them, yes. C F: And did you have the help of the local lady? M O D: Pardon? C F: Did you have the help of a local woman? -- M O D: I had? C F: For bringing them into this world? Who would she of been? M O D: Well, if there is a girl here in the room here next to us, Annie Murphy, her mother was a midwife for three or four of my children. The last of mine, and the one’s previous to that there. Of course she’d be a Mrs [long pause] I can’t remember you know, but they were like, oh I can’t remember her name now. But Mrs. Murphy anyway was at three or four of my last children, she lived over there on St. Mary’s rd. And her daughters a patient here at the moment. Annie Murphy I don’t know if she is here yet or not. C F: Oh I think I know who you are talking about. I do. M O D: Yeah. C F: I do, I think I do, is she from St. Brendan’s road? M O D: No, no, no, the house that Mary, Annie Murphy, was born and reared in and she is a patient here so now you can imagine. C F: Ok Mary. M O D: And she is the last of her family there all of them, all of them dead, but Anne is, and she still alive. But you know the way at the moment, she’s a patient at the moment here – C F: Oh I see ok. M O D: And her name is Anne Murphy C F: Alright Mary. And can you remember, can you tell me some things about the Black and Tans, what they did? M O D: Oh don’t be talking girl, they done terrible things, first of all you know they shot Tomás Mac Curtain. C F: Right. M O D: You know that don’t you. C F: I do. M O D: Yeah, I was working with him at the time, and the first, that night, he wouldn’t stop, selling [phrase unintelligible], himself inside the counter and I was, twas like, in the month of March you know and I was going out and it was wet and dull and it was misty. And I was going out, and the factory was at the back of that shop, that I told you. And I was going out, I was finishing off an order or something myself and I was going out and this man was singing outside the shop door. Ballad singing, it was around that time you know now. And I was going out the door and Tomás, the Lord have mercy on him now. He called me back and he said give that to the poor fella singing outside the door. I dunno was it a six millimetre[??] or a schilling he gave me now. He gave me something to hand to the poor singer outside the door. And I said you know now. And he was singing ‘Wrap the Green Flag Around Me Boys’, that’s the song he was singing. C F: Right. M O D: He was singing that song but I handed him that anyway outside the door, it was quiet a coincidence wasn’t it? -- C F: Back in the day -- M O D: It was only that night, that he was murdered. The Black and [Tans], his wife was expecting, a baby, sure they had twins after, the same night, [phrase unintelligible] they shot her [means him] dead, they shot him dead. On the 17th around then, I dunno the exact date now, in the month of March. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary O’Donovan Description An account of the resource Mary is an elderly woman who recalls her life history. She feels that her memory is not so good, but she clearly recalls personal rather than more general events. Mary was born (circa 1901) in Sarsfield Terrace. Her aunt was ‘a lady’s companion’ to the wife of a colonel who lived in Sunday’s Well. Her grandmother wore a black cape and a black bonnet. The family moved to Hibernian Buildings, and then to Church Avenue, Chapel Hill. Her mother was a dressmaker. As a young woman she worked as a shirtmaker in Dwyer’s factory, and then met her husband. (She states later that she got married in 1922). She and her husband lived with her mother before the corporation gave her a house in Farranferris Avenue. She remembers a fragment of a skipping rhyme she sang as a child. She briefly describes the religious ceremony of ‘churching’, which she describes in a positive light. Mary worked for Tomás Mac Curtain, the Lord Mayor of Cork who was shot by the Black and Tans, and she describes her last day at work with him before he was killed. She sings a verse of ‘Wrap The Green Flag Round Me, Boys’, which a street singer had sung earlier in the day before Mac Curtain was shot. As a Girl Guide she joined others saying the Rosary outside a prison in Cork where Republican prisoners were on hunger strike. Date A point or period of time associated with an event in the lifecycle of the resource 11.05.1998 Identifier An unambiguous reference to the resource within a given context CFP_SR00197_odonovan_1998 Source A related resource from which the described resource is derived Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Contributor An entity responsible for making contributions to the resource Cork Folklore Project Creator An entity primarily responsible for making the resource Cork Folklore Project Ballad Singers Bonfire Night Churching Clothes Dwyer’s factory Farranferris Avenue. Hunger Strike Mary O’Donovan Midwife Poetry Republicans Rosary Sarsfield Terrace Tomás Mac Curtain War of Independence https://corkfolklore.org/archivecatalolgue/files/original/d0334cf790aaedcc8530822de4e75179.jpg 45d0babc8d0b08a17bc3bc5ac50a616d https://corkfolklore.org/archivecatalolgue/files/original/e79d92ade1faacaa5edc8c749ddf5b8f.mp3 449e8bd1c7d2f6fa933630c22f3e2c47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview John Mehegan Interviewee The person(s) being interviewed Mary O'Driscoll Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24m 12s Location The location of the interview Farrinferris, Cork City, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com J.M: OK. Could you elaborate a little bit about your family please? M.O'D: Well it’s a very small family compared to the average Irish family in that it was just basically from the time I was five just myself and my mother and father; em my mother and father wanted to have more kids, but my mother had had heart damage from having rheumatic fever as a child, so she wasn’t supposed to have anymore and they said she shouldn’t even adopt, so the three of us were very close, and fairly unusual kind of relationship – I didn’t call them mother and father – I called them by their names. And we did a lot of things together, and we were all interested in American traditional music, and went to a lot of music festivals together, and had a fairly unusual relationship, at least compared to my friends, it wasn’t the sort of parent and child kind of classic sort of separation, and my parents were very liberal and very open-minded and let me kind of pursue whatever I wanted, in an era when parents were not letting their children you know buy Mad magazine and Hollywood Movie Magazines - it was my little bit of money that I got every week and I could do whatever I wanted with it. J.M: We’ll come back to the subject of traditional music later, but could you tell me what type of events did you celebrate as a family? M.O'D: Well em we were not a religious family, but Christmas of course is always you know is a big thing, em I think my personal favourite holiday was Halloween, the chocolate as much as the dressing up, I’d say and that was an era when everybody went trick or treating, you literally went door to door, and you were meant to have a trick, you were meant to sing a song, or tell a joke or do something, em and that you know other than sort of personal you know people’s birthdays or anniversaries – my parents wedding anniversary or something like that – that was I don’t think, because we weren’t religious, there weren’t all those kind of things, and that was before I knew much about Ireland or anything to do with Irish culture, so Paddy’s Day did not figure, so. Interview Format This field should hold one of the following values; audio, video. Audio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary O’Driscoll: America, Blackrock, Customs, Festivals, Fleadh, Fitzgerald’s Park, Immigration, Miltown Malbay, Poverty, Traditional Irish Music, Willie Clancy, Subject The topic of the resource Life History; Cork Description An account of the resource Mary at the time of this recording was the Cork Folklore Project's manager, She was born in Des Moines Iowa, in the United States and moved to Minneapolis, St. Paul, Minnesota when she was 8 years old. She had one sister who died when she was 10 years old when Mary was 5. They lived in an old Irish farmstead built by the Faro family from Waterford, which was rural and isolated. Her father was a Lawyer. Mary met her Blarney born husband [Sean] in America. She discusses the family being impoverished because of costly medical bills for her mother and sister. Although they didn’t have much money they had land and they grew their own vegetables and fruit. They were an unconventional family. Her parents were liberal and she had a lot of independence and freedom and called her parents by their names rather than Mom and Dad. They spent a lot of time together going to American traditional music festivals. She recalls Halloween as being her favourite festival when everyone went door to door trick or treating. On the 4th July they went to the park for a fireworks display and had a ‘regatta’ they had on their own ‘Loch Mac’ lake at their house. She and her husband moved to Cork because of the Irish music scene and Ireland’s proximity to the rest of Europe. She talks about how creativity is much more accepted in Ireland as a valid way to live your life. Mary describes her first visit to Cork and how she loved the people and their humour. She comments on the size of Cork and all the old beautiful buildings, laneways and parks. Mary discusses her family’s interest in American traditional music, old time Appalachian and Bluegrass music and how it led to her interest in Irish music. She learned to play the fiddle and ran an Irish radio programme in the United States for 10 years. She describes the standard of traditional music in Ireland being so much better than the United States; comments additionally on the affect of immigration from Ireland to the US on the music scene. People plan their year around going to music festivals in Ireland such as Miltown Malbay, The Willie Clancy Week and the all Ireland Fleadh. Her favourite is the Murphy festival in Wexford. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 11 June 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Mary O'Driscoll Interviewer: John Mehegan Identifier An unambiguous reference to the resource within a given context CFP_SR00330_odriscoll_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Personal Life, both in Ireland and America. Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Related Content in CFP Archive. As Interviewer: CFP00339_ODonoghue_2004; CFP00345Wulff_2004: Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Type The nature or genre of the resource Sound https://corkfolklore.org/archivecatalolgue/files/original/9191026e5a0fd928f3656d0563cb43da.jpg 11803a59a5e3a138fc268e5e0dc268f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stonemason Oral History Project Subject The topic of the resource Life History; Occupational Lore; Trades; Description An account of the resource This collection consists of 14 interviews with 12 people (11 male stonemasons and one female family member). It was carried out between November 2015 and April 2017 and documents the experiences of stonemasons based in Cork throughout the twentieth century. The interviews were carried out by CFP Researcher Michael Moore, himself a qualified stonemason. The collection explores the occupational and social context of stonemasonry; work practices, the social context, occupational lore, the secret language Bearlager na Saor and family ties. Most of the interviews are focused on the mid to late twentieth century with some stories and histories dating back to the eighteenth century This project’s second interviewee, Jim Fahy of the Cork Mason’s Historical Society, was inspired to include an oral history element to his ongoing research and documentation of stonemasonry, and this material is being accessioned to the CFP. Michael Moore characterized the project as an attempt to capture a snapshot of the lives and voices of stonemasons and ‘to record their insular world for posterity’, pointing out that ‘There is a need to document the living tradition of stonemasonry by recording people who work or have worked in masonry, particularly those born into it as part of familial ties.’ (Moore, 2016: 8). Date A point or period of time associated with an event in the lifecycle of the resource 2015-2017 Contributor An entity responsible for making contributions to the resource Interviewer: Michael Moore Interviewees: Murty O'Sullivan; Jim Fahy; Joe Fahy; John Steele; Dan Jones; Joseph Fahy; Mary O'Sullivan; Jack Johnson; Mary O'Sullivan; Thomas Lysaght; Patrick Varian; Patrick Cooney; Tom McCarthy; Edward Buckley. Identifier An unambiguous reference to the resource within a given context <a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener">CFP_SR00565_osullivan_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/179" target="_blank" rel="noreferrer noopener">CFP_SR00566_fahy_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener">CFP_SR00569_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener">CFP_SR00570_steele_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener">CFP_SR00574_jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener">CFP_SR00577_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/184" target="_blank" rel="noreferrer noopener">CFP_SR00581_osullivan_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/185" target="_blank" rel="noreferrer noopener">CFP_SR00583_johnson_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener">CFP_SR00589_lysaght_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener">CFP_SR00590_varian_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener">CFP_SR00595_Jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener">CFP_SR00609_Cooney_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener">CFP_SR00610_McCarthy_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener">CFP_SR00611_Buckley_2017:</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ireland; Cork; 1700s; 1800s; 1900s; 2000s Relation A related resource Published material related to the collection: <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener">Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10. </a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English; Bearlager na Saor (Stonemasons Language) Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 14 .wav files Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary O'Sullivan Interviewer The person(s) performing the interview Michael Moore Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 114min 28sec Location The location of the interview Commons Road, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit/48kHz Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary O’Sullivan: Masonry, Family Life, Subject The topic of the resource Stonemasons: Occupational Lore: Family Life: Description An account of the resource Mary begins the interview by talking through her earliest memories of Bantry, walking to school and robbing apples and nice and cross teachers. Mary’s then moves on to describe her family, and how she left school at 14, her father was a farm labourer and her mother died at 48 due to cancer. Mary then talks about childhood chores, shopping, baking, cleaning, pony and traps, growing vegetables, turkeys and herbal remedies, chickens, eggs, life pre-electricity. Mary’s mentions sister her staying at home and the loneliness of her father in his later years. She then also describes how she walked to school and fetched water from the river, heating cocoa by the fire, no electricity, Tilley lamps, homework, men playing cards, mother helping neighbours, and how her father did not work the month of February. Cycling to the dances, dances on the weekend, teenagers, music played, people who ran them, before that dances in the home. Mary then describes life during World War Two and how rationing affected them. And strong memories of men returning from the war shellshocked. She then moves on to talk about her father and his love for gardening and helping neighbours. Mary also mentions the death of both her mother and sister to cancer. The second part of the interview relates to Mary’s moving to Cork city marrying into the trade and how being the wife and mother of stonemasons. Mary's son Murty was also interviewed for the project. <a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener">CFP_SR00565_osullivan_2015;</a> Date A point or period of time associated with an event in the lifecycle of the resource 28 July 2016 Contributor An entity responsible for making contributions to the resource Interviewee: Mary O'Sullivan Interviewer: Michael Moore Identifier An unambiguous reference to the resource within a given context CFP_SR00581_osullivan_2016 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1930s -2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 2 .wav Files Relation A related resource From Stonemason Collection: <div class="element-text five columns omega"> <a href="http://corkfolklore.org/archivecatalolgue/document/178" target="_blank" rel="noreferrer noopener">CFP_SR00565_osullivan_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/179" target="_blank" rel="noreferrer noopener">CFP_SR00566_fahy_2015;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/180" target="_blank" rel="noreferrer noopener">CFP_SR00569_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/181" target="_blank" rel="noreferrer noopener">CFP_SR00570_steele_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/182" target="_blank" rel="noreferrer noopener">CFP_SR00574_jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/183" target="_blank" rel="noreferrer noopener">CFP_SR00577_fahy_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/185" target="_blank" rel="noreferrer noopener">CFP_SR00583_johnson_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/186" target="_blank" rel="noreferrer noopener">CFP_SR00589_lysaght_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/193" target="_blank" rel="noreferrer noopener">CFP_SR00590_varian_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/194" target="_blank" rel="noreferrer noopener">CFP_SR00595_Jones_2016;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/195" target="_blank" rel="noreferrer noopener">CFP_SR00609_Cooney_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/196" target="_blank" rel="noreferrer noopener">CFP_SR00610_McCarthy_2017;</a> <a href="http://corkfolklore.org/archivecatalolgue/document/197" target="_blank" rel="noreferrer noopener">CFP_SR00611_Buckley_2017:</a> </div> Published material related to the collection: <a href="http://corkfolklore.org/wp-content/uploads/2018/08/Archive20-WebEdition.pdf" target="_blank" rel="noreferrer noopener">Moore, Michael (2016) ‘A Tale of Two Masons’, The Archive Journal, Vol 20: 8-10. </a> Type The nature or genre of the resource Sound 1930s 1940s 1950s 1960s Bantry Cork city Dances Family Life Mary O'Sullivan Rationing Stonemasons The Emergency West Cork Working life World War II https://corkfolklore.org/archivecatalolgue/files/original/eb81fa19cec7296895526d0edc5a3677.jpg d675f33df8ca14a9efd066f439ed6d6c https://corkfolklore.org/archivecatalolgue/files/original/b27364e5e7206082f24df440b963f5ef.mp3 0c56700bf5403811b5028193acf5fed1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork 2005 Project Subject The topic of the resource Interviewing and radio project exploring migration, cultural contact and the social and physical landscape of Cork City in 2004 and 2005 and in the past, comprising of forty audio interviews and resulting in six half-hour radio programmes and a book. Description An account of the resource The Cork 2005 Project was carried out and funded as part of Cork’s tenure as European Capital of Culture in 2005. Building on the theme ‘City of Culture’, the project explored the questions: ‘What is the everyday culture of Cork City?’ and ‘Who are the people of the city?’, and aimed to broaden our archival holdings to reflect the increased numbers of migrants making their home in the city. 37 ethnographic interviews were carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. A six-part radio series, entitled ‘How’s it goin’, boy?’ was broadcast on Cork Campus Radio in 2005, and a book of the same name was published in 2006. You can listen to the radio programmes on our website: How's it goin', boy? Radio Series. The interviews in this collection all have a similar structure. We asked all interviewees to describe their childhood neighbourhoods and communities and to discuss their relationship with Cork city in the present day. We also discussed experiences of migrancy, first impressions and cultural contact with those who had come to Cork from elsewhere and with Corkonians who had experience of migration. Interviewees came from diverse areas including Australia, the Marsh, Nigeria, Brittany, Gurranabraher, Russia, Evergreen Street, Spain, Poland and Kurdish Iraq. The collection project was carried out from March 2004 – June 2005. Interviewers on the project: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Cork 2005 Special Project Co-ordinator: Clíona O’Carroll Project photography: Fawn Allen CFP Project Manager: Mary O’Driscoll CFP Research Director: Marie-Annick Desplanques ‘How’s it Goin’, Boy?’ radio series producer: Clíona O’Carroll ‘How’s it Goin’, Boy?’ radio series editor: Colin MacHale Support: the post of Special Project Co-ordinator and production costs were funded by Cork 2005. Ongoing support was from Northside Community Enterprises, Foras Áiseanna Saothair (FÁS) and University College, Cork. For further description of the Cork 2005 project, see: O’Carroll , Clíona and Desplanques, Marie-Annick (2006) ‘Cultures of Cork: Community, Ethnicity and Broadcasting’, in: Sociedade da Información en Espacios Periféricos, Novas Formas de Exclusión Social. Santiago de Compostela: Servizo de Edición Dixital da Universidade de Santiago de Compostela. O'Carroll, Clíona (2013) 'Public folklore operating between aspiration and expediency: The Cork Folklore Project'. Irish Journal of Anthropology, 16 (1): 23-30. For the dissemination content see: ‘How’s it Goin’, Boy? radio series (six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website) O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Date A point or period of time associated with an event in the lifecycle of the resource 2004-2005 Contributor An entity responsible for making contributions to the resource Interviewees: Billy McCarthy; Mary O'Driscoll; Eileen Claffey; Noreen Hanover; Marie-Annick Desplanques; Marcus Bale; Isabelle Sheridan; Liz Steiner-Scott; Avreimi Rot; Rob Stafford; Balaska O Donoghue; Andy Hawkins; Kay O'Carroll; Emeka Ikebuasi; Mícheál Ó Geallabháin; Noreen Geaney; Stefan Wulff; Karina Abdoulbaneeva; Musa Gunes; Robert Fourie; Tony Henderson; Yossi Valdman; Brigid Carmody; Mary O'Sullivan; Vitaliy Mahknanov; Michael O'Flynn; Dr. Mahbub Akhter; David Walker; Dearbhla Kelleher; Patricia Manresa; Stephen Wimpenny; Adam Skotarczak; Lode Vermeulen; Owen (homeless); Geoffrey D'Souza; Aimee Setter; Tim O'Brien; Alan Botan: Interviewers: Jennifer Butler; Lee Cassidy; Sean Claffey; Diane Hoppe; Dolores Horgan; John Mehegan; Clíona O’Carroll; Mary O’Driscoll; Noel O’Shaughnessy: Frances Quirke. Rights Information about rights held in and over the resource Cork Folklore Project <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/"></a> This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>. Relation A related resource Published Material; ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Catalogue project description written by: Clíona O’Carroll Format The file format, physical medium, or dimensions of the resource 37 MiniDisc Language A language of the resource English Type The nature or genre of the resource Audio Identifier An unambiguous reference to the resource within a given context Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/39">CFP_SR00352_osullivan_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 37 ethnographic interviews carried out with Cork residents, more than two-thirds of whom had come to Cork from elsewhere, exploring their relationship with the cultural and social landscape of the city in 2004/2005 and in the latter half of the twentieth century. The interviews include accounts of family life and growing up in Argentina, Australia, Bangladesh, Canada, China, England, Germany, India, Iraq, Israel, Kurdistan, the Netherlands, Nigeria, Poland, Slovakia, South Africa Ukraine, and the United States. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Francis Quirke Interviewee The person(s) being interviewed Mary O'Sullivan Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58m 31s Location The location of the interview Kinsale Road, Cork City, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MiniDisc Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 16bit / 44.1kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com F.Q.: I know yeah, em, when you em, came living here then, em had you your five children at that stage. M.O.: Yes…hmm… I had. Em, and they would … they would have sort of played along the same lines, F.Q.: Would they, yeah? M.O.: They would, because, like they… they… at that stage they would have… in the site they would have eh, been collected by bus to go to school, and taken out to school and brought back and what happened in… in the sort of eh in that, sort of a process was, they weren’t… they wouldn’t have been getting the level of education that I would have got, so I suppose, directly, thinking of the children em, I decided to move them, from… you see they were in a structure that was… that the department of Education set in place in the mid-seventies, thinking about traveller children that were going to be coming into the education system and it was the special classes for travellers and they were in that structure and then I wasn’t satisfied with that structure, so I decided to move them, but the… the response I got from the very people who were delivering the structure that the department put in place was shock because they really couldn’t con… conceive that like this is a traveller woman and she’s standing up and she’s sort of taking charge of her children and like, as I said to the principle at one stage, like, I’m sorry now, I said, but I delivered these children, I gave birth to them, so I am entitled to educate them whatever way I want to educate them, but em, like experiences like that now, would have…I would have sort of because of the… the background, the education, eh, the whole sort of comfort thing with school and stuff like that, it stood at times like that. F.Q.: It stood well to yeah, it gave ye experience, yeah. M.O.: Because it gave… it gave me the confidence to know that I could actually stand up and say, hello, I’m not satisfied with this. I… I know from experience that there’s more to education, like they would never do history, they wouldn’t do geography, eh, they wouldn’t do… a little bit of maths. Once they were able to sign for the dole, now, that was the whole em sort of em, the purpose and aim of that… that structure. Once you were able to sign for the dole that was fine. Once we teach ‘em to sign their name, grand. F.Q.: They were giving them a little but they weren’t giving the whole lot, ya. M.O.: That was it... that was it. But it… the shocking thing was that it actually came from the Department of Education. That structure actually was brought down from there and implemented here and the psychological damage that was done to these children, now I caught mine in time em, but still there was a whole psychological thing that went on for them because, I thrown them into the… the deep end in a sense by putting them to national school. The… national school that I would have gone to and would have negotiated with the teachers and the principle for support structures to be put in place for them, because, I remember the three teachers that actually took them, em, asked me to come in and meet them an’, went in and grand and… and they were in a very nice way trying to sort of tell me that the … that they were backward, because they were missin’… they were missin’ huge chunks of education. But when I explained to them why, they completely understood. You know, they weren’t backward it’s just that they were never taught any of the subjects, an’ that goes for an awful lot of traveller children that would have sort of, either gone from Cork to other parts of the country and eh, I remember reading a survey in college and it was done in the earl… the early seventies, and it… this was a government document now, and it was… it stated like that, structures should be set in place… structures and guidelines should be set in place for like… preparing for traveller children that were going to be coming into the education system. That structures and guidelines the same as for backward children should be set in place. F.Q.: God! M.O.: And I’m like reading’ that I was like, oh my God, Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary O’Sullivan: Travelling Community, Education, Prejudice, Subject The topic of the resource Life History; Traveling Community; Description An account of the resource Mary is a Traveller who developed a love of education, which she has tried to instil in others. She talks in detail about her experience of being a Traveller and about the lives of older generations and the history of her community. Mary was born in Skibbereen, and her family moved to Cork City when she was four years old. After living in a wagon in a lane, the family moved to a house in Ballyphehane. Her mother had 11 children, and this influenced the decision to settle down. She had a very positive experience of education from Primary school onwards. In a reverse of the usual pattern, when she got married she moved into a caravan and reared her children there. She was not happy with the education offered for her children and took them out of a scheme for Traveller children. She talks in detail about education for Travellers and describes her experience of helping adults to learn. She also helped to form the Cork Traveller Women’s Network to articulate the needs of her community. She talks about her father’s transition to settled life in a house. He continued as a tinsmith and fixer for a while. He used to tell the children ghost stories (and she mentions two examples). He played the melodeon and his favourite song was “O’Sullivan John to the Road You’ve Gone”; he also busked with Pecker Dunne. A treat for her as a child was Dripping Cake. She sees herself as a Cork person as well as a Traveller, and she has a fondness for the Shandon area and the English Market. She says that her grandmother fed passing squads of Black and Tans and that Travellers were instrumental in passing on news of their arrival in Kinsale during the War of Independence. Note; This interview was conducted as part of the Cork 2005 Project Date A point or period of time associated with an event in the lifecycle of the resource 21 November 2004 Contributor An entity responsible for making contributions to the resource Interviewee: Mary O'Sullivan Interviewer: Francis Quirke Identifier An unambiguous reference to the resource within a given context CFP_SR00352_osullivan_2004 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; 1950s - 2000s; Relation A related resource Cork 2005 Collection Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/5">CFP_SR00329_mccarthy_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/18">CFP_SR00330_odriscoll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/19">CFP_SR00331_claffey_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/20">CFP_SR00332_hanover_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/21">CFP_SR00333_desplanques_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/22">CFP_SR00334_bale_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/23">CFP_SR00335_sheridan_1996</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/24">CFP_SR00336_steiner-scott_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/25">CFP_SR00337_rot_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/26">CFP_SR00338_stafford_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/27">CFP_SR00339_odonoghue_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/28">CFP_SR00340_hawkins_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/29">CFP_SR00341_ocarroll_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/30">CFP_SR00342_ikebuasi_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/54">CFP_SR00343_ogeallabhain_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/31">CFP_SR00344_geaney_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/32">CFP_SR00345_wulff_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/33">CFP_SR00346_abdoulbaneeva_2004</a>; CFP_SR00347_gunes_2004; <a href="http://corkfolklore.org/archivecatalolgue/items/show/35">CFP_SR00348_fourie_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/36">CFP_SR00349_henderson_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/37">CFP_SR00350_valdman_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/38">CFP_SR00351_carmody_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/40">CFP_SR00353_mahknanov_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/41">CFP_SR00354_oflynn_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/42">CFP_SR00355_akhter_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/43">CFP_SR00356_walker_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/44">CFP_SR00357_kelleher_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/45">CFP_SR00358_manresa_2004</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/46">CFP_SR00359_wimpenny_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/47">CFP_SR00360_skotarczak_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/48">CFP_SR00361_vermeulen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/49">CFP_SR00362_owen_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/50">CFP_SR00363_dsouza_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/51">CFP_SR00364_setter_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/52">CFP_SR00365_obrien_2005</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/53">CFP_SR00366_botan_2005</a>: Published Material: ‘How’s it Goin’, Boy? radio series <a href="http://corkfolklore.org/radio-series/">(six thirty-minute episodes, broadcast 2005 and available on the Cork Folklore Project website)</a> O'Carroll, Clíona for the Cork Northside Folklore Project (2006) How's it goin', boy? Dublin: Nonsuch Publishing. Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Type The nature or genre of the resource Sound 1960s 1970s 1980s 1990s Black and Tans Cork 2005 Education Food Ghost stories Kenmare Mary O’Sullivan Music Pecker Dunne Prejudice Racism Storytelling Traveling Community Travellers War of Independence https://corkfolklore.org/archivecatalolgue/files/original/e9592b812dfea138521b320d35eefa25.jpg cbf1c711785600501bec005b1d811bed https://corkfolklore.org/archivecatalolgue/files/original/2b8e8a6efb6ea21f3e4a8d8228824273.mp3 69d0d7be78a39fa65703513dd56e769d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cork Memory Map Collection Subject The topic of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. Description An account of the resource A place-based interviewing project exploring everyday life in Cork City, with excerpts disseminated on a series of online digital maps. In 2010, the Cork Folklore Project initiated a new collection and dissemination project, entitled the Cork Memory Map. We wished to step up our interviewing programme and enhance public access to our holdings through the creation of an online map of stories and memories. A central concern in this initial stage was to keep our research agenda as open as possible in terms of generating accounts of everyday life in the city down through the years. As we were not carrying out topic-focussed interviews (in contrast to previous projects on topics such as song in the Northside, drag hunting and occupational lore), the place-based focus enabled us to explore everyday life at different stages of interviewees’ life histories, remaining open to cues from the interviewees while maintaining a sense of direction and purpose for all involved. The fact that the interviews were structured around memories of place, rather than taking the form of life history interviews, also had an impact on the material gathered. The initial phase of interviewing was carried out in the main with older residents of Cork City, Ireland, who grew up in the city centre or adjacent suburbs and who were born between 1929 and 1950. Lasting between 45 minutes and two hours, individual interviews in the Memory Map project tend to follow a similar pattern. A description of the interviewee’s childhood neighbourhood is followed by a succession of ‘grand tour’ questions about daily routines, work and play within the neighbourhood. Places important or familiar to interviewees were explored, as were routes habitually taken through the landscape. This narrative base was used as a springboard for using cues provided by the interviewees as the basis for follow-up questions on significant people and activities mentioned. A sub-collection of shorter interviews was generated during Heritage Week (20-28 August) 2011. The Cork Folklore Project, in collaboration with Civic Trust House, launched the Memory Map Project with an exhibition and collection event throughout the week. Visitors to the exhibition were invited to ‘put themselves on the map’ through short interviews. The Memory Map also featured in a ten-minute Curious Ear documentary broadcast on RTÉ Radio 1 during Heritage Week, and available as a podcast (The Curious Ear/Documentary on One (Cork City Memory Map) http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/). The bulk of the interviews were carried out between July and December 2010 (21 interviews), with 9 full-length interviews carried out in the second half of 2011, along with 18 shorter interviews carried out during heritage week, 23-27 August 2011, and 9 interviews in the second half of 2012. 1 video interview was carried out in January 2014 with Memory Map interviewee Pat Speight. The design for the map and supporting database design was carried out by Cheryl Donaghue (UCC) as project work for an MSc in Interactive Media, with assistance from Colin Mac Hale. The Project received support for the further technical development of the map from the Irish Heritage Council in 2012. The map itself has undergone various iterations, the most recent being its preparation for use on the Omeka platform by the CFP team and PhD candidate Penny Johnston in 2016/2017. Existing and subsequent interviews from the CFP collections have also been utilised for the online mapping dissemination project: the interviews designated as ‘memory map’ interviews are those carried out specifically with the map in mind from 2010 onwards. Support: This project was supported by the Heritage Council of Ireland in the Heritage Education Community and Outreach grant scheme, 2012, and also received support from the Cork City Council Community Grants Scheme. For further description and discussion of the Cork Memory Map project, see: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF Clíona O'Carroll (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/">Here</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010 - 2013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1930s - 2010s, Relation A related resource O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio; Video Contributor An entity responsible for making contributions to the resource Interviewees: Breda Sheehan (2 Interviews); Geraldine Healy: Johnny 'Chris' Kelleher; Marie Crean; James 'Jim' Mckeon; Brenda Twomey (RA); Breda St Leger; Pat Speight (1 Audio, 1 Video); Sean Lane; Pat O'Brien (O'Leary); Eileen Jones; Pat Saville; Noel Magnier; Mary Marshall; Paddy Marshall; Denis Murphy: Helen Prout (2 Interviews); Donie Walsh; Margaret Newman (4 Interviews); Kevin Leahy; Marie Finn; Pádraig Ó'Horgáin; Michael O Connell; Mary Sheehy; Bernie McLoughlin; Derrick Gerety; Peggy Kelleher; Sandra Byrne (RA); Noreen Cronin; Liam Ó h-Uigín (2 Interviews); Nicole Meacle; Una Lyons; Helen Goulding; Bernard Casey; Dragan Tomas; Pete Newman (Duffy); Brenda Stillwell; Creena O'Connell; Joseph Lane; Mary Montgomery McConville; Michael (Mick) O'Callaghan; Phil Corcoran; Thomas Jones (2 Interviews); Patricia (Pat) McCarthy; Fergal Crowley; Pat O'Brien; Tony McGillicuddy; Alice Delay; Barry Murphy; Patrick Fitzgerald Interviewers: Breda Sheehan (6 Interviews); Gráinne McGee (7 Interviews); Cliona O'Carroll (12 Interviews); Stephen Dee (3 Interviews); Geraldine Healy (2 Interviews); Michael Daly; Helen Kelly (6 Interviews); Gearoid Ó'Donnell (6 Interviews); Tom Doig (2 Interviews) John Elliot (3 Interviews); Alvina Cassidy; Eanna Heavey: Majella Murphy; Mark Wilkins; Richard Clare; Louise Ahern; Ian Stephenson; Annmarie McIntyre; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/128" target="_blank" rel="noreferrer noopener">CFP_SR00416_sheehy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014 Format The file format, physical medium, or dimensions of the resource 58 .wav Files 1 .mov File Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Mary Sheehy Interviewer The person(s) performing the interview Tom Doig Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 69min 09sec Location The location of the interview Barretts Buildings, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material for this interview or other interviews please contact CFP, folklorearchive@gmail.com TD: We might talk a bit about what you remember about Kyle Street and the Coal Quay and the people you remember. MS: Oh my God. I’m telling ye boy. You go down there of a Saturday. It’d be a lovely sunny day, some Saturday’s anyway. And, you know if you’re mother made a good few pound, she’d say to me. “Go over there to the corner shop, and get a wafer”. Now you’d get two wafers maybe that time for tuppence and we’d be standing at the wall eating our wafers, the ice cream. And she’d say to me “In’t that lovely?” and I’d say “sure Jaysus, that’s gorgeous”. And then this Farmer then might come around, and Jaysus she used to make me laugh. This farmer would come around and she would have two pairs of 11 size boots and the farmer would say to her - always of a Tuesday it was farmer’s day - and the farmer would say to her, “How much are the boots missus?” and she’d turn round, she’d say “Seven pound for one pair boy, but I’ll tell ye what now look. I’ll give you the two pair for nine”, that kind of way and the bloody well stupid eejit would hand her a tenner. He’d say to her “Sure that’s grand now missus”. Now it was seven pound for the two pair. And she’d say to him “But I’ll give you the two for nine”. He’d hand her a tenner. Now ten pound that time was a lot, a lot of money and you’d be saying to yourself, “Oh my God, me day’s made anyway”. Y’know. That’s it. And she’d say to me “’Mere, G’wan bundle up all the stuff there now girl. We’re finished. We’re going. That’s it.” And I’d be saying. “Nah, mam, sure today’s Farmer’s Day now, there’ll be another crowd coming round now in a minute” - and there would be another crowd coming around. And God help us, this woman, she was a lovely woman now, I can’t bring up her name now a’tall. But there was this lovely woman. She used to the train up from Cobh. You’d see her running up Kyle Street, beautiful woman. And she’d say “Oh my God, Thank God Mary is here. Have you any stuff left?” Because my mam used to keep the stuff for her. She’d sell that down in Cobh. But God she was killed by the train so. Not sure I should say that or not, like. But, y’know, but me mam always used to give to her and she used to say “Erra for God’s sake, I’ve made enough now, that’s it”. And she’d go off. And I’d take the pram then off up Blarney Street, and she’d give me five shillings. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary Sheehy: Gurranabraher, Street Traders, Bonfire Night Subject The topic of the resource Life History: Description An account of the resource Mary was born in Washington Street in 1948; when she was 6 her family moved to Gurranabraher. Her mother was a trader in second-hand clothes in Kyle Street and a barmaid, her father worked for Cork Harbour Commissioners. As a child, she had to wear special shoes for mass. Afterwards, they broke religious statues to get chalk out of them to play picky. How bonfires were made. How her mother sourced second-hand clothes. Kyle Street was for clothes, Coal Quay was a more general market. Her mother washed and ironed clothes before re-selling them. Mary tells a story about a woman’s funeral. She explains that she always haggles when she buys clothes in shops; she tells a story about haggling for a coat. Mary still visits Coal Quay; she talks about haggling there. Date A point or period of time associated with an event in the lifecycle of the resource 2 November 2011 Contributor An entity responsible for making contributions to the resource Interviewee: Mary Sheehy Interviewer: Tom Doig Identifier An unambiguous reference to the resource within a given context CFP_SR00416_sheehy_2011 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-2000s Relation A related resource <div class="element-text"> <div class="element-text">Other Interviews in the Colection: <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener"></a> <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00387_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/101" target="_blank" rel="noreferrer noopener">CFP_SR00388_sheehan_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/103" target="_blank" rel="noreferrer noopener">CFP_SR00389_healy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/104" target="_blank" rel="noreferrer noopener">CFP_SR00390_kelleher_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/105" target="_blank" rel="noreferrer noopener">CFP_SR00391_crean_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/106" target="_blank" rel="noreferrer noopener">CFP_SR00392_mckeon_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/107" target="_blank" rel="noreferrer noopener">CFP_SR00393_twomey_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/108">CFP_SR00394_stleger_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/3">CFP_SR00395_speight_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/109" target="_blank" rel="noreferrer noopener">CFP_SR00396_lane_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/110" target="_blank" rel="noreferrer noopener">CFP_SR00397_obrienoleary_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/111" target="_blank" rel="noreferrer noopener">CFP_SR00398_jones_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/112" target="_blank" rel="noreferrer noopener">CFP_SR00399_saville_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/113" target="_blank" rel="noreferrer noopener">CFP_SR00400_magnier_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/114">CFP_SR00401_marshall_2010</a>;<a href="http://corkfolklore.org/archivecatalolgue/items/show/115" target="_blank" rel="noreferrer noopener"> CFP_SR00402_marshall_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/116">CFP_SR00403_murphy_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/117">CFP_SR00404_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/118">CFP_SR00405_walsh_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/119" target="_blank" rel="noreferrer noopener">CFP_SR00406_prout_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/120">CFP_SR00407_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/121" target="_blank" rel="noreferrer noopener">CFP_SR00408_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/122" target="_blank" rel="noreferrer noopener">CFP_SR00409_leahy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/123" target="_blank" rel="noreferrer noopener">CFP_SR00411_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/124" target="_blank" rel="noreferrer noopener">CFP_SR00412_newman_2010</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/125" target="_blank" rel="noreferrer noopener">CFP_SR00413_finn_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/126" target="_blank" rel="noreferrer noopener">CFP_SR00414_ohorgain_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/127" target="_blank" rel="noreferrer noopener">CFP_SR00415_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/129" target="_blank" rel="noreferrer noopener">CFP_SR00417_mcloughlin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/130" target="_blank" rel="noreferrer noopener">CFP_SR00418_gerety_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/131" target="_blank" rel="noreferrer noopener">CFP_SR00419_kelleher_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/132" target="_blank" rel="noreferrer noopener">CFP_SR00420_byrne_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/133" target="_blank" rel="noreferrer noopener">CFP_SR00421_cronin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/134" target="_blank" rel="noreferrer noopener">CFP_SR00422_ohuigin_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/135" target="_blank" rel="noreferrer noopener">CFP_SR00423_meacle_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/136" target="_blank" rel="noreferrer noopener">CFP_SR00424_horgan_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/137" target="_blank" rel="noreferrer noopener">CFP_SR00425_lyons_2012</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/138" target="_blank" rel="noreferrer noopener">CFP_SR00427_goulding_2011</a>; CFP_SR00491_fitzgerald_2013. Heritage Week 2011: <a href="http://corkfolklore.org/archivecatalolgue/items/show/139" target="_blank" rel="noreferrer noopener">CFP_SR00429_casey_201</a>1; <a href="http://corkfolklore.org/archivecatalolgue/items/show/140" target="_blank" rel="noreferrer noopener">CFP_SR00430_tomas_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/141" target="_blank" rel="noreferrer noopener">CFP_SR00431_newman_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/142" target="_blank" rel="noreferrer noopener">CFP_SR00432_stillwell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/143" target="_blank" rel="noreferrer noopener">CFP_SR00433_oconnell_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/144" target="_blank" rel="noreferrer noopener">CFP_SR00434_lane_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/145" target="_blank" rel="noreferrer noopener">CFP_SR00435_montgomery-mcconville_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/146" target="_blank" rel="noreferrer noopener">CFP_SR00436_ocallaghan_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/147" target="_blank" rel="noreferrer noopener">CFP_SR00437_corcoran_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/148">CFP_SR00438_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/2" target="_blank" rel="noreferrer noopener">CFP_SR00439_ohuigin_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/149" target="_blank" rel="noreferrer noopener">CFP_SR00440_mccarthy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/150" target="_blank" rel="noreferrer noopener">CFP_SR00441_crowley_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/151" target="_blank" rel="noreferrer noopener">CFP_SR00442_obrien_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/152" target="_blank" rel="noreferrer noopener">CFP_SR00443_jones_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/153" target="_blank" rel="noreferrer noopener">CFP_SR00444_mcgillicuddy_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/154" target="_blank" rel="noreferrer noopener">CFP_SR00445_delay_2011</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/155" target="_blank" rel="noreferrer noopener">CFP_SR00446_murphy_2011</a>; Video Interview: CFP_VR00486_speight_2014</div> <div class="element-text"> Published Material: O’Carroll, Clíona (2011) ‘The Cork Memory Map’, Béascna 7: 184-188. O’Carroll, Clíona (2012) ‘Cork Memory Map: an update on CFP’s Online Project’, The Archive 16: 14. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> Dee, Stephen and O’Carroll, Clíona (2012) ‘Sound Excerpts: Interviews from Heritage Week’, The Archive 16: 15-17. <a href="http://corkfolklore.org/wp-content/uploads/2018/08/archive16.pdf">https://www.ucc.ie/en/media/research/corkfolkloreproject/archivepdfs/archive16.PDF</a> O'Carrol, Clíona (2014) 'The children's perspectives: Place-centred interviewing and multiple diversified livelihood strategies in Cork city, 1935-1960'. Béaloideas - The Journal of Folklore of Ireland Society, 82: 45-65. The Curious Ear/Documentary on One (Cork City Memory Map) <a href="http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/">http://www.rte.ie/radio1/doconone/2011/0816/646858-curious-ear-doconone-cork-city-memory-map/</a></div> </div> <div class="element-text"> To view the Cork Memory Map Click <a href="https://corkfolklore.org/memory-map/" target="_blank" rel="noreferrer noopener">Here</a></div> Creator An entity primarily responsible for making the resource Cork Folklore Project Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1940s 1950s 1960s 1970s 1980s 1990s 2000s Bonfire Night Childhood Games Coal Quay Community Cork Harbour Funerals Ghost stories Kyle Street dealers Rubber Dollies Schooldays Street Traders https://corkfolklore.org/archivecatalolgue/files/original/98d638b8020730c28c6bcd7a72523e3f.jpg a9f30be16f393866053370ece956c42a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the stones could sleep cover Rights Information about rights held in and over the resource Cork Folklore Project https://corkfolklore.org/archivecatalolgue/files/original/34c1fa96deb67d6c20f8693bfa4927e5.mp3 c75056d4b1f6f5114cd36a69ff47e891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource If the Stones Could Speak: More Stories of Cork’s Built Heritage (2015) Subject The topic of the resource Built Heritage: Description An account of the resource 9 interviews with 8 people This film project created the sequel to the 2013 CFP film ‘If the Walls Could Talk’. 9 audio interviews were carried out with 8 people, and 3 video interviews with 3 people. The Cork Folklore Project was commissioned by Cork City Council as part of Cork Heritage Open Day to create a film exploring the relationship between some of Cork's most historic buildings and the people who use them. The project carried out a series of interviews with local historians, people associated with the buildings, and Cork residents (the interviews in this collection were carried out by Mark Wilkins), and drew on existing audio and video interviews. Interviews in this collection featured in the DVD discuss St Anne’s Shandon, Collins Barracks, Heineken Murphy’s Brewery, the Everyman Palace Theatre, Cork City Hall, the Imperial Hotel, Cork Synagogue, the Crawford Art Gallery, the Unitarian Church, the Quaker Meeting House, the Lifetime Lab at Old Cork Waterworks, and Fota House and Gardens. An interview on Cork City Opera House, carried out for the project If the Walls Could Talk, also features in the film. <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">The film is available on the Cork Folklore website</a> The DVD by Mark Wilkins was edited by Tim McCarthy, and featured music by Mark Wilkins and photography by Gráinne McGee. The project was co-ordinated by CFP Project Manager Mary O’Driscoll. Support: This project was part-funded by Cork City Council. Date A point or period of time associated with an event in the lifecycle of the resource 2015 Contributor An entity responsible for making contributions to the resource Interviewees: Patrick Walsh; Geraldine Healy; Maud Cotter; Roger "Ronnie" Herlihy;Fritz Spengeman; Sean Moraghan; Aisling Byron; Denise Gabuzda; Michael Lenihan: Interviewers: Mark Wilkins (9); Annmarie McIntyre (3): Identifier An unambiguous reference to the resource within a given context CFP_SR00509_walsh_2014; CFP_SR00510_healy_2014; CFP_SR00511_cotter_2014; CFP_SR00512_herlihy_2014; CFP_SR00514_spengeman_2014; CFP_SR00523_healy_2014; CFP_SR00525_moraghan_2014 ;CFP_SR00526_byron_2014 CFP_SR00527_gabuzda_2014; CFP_VR00540_herlihy_2015; CFP_VR00541_lenihan_2015; CFP_VR00542_healy_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork: Ireland: 1700s-2010s: Relation A related resource If the Walls Could Talk: Stories of Cork's Built Heritage (2013) Links to: <a href="http://corkfolklore.org/archivecatalolgue/collections/show/1" target="_blank" rel="noreferrer noopener">Catalogue Collection</a> <a href="http://corkfolklore.org/films/" target="_blank" rel="noreferrer noopener">Film</a> Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource 9 Audio 3 Video Format The file format, physical medium, or dimensions of the resource .wav .mov Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewee The person(s) being interviewed Maud Cotter Interviewer The person(s) performing the interview Mark Wilkins Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47min 41sec Location The location of the interview Cathedral Avenue, Shandon, Cork, Ireland Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com Well, when I joined the college, we were told, that we could, this was a completely different system now, it was the ATHC, there are about fourteen different exams you had to do, we were told as part of our initiation, you know as students, that we could go into any class at any level, so the classes were being run on first year, second year, third year, fourth year level, and we could go into any class we wanted to go into, [pause] I went out in the first group because my name is ‘C’, and when I was out there I just said, I am not going back to my own class actually I am just going to stay out here and advance life drawing and all this sort of stuff, I said they will come and get me and give out to me [cough], you know, and I will just wait for that to happen but they actually never did. That’s the kind of place it was like, it was amazing. But my very first lesson, was antique drawing, and the college then, see the school, as it existed then, was really a 19th Century structure in all its aspects practically, in terms of the structure of teaching, well that’s not, that’s not fair on my extraordinary tutors actually, but the kind of educational structure that was there, was kind of 19th Century. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maud Cotter: Crawford Art Gallery, Crawford School of Art Subject The topic of the resource Built Heritage: Description An account of the resource Maud explains how she came to study at Crawford School of Art in 1972. She praises her tutors but notes that many of them were fired when a new teaching regime was brought in to support a new Diploma qualification. She says the college had an air of freedom and informality, where the boundaries between art school and gallery, and between professional artists and students were blurred. She talks about rooms in the gallery that attracted her and returns to the topic of her teachers. Note: Part of Heritage DVD ‘If the stones could speak’ Date A point or period of time associated with an event in the lifecycle of the resource 12 May 2014 Contributor An entity responsible for making contributions to the resource Interviewee: Maud Cotter Interviewer: Mark Wilkins Identifier An unambiguous reference to the resource within a given context CFP_SR00511_cotter_2014 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland 1970s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Type The nature or genre of the resource Sound Crawford Art Gallery Crawford School of Art https://corkfolklore.org/archivecatalolgue/files/original/857fa8811f5c6018fde65a48e8ad94d7.jpg 9e614d0569c64b5ffbacd28a9407a152 https://corkfolklore.org/archivecatalolgue/files/original/aa541979a063ef5dcde2381a079d4026.mp3 a1d7be6475784a73a8954f24d858b0c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HSE Orthopaedic Hospital Oral History Project (d'Orthopaedic) Subject The topic of the resource Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore: Description An account of the resource This collection project was a collaboration between the CFP and the Cork North Community Work Department, Cork Kerry Community Healthcare, Health Services Executive, on the occasion of the development of St. Mary’s Orthopaedic Hospital, Gurranabraher, as a Primary Care Centre. This hospital was know throughout Cork City as 'd'Orthopaedic'. The Memories of the Orthopaedic project focused on a cohort of nine interviewees who were associated with ‘the Orthopaedic’ as former staff (including medical and housekeeping), patients and locals who grew up near the hospital in Gurranabraher. The interviews, all but one of which were carried out by Joanne McNamara of the Health Services Executive, took place between April and September 2017. The project resulted in the publication of The Ministry of Healing, St Mary’s Orthopaedic Hospital Cork: An Oral and Historical Record (by Tomás MacConmara for the CFP), and elements from the interviews were incorporated into an open-air display linked to a Slí na Sláinte (Path to Health) walking route on the new campus. The project was celebrated and the book launched on 12 April 2018 at the CFP Outreach Hub. The CFP and the HSE subsequently entered into a two-year partnership, the 'Oral History for Health' project that carries out oral history in health care contexts (2019-2020), the first strand of which is the HSE Grattan Street Stories project. Date A point or period of time associated with an event in the lifecycle of the resource April 2017 - September 2018 Contributor An entity responsible for making contributions to the resource Interviewees: Noel Dempsey; Breda McNamara; Breda McShane; Maura O'Connell; Mary O'Sullivan; John Curtin; Peter Sargent; Tony Fitzgerald; Loraine Twomey; Interviewers: Joanne McNamara (8 Interviews): <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> (1 Interview) Identifier An unambiguous reference to the resource within a given context Other Interviews in this Collection <a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener">CFP_SR00618_Dempsey_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener">CFP_SR00622_McNamara_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener">CFP_SR00625_McShane_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/159" target="_blank" rel="noreferrer noopener">CFP_SR00626_O'Connell_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener">CFP_SR00628_Osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener">CFP_SR00632_Curtin_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener">CFP_SR00633_Sargent_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener">CFP_SR00648_Fitzgerald_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener">CFP_SR000673_Twomey_2018</a>; Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1950s-2010s Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 9 .wav Files Relation A related resource Published Material MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive. Listening Events Listening events were held where audio material from this collection was played in public and discussed by Cork Folklore Project researchers. <ul> <li>Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy">Kieran Murphy</a> and <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jamie+Furey" target="_blank" rel="noreferrer noopener">James Furey</a> at Hollyhill Library, 22nd August 2018 as part of Heritage Week</li> </ul> <div class="element"> <div class="element-text"> <div class="element"> <ul> <li class="element-text">Listening Event by <a href="https://corkfolklore.org/archivecatalolgue/items/browse?advanced%5B0%5D%5Belement_id%5D=2&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kieran+Murphy" target="_blank" rel="noreferrer noopener">Kieran Murphy</a> at Cork Folklore Project Hub, North Cathedral Visitor Centre, Roman Street Formal Launch of "The Ministry of Healing" (see above), April 2018 </li> </ul> </div> <div class="element">The Cork Folklore Project Audio Archive holds recordings of both these events.</div> </div> </div> <div class="element"></div> Related Collection <div class="element"> <div class="element-text"> The <a href="https://corkfolklore.org/archivecatalolgue/collections/show/16" target="_blank" rel="noreferrer noopener">Grattan Street Stories: Memory of Place</a> was also conducted in collaboration with the HSE. Many of the services from Grattan Street Health Centre were to move to the new St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher on the site of the Orthopaedic Hospital. Indeed some of the interviews for the Grattan Street project took place in this new centre. There is thus some overlap in discussions related to the St. Mary's Health Campus (St Mary’s Primary Care Centre) Gurranabraher itself. </div> </div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maura O’Connell: Orthopaedic Hospital, Working Life, Healthcare Subject The topic of the resource Ireland; Cork; Gurranabraher; Healthcare; Occupational Lore: Description An account of the resource Maura was matron of the Orthopaedic Hospital for 20 years until her retirement in 1997. In this interview Maura recalls the various roles she had in the hospital prior to her being appointed matron. Maura recalls that the nurses residents on the grounds of the hospital and comment that it was very upmarket for its day. Maura then talks about the first hip operation that took place in the hospital, that of a young woman who was 'delighted to be able to wear Cuban heeled shoes'. She then focuses on her time as matron, where she was responsible for around 200 nursing staff. Maura thinks she would hate working today due to inadequate staffing numbers. Maura than reminisces about past patients, like the children who were severely disabled from contracting Polio. She also mentions the likes of Joe Mac and The Dixies coming in on Christmas day to to entertain the staff and patients. Maura then describes the layout of the hospital and the campus. Date A point or period of time associated with an event in the lifecycle of the resource 6 June 2017 Contributor An entity responsible for making contributions to the resource Interviewee: Maura O’Connell Interviewer: Joanne McNamara Identifier An unambiguous reference to the resource within a given context CFP_SR00626_oconnell_2017 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork, Ireland, 1960s-1990s Relation A related resource <a href="http://corkfolklore.org/archivecatalolgue/items/show/156" target="_blank" rel="noreferrer noopener">CFP_SR00618_Dempsey_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/157" target="_blank" rel="noreferrer noopener">CFP_SR00622_McNamara_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/158" target="_blank" rel="noreferrer noopener">CFP_SR00625_McShane_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/160" target="_blank" rel="noreferrer noopener">CFP_SR00628_Osullivan_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/161" target="_blank" rel="noreferrer noopener">CFP_SR00632_Curtin_2017</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/162" target="_blank" rel="noreferrer noopener">CFP_SR00633_Sargent_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/163" target="_blank" rel="noreferrer noopener">CFP_SR00648_Fitzgerald_2018</a>; <a href="http://corkfolklore.org/archivecatalolgue/items/show/164" target="_blank" rel="noreferrer noopener">CFP_SR000673_Twomey_2018</a>; Published Material: MacConmara, Tomás for the Cork Folklore Project (2018) The Ministry of Healing, St Mary's Orthopaedic Hospital Cork: An Oral and Historical Record. Cork: Health Service Executive. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1 .wav File Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1960s 1970s 1980s 1990s Christmas Dunlop Ford Gurranabraher Healthcare Joe Mac Maura O'Connell Nursing Polio St Mary's Orthopeadic Hospital The Dixies Working life https://corkfolklore.org/archivecatalolgue/files/original/0c0040f7e871cf21054372108b6599b6.JPG 277b3a38608d11e5aba1b49b2cb4f07b https://corkfolklore.org/archivecatalolgue/files/original/92b71f298d7f7273e7e57abec481ab5d.mp3 77218cacd8741e8ba516059e7057c50a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cork’s Main Streets Collection Subject The topic of the resource Cork city's North and South main Streets. Date A point or period of time associated with an event in the lifecycle of the resource 2014 Contributor An entity responsible for making contributions to the resource Interviewees: Erin O'Brien; Rosarii Comber; John O'Leary; Liam Ohiugin; Tom Spalding; Noreen Hanover; Michael Creedon; Patrick Leader; Interviewers: Aisling Byron; Tara Arpaia; Dermot Casey; Stephen Dee; Margaret Steele; Mark Wilkins; Identifier An unambiguous reference to the resource within a given context Catalogue Numbers: <a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener">CFP_SR00536_oleary_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener">CFP_SR00537_hanover_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/66" target="_blank" rel="noreferrer noopener">CFP_SR00538_spalding_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener">CFP_SR00539_hUigin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener">CFP_SR00543_obrien_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/69">CFP_SR00544_comber_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/70">CFP_SR00545_leader_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener">CFP_SR00546_creedon_2015</a>; Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork City's North and South Main Streets. Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Publisher An entity responsible for making the resource available Cork Folklore Project Rights Information about rights held in and over the resource Cork Folklore Project This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Language A language of the resource English Type The nature or genre of the resource Audio Format The file format, physical medium, or dimensions of the resource 8 .wav files Description An account of the resource This collection of eight interviews concentrates on Cork City’s historic spine, North and South Main Streets. These streets link the island of the city centre with the North and South Sides of the city. They form a shopping and business area, which has also served a residential purpose down through the years. Although our broader collection contains much description of and stories from the area, these interviews (carried out between January and March 2015 and totalling 4 hours 28 minutes in duration) focus specifically on the streets, their past and their future. Interviewees include residents of the streets and their environs and those who work and have worked there, and the interviews encompass memories of the area from the 1940s onwards, descriptions of change in the area, and reflection on the area’s future. Interviews were carried out with local residents, one of whom is a local historian, representatives of three multi-generational family businesses (Leader’s clothing, the North Gate Pharmacy and Bradley’s Off-licence), a South Main Street resident and city planner, a cityscape historian, and a promoter who was particularly active in organising events in the nightclub Sir Henry’s in the late 1980s and early 1990s. Take a stroll down these streets using the interactive website developed by Penny Johnston: <a href="http://corksmainstreets.corkfolklore.org/cms/" target="_blank" rel="noreferrer noopener">corksmainstreets.corkfolklore.org</a> Cork Civic Trust supported this interviewing project. Relation A related resource Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: <a href="http://corksmainstreets.corkfolklore.org/cms/">http://corksmainstreets.corkfolklore.org/cms/ </a> Penny’s PhD dissertation can be accessed at: <a href="https://cora.ucc.ie/handle/10468/5469">https://cora.ucc.ie/handle/10468/5469</a> Other Material Realating to Cork's Main Streets: <a href="http://corkfolklore.org/archivecatalolgue/items/show/62">CFP_SR00448_hinchy_2012</a>: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy. <a href="http://corkfolklore.org/archivecatalolgue/document/90">CFP_SR00532_davis_2014</a>: Interview with former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aisling Byron Stephen Dee Interviewee The person(s) being interviewed Michael Creedon Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21 mins 45 sec Location The location of the interview North Main Street, Cork Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .wav Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 24bit / 48kHz Interview Format This field should hold one of the following values; audio, video. Audio Transcription Any written text transcribed from a sound The following is a short extract from the interview transcript, copyright of the Cork Folklore Project. If you wish to access further archival material please contact CFP, folklorearchive@gmail.com MC: We always kind of saw the shop as been another member of the family, I mean we’d be together at Christmas, small family that we were, you’d nearly ask about the shop as if well hows the shop and if the shop was okay, we were all okay, it was like that so, the shop was doing fine so it was a bit like that. Maybe one of my earliest memories myself was there was a fire here one time, it was actually on a bonfire night and they used to light bonfires down the side lanes here and there was I suppose maybe I was I dunno five at the time, if I was about that it was about forty years ago and bizarrely we had firelighters stored inside the door at that time, I’m not sure the insurance company ever believed that was a total coincidence but em, my memory of the time was because we had to sell off a lot of the stock and I just remember as a child been very excited about that and dealing with the flour because it was kind of fire damaged and all the ladies coming in to get the cheap flour because they could do their baking because it was been sold off so cheap and I just remember that. But then I suppose on and off during the years just by the nature of it and been a small family we would have come in and out of it. I suppose I came in myself full time in my early twenties so that’s over twenty years ago, now I was actually working in the bank for a little while but I suppose it was always kind of nearly my destiny not that it had ever been forced upon us really in fairness but it always seemed pre-destined. I was the youngest, my sister had gone on to law, my brother was an architect and it, I suppose it was me or nobody. AB: Yeah I was going to ask you that! MC: I didn’t feel an undue pressure but it just evolved into that and I suppose knowing my brother and sister, which you don’t, I was the most suited to it as well in terms of, well I like the interaction of the day to day dealing with people and all that sort of thing so it suited me in that sense you know and em, I suppose then we had to start moving in a different direction because of the, how things changed in terms of retail and how people shop and all that. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael Creedon: Bradley's Subject The topic of the resource North Main Street, Cork Description An account of the resource Michael Creedon relates some of the history pertaining to Bradley's, a 4th generation shop established in 1850 on North Main Street. He discusses the changes that have taken place during that time in the area and the importance of supporting local businesses to keep the character of Cork City local. Bradley’s off-licence and footsore, on North Main Street, was established in 1850 and is currently in the 4th generation of family ownership. Michael Creedon, current owner of Bradley's, discusses the history of the shop within the family dating back to his grandfather (the third generation back from him) and the changing character of the street as well as Cork City over time. He states that the shop started out pasteurizing and selling milk and would have had two other locations on Shear Street and Douglas Street. His grandfather (Michael) and his great-uncle (Frank) worked together in the business before it passed to his uncle who first introduced the notion of the business as a food shop as well. From there Michael discusses his own memories as a child and the close relationship his family had with the shop, including enquiring after the shop at Christmas almost as one would a person. He relates a memory, at the approximate age of five, wherein they kept fire lighters within the door of their shop on bonfire night. He states there would have been no pressure from the family to take on the direction of the shop but that, among his siblings, he was the most suited for it. Finally, the conversation moves on to his own perception of North Main Street and Cork City over time. Michael expresses his regrets that the localised nature of the city is diminishing in favour of large shopping centres, citing the construction of the pedestrian bridge from Popes Quay to Cornmarket Street as well as free parking in other locations in the city as drawing away foot traffic from local businesses. He states that because he is a small business, he makes an effort to support other small businesses in the products that he offers for sale and emphasises that people who care for Cork should support Cork and appreciate the historic quarter. Date A point or period of time associated with an event in the lifecycle of the resource 04 March 2015 Contributor An entity responsible for making contributions to the resource Interviewee: Michael Creedon Interviewers: Aisling Byron, Stephen Dee Identifier An unambiguous reference to the resource within a given context CFP_SR00546_creedon_2015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cork; Ireland; 1800s - 2000s Publisher An entity responsible for making the resource available Cork Folklore Project Language A language of the resource English Format The file format, physical medium, or dimensions of the resource 1.wav File Creator An entity primarily responsible for making the resource Cork Folklore Project Source A related resource from which the described resource is derived Cork Folklore Project Audio Archive Relation A related resource <a href="http://corkfolklore.org/archivecatalolgue/document/64" target="_blank" rel="noreferrer noopener">CFP_SR00536_oleary_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/65" target="_blank" rel="noreferrer noopener">CFP_SR00537_hanover_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/66" target="_blank" rel="noreferrer noopener">CFP_SR00538_spalding_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/67" target="_blank" rel="noreferrer noopener">CFP_SR00539_hUigin_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/68" target="_blank" rel="noreferrer noopener">CFP_SR00543_obrien_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/69">CFP_SR00544_comber_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/70">CFP_SR00545_leader_2015</a>; <a href="http://corkfolklore.org/archivecatalolgue/document/71" target="_blank" rel="noreferrer noopener">CFP_SR00546_creedon_2015</a>; <div class="element-text">Penny Johnston based a digital oral history mapping pilot project called ‘Cork’s Main Streets’ on the audio interviews from this collection in 2016, as part of her PhD research. The 2018 website and the map layer can be viewed at: <a href="http://corksmainstreets.corkfolklore.org/cms/">http://corksmainstreets.corkfolklore.org/cms/ </a> Penny’s PhD dissertation can be accessed at: <a href="https://cora.ucc.ie/handle/10468/5469">https://cora.ucc.ie/handle/10468/5469</a></div> <div class="element-text"> Other Material Relating to Cork's Main Streets: CFP_SR00448_hinchy_2012: Interview of ex-Beamish Brewery (South Main Street) staff member Ed Hinchy. <a href="http://corkfolklore.org/archivecatalolgue/document/90">CFP_SR00532_davis_2014</a>: Interview with the former manager of The Other Place Resource Centre (South Main Street), Clive Davis, conducted by Stephen Dee and Dermot Casey, as part of the LGBT Archive Collection CFP_SR00535_wilkins_2014: Mark Wilkins was interviewed by Aisling Byron on the music scene of Cork City in the 1980s and 1990s: the interview contains an in-depth discussion of South Main Street music venue Sir Henry’s and of the South Main Street pub The Liberty.</div> Rights Information about rights held in and over the resource Cork Folklore Project Type The nature or genre of the resource Sound 1800s 1850s 1900s Bonfire Night Bradley’s Business Dairy Farmhouse Bakery Food Ice Cream Kilgrews Kings Jewellers Lions (Rugby) Michael Creedon North Main Street Rugby St Francis Church